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Journal articles on the topic 'Aesthetic awareness'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Öztürk Gübeş, Neşe, Hatice Keten, and H. Seval Köse. "Development of the Scale for Environmental Aesthetic Awareness and investigation of students' environmental aesthetic awareness." Pegem Eğitim ve Öğretim Dergisi 10, no. 4 (October 9, 2020): 1067–100. http://dx.doi.org/10.14527/pegegog.2020.033.

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Although environmental aesthetic has received considerable attention in recent years, there is a need for measuring and evaluating environmental aesthetic. With considering this gap in the literature, the purpose of this study is to develop the “Scale for Environmental Aesthetic Awareness” for university students and to compare students’ levels of environmental aesthetic awareness according to gender, interest in art and the place where family lives. The study group is comprised of 969 university students. For conducting the validity study of the scale, the study group was randomly divided into two: Exploratory Factor Analysis group and Confirmatory Factor Analysis group. After the elimination of outliers, 329 students remained in the EFA group and 255 students in the CFA group. As a result of EFA, 27 items were gathered under three sub-dimensions. As a result of the first-order and second-order CFA, it was seen that the model-data fit was achieved and the three-factor structure of the scale and its general structure were confirmed. The Cronbach Alpha reliability coefficient of the first, second, third sub-dimensions were calculated respectively as .80, .71 and .71. The Cronbach alfa coefficient value for the whole scale was .82. Three-way variance analysis results showed that the effects of gender and the place where family lives were not found to be statistically significant while the effect of interest in art was found to be significant; thus, the mean of the students stating they were interested in arts was found to be higher.

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2

Livingston, Paisley. "Questions about Aesthetic Experience." Projections 12, no. 2 (December 1, 2018): 71–75. http://dx.doi.org/10.3167/proj.2018.120209.

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These brief comments raise some questions about Murray Smith’s remarks, in his new volume Film, Art, and the Third Culture: A Naturalized Aesthetics of Film, on the nature of aesthetic experience. My questions concern how we might best draw a viable distinction between aesthetic and non-aesthetic experiences and focus in particular on possible links between self-awareness and aesthetic experiences. In sum, I agree with Smith in holding that we should not give up on the notion of aesthetic experience, even though aestheticians continue to disagree regarding even the most basic questions pertaining to its nature.

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Miralay, Fatma, and Ziynet Egitmen. "Aesthetic perceptions of art educators in higher education level at art classes and their effect on learners." Cypriot Journal of Educational Sciences 14, no. 2 (June 30, 2019): 352–60. http://dx.doi.org/10.18844/cjes.v14i2.4242.

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The objective of this study is to examine the aesthetic awareness of art education academicians working in different higher education institutions of Turkish Republic of Northern Cyprus. Qualitative method and descriptive analysis were used in the study. A semi-structured interview form was created to reveal the views of academicians, and interviews were conducted to determine the levels of aesthetic competence with art education. The results of the research reveals that there is a relatively high level of aesthetic competence among the art educators who participated in the study. The participants emphasised that the theoretical structure of art classes can encourage students' creativity and aesthetic perceptions as well as awareness. In addition, the proficiency level of aesthetics may be directly related to the quality of art education curricula of the faculty. As a result, aesthetic perception levels not only help to improve students'success but also enable them to create artworks and motivate students' performance in creating artworks. Keywords: Art, aesthetic, perception, fine arts, higher education, Cyprus.

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Dogan, Derya, Halit Keskin, and Ali E. Akgun. "Organizational Aesthetic Capability and Firm Product and Process Innovativeness." International Business Research 9, no. 7 (June 8, 2016): 124. http://dx.doi.org/10.5539/ibr.v9n7p124.

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<p>Taking into consideration the popularity of organizational aesthetics in organizational behavior literature, and adapting dynamic capabilities perspective, we suggest that organizational aesthetic capability is an important competence that enables organizations to cope with the environmental uncertainty. Nonetheless, organizational aesthetic capability is rarely addressed in the technology and innovation management literature. Specifically, we know little about what organizational aesthetic capability is, its ingredients and benefits, and how it works in innovation context. Addressing this particular gap in the literature, this study contributes in two ways. First, we conceptualize organizational aesthetic capability and its sub-dimensions that are alert imagination, to act and defer, awareness of dissonance, analyzing past actions, prefiguring future trajectories, preserve existing modes of operation, willingness to change direction, recognizing symbols in use, and awareness of language. Second, the theoretical framework we proposed highlights the effects of organizational aesthetic capability on product and process innovativeness.</p>

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Wlaszyn, Joanna. "Re‐thinking metaphor, experience and aesthetic awareness." Kybernetes 40, no. 7/8 (August 9, 2011): 1196–206. http://dx.doi.org/10.1108/03684921111160421.

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6

Jena, Yeremias. "Dari Pengalaman Estetis ke Sikap Estetis dan Etis." MELINTAS 30, no. 1 (April 1, 2014): 22. http://dx.doi.org/10.26593/mel.v30i1.1281.22-44.

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Every encounter with a work of art has the potential to give birth to the aesthetic experience. The depth of the experience and its transformative effect is different on each person. However, as an experience, its existence is not in doubt. The problem lies on whether an aesthetic experience is something purely subjective or objective. If the aesthetic experience is objective, to what extent can it be accounted for? Could an aesthetic experience encourage certain ethical action? In this paper the author argues that an aesthetic experience is always moving between the directions of a pendulum, namely, when the artwork appeared to the awareness of the subject and when the experiencing subject narrated the experience. The author wants to defend one of the main positions in aesthetics which says that not only the aesthetic experience encourages a particular moral action, the artwork itself might often stand as a medium of a moral struggle for the betterment of the people.

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Agung, Lingga, and Novian Denny Nugraha. "Digital Culture and Instagram: "Aesthetics for All?"." IMOVICCON Conference Proceeding 1, no. 1 (July 3, 2019): 93–98. http://dx.doi.org/10.37312/imoviccon.v1i1.7.

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Aesthetics is the study of beauty but in a cultural discourse is a representation of cultural expressions that mark its position in social reality. Thus, aesthetics is not a subjective expression of culture but rather a mechanism by which beauty is produced and distributed. The mechanism continues to operate even in a wider landscape such as in multidimensional technological space. This has resulted the aesthetic deconstruction because the norm operates differently. Instagram, which attracted latest generation, has birth a digital culture oriented to the new aesthetic visual forms. The aesthetic visual on Instagram constructed through visual production that is continuously interwoven with one another. The mechanism of cultural production in Instagram tends to deconstruct aesthetics as a norm. The public is more oriented to actions rather than philosophical contemplation. However, the mechanism of culture produces the discourse of aesthetics in Instagram still needs to explore. This research is important because we facing ‘loss of ideological and historical awareness’ of the aesthetics and aesthetics are the alternative to explore the nature of humanity. This research tries to explain how the aesthetics mechanism works on Instagram by virtual ethnography method and Bourdieu's ‘Capital Culture’ theory.

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Coch, Thomas. "Landschaftsbildbewertung, Ästhetik und Wahrnehmungspsychologie – eine konfliktträchtige Dreiecksbeziehung | Evaluation of landscape scenery, aesthetics, and awareness psychology – a conflict-charged three-way relationship." Schweizerische Zeitschrift fur Forstwesen 157, no. 8 (August 1, 2006): 310–17. http://dx.doi.org/10.3188/szf.2006.0310.

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When evaluating the changes that have affected landscape scenery, methods and procedures are used which either quantify the characteristics of the specific landscape sector in question,and the particular changes it has undergone, or, based on a specific point of view, attempt to carry out a criteria based evaluation of the subjective impression. Both scenarios reveal inconsistencies between the methods employed and the aesthetic conceptual considerations. Such inconsistencies have given rise to epistemological discussions since the days of Plato. Research into the psychology of awareness and brain-physiological research point to the fact that a reduction in the aesthetic esteem of both objective or subjective indicators cannot live up to the requirements of the aesthetic experience. Against this background, this text seeks to make a case for changing the mechanisms used to evaluate landscape aesthetics.

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Lee, Eun-Seon. "A Study on the Aesthetic Awareness Manifested in Mujeong." Studies of Korean Literature 56 (October 31, 2017): 483–507. http://dx.doi.org/10.20864/skl.2017.10.56.483.

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10

Nicklis, Werner S. "Awareness through the Senses. Foundations of an Anthropological Aesthetic." Philosophy and History 23, no. 1 (1990): 51–52. http://dx.doi.org/10.5840/philhist199023121.

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Funch, Krøyer, Roald, and Wildt. "Long-term Effect of Aesthetic Education on Visual Awareness." Journal of Aesthetic Education 46, no. 4 (2012): 96. http://dx.doi.org/10.5406/jaesteduc.46.4.0096.

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Esfahani, Bahar Khayamian, and Pooya Sareh. "Insights into the role of gender in aesthetic design: a participatory study on the design of digital health wearables." International Journal on Interactive Design and Manufacturing (IJIDeM) 15, no. 2-3 (July 19, 2021): 173–85. http://dx.doi.org/10.1007/s12008-021-00751-7.

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AbstractThe role of artificial intelligence (AI) in facilitating the real-time processing of data is revolutionising the future of healthcare through mobile diagnostics, remote monitoring devices, and wearable technology products. The rise in digital wearables for remote healthcare is evolving at an increasing pace towards patient-centred and personalised care with connected patients. This transformation is creating new opportunities for designers to increase patients' participation and sustain their engagement in remote healthcare. In this paper, the authors have investigated the role of gender in aesthetic design in the context of digital health wearables to enhance user engagement and interaction. The investigations were conducted through participatory design sessions and showed a constructive relationship between aesthetic preferences and understanding the influence of gender as a means of facilitating user engagement with digital health wearables. This paper presents a novel user response model that leads to suggestions for future work, including research in the areas of gender awareness in aesthetics to move beyond traditional, stereotypical, and pre-identified gendered characteristics related to femininity and masculinity. The findings conclude with a path forwards for design research to promote gender awareness in aesthetic design for the realisation of healthcare wearables of the future.

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Patel, Dolly, Falguni Mehta, and Nishit Mehta. "Aesthetic Orthodontics : An Overview." Orthodontic Journal of Nepal 4, no. 2 (December 31, 2014): 38–43. http://dx.doi.org/10.3126/ojn.v4i2.13897.

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Through the influence of the media and increasing awareness amongst the people aesthetic concerns regarding orthodontic treatment have risen up. The adult orthodontic patients put higher demands for aesthetic results not only after the treatment but also during the treatment phase. Not only adults but all orthodontic patients give importance to their appearance and forsocial or work reasons would probably refuse visible orthodontic treatment therapy. This article describes some of the effective solutions to these problems that will not impair the patient from an aesthetic point of view during the treatment phase

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Åhman, Henrik. "The aesthetic turn: exploring the religious dimensions of digital technology." Approaching Religion 6, no. 2 (December 14, 2016): 156–63. http://dx.doi.org/10.30664/ar.67600.

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The arena for developing digital technology has undergone an aesthetic turn, broadening the focus from a functionalist approach producing centralized systems in the 1970s and 1980s to an increased awareness of the aesthetic aspects of the individual user’s interaction with technology in the 1990s and 2000s. Within the academic research fields studying digital technology (e.g. Human-Computer Interaction and Interaction Design) the aesthetic turn has resulted in a shift from a strong emphasis on user behaviour to an increased interest in aesthetic perspectives on the role of the designer, the design process, and the design material. Within these fields, aesthetics has often been interpreted as belonging to the realm of the individual; personal experiences such as pleasure, engagement, and emotions have been emphasized in both technology development and technology research. Aesthetics is not, however, only an individual phenomenon but also has relational and structural components that need to be acknowledged. Structural aspects of aesthetics condition the possibilities for individuals interacting with digital technology. Thus, the tension between individual and relational aspects of aesthetics in digital technology also reflects a tension between freedom and limitation; between change and permanence; between destabilizing and stabilizing forces.Such a broadened understanding of aesthetics offers a model of digital technology that roughly corresponds to Mark C. Taylor’s definition of religion. Taylor argues that religion is constituted by, on the one hand, a figuring moment characterized by structural stability and universality, and, on the other hand, a disfiguring moment characterized by disruption, particularity, and change. The purpose of this paper is to discuss the aesthetic turn and Taylor’s definition of religion to illustrate similarities between the two, suggesting possible religious dimensions of digital technology and how that can inform our understanding of people’s interaction with digital technology.

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Warner, Sara. "The Humanity of Creativity & Aesthetics: A Process to Extend & Develop Visual & Aesthetic Awareness." International Journal of the Arts in Society: Annual Review 2, no. 2 (2007): 141–46. http://dx.doi.org/10.18848/1833-1866/cgp/v02i02/35359.

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Sondag, Lynn. "Adjusting the Lens: Creating an Aesthetic Awareness of Local Environment." International Journal of the Arts in Society: Annual Review 5, no. 6 (2011): 79–88. http://dx.doi.org/10.18848/1833-1866/cgp/v05i06/35933.

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17

Albracht, Carolyn. "Ecological Responsibility, Landscape Literacy, and the Aesthetic Awareness of Place." Great Plains Research 29, no. 1 (2019): 25–32. http://dx.doi.org/10.1353/gpr.2019.0003.

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18

Chen, Shuang. "Research on Aesthetics and Energy Efficiency Design of Architecture." Applied Mechanics and Materials 525 (February 2014): 380–83. http://dx.doi.org/10.4028/www.scientific.net/amm.525.380.

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Today, the global environmental awareness becomes increasingly strong. To build beautiful and green energy-saving architecture turns to the construction mainstream. This paper studies several contemporary architectures, such as typical business, industrial and office buildings, and analyzes them from two aspects of efficiency and aesthetics. The design concept that energy efficiency is in the first place and aesthetic in the second place is proposed. The target is to comply with the requirements of environmental protection.

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19

Foerster, Desiree. "Awareness for Atmospheres." Excursions Journal 11, no. 1 (July 1, 2021): 127–46. http://dx.doi.org/10.20919/exs.11.2021.271.

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In this essay I reflect on the meaning of atmospheres while the human world has been overwhelmed by a respiratory disease. In an auto-ethnographic gesture I reflect different ways of sensing and becoming sensitive to the atmospheric changes in my home during self-isolation. This self-questioning is directly related to the conceptualisation of air in view of its potential risk of carrying infectious virus particles. The air we breathe is currently stylised as a cloud on the micro level of aerosols, which gives reason to think anew about the status of the atmospheric with regard to our being in the world. Through combining philosophical reflection with aesthetic practice, I explore how an attunement towards the ways air flows through our habitats can open a new perspective on processes of subjectivation in a time of ongoing crisis. I argue that becoming sensitive towards air flow not only heightens our sensitivity for the affectivity of atmospheric processes but also for the different registers of our experience able to capture these effects.

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Tomaszewski, Mateusz, Maja Matthews‑Kozanecka, and Sebastian Zbitkowski. "Preliminary research on the demand for face aesthetic medicine among medical students." Journal of Face Aesthetics 2, no. 2 (October 10, 2019): 80–88. http://dx.doi.org/10.20883/jofa.13.

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Introduction. Treatments in the field of aesthetic face medicine are becoming more and more popular, although awareness of the needs of their use is still very low.Aim. Presenting knowledge about facial aesthetics and estimating the needs for their application among students of dentistry at the Medical University in Poznań.Material and Methods. 60 surveys (46 women and 14 men) were included in the statistical analysis addressed to Polish- and English‑speaking students of the 3rd, 4th and 5th year of Medical and Dental studies at the Medical University of Poznań in 2019.Results. Most respondents (88%) believe that facial aesthetic medicine should be performed and it is worth starting their use at the age of 25–30 (the most common answer — 28%). 10% of the respondents used facial aesthetic medicine, and 38% facial cosmetology.Discussion. Studies by other authors indicate that the largest group of clients are women between 20–30 years old with a stable financial situation, which corresponds to the results of the survey. However, this differs from the results of the PTMEiAA research from 2017, which prove that aesthetic medicine clinics are most often visited by people aged 41 to 50 years. Customers are more willing to opt for minimally invasive procedures, which was also confirmed by the tests.Conclusions. The demand for facial aesthetics among medical students of the Medical University in Poznań, regardless of the respondents' country of origin, is relatively low.

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Drioli, Alessandra. "Contemporary aesthetic forms and scientific museology." Journal of Science Communication 05, no. 01 (March 21, 2006): A02. http://dx.doi.org/10.22323/2.05010202.

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The use of various expressive artistic forms in science centres and in interactive museums is becoming increasingly widespread. This paper proposes an interpretation of this phenomenon that emphasises how contemporary art contributes to experimentation with new forms of scientific communication. Furthermore, it examines the considerable overlap apparent between the themes addressed by contemporary artists and current scientific developments. Indeed, just as can be seen in science centres, artistic experimentation has assumed a new role: raising public awareness of what is happening around us today.

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Ingham, Valerie. "Connecting in Multiple Non-linear Ways: Aesthetic Awareness on the Fireground." International Journal of Arts Theory and History 11, no. 4 (2016): 1–9. http://dx.doi.org/10.18848/2326-9952/cgp/v11i04/1-9.

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Donghwan Lee. "Aesthetic Distance and Abstract Nature: Teaching Ecological Awareness through Children’s Literature." Literature and Environment 10, no. 1 (June 2011): 111–43. http://dx.doi.org/10.36063/asle.2011.10.1.005.

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Danko-Mcghee, Katherina. "Nurturing Aesthetic Awareness in Young Children: Developmentally Appropriate Art Viewing Experiences." Art Education 59, no. 3 (May 2006): 20–35. http://dx.doi.org/10.1080/00043125.2006.11651591.

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Galin, David. "Aesthetic experience: Marcel Proust and the neo-Jamesian structure of awareness." Consciousness and Cognition 13, no. 2 (June 2004): 241–53. http://dx.doi.org/10.1016/j.concog.2003.12.002.

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Nikiforova, N. V. "Aesthetic dimension of technology: dynamo as technological Sublime at the turn of the XIX and XX centuries." Philosophy of Science and Technology 25, no. 2 (2020): 37–50. http://dx.doi.org/10.21146/2413-9084-2021-25-2-37-50.

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In the second half of the XIX century technology saturated urban space and transformed factory production around the world. Reception of technologies in everyday life was connected with aesthetic comprehension. Besides, perception of new technologies was a complex emotional experience that fostered reflections on possibilities of human mind and of man-made power, on historical role of technology and its future development. This article is devoted to the aesthetic characteristics of interaction with technology as an affective aesthetic experience of the technological sublime. As an example, the representation and reception of the dynamo in the public discourse at the turn XX century will be considered. The concept of the technological sublime develops the classical category of the sublime, which was interpreted as an extreme degree of tension of the senses when meeting objects and phenomena that exceed the possibilities of human perception. In the XVIII century, the aesthetics of the sublime was discovered in nature, and in the XIX century new machines and technologies began to claim the role of objects of the sublime aesthetic experience. Technological sublime can be regarded as a transgressive experience (collision with the limits of human perception and limits of possibilities) and as existential experience (human awareness of the finitude of being).

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de Sousa Vianna, Rachel. "Art Education and Urban Aesthetics." Leonardo 35, no. 3 (June 2002): 255–61. http://dx.doi.org/10.1162/002409402760105244.

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The widespread problem of visual illiteracy prevents people from perceiving the aesthetic quality of their surroundings. This inability represents a barrier to full participation by the public in debates over the kinds of cities they want to live in, and yet the physical qualities of the environment strongly affect the social and psychological well-being of its inhabitants. This article argues that art educators have an important role in fostering the awareness, understanding and appreciation of urban aesthetics. It then recounts the author's field study, which investigated the effectiveness of three instruments for developing understanding of urban aesthetics. The article concludes with some suggestions for art educators interested in developing programs for studying the urban environment.

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Svensson, Holger S. "Bridge Aesthetics: Guidelines for the New Millennium." Transportation Research Record: Journal of the Transportation Research Board 1696, no. 1 (January 2000): 1–9. http://dx.doi.org/10.3141/1696-01.

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The design of attractive bridges does not happen by chance, nor does it exclusively depend on some elusive “feel” that is only given to a chosen few. Constant conscious examination of existing bridges to find out why they are beautiful or ugly educates aesthetic awareness. Aesthetic guidelines can help to find a good shape or to check the shaping of bridges. Important aesthetic criteria are clear structural statements; good proportions; order; compatibility with the surroundings, including coloring; and, above all, simplicity.

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Ingham, Valerie. "Connecting Aesthetic Judgment and Situational Awareness: Multimodal Decision Making on the Fireground." International Journal of the Arts in Society: Annual Review 4, no. 1 (2009): 239–50. http://dx.doi.org/10.18848/1833-1866/cgp/v04i01/35568.

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Abraimm, Linus. "Visual Literacy in a Multicultural Environment: Integrating Aesthetic with Critical Visual Awareness." Journal of Visual Literacy 20, no. 1 (January 2000): 9–18. http://dx.doi.org/10.1080/23796529.2000.11674552.

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Vidamaly, Somsamay, and Soon Li Lee. "Young Adults' Mental Illness Aesthetics on Social Media." International Journal of Cyber Behavior, Psychology and Learning 11, no. 2 (April 2021): 13–32. http://dx.doi.org/10.4018/ijcbpl.2021040102.

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Social media posts expressing mental illness such as depression are trending in today's society. The aesthetics of dark and depressing posts are highlighted in blogs or social media accounts of young individuals. Consequently, this study investigated why young people use mental illness as an aesthetic on social media. On top of that, this study contributes to the limited body of research on this subject. This study applied a method known as netnography, an analysis of social interactions online. Furthermore, the actor-network theory (ANT) was employed as an analytical tool to explore insights and draw conclusions. Seven mediators were identified as possible causes that prompted mental illness aesthetic use, including Tumblr, media, attention seekers, coping mechanism, victimhood, emo culture, and mental health awareness. These findings provided insights into developing interventions and systematic methods to discuss mental illness properly. This study also identified current challenges in social media research regarding mental illness detection.

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Gorgi, Karim Raef. "Revisionist Architecture." Journal of Urban Society's Arts 6, no. 2 (October 25, 2019): 81–86. http://dx.doi.org/10.24821/jousa.v6i2.3159.

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This paper introduces the reconciliation as well as an analysis on the divide between contemporary and classical aesthetics in architecture. The analysis outlines the segmentation as one of standards rather than of aesthetic appeal, concluding with a proposal for the reconciliation by means of integrating modern and contemporary art into today’s architecture. This reconciliation would not only serve as an artistic take on architecture, but also raise awareness on the subjectivity of beauty in architecture. In the conclusion of this paper, there are highlighted illustrations demonstrating the picturesque outcome of using this proposed method of integration.

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Fediy, Olga. "AESTHETIC INTELLIGENCE OF THE TEACHER IN THE CONTEXT OF PEDAGOGICS OF GOOD OF IVAN ZIAZIUN." Aesthetics and Ethics of Pedagogical Action, no. 17 (March 9, 2018): 106–18. http://dx.doi.org/10.33989/2226-4051.2018.17.176286.

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The article is dedicated to assessment and evaluation of the philosophical and aesthetic fundamentals of educator’s activity in the era of informational society. The set of fellow contradictions of the contemporary educational system is defined by the author: ultimate uncertainty of the major goal of the educational process alongside with the priorities of educational activity; professional overload of the teacher and lack of one’s attention in relation to the essence of the aesthetic and spiritual self- value of a child.Author of the article offers the effective approach towards addressing of the misbalance in relations between a pupil and modern school – by development of aesthetic intelligence of the educator. The aesthetic intelligence is defined by the scholar as the system-composing trait of an individual, which is mainly oriented on representation of the essential, emotional and spiritual, aesthetically-realized acceptance of the natural aesthetical individuality of a pupil by an educator. Additional emphasis in this context is put on the importance of the pupil’s individually-developed ability for emotionally sensed living of one’s school life.The conceptual basis of the phenomenon of aesthetic intelligence of an educator is investigated in the light of the paradigm of the pedagogics of good (as it is offered by Ivan Ziaziun). The conceptual analysis of the major approaches of Ivan Ziaziun in relation to defining of the major essence of aesthetical and substantial contents of the aesthetic feelings is conducted. The set of such feelings cerates the fertile background for the spiritual and aesthetic area of educator’s activity. In addition aesthetic feelings fulfill the logics of the pedagogical actions with their sense and in such manner, strengthen the power of such actions in the process of achievement of an excepted outcome from such educational activity.The aesthetic feelings create the background for the strong spiritual and intelligence-based relations between a Teacher and a Pupil. Actualization of the aesthetic both in the context of the educational process and in the process of formation of the aesthetic intelligence, has its step-by-step characteristics: aesthetic creates the background for finding the path to the soul of a pupil, supports aesthetic and emotional experience of all subjects of the educational process and funds the final success in the context of gaining the set of educational competences by a pupil. The knowledge base (informational awareness and related practical competences), which is gained by the pupil alongside with experiencing the aesthetic pleasure, its assessment and evaluation, feeling corresponding personal sensation, deep and engaging understanding etc., which takes its place in the school environment (characterized as psychologically comfortable and aesthetically-fulfilled one) has the further potential of achievement of the effect of desired replication and updated emotional experience.

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Qi, Yan, Xue Rong Fan, and Rong Rong Cui. "Qipao in a University Museum Collection of China, 1912-1949." Advanced Materials Research 821-822 (September 2013): 713–16. http://dx.doi.org/10.4028/www.scientific.net/amr.821-822.713.

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The purpose was to demonstrate a process to characterize a segment of a university collection from an object base using an existing aesthetic framework. A collection consisting of 40 Chinese Qipaos in the Republic Period were analyzed for their repetitive and defining features. Qipaos were selected as examples of defining features and analyzed using the concept of structuring within Delongs framework of visual analysis. This process demonstrated how aesthetics could be applied to raise awareness of artifacts within the collection. The result was a characterization of the collection in the Republic Period in terms of defining features that included structuring and the visual result of an intergration of layout and surface.

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Jung, Young-Hee, Jung-Eun Ha, and Min-Ji Kim. "Relationship between Facial Satisfaction and Dental Aesthetic Treatment Awareness among High School Students." Indian Journal of Public Health Research & Development 9, no. 12 (2018): 2108. http://dx.doi.org/10.5958/0976-5506.2018.02177.0.

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Kumar, Vijay, Arun Kumar Singh, Ameer Faisal, and R. Nandini. "Awareness among medical fraternity regarding the role of plastic surgeon." Indian Journal of Plastic Surgery 44, no. 03 (September 2011): 494–97. http://dx.doi.org/10.1055/s-0039-1699525.

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ABSTRACTThe field of plastic surgery, while being famous for aesthetic surgery, also includes craniofacial surgery, hand surgery, burn surgery, microsurgery, reconstructive plastic surgery and paediatric plastic surgery. The magnanimous progress in these areas, though a hot topic in conferences, remains cryptic to the layman and also to generalists who are and will remain to be the most important referral source of these patients.[1] Hence, it becomes the duty of plastic surgeons themselves to spread awareness regarding their chosen field of endeavour.

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Tomaszewski, Mateusz. "Aesthetic medicine cabinets — economic aspect activities." Journal of Face Aesthetics 2, no. 1 (February 10, 2019): 21–27. http://dx.doi.org/10.20883/jofa.7.

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On the global scale, the market of aesthetic medicine increased in the years 2015–2016 by 8.2% on average, while in Poland by 12–15%. The reasons for the strong development of the Polish market may be related to a systematic increase in the number of affluent Poles [3], ease of access to aesthetic medicine treatments, a change in the way of thinking about this type of treatment, and increased awareness of the appearance and striving to preserve a young and beautiful look. The share of new patients in the cabinets of this industry is a proof of great interest in aesthetic medicine procedures. In 2017, new patients accounted for between 25% and 50% of all patients. From an economic point of view, current economic conditions with forecasts of further growth of the aesthetic medicine market are the premise for undertaking activity in this industry. To take full advantage of the potential of the facial cosmetic surgery, it is worth taking care of all possible aspects of its functioning — high competences of medical staff, as well as economic aspects of running such activities, including identification of possible risks in order to avoid them.

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Ефимова, Людмила, and Lyudmila Efimova. "Sensory and aesthetic mechanisms of construction of an advertising and marketing image." Servis Plus 9, no. 2 (June 15, 2015): 73–80. http://dx.doi.org/10.12737/11314.

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In today´s world, the basic needs of people are met. But there are a few ways to attract potential customers to products. One of them is a minor satisfaction of aesthetic needs. An important factor in the purchase decision is aesthetic preference. When properly developed firm style is guaranteed to receive regular customers, therefore, it occupies a niche in the market. It is therefore important for the company to develop its corporate identity and continue stimulating potential customers to buy and hold them near. Through style consumer awareness about a particular brand is achieved, formed are emotional and intellectual associations. Style is the hallmark of goods and services, it helps the consumer to classify products to specific categories. It also allows categorizing items within the product line and brings the elements of the marketing mix to the needs of the target market. The article proves that the basis of the commercial chain "form - product - the company" is repeatable. It is with the help of the form it becomes an attribute of corporate identity. Therefore, the aesthetic element should always be used to improve the system through corporate communications. As practice shows, sometimes even a little functional form of an object can be invaluable in terms of aesthetics, becoming part of the brand image.

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Nnadozie, Ugochukwu Uzodimma, Charles Chidiebele Maduba, Chukwuma David Umeokonkwo, Christian Chidebe Anikwe, Kingsley Okechukwu Opara, Markson Chimaobi Isiguzo, Victor Ifeanyichukwu Modekwe, Ezekiel Uche Nwankwo, Chinedu Henry Ekwedigwe, and Njoku Isaac Omoke. "Attitude and Practice of Aesthetic Surgery among Plastic Surgeons in Nigeria." Global Journal of Health Science 12, no. 13 (October 24, 2020): 9. http://dx.doi.org/10.5539/gjhs.v12n13p9.

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BACKGROUND: Aesthetic surgery in developed countries is growing at an exponential rate. There is an increasing demand for cosmetic procedures in Nigeria but still, the practice is at a slow pace. Significant clients from Nigeria seek for these procedures outside Nigeria. OBJECTIVE: This study aimed at determining the attitude and practice of aesthetic surgery among plastic surgeons in Nigeria METHOD: We conducted a cross-sectional study among the attendees of the annual conference of the National Association of Plastic Reconstructive and Aesthetic Surgeons held at Calabar, Nigeria, using a questionnaire on consented participants. RESULTS: A total of 73 out of 84 Plastic surgeons participated in the study with a response rate of 86.9%. The mean age of the respondents was 45.4±7.2 years. Only 14 (19.2%) had undergone extra training in cosmetic surgery. Most respondents 53.4% prefer Nigerian over foreign hospitals for cosmetic surgery for various reasons. Poor awareness (42.5%) and religious beliefs (42.5%) contributed most to the poor acceptability of cosmetic surgery in Nigeria. The vast majority (97%) of Nigerian plastic surgeons want the public to be engaged in awareness sensitization on cosmetic surgery and their preferred mode of sensitization was through internet / social media (80.8%), television (74%), and radio (65.8%). Scar revision (78.1%) abdominoplasty (69.9%) and breast reduction (67.1) were the common cosmetic procedures performed by Nigerian plastic surgeons. CONCLUSION: The attitude of Plastic surgeons in Nigeria to cosmetic surgery is influenced by the low acceptance of cosmetic surgery procedures by Nigerians. Attitudinal change programs, especially through social and other mass media, are desired to increase awareness and acceptance of cosmetic surgery in Nigeria.

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Matthews- Kozanecka, Maja, and Kornela Cieślik. "Aesthetic medicine treatments in terms of patient rights." Journal of Face Aesthetics 3, no. 1 (July 16, 2020): 9–15. http://dx.doi.org/10.20883/jofa.24.

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Treatments in the field of facial aesthetic medicine are largely related to the discontinuity of the skin and are performed by both doctors and dentists. In the dentist's office, where such procedures are performed, as in any other therapeutic entity, the patient's rights apply, which are a guarantee of subjective treatment of the patient. They enable the patient in the situation of violation of patient's rights, dissatisfaction with the effects or occurrence of a complication or adverse event to refer the case to the appropriate authorities. The paper presents the basic rights of the patient, expressing the protection of his autonomy (freedom of will, awareness and knowledge) in terms of his own health.

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Zhukova, Olga A. "O.E. Mandelstam’s Works in the Context of Russian Modernist Philosophy and Artistic Practice." Russian Journal of Philosophical Sciences 64, no. 2 (May 23, 2021): 7–20. http://dx.doi.org/10.30727/0235-1188-2021-64-2-7-20.

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The article proposes a philosophical interpretation of the poetic heritage of O.E. Mandelstam. The approach to characterizing the artistic experience of the Russian poet, through the prism of the philosophy of creativity and the philosophy of culture, seems to be significant and productive. This position is substantiated by the fact that in modern scientific literature there are still few works in which Mandelstam’s poetry would be elucidated within the framework of the philosophy of Russian culture and the ontology of creativity. In the article, Mandelstam’s creative phenomenon is shown in connection with the aesthetic program of artistic modernism. The philosophical foundations of Russian modernism are rooted in theissue of the spiritual self-awareness of Russian culture. Since Russian modernism reflects the transformation of artistic and spiritual culture that took place in Russia in the late 19th and early 20th centuries, the author tries to highlight and analyze the leading philosophical and aesthetic principles of Symbolism and Acmeism, discussed by poets of the Russian Silver Age. Special attention is given to Mandelstam’s theoretical works. The cultural-philosophical analysis makes it possible to trace the internal relationships between aesthetic attitudes and the artistic imagination of Russian Symbolists and Acmeists, to determine the specifics of the aesthetic self-awareness of Russian culture, its practices in selecting ideas, symbols, images of national and world artistic culture in the early 20th century. The author describes the logic of the continuity of the artistic ideas of Russian and world literature in the aesthetic concept of Mandelstam. In order to demonstrate the close connection of the philosophical and aesthetic ideas of classical culture with postclassics, the research brings together literary, philosophical and memoir sources in the context of the heritage of Mandelstam and the poets of his circle.

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van der Zande, Johan. "Orpheus in Berlin: A Reappraisal of Johann Georg Sulzer's Theory of the Polite Arts." Central European History 28, no. 2 (June 1995): 175–208. http://dx.doi.org/10.1017/s000893890001164x.

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In 1771 Johann Georg Sulzer, a well-established member of the Prussian Academy of Sciences and Belles-Lettres, published the first volume of his long awaited lexicon A General Theory of the Polite Arts (Allgemeine Theorie der schönen Künste). Although the work sold well, not many critics were convinced of its major tenet that the production and enjoyment of works of art should serve to promote the civic awareness of the citizenry of the modern state. And while Sulzer's influence on the aesthetic theories of Kant and Schiller is generally recognized and he consequently has kept a relatively high profile in histories of aesthetics, his lexicon did not survive the century in which it was written.

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Klein, Sheri R. "Coming to Our Senses." Journal of Transformative Education 16, no. 1 (March 10, 2017): 3–16. http://dx.doi.org/10.1177/1541344617696969.

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Drawing upon phenomenological and arts-based approaches, the author explores everyday encounters with landscapes that call attention to the potential of place as sites for evoking mindfulness and transformative learning experiences. Theoretical perspectives within and across art education, aesthetics, contemplative education, holistic education, and transformative education inform the inquiry into two selected everyday landscapes. Arguing that aesthetic experience can evoke transformative learning, the author proposes and models a three-step model and arts-based methods for exploring and interpreting place that support the development of awareness/consciousness, discernment, and integration. Insights garnered from the author’s experiences with everyday places are discussed in the context of transformative learning. Implications of the model for other contexts are explored.

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Iqbal, Shazia, Khalid Akkour, Bushra Bano, Ghaiath Hussain, Manal Khalid Kamal Ali Elhelow, Atheer Mansour Al-Mutairi, and Balqees Sami Khaza'l Aljasim. "Awareness about Vulvovaginal Aesthetics Procedures among Medical Students and Health Professionals in Saudi Arabia." Revista Brasileira de Ginecologia e Obstetrícia / RBGO Gynecology and Obstetrics 43, no. 03 (March 2021): 178–84. http://dx.doi.org/10.1055/s-0041-1725050.

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Abstract Objective The present study aimed to explore the opinion and ethical consideration of vulvovaginal aesthetics procedures (VVAPs) among health professionals and medical students in Saudi Arabia. Methods This is a cross-sectional study performed between January 2020 and April 2020. Data was collected through electronic media, WhatsApp, and emails. The results were analyzed by applying the Students t-test, and correlations were considered significant if they presented a p-value < 0.05. Results There is significant demand to educate doctors, health professionals, medical students, and gynecologists for the VVAPs to have a solid foundation, justified indications, and knowledge about various aesthetic options. Although female doctors, medical students, young doctors, and gynecologists have more knowledge about VVAPs, all health professionals ought to be aware of recent trends in vulvovaginal aesthetics (VVA). The present analysis determined that VVA should be under the domain of gynecologists, rather than under that of plastic surgeons, general surgeons, and cosmetologists. The majority of the participants considered that vaginal rejuvenation, “G-spot” augmentation, clitoral surgery, and hymenoplasty are not justifiable on medical grounds. Conclusion The decision to opt for different techniques for vaginal tightening and revitalization should be taken very carefully, utilizing the shared decision-making approach. Ethical aspects and moral considerations are important key factors before embarking in the VVAPs purely for cosmetic reasons. Further research is required to determine the sexual, psychological, and body image outcomes for women who underwent elective VVAPs. Moreover, medical educators must consider VVAPs as part of the undergraduate and postgraduate medical curriculum.

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Terjek, Anita, and Annamária Dudás. "Sustainability and Environmental Awareness in the Ceramic Industry." European Journal of Engineering Research and Science 5, no. 8 (August 31, 2020): 970–79. http://dx.doi.org/10.24018/ejers.2020.5.8.2027.

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The choice of building materials is primarily based on technical, economic and aesthetic aspects, but environment impact cannot be ignored. The objective of this research was to assess the factors in the product development aiming to improve slipperiness of ceramic tile. Firing time and temperature representing 8 manufacturing scenarios were examined taking into account the change in glazing. Laboratory slip resistance and surface roughness tests were conducted. While optimizing surface properties, environmental performance of ceramic tile was investigated with the analysis of Environmental Product Declarations (EPD) focusing on manufacturing and maintenance of its life cycle. This methodology supports manufacturers to follow sustainability and to optimize design decisions. Referring to the Life Cycle Assessment of a building, the effect of a complex correlation system reveals a combination of technical, economic and environmental assessment.

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Jazuli, Muhammad. "Aesthetics of Prajuritan Dance in Semarang Regency." Harmonia: Journal of Arts Research and Education 15, no. 1 (July 8, 2015): 16. http://dx.doi.org/10.15294/harmonia.v15i1.3692.

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<p>The scarcity of aesthetic study of traditional arts has evoked my intention to promote a model of aesthetic study in dance performance. The focus of this research is the aesthetics of Prajuritan dance in Semarang regency. The aesthetics were founded on dance choreography and cultural value systems, which grow and develop in the community of Semarang regency. Dances choreography includes dance background, form, shape, theme, number and formation of dancers, moves, musical accompaniment, make-up and costume, and dance floor patterns. Cultural value systems include communicating stories, expressed symbols, function and meaning of Prajuritan dance for its supporting community. The stories were derived from the heroic tale of Prince Sambernyawa (KGPAA, king Mangkunegara I in Mangkunagaran royal palace, Surakarta) when he rebelled against the arbitrary Dutch colonialists, with his famous spell, “<em>tiji tibeh </em>(<em>mukti siji mukti kabeh</em> – being prosperous for one and all)” and Three Dharma of soldiers, namely “<em>rumangsa melu handarbeni, melu hangrungkebi, mulat sarisa hangrasa wani</em>, which means having sense of belonging, protection, and awareness to bravely do whatever to defend his nation and country. Therefore, Prajuritan dance brings the mission to evoke sense of courage, discipline, and responsibility for the young generation. </p>

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Tajudin, Zawani Mohd, Wan Nurazreena Wan Hassan, Zamros Yuzadi Mohd Yusof, and Mohd Zambri Mohamed Makhbul. "Impacts of Self Perceived Malocclusion on the Oral Health Related Quality of Life of Young Adults." Healthcare 9, no. 3 (March 1, 2021): 248. http://dx.doi.org/10.3390/healthcare9030248.

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Self-awareness of poorly arranged teeth can influence the quality of life. This study aimed to report the impacts of self-perceived malocclusion in young adults and the association between demographic characteristics and oral health related quality of life (OHRQoL). In this cross-sectional study, six-hundred-forty-three subjects from Selangor, Malaysia selected using a multistage sampling technique answered the Psychosocial Impact of Dental Aesthetics (PIDA) questionnaire and self-rated their dental appearance using the Aesthetic Component of the Index of Orthodontic Treatment Need. Data were analyzed using multifactorial ANOVA to identify the association between demographic characteristics and total PIDA score. Five-hundred-twenty-four subjects (81.5%) completed the questionnaires. Overall, 87.8% had impacts on their OHRQoL. Psychological impact was the most impacted domain (75.8%), followed by dental self-confidence (59.4%), social impact (48.9%) and aesthetic concern (22.1%). 16.8% reported significant impacts on all domains. Their mean PIDA score was 36.3 (SD 17.1). Prevalence, extent and severity of impacts were higher amongst those with self-perceived malocclusion. Gender, ethnicity, and self-perceived malocclusion status were associated with PIDA score (p < 0.05). Sub-urban and rural females had significantly higher PIDA scores than sub-urban and rural males. In conclusion, majority of Malaysian young adults especially those with self-perceived malocclusion were impacted by their dental aesthetics.

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Gear, Jane. "Eysenck's Visual Aesthetic Sensitivity Test (VAST) as an example of the need for explicitness and awareness of context in empirical aesthetics." Poetics 15, no. 4-6 (December 1986): 555–64. http://dx.doi.org/10.1016/0304-422x(86)90011-2.

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Hearn, Alison, and Sarah Banet-Weiser. "The Beguiling: Glamour in/as Platformed Cultural Production." Social Media + Society 6, no. 1 (January 2020): 205630511989877. http://dx.doi.org/10.1177/2056305119898779.

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Arguing that questions of power expressed through aesthetic form are too often left out of current approaches to digital culture, this article revives the modernist aesthetic category of glamour in order to analyze contemporary forms of platformed cultural production. Through a case study of popular feminism, the article traces the ways in which glamour, defined as a beguiling affective force linked to promotional capitalist logics, suffuses digital content, metrics, and platforms. From the formal aesthetic codes of the ubiquitous beauty and lifestyle Instagram feeds that perpetuate the beguiling promise of popular feminism, to the enticing simplicity of online metrics and scores that promise transformative social connection and approbation, to the political economic drive for total information awareness and concomitant disciplining, predicting and optimizing of consumer-citizens, the article argues that the ambivalent aesthetic of glamour provides an apt descriptor and compelling heuristic for digital cultural production today.

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Sarwer, D. "Awareness and identification of body dysmorphic disorder by aesthetic surgeons: Results of a survey of american society for aesthetic plastic surgery members." Aesthetic Surgery Journal 22, no. 6 (November 2002): 531–35. http://dx.doi.org/10.1067/maj.2002.129451.

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