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Loginova, Marina V. "Ethno-aesthetics in the system ethnic culture: theoretical and methodological aspect." Finno-Ugric World 13, no. 2 (July 12, 2021): 169–79. http://dx.doi.org/10.15507/2076-2577.013.2021.02.169-179.
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Introduction. The article deals with the study of theoretical and methodological foundations of ethno-aesthetics as a “cultural code” of an ethnos through a systematic approach to solving the problem of the ratio of ethno-culture and ethno-aesthetics. The aim of the study is a philosophical analysis of ethno-aesthetics to determine the semantic potential of the symbolic capital of ethnic culture. Materials and Methods. The logic of the research, ascending from the abstract (definition of ethno-aesthetics) to the exact (ethno-futurism), is based on a systemic approach. It distinguishes the following methods: dialectical (ethno-aesthetics at the level of the singular, particular and universal), comparative-historical (transformation of ethno-aesthetic values); structural and functional (ethno-aesthetics as an open system of aesthetic values that serve as “markers” of ethnic originality). Results and Discussion. The author denotes the theoretical and methodological aspects of ethno-aesthetics in the modern conditions of being of an ethnos: ethno-aesthetic values, aesthetic ontology of ethnos, expression in ethno-aesthetics of the “spirit of a people”. In the ethnic world-picture the expression of the concept “spirit of the people” allows to highlight the levels of ethno-aesthetics in ethnoculture: substantial (aesthetic consciousness, aesthetic values that reflect/express the “spirit of a people”); functional-historical (transforming system of aesthetic relations and aesthetic experience of an ethnos). The author notes the relationship of ethno-aesthetic values with mentality, the “spirit of a people”, the deep layers of ethnic consciousness (traditions, rites, beliefs, mythological representations, archetypes), art as a system of creating symbolic images. The dialectics of single, special and universal with regard to aesthetic values distinguishes ethno-aesthetics as the level of being of special, which at the same time combines (values and creative potential of an ethnos in world exploration) and determines the specifics of understanding and interpretation by an ethnos the basic values (the beautiful, the tragic, the comic, etc.) and its fixation in the language. The source of aesthetic ontology is the experiencing by an ethnos life, nature, labour, creativity, which have creative and harmonizing potential. Conclusion. The author interprets ethno-aesthetics as an integral part of aesthetics, which creates a philosophical theory of an ethnos aesthetic relationship to the world (nature, art, labour), reflects the process of formation and development of aesthetic sensuality and aesthetic consciousness, the value of the world.
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Barash, L. A. "Communicative aspect of aesthetic education." Social’naya politika i sociologiya 14, no. 4 (2015): 199–206. http://dx.doi.org/10.17922/2071-3665-2015-14-4-199-206.
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Zimenko, T. V. "The Concept of Taste in South Korea: Historical, Aesthetical and Philosophical Aspects." Concept: philosophy, religion, culture 4, no. 4 (December 29, 2020): 83–101. http://dx.doi.org/10.24833/2541-8831-2020-4-16-83-101.
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The focus of this paper is on the Korean aesthetic model of taste. In order to investigate the origins of aesthetics in Korea and its current place in Koreans’ lives, it analyzes the key concepts of the Korean aesthetics and spiritual aspects of life for Koreans. In a way to exemplify this cultural system, traditional Korean food is presented as a conceptual representation of the aesthetic experience. Its role in integrating different aspects of meanings and values in everyday lives of Koreans is also discussed. The research subject is studied through the complex lenses: its association with both the gastronomic taste, which comprises organoleptic perception and aesthetic judgements, and the semiotic aspect of culture, represented by basic units thereof – words. The optics of the interdisciplinary outlook of this method suggests a new approach to viewing Korean aesthetic of taste. The research shows that scientific approach to aesthetics was first adopted in Korea in the 1930s under the cospicuous cultural influence of the Japanese colonial rule; the ideas formed at that time still remain important aesthetic concepts. The study proposes that meot should be viewed as the most important and representative concept in Koreans’ everyday aesthetic experience. The cultural and historical analysis of Korean gastronomic culture suggests there is a number of specific cultural and cosmogonic meanings that were typical of the royal cuisine during the Joseon era and demonstrates how certain Korean dishes are endowed with aesthetic and existential values today.
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Zimenko, T. V. "The Concept of Taste in South Korea: Historical, Aesthetical and Philosophical Aspects." Concept: philosophy, religion, culture 4, no. 4 (December 29, 2020): 83–101. http://dx.doi.org/10.24833/2541-8831-2020-4-16-83-101.
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The focus of this paper is on the Korean aesthetic model of taste. In order to investigate the origins of aesthetics in Korea and its current place in Koreans’ lives, it analyzes the key concepts of the Korean aesthetics and spiritual aspects of life for Koreans. In a way to exemplify this cultural system, traditional Korean food is presented as a conceptual representation of the aesthetic experience. Its role in integrating different aspects of meanings and values in everyday lives of Koreans is also discussed. The research subject is studied through the complex lenses: its association with both the gastronomic taste, which comprises organoleptic perception and aesthetic judgements, and the semiotic aspect of culture, represented by basic units thereof – words. The optics of the interdisciplinary outlook of this method suggests a new approach to viewing Korean aesthetic of taste. The research shows that scientific approach to aesthetics was first adopted in Korea in the 1930s under the cospicuous cultural influence of the Japanese colonial rule; the ideas formed at that time still remain important aesthetic concepts. The study proposes that meot should be viewed as the most important and representative concept in Koreans’ everyday aesthetic experience. The cultural and historical analysis of Korean gastronomic culture suggests there is a number of specific cultural and cosmogonic meanings that were typical of the royal cuisine during the Joseon era and demonstrates how certain Korean dishes are endowed with aesthetic and existential values today.
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Benjafield, John. "An Aesthetic Aspect of professional Sport." Empirical Studies of the Arts 5, no. 2 (July 1987): 105–14. http://dx.doi.org/10.2190/vua0-6280-vq3h-5v59.
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How often does a professional sports team have to win in order to demonstrate that it is a worthy representative of its home city? The answer may very well be: 61.8 percent home victories for a hockey team, and 61.8 percent total victories for a championship baseball team. Both these values are the Golden Section, the most famous proportion in Western aesthetics. The fact that the Golden Section appears to be a regulating proportion in sport implies that it is an archetype, and operates in a way that is complementary to the Gestalt law of symmetry.
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Bisheva, Natalia. "FIRM STYLE PUBLIC CATERING: AESTHETIC ASPECT." Young Scientist 1, no. 65 (January 2019): 338–40. http://dx.doi.org/10.32839/2304-5809/2019-1-65-77.
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Завалишина, Д. Н. "THE AESTHETIC ASPECT OF PROFESSIONAL ACTIVITY." Институт психологии Российской Академии Наук. Организационная психология и психология труда, no. 3() (October 9, 2020): 183–201. http://dx.doi.org/10.38098/ipran.opwp.2020.16.3.010.
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Рассматривается одно из проявлений творческого способа существования человека в профессии - эстетическое «измерение» его трудовой активности. Выделяются три формы реализации эстетического отношения в труде: оценка другими людьми (потребителями, коллегами) продуктов труда человека по эстетическим критериям красоты, гармонии и соразмерной завершенности; эстетическое «измерение» процесса труда («красивая работа»); эмоционально-эстетическое воздействие результатов и процесса работы человека, например педагога, на других людей. Показывается позитивное влияние эстетического «измерения» на актуализацию личностных потенциалов специалистов в опасных видах труда. We consider one of the manifestations of the creative way of human existence in the profession - the aesthetic "dimension" of his labor activity. There are three forms of implementation of the aesthetic attitude in work: evaluation by other people (consumers, colleagues) of human labor products according to aesthetic criteria of beauty, harmony and proportionate completeness; aesthetic "measurement" of the labor process ("beautiful work"); emotional and aesthetic impact of the results and process of a person's work, for example, a teacher, on other people. The positive influence of the aesthetic "dimension" on the actualization of personal potentials of specialists in dangerous types of work is shown.
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Tomaszewski, Mateusz. "Aesthetic medicine cabinets — economic aspect activities." Journal of Face Aesthetics 2, no. 1 (February 10, 2019): 21–27. http://dx.doi.org/10.20883/jofa.7.
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On the global scale, the market of aesthetic medicine increased in the years 2015–2016 by 8.2% on average, while in Poland by 12–15%. The reasons for the strong development of the Polish market may be related to a systematic increase in the number of affluent Poles [3], ease of access to aesthetic medicine treatments, a change in the way of thinking about this type of treatment, and increased awareness of the appearance and striving to preserve a young and beautiful look. The share of new patients in the cabinets of this industry is a proof of great interest in aesthetic medicine procedures. In 2017, new patients accounted for between 25% and 50% of all patients. From an economic point of view, current economic conditions with forecasts of further growth of the aesthetic medicine market are the premise for undertaking activity in this industry. To take full advantage of the potential of the facial cosmetic surgery, it is worth taking care of all possible aspects of its functioning — high competences of medical staff, as well as economic aspects of running such activities, including identification of possible risks in order to avoid them.
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Zhu, Xiao Hui. "On the Roles of Aesthetics in Engineering Education and Healthy Personality Development." Applied Mechanics and Materials 281 (January 2013): 696–99. http://dx.doi.org/10.4028/www.scientific.net/amm.281.696.
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The aesthetic education and its application to engineering education and personality development are considered in this paper. First, we investigate main reasons causing the weakness of the aesthetic aspect in engineering education. Next, we analyze the important roles of aesthetic education to help cultivate the healthy personality. Finally, we propose concrete strategies of incorporating the aesthetics into the engineering education and the personality development for university students, which are expected to be helpful to improve the effectiveness of the higher education.
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Scott, Sarah. "From Genius to Taste." Journal of Jewish Thought & Philosophy 25, no. 1 (May 23, 2017): 110–30. http://dx.doi.org/10.1163/1477285x-12341281.
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I reconstruct the aestheticism of Martin Buber in order to provide a new way of framing his moral philosophy and development as a thinker. The evolution of Buber’s thought does not entail a shift from aesthetics to ethics, but a shift from one aspect of aesthetics to another, namely, from taking genius to be key to social renewal, to taking taste to be key. I draw on Kantian aesthetics to show the connection between Buber’s aesthetic concerns and his moral concerns, and to defend the notion that a certain aesthetic orientation may be just what is needed for moral response.
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Żakowska, Lidia. "Visualization, modelling and analyzing of transport space in cities from the aspect of aesthetics evaluation." Budownictwo i Architektura 13, no. 1 (March 11, 2014): 203–11. http://dx.doi.org/10.35784/bud-arch.1940.
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Author claims that protection of transport space environment covers all actions which enhance aesthetics of this space and which upgrades its visual properties. Protection of transport environment which is realized in a constant care of visual effect, creates a new approach to transport sustainable development research. The considerations on aesthetical evaluation in transportation are presented based on visualization methods, first at classical two-dimensional approach of linear perspective and finally in form of four-dimensional intelligent digital models of virtual space. Transport environment visualization characteristics and their perception in relation to aesthetic properties are studied, also the new emerging science of visualization is described, and finally the future directions of visualization in urban transportation development are predicted.
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Mustafa, Aso Omer. "Language Deflected Aesthetics in the Poetry of (General Love) Muhammed Kurdo." Journal of University of Raparin 8, no. 1 (March 19, 2021): 120–43. http://dx.doi.org/10.26750/vol(8).no(1).paper6.
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Aesthetic is main sort of poetry, during the history the poems have focused on it and in term of concrete this they have tried a lot. Some of the detractors to evaluate the poetry texts they concrete the aesthetic.
in this aspect our paper (Deflected aesthetics in the poetry of general love Muhammed Kurdo) it will attempt to illustrate those language deflected that have been concreted in his poetries.
the research consists of three pivots. The first pivot (poetry´s deflected aesthetic) in general, it describes the concept of aesthetic, poetry, language, deflection and their relation to the construction of text aesthetic. The second pivot (heading aesthetic) this part describe the title aesthetic that have been concreted thru deflect. The third pivot (language deflected aesthetic) language deflected and those aesthetic dimensions in the texts have been described.
the result demonstrated in some points with the references.
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Бердичевский, Е., and E. Berdichevskiy. "Aesthetic and Cultural Aspects of Visual Communications." Scientific Research and Development. Modern Communication Studies 7, no. 6 (December 3, 2018): 65–71. http://dx.doi.org/10.12737/article_5bf51b84302225.39301581.
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The developed classification of the main estetico-culturological aspects of visual communications is given. Semantic characteristics of each aspect, the field of their optimum use are defined. Interrelations between aspects in art and in an applied vizualistica are considered. The conclusion is drawn on expediency of a combination in one communication of several strategic approaches and aspects. Ways of increase in creativity of visual advertizing communications are created.
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Romero-Ramírez, Miguel A., and Duncan Reyburn. "Towards an expansive object and a restrictive experience in Everyday Aesthetics: A Chestertonian metaxological approach." Kepes 18, no. 24 (July 1, 2021): 197–231. http://dx.doi.org/10.17151/kepes.2021.18.24.8.
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This article proposes to resolve an internal ambiguity in the subdiscipline called Everyday Aesthetics (EA), systematized by the researcher Horacio Pérez-Henao, according to whom the extension of aesthetics to the everyday has been done, on the one hand, by means of a consideration of an expansive object and subject according to aesthesis itself, as mainly proposed by Katya Mandoki, and, on the other hand, by means of a restrictive object and subject according to the parameters of an authentic aesthetic experience, a theory headed by John Dewey. Methodology: To resolve this tension, a hermeneutic methodology known as the fourfold sense of being, related to Hegelian dialectic, albeit with important modifications supplied by William Desmond was used. This methodology allows a suitable way to explore and discuss different approaches in everyday aesthetics epitomized by Mandoki and Dewey, and makes possible the proposal of a third way, epitomized by G. K. Chesterton. Results: Bearing in mind the original intention of EA—according to which the everyday must be revitalized from an aesthetic perspective, as explained by Joseph Kupfer, it is argued that the two alternate positions of Mandoki and Dewey are unsatisfactory; an attempt is therefore made to respond to this through the analysis of the aesthetic approach of G. K. Chesterton. From his aesthetic reflections, it can be ascertained that to revitalize daily life, the object must be expansive and the subject, restrictive, from a certain méthodos and according to patterns that qualify an everyday aesthetic experience. All of this seeks to pave the way for subsequent investigations of EA being both expansive and restrictive. Finally, it is argued that this Chestertonian EA converges with and extends the aesthetics of design of Jane Forsey, and thus shows that design itself can be revitalized in keeping with a restrictiveexpansive approach to everyday aesthetics. Conclusion: aesthetics should be expansive every day, in that it should concern itself with any aspect of daily life, and restrictive, in that it should set certain limits on the self and its intentions with regard to the possibilities of aesthetic experience.
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Al-Salam, Nadia A., Ahmed A. Al-Jaberi, and Ahmed S. Al-Khafaji. "Measuring of Subjective and Objective Aesthetics in Planning and Urban Design." Civil Engineering Journal 7, no. 9 (September 1, 2021): 1557–68. http://dx.doi.org/10.28991/cej-2021-03091743.
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The article includes the concept of aesthetics through what has been dealt with in the literature by philosophers and researchers who have addressed this concept in an attempt to derive indicators of aesthetics. The article adopted a descriptive and analytical methodology by reviewing recent literature on the concept of aesthetics and its relation to urban planning and design issues. Many subjective and objective aesthetics indicators have been identified, some of which are classified under real aesthetics, and some under fake aesthetics. The indicators were applied to the Kufa Mosque complex and Sahla Mosque complex as a comparative case study. It was found that the indicators of real aesthetics have a higher weight in determining the final aesthetic judgment on the complex form versus the fake indicators, which in turn reinforced the weighting of the subjective aspect over the objective. This was consistent with the answer to the question directed to the sample about which complexes are more aesthetic. The answer was that the Kufa Mosque complex is most aesthetically. This was proven by the questions directed in the questionnaire, which outweighed the real aesthetic indicators for the Kufa Mosque complex. As for the results of analyzing the indicators of fake aesthetic were equal, as each complex achieved higher values in three indicators. Doi: 10.28991/cej-2021-03091743 Full Text: PDF
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Karpychev, Mikhail. "Aesthetic aspect of the transforming function of music." Ideas and Ideals 2, no. 1 (March 15, 2017): 133–45. http://dx.doi.org/10.17212/2075-0862-2017-1.2-133-145.
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Sierykh, L. V. "Aesthetic education of teenagers: psychological and pedagogical aspect." Science and Education a New Dimension VIII(239), no. 95 (November 25, 2020): 52–55. http://dx.doi.org/10.31174/send-pp2020-239viii95-13.
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Suyolcu, Yavuz, A. Ihsan Unay, and Erhan Karaesmen. "Some Considerations on Aesthetic Aspect of Urban Viaducts." IABSE Symposium Report 88, no. 8 (January 1, 2004): 65–70. http://dx.doi.org/10.2749/222137804796272567.
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Zöller, Günter. "Aesthetic Cognition." Yearbook for Eastern and Western Philosophy 2018, no. 3 (May 27, 2019): 23–36. http://dx.doi.org/10.1515/yewph-2018-0004.
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Abstract The contribution examines the aesthetic aspect of cognition in Kant by exploring the central function of the power of the imagination (Einbildungskraft) in Kant’s critical epistemology, first featured in the Critique of Pure Reason (1781; 1787) and revisited in the Critique of the Power of Judgment (1790). First, the focus will be on the relationship between the power of the imagination and the two main sources of (theoretical) cognition in Kant, viz., sensibility and the understanding. Second, special attention will be devoted to the distinction between schema and symbol, as alternative products of the power of the imagination in the service of rendering discursive concepts intuitive – with schemata serving to make sensible the concepts of the understanding (Verstand) and symbols suited to provide intuitional counterparts to the concepts of reason (Vernunft).
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Kiklewicz, Aleksander. "Aesthetic aspect of media influence (on the example of journalism and Internet)." Philological Sciences. Scientific Essays of Higher Education, no. 6 (November 2020): 16–24. http://dx.doi.org/10.20339/phs.6-20.016.
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The author treats the aesthetic text function as a kind of its interpretation based on the category of beauty. The aesthetic interpretation of the text is carried out on the scale of values: [+beautiful], [–beautiful], [+beautiful], in some cases the aesthetic information is accompanied by a feeling of satisfaction. The functions of aesthetic information in the text and discourse are considered: rhetorical, fascinative, promoting, etc. The author distinguishes between four factors of media aesthetic impact, namely, the use of content resources, form and structure, media suport and context. The author discusses each of these factors taking into account examples from the Russian journalism and Internet.
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Wisnawa, Dewa Ketut. "Religiusitas Pementasan Tari Baris Kupu-kupu pada Upacara Pujawali di Pura Dalem Dasar Banjar Sema Desa Pakraman Bungkulan Kecamatan Sawan Kabupaten Buleleng." Widya Duta: Jurnal Ilmiah Ilmu Agama dan Ilmu Sosial Budaya 13, no. 1 (May 10, 2018): 84. http://dx.doi.org/10.25078/wd.v13i1.438.
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<p>Bali is an island rich in cultural and religious art. One of the most famous religious artworks in Bali is the Butterfly Row Dance. Butterfly Row Dance is a sacred dance that is only found in Buleleng Bungkulan village. This study aims to find out in detail how the staging structure, means of staging, history, values and tingkan religiosity of society in the village of Bungkulan. Based on the results of the research, it is known that the Butterfly Dance has several religious aspects such as the purification aspect, the aspect of expression of gratitude, the cultural aspect, the aesthetic aspect of the religious, the sociological aspect, the aspect of pleading fertility. In addition, Butterfly Rice Dance contains the implications of high religious values such as Tri Hita Karana Implication, bhakti attitude implications, sociocultural implications, aesthetic implications, sacred implications, leadership implications, tatwa implications, ethical implications, psychological implications, and the implications of religiosity.</p>
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Baranov, P., O. Slyvna, and O. Matyushkina. "Eco-aesthetic features of mineral deposits." Journal of Geology, Geography and Geoecology 27, no. 1 (July 10, 2018): 20–29. http://dx.doi.org/10.15421/111826.
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The aim of work is a study of worked out fields, under development and explored deposits of minerals for the purpose eco-aesthetics.The basis of eco-aesthetics is the principle of utility (utility, expediency) and beauty (aesthetics).The criteria for assessing the eco-aesthetics of geological objects are economic, environmental and aesthetic characteristics. Developed deposits cause irreparable damage to the geological environment and the entire ecosystem. Extraction from the bowels of the earth of minerals violates the geochemical systems on many decades and centuries, and on occasion changes the landscape of locality. Developed deposits can be economically profitable, ecologically clean and esthetically attractive due to development to the aesthetic and historical aspects. An example is the Wieliczka mine in Poland, where business, ecology and aesthetics are harmoniously combined. A number of the largest worked out fields and developed fields in Ukraine are in extremely need of the development of this issue. Developed iron ore deposits are one of the important factors of industrial potential of Ukraine. Semiprecious stone material, jaspilite, is the aesthetic aspect of these fields. They have colossal reserves. Using their decorative properties, we have developed the laws of shaping for the design of natural stone, identified the main areas of application of jaspilites in decorative art. Implementation of the idea of creating a Jespilite room will allow Krivbas not only industrial, but also cultural and educational center. The achieved results will qualitatively improve the eco conditions for the local population, the development of stone carving art and will lead to business growth. The explored deposits of spodumene pegmatites in the Western sea of Azov in addition to lithium mineralization contain expansive fields of graphic microcline pegmatites, spodumene and albitic pegmatites. They contain samples of pink spodumene (kunzite), petalite from light green to pink, tourmaline (sherl). Thus, this deposits of spodumene pegmatites in Western Azov today require a comprehensive assessment of minerals, because in addition to ore mineralization there is also a gemstone-colored raw material.
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Beard, Lauren. "Archival Artistry: Exploring Disability Aesthetics in Late Twentieth Century Higher Education." Canadian Journal of Disability Studies 9, no. 5 (December 18, 2020): 75–95. http://dx.doi.org/10.15353/cjds.v9i5.691.
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Jay Dolmage’s (2014) Disability Rhetoric encourages scholars to search beyond normative Aristolean bounds of rhetoric and embrace a critical lens of rhetorical activity as embodied, and disability as an inalienable aspect of said embodiment (p. 289). To that end, this project posits an innovative structure for rhetorically (re)analyzing disability history in higher education through a framework of disability aesthetics. In Academic Ableism, Jay Dolmage (2017) argues that an institution’s aesthetic ideologies and architecture denote a rhetorical agenda of ableism. In Disability Aesthetics, Tobin Siebers (2010) asserts disability is a vital aspect of aesthetic interpretation. Both works determine that disability has always held a crucial, critical role in the production and consumption of aestheticism, as it invites able-bodied individuals to consider the dynamic, nonnormative instantiations of the human body as a social, civic issue (p. 2). Disability, therefore, has the power to reinvigorate the sociorhetorical impact of both aesthetic representation and the human experience writ large. With this framework in mind, this project arranges an archival historiography of disability history in higher education in the late twentieth century at a mid-sized U.S. state institution. During this time, Section 504 of the Rehabilitation Act was finally signed into law, and universities confronted a legal demand to allow all students access. Ultimately, this project seeks to demonstrate how disability scholars and historiographers can widen the view of both disability history and disability rhetoric in higher education through a focus on student aesthetic performance and intervention.
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Semenov, V. S., and R. Sh Akbaraliev. "FLEXIBLE ARCHITECTURAL ENVIRONMENT. SYSTEM ANALYSIS. PROCESS ASPECT." Herald of KSUCTA n a N Isanov, no. 4-2020 (December 23, 2020): 505–9. http://dx.doi.org/10.35803/1694-5298.2020.4.505-509.
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This article examines a flexible architectural environment as a system that can change itsnparameters under the influence of various factors. These changes are motivated by the development or adaptation of the system to external environmental factors. A flexible architectural environment is considered as a system from the point of view of the procedural aspect, which determines changes in the system at various levels, as well as changes in the connections between the internal elements of the system. In this aspect, the internal elements of the system can be identified, with the help of which the flexibility of the architectural environment is achieved. Three levels of change and development of the system are considered in detail: material, functional, and aesthetic. The material and functional level involves changes in the system, which are achieved by structural elements and equipment. The aesthetic level implies changes in the system with elements such as color and light, materials, textures and decor. These groups of elements of the system undergo changes in internal connections, which are formal and aesthetic in nature.
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Kaladagi, Raghavendra, Madhusoodan Gupta, Manoj K. Johar, Abid Saleem, Pradeep K. Singh, Rohit Chandra, Deepak Rathore, Vaishali Shrivastva, Deepti Varshney, and Vishal K. Biswkarma. "Satisfaction level in patients with nasal bone fracture following closed reduction: a follow-up single-centre study from New Delhi, India." International Surgery Journal 8, no. 7 (June 28, 2021): 2123. http://dx.doi.org/10.18203/2349-2902.isj20212719.
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Background: Nose, because of its prominence and central location in the face is more prone to injury. Nasal bone fractures (NBFs) are one of the most common fractures in patients with maxillofacial injuries. The closed reduction of NBFs is well documented and results in varied clinical outcomes. There is paucity over detailed reports on patient satisfaction in terms of functional and aesthetic aspects as well as the reasons for dissatisfaction of the same.Methods: We had conducted a prospective cohort study of previously treated patients to evaluate the postoperative functional and aesthetic outcomes like patient satisfaction following closed reduction of NBFs in the department of plastic surgery.Results: The average age of patients was 40.61 years (SD±15.83), of which 63.7% were male and 36.21% female. The major cause of fracture was found to be RTA (55.17%). The satisfaction as happy (9-10 score) reported by 60.34% patients for functional aspect and 41.38% patients for the aesthetic aspect of closed reduction of NBFs.Conclusions: Our study demonstrated comparatively good satisfaction results in terms of functional and aesthetic aspects following closed reduction. Closed reduction technique of nasal bone fracture is simple, safe, and easy to perform with minimal potential morbidity.
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Budnyk, Olena, and Oksana Kondur. "Moral and Aesthetic Aspect of the Professional Training of Teachers." Journal of Vasyl Stefanyk Precarpathian National University 4, no. 1 (June 15, 2017): 26–33. http://dx.doi.org/10.15330/jpnu.4.1.26-33.
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The article highlights the results of diagnosis of forming moral and aesthetic component of personal and professional readiness of teachers to educational activities in school. The study of moral and aesthetic readiness of students was conveyed using the method of diagnosis empathetic abilities (V. Boyko), the author's methods of detection of readiness for activities of actional moral and aesthetic sense and personal predisposition to conflict behavior (test K. Thomas). The experiment proved that future teachers have had developed moral ideals and spiritual values; and formed aesthetic consciousness (feelings, attitudes, tastes, needs, feelings) and motivation and are ready for active transformative activities in the system of interpersonal communication. The majority of future teachers who participated in the study display a lack of following formed skills and abilities: attention, perception and thinking focused on the state, problems and behavior of another person; emotional sensitivity, the abilities to observe behavior of a partner, traits that promote openness, the ability to understand another person on the mutual basis due to emotional flexibility and the ability to accept other behaviour. This may adversely affect their future professional activities, including working with neglected pupils and their parents. The author considers that a high level of moral consciousness of a teacher being a unity of rational and sensual aspects to facilitate moral and aesthetic relations in professional collaboration
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Matytsyn, A. I. "SYMPHONIC CATEGORIES “SUBLIME” AND “BEAUTIFUL” IN THE BYZANTINETHEOLOGICAL AND AESTHETIC TRADITIONS: SEMANTIC ASPECT." UKRAINIAN CULTURAL STUDIES, no. 1 (2017): 30–34. http://dx.doi.org/10.17721/ucs.2017.1.07.
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The article is devoted to the considering of the definition of categories of "sublime" and "beautiful". The basic features of the categories of "sublime" and "beautiful" as an extremely complex and have a large volume. The symphonicity of these categories is analyzed. The possibilities and the context of their use are shown. It is proved that the dialectical nature of the process of the unfolding of these concepts in the context of the aesthetic thought of Byzantium is due to the presence of elements similar to the principles of modern humanism are defined as principles that characterize symphonism as a special quality of thinking. The following universal characteristics of Byzantine culture are defined as symphonic and canon. A detailed explanation of the connection between the categories "sublime" and "beautiful" is given in the context ofthe Byzantine theological-aesthetic tradition. The article proves that the connection between the categories "sublime" and "beautiful" can and does occur within the framework of the Byzantine canon through their symphony, consonance in the context of the divine. It is determined that the transition from a literal understanding of a sign or symbol to metaphorical one requires an understanding of certain rules and conventions that arise in the course of this transition. It is especially important that the symphony, the harmony of the categories "beautiful" and "sublime", that being extremely voluminous in their content, at the same time make itpossible for the ordinary man to perceive complex symbolic systems. The common feature of the categories "beauty", "beautiful" and "sublime" within the aesthetics of Byzantium is not only the inclusion of the sign "value" (νόημα) as elements in the goal, but also their use. As an additional, intermediate link in the connection symbol(in the aesthetics of Byzantium it is more of an artistic symbol) - a person who is the central axis of the aesthetics of Byzantium.It is proved that the category in linguistics has linguisticmeanings that are interconnected because of the common semantic features, and they are such that represent a closed system of elements of these attributes. In our case, the categories "sublime" and "beautiful" include the entire spectrum of elements that we call when defining these concepts.
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Rosano, Gabriele, Silvio Taschieri, and Massimo Del Fabbro. "Immediate Postextraction Implant Placement Using Plasma Rich in Growth Factors Technology in Maxillary Premolar Region: A New Strategy for Soft Tissue Management." Journal of Oral Implantology 39, no. 1 (February 1, 2013): 98–102. http://dx.doi.org/10.1563/aaid-joi-d-11-00043.
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Achieving an excellent aesthetic outcome in postextraction dental implant placement in the anterior maxilla is a challenging procedure for clinicians. In fact, there is an increased risk for soft tissue recession at the facial aspect which may require supplementary connective tissue grafts to accomplish the final aesthetic result. The aim of this case report is to describe a regenerative technique using autologous plasma rich in growth factors fibrin plug for preservation of soft tissue architecture around an implant immediately placed into an extraction site in the anterior maxilla. Such a procedure allowed for guided bone regeneration without the need for vertical releasing incisions and primary healing, thus showing a pleasant gingival contour at the facial aspect after a single stage surgery. Integrating this technique into common practice could provide important benefits for the patients regarding aesthetics, without any risk of infection or transmission of diseases.
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Han, Young-Kyun. "The Aspect of Disaster and Aesthetic Cultivation in Film." Journal of the Korea Contents Association 14, no. 3 (March 28, 2014): 166–75. http://dx.doi.org/10.5392/jkca.2014.14.03.166.
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Miroshkin, Michael. "THE AESTHETIC ASPECT OF S. BULGAKOV PHILOSOPHY OF ECONOMY." Bulletin of the Moscow State Regional University (Philosophical science), no. 1 (2017): 104–11. http://dx.doi.org/10.18384/2310-7227-2017-1-104-111.
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Falah, Fajrul. "Estetika Batik Tulis Motif “Bintang Laut” Pekalongan, Jawa Tengah (Kajian Estetika)." Nusa: Jurnal Ilmu Bahasa dan Sastra 13, no. 1 (February 28, 2018): 16. http://dx.doi.org/10.14710/nusa.13.1.16-25.
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Aesthetic research on Pekalongan batik is rare and limited. Several studies related to Pekalongan batik are studied from the economic aspect (production, distribution, and consumption) and health (disease). This study aims to reveal the aesthetics of motif batik "bintang laut" Pekalongan Central Java. The research approach used is aesthetics that include, unity, dominance and balance. This research is a literature study. The method used is descriptive analytics. The source of this research data is batik motif in Pekalongan. The selected and taken sample is one of the batik motifs in Pekalongan, "bintang laut". The results show batik motif "bintang laut" has a beauty and contains three esthetic elements. Miniature marine fauna and balanced color combinations and the size of different “bintang laut”, adding to the aesthetic impression and originality of batik that the way of making it still using the hand (manual).
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Webb, Sarah, and Janet Fulton. "‘I want to read it in my hands’: The aesthetic attraction of independent women’s magazines." Australian Journalism Review 41, no. 2 (November 1, 2019): 273–87. http://dx.doi.org/10.1386/ajr_00011_1.
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There is a growing body of evidence suggesting that independent magazines, also known as ‘independents’, are thriving in Australia’s print media industry. As ‘maverick’ editors, owners and publishers focus more on the design and aesthetic aspects of their publications in response to changing reader expectations, there appears to be a demand for independents among female readers. In particular, young adult female readers are choosing to engage with independent women’s magazines in Australia, placing particular emphasis on the aesthetic reading experience offered by the hard-copy format. To explore this phenomenon, a survey and focus group were conducted among women aged 18‐24 years, using Blumler and Katz’s Uses and Gratifications theory as the theoretical framework. The initial survey garnered findings from 300 respondents, while the focus group consisted of six participants. One key aspect of the results is that aesthetics is central to understanding the continued appeal and use of such a medium. Other aspects include quality of content, entertainment, escape, collection and habit, and ease of use. In an age where ‘digital’ is often regarded as the norm, young adult female readers are seeking inspiration and expression from independent women’s magazines.
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Kazimierska, Natalia, Magdalena Szymura, and Karol Wolski. "Aesthetic aspects of plant communities of ruderal urban sites in Szczecin." Biodiversity: Research and Conservation 13, no. 1 (January 1, 2009): 43–48. http://dx.doi.org/10.2478/v10119-009-0008-0.
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Aesthetic aspects of plant communities of ruderal urban sites in SzczecinSynanthropization of plant cover, connected with urban development, contributes to the appearance of specialized ruderal plant communities, adapted to habitats exposed to human influence. A lot of published data have focused on urban flora, but the aesthetic aspect of perennial and temporary plant communities at urban sites has been frequently omitted. Currently the practical use of such plant communities is limited by the lack of descriptive information available. In this study great attention has been paid to variability of urban communities, defined by: aesthetic aspects, flowering period, and colour variability in flowering communities. In Szczecin,Artemisio-Tanacetetum vulgaris, Calamagrostietum epigeji, Dauco-Picridetum hieracioidis, andRudbeckio-Solidaginetumhave been recognized as especially decorative. They could be used to reduce the costs of establishing and maintaining urban green areas.
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Hollingshaus, Wade. "A Literary (Techno)science." Nordic Theatre Studies 31, no. 1 (March 14, 2019): 58–72. http://dx.doi.org/10.7146/nts.v31i1.113001.
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Beginning in the late 1970s, Finland’s Erkki Kurenniemi (1941-2017) actively labored to archive every possible aspect of his life. He took photos, made videos, and collected his tram tickets, receipts, body hairs, etc. Kurenniemi believed that within the next forty years, computer technoscience will have advanced sufficiently that it could be programmed to interpret the data of his archive and—on his 107th birthday, 10 July 2018—resurrect his consciousness. For Kurenniemi, this project was an experiment in the realms of neuroscience and artificial intelligence. However, it can also be seen as an experiment in aesthetics, or in what Jacques Rancière calls the “aesthetic regime” of art—an aesthetic-political historical framework imbued with the dynamics of democracy, where “everything speaks.” This article reframes Kurenniemi’s work within the aesthetic regime of art to draw attention to the “silent speech” and “aestheticunconscious” (Rancière) of the work and what is the literary nature of Kurenniemi’s experiments with (techno)science.
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da Silva, Odette, Nathan Crilly, and Paul Hekkert. "Maximum Effect for Minimum Means: The Aesthetics of Efficiency." Design Issues 32, no. 1 (January 2016): 41–51. http://dx.doi.org/10.1162/desi_a_00363.
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The aesthetic judgment of an artifact is usually interpreted as an assessment of the artifact's sensory properties. But an artifact can also be appreciated, and still aesthetically, for the way it fulfills its purpose. Existing design theory does not provide the concepts required for describing this aspect of aesthetic appreciation and so cannot fully explain what people mean when they say a product is beautiful. In this paper, we develop an understanding of the aesthetic judgment based on the principle of maximum effect for minimum means. We explain how a means–effect relationship can be established between a product and its purpose or effect, and how the product and the effect can be perceived to be minimal and maximal. We also explain how the appreciation of this relationship depends on a set of assumed alternatives for both the product or means and the effect. Finally, we provide some directions for future research into design aesthetics.
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Milicic-Lazic, Minja, Jovana Markovic, Danica Popovic, and Vojkan Lazic. "Treatment planning in implant-prosthodontics: Prosthodontic aspect." Serbian Dental Journal 67, no. 3 (2020): 144–53. http://dx.doi.org/10.2298/sgs2003144m.
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Properly implemented treatment plan implies adaptation to each individual case. The anatomical and morphological limitations of edentulous and partially edentulous jaws present a challenge for the clinician in the context of establishing an adequate implant position, retention and stabilization of dental restoration. On the other hand, highly aesthetic patient requirements play a significant role in achieving overall satisfaction with implant-prosthodontics treatment. From the perspective of the complexity of implant therapy, the first clinical phase of planning requires detailed sublimation of the criteria that define the treatment plan, among which the most important are: degree of regressive bone remodelling, type of prosthodontic restoration, loading time, type of retention, as well as aesthetic criteria. The ideal position of the implant is an important prerequisite for successful tissue integration. The aim of this paper was to present the complexity of the therapeutic plan based on the collected literature through the analysis of factors related to prosthodontic aspect.
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Benjafield, John. "A Review of Recent Research on the Golden Section." Empirical Studies of the Arts 3, no. 2 (July 1985): 117–34. http://dx.doi.org/10.2190/p9cq-hyla-3792-l8h7.
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The Golden Section has long been considered by many to be the most pleasing proportion. Several recent experiments concerning its aesthetic quality are reviewed. While current measurement techniques are too imprecise to yield a definitive conclusion, the possibility still exists that the Golden Section is more pleasing than other proportions. Another set of studies dealing with a different aspect of the Golden Section is also reviewed. These studies indicate that the Golden Section informs the way we make distinctions such that whenever we divide one thing into two parts we tend to make the division using the Golden Section. Originally a concept in aesthetics, the Golden Section may also be useful for understanding other forms of experience in addition to the aesthetic.
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Jung-Seung Ha. "A study on the aspect and aesthetic characteristics of Yeomjungsi." DONG-BANG KOREAN CHINESE LIEARATURE ll, no. 37 (December 2008): 81–116. http://dx.doi.org/10.17293/dbkcls.2008..37.81.
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Sangphil Shin. "Writing Style's Record Property and its Aesthetic Consciousness's Development Aspect." DONG-BANG KOREAN CHINESE LIEARATURE ll, no. 49 (December 2011): 223–50. http://dx.doi.org/10.17293/dbkcls.2011..49.223.
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I. I., Gorina, Gorobets L. N., Kozlova G. A., Nikulnikova Ya. S., and Tanasova T.G. "NORMATIVE ORIENTATION OF THE LANGUAGE OF FICTION: LINGUISTIC-AESTHETIC ASPECT." Humanities & Social Sciences Reviews 7, no. 4 (October 3, 2019): 833–36. http://dx.doi.org/10.18510/hssr.2019.74110.
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Purpose: The article conducts the study implementation of the normative orientation of the language of fiction: linguistic-aesthetic aspect
Methodology: This is analytical-logical research done by content analysis.
Result: In the article, it is argued that normative orientation of the fiction speech is rather different from that of functional styles in which, as a rule, not only non-literary language elements but also specific phenomena of other styles are not used.
Applications: This research can be used for the universities, teachers and education students.
Novelty/Originality: A number of outstanding scientists such as V.D. Levin, N.A. Meshchersky, N.M. Shansky, N.L. Maksimov, D.N. Shmelev, K.A. Panfilov and others consider the language of fiction as a special type of the literary language which is characterized by aesthetic function and in which the particular peculiarities of all other functional styles can be found as well as non-literary linguistic means of different kinds: colloquial, slang, dialectal, etc.
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Rohana, Rohana. "ANALISIS NILAI PENDIDIKAN DALAM NOVEL CAHAYA DI ATAS CAHAYA KARYA OKI SETIANA DEWI." Ksatra: Jurnal Kajian Bahasa dan Sastra 2, no. 1 (September 4, 2020): 45–52. http://dx.doi.org/10.52217/ksatra.v2i1.501.
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The problems raised in this study are related to the analysis of educational values in the novel Cahaya di Atas Cahaya by Oki Setiana Dewi. The educational aspects studied include aesthetic (beauty), moral, religious and social aspects. The purpose of this research is to describe the value of education in the novel Cahaya di Atas Cahaya by Oki Setiana Dewi and to find out the dominant value and its relevance in the reader's life. This research uses descriptive qualitative method. The results of data analysis that have been carried out on the novel Cahaya di Atas Cahaya by Oki Setiana Dewi which is studied from its educational values, both aesthetics (beauty), moral, religious and social, strongly indicate the existence of educational values that are beneficial to readers and connoisseurs of literature in particular. novelist. The value of education in the aesthetic education aspect tells about the beauties of real work as reality based on God's truth. The value of education, especially moral education, such as being devoted to parents, positive thinking in all things faced, not being arrogant and selfish, and always being able to care for others and not being arrogant towards something you have and being able to control yourself in any situation. Educational values in the aspect of social education include always thinking positively towards others, needing each other, knowing hostility, having courtesy, always forgiving others mistakes, and being able to understand differences in beliefs. The value of religious education is such as the attitude of always being patient in dealing with endless problems, having good morals and ethics.
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Drăghici, Raluca, Cristina Teodora Preoteasa, Ana Maria Cristina Tancu, and Elena Preoteasa. "Impact of teeth color determination on dental eshtetic perception." Romanian Journal of Stomatology 61, no. 3 (September 30, 2015): 238–42. http://dx.doi.org/10.37897/rjs.2015.3.5.
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Aim. People with attractive facial appearance are more easily integrated in society and are considered to be more capable, more intelligent and more responsible. The aesthetic aspect is influenced by expression, by facial symmetry, facial contours and teeth colour. In dental restorations, the correct determination of teeth colour is a critical step with extreme importance for successful treatment. From this perspective the practitioner must have experience, must have the ability to distinguish colours and must train through repetitive visual practical exercises that can have an impact on the perception of dental aesthetics. Materials and method. The study followed comparatively the evolution of teeth colour determination and its impact on dental aesthetics perception. It was conducted on a group of fifth year students from the Faculty of Dental Medicine, Bucharest using the Tooth Training Box colour determination exercise that is based on the 3-D Master colour key principle. Results. Using training exercises to determine colour participants developed a better understanding of the physical principles behind the procedure but also a significant increase in accuracy of their measurements and confidence in their colour determinations. Conclusions. Using an aesthetic evaluation protocol that translates teeth colour in a universal language for both practitioners as well as dental technicians has a significant impact in aesthetic dentistry.
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Rančić, Katarina, and Slobodan Marković. "The Perceptual and Aesthetic Aspects of the Music-Paintings Congruence." Vision 3, no. 4 (November 20, 2019): 65. http://dx.doi.org/10.3390/vision3040065.
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The purpose of the present study is to investigate the effect of congruence between music and paintings on the aesthetic preference of paintings. Congruence was specified as the similarity in perceived regularity and the complexity of jazz compositions and abstract paintings (the ratings of regularity and complexity in both sets of stimuli were obtained in the pilot study). In the main experiment, 32 participants rated the aesthetic pleasantness of paintings with congruent, incongruent, and no music background. In addition, they rated the music-paintings matching (how well the music goes with the painting). The results show no effect of congruence on aesthetic pleasantness ratings. The effect on the perceived matching was significant; matching is higher in the congruent compared to the incongruent condition. These findings suggest that congruency has a strong effect on the perceptual aspect of the music-paintings compatibility (visuo-auditory similarity) and no effect on the aesthetic aspect (liking).
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Stafleu, M. D. "ON AESTHETICALLY QUALIFIED CHARACTERS AND THEIR MUTUAL INTERLACEMENTS." Philosophia Reformata 68, no. 2 (December 2, 2003): 137–47. http://dx.doi.org/10.1163/22116117-90000288.
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Discussions about the aesthetic relation frame (or modal aspect) are often focused on subject-object relations, on objects of arts, their production and their perception.1 A Christian philosophical anthropology emphasizes human subject-subject relations and human acts, including more than the production of artefacts. According to the philosophy of the cosmonomic idea, any kind of human act has an aesthetic aspect. Yet, I shall restrict myself to types of characters (or structures of individuality) that are aesthetically qualified. I shall discuss (1) characters of acts, which objects are not typically aesthetic; (2) characters of acts, which objects are aesthetically qualified; (3) characters of acts performed in subject-subject relations, and (4) characters of aesthetically qualified associations.
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Islamsyah, Hapiz. "PERANAN STYLING DAN ERGONOMI PADA CITY CAR TERHADAP MASYARAKAT URBAN JAKARTA." Idealog: Ide dan Dialog Desain Indonesia 2, no. 2 (May 17, 2019): 138. http://dx.doi.org/10.25124/idealog.v2i2.1059.
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Design is connecting to all about aspect, the most important aspect is functions and aesthetic, design whit out aesthetic become emptiness and design whit out functions became useless, in this days science, technology and culture its become part of lifestyle, all about of goods, gadget was born from designer to fill basic needs and desire of humanity, modern human lifestyle is the most essential pride, automotive electrical goods mostly connected to their life. In this research talk about performance of LCGC ( Low Cost Green Car ) the most common used from urban society in Jakarta whit looking from styling and ergonomic aspect
Keywords : lifestyle, functions, ergonomic, styling, LCGC
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Montoya, Francisco G., Raúl Baños, Alfredo Alcayde, and Francisco Manzano-Agugliaro. "Symmetry in Engineering Sciences." Symmetry 11, no. 6 (June 15, 2019): 797. http://dx.doi.org/10.3390/sym11060797.
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The symmetry concept is mainly used in two senses. The first from the aesthetic point of view of proportionality or harmony, since human beings seek symmetry in nature. Or the second, from an engineering point of view to attend to geometric regularities or to explain a repetition process or pattern in a given phenomenon. This special issue dedicated to geometry in engineering deals with this last concept, which aims to collect both the aspects of geometric solutions in engineering, which may even have a certain aesthetic character, and the aspect of the use of patterns that explain observed phenomena.
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Geroeva, Lyudmila. "Social-cultural aspect of the development of ideal in the Russian theatre." KANT 37, no. 4 (December 2020): 383–88. http://dx.doi.org/10.24923/2222-243x.2020-37.78.
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The article explores the formation and development of the problem of aesthetic ideal in Russian theatrical art, analyzes the socio-cultural evolution and historical periodization of Russian theater, its distinctive features in the context of the development of society. The main areas that form the activities of theatrical currents and schools, their philosophical and social importance and influence on historical formations and consciousness of society are defined, the criteria for expressing the aesthetic ideal in the art of theatre from the point of view of educational and educational potential are investigated.
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Rolfsen, Amund. "Peter Eisenman and the possibility of an aesthetic formalism." SAJ - Serbian Architectural Journal 11, no. 3 (2019): 543–52. http://dx.doi.org/10.5937/saj1903543r.
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Formal considerations constitute the core aspect of Peter Eisenman's work. Arguably, they are the only consistent theme of his work, and are based on the concept that architecture is a mediation between the embodied internal world of human beings and the external physical world which we inhabit. Eisenman thus gives form a 'conceptual' rather than perceptual basis, whereby universal formal relationships are more important than sensual aspects. This leaves architecture as a syntactic operation based on reason and logic, with apparent formal relationships as is its main justification. The understanding and development of an inherent formal language becomes the main goal in such an approach, and meaning is disregarded in its extrinsic character with a reference to social, historical or other representational traits. In this paper I am discussing Eisenman's views on architectural formalism through the scope of aesthetics. Since he disregarded aesthetic considerations throughout his career, especially beauty, it is fruitful to explore and examine his stance on the properties of architecture as a way to justify his claims of formal primacy. I am basing my analysis on Nick Zangwill's formalist theories, and thus giving primacy to the formal-spatial properties of the architectural object as being judged by the human subject. This could bring back the discussions of formalist aesthetics to architectural theory and makes the judgment of architectural quality a formal issue.
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Kuletin-Culafic, Irena. "Marc-Antoine Laugier’s aesthetic postulates of architectural theory." Spatium, no. 23 (2010): 46–50. http://dx.doi.org/10.2298/spat1023046k.
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Views on architecture that hold a significant position in architectural theory are the ones by Marc-Antoine Laugier, a French theoretician from the 18th century. The research on his architectural theory that have been carried out so far are quite stereotypical and concern Laugier?s concept of primitive hut as his only significant contribution to architectural theory. It is well-known that the concept of primitive hut plays an important role in Laugier?s theory and it is what actually maintained his reputation up to now. However, by singling out this concept as an independent one, one actually neglects all the other aspects of Laugier?s theory. The aim of this paper is to present multidimensionality of Laugier?s architectural aesthetics by crossing the borders of architecture and viewing Laugier?s ideas in cultural, philosophical, religious and historical context, as well as applying the integrative process and considering the spiritual paths of the enlightenment movement in the mid-18th century. A special attention is paid to considering the aesthetic aspect which represents the gist and an inevitable part of Laugier?s architectural theory. His aesthetic theory is important in forming the classicist style, and despite its radical character, it influenced many architects in France and the rest of Europe. We may see Laugier as one of the first modernists considering his structuralist logic of the constructive circuit of architecture and aesthetic modesty of decoration. Laugier?s functionalist attitude that the constructive circuit should at the same time represent a decorative element of architecture confirms the thesis that modernist approach has its roots in the 18th century.
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Matveeva, Alla, Roman Krasnov, Ekaterina Yalunina, and Andrey Romanov. "Comparative analysis of socialist and bourgeois art in the social philosophical aspect." SHS Web of Conferences 72 (2019): 03049. http://dx.doi.org/10.1051/shsconf/20197203049.
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At the beginning of the XX century, bourgeois theorists of artistic culture declared dehumanization as one of the main features of the modernism art, one of the main tasks of the contemporary artists’ artwork. Getting to the scientific understanding of the complex and complicated phenomena of modern art culture, it is necessary to reveal not only the socio-economic reasons for their appearance; the philosophical prerequisites for the development of modern bourgeois art, the ideological orientation of its movements should be identified. In the article, the authors argue that modern bourgeois aesthetics objectively performs the opposite tasks: a) bourgeois art distracts artists and spectators from pressing issues of life, b) imposes ideals and tastes that are advantageous to the bourgeoisie, c) sow pessimism and disbelief in human forces. According to authors, as opposing the personality of society, bourgeois art contributes to the isolation of human from social problems, from issues and tasks of the struggle for a better future. The authors believe that the disclosure of the reactionary ideological essence for the many directions of modern bourgeois art enables a consistent Marxist aesthetic analysis of the content and form of artwork and the principles of bourgeois artists’ creativity. Naturally, the philosophical idealist teachings and aesthetic systems that make up the theoretical foundation of modern bourgeois art, embodied in its various directions not directly but indirectly. Only a Marxist analysis of artistic phenomena and techniques of artistic creation in their correlation with the creative method makes it possible to reveal the true interconnections of these phenomena and the essence of artistic techniques, makes it possible to detect and criticize scientifically based falsification ideas of bourgeois theoreticians of art.