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Dissertations / Theses on the topic 'Aesthetic contemplation'

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1

Adelman, Richard. "Idleness, contemplation, and the aesthetic, 1750-1830." Thesis, University of York, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.503938.

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2

Primack, Candace Sweet. "Art, contemplation and humankind in the aesthetic theories of James Joyce and Thomas Merton." Theological Research Exchange Network (TREN), 1997. http://www.tren.com.

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3

Silva, Marcella Marino Medeiros. "\"Fantasia e consciência de imagem\", lições apresentadas por Husserl no semestre de inverno de 1904 - 1905: tradução, introdução e notas." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-06112012-104628/.

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O presente trabalho consiste na tradução anotada da Terceira Parte das Lições do Semestre de Inverno de 1904-1905 intitulada Fantasia e Consciência de Imagem, acompanhada de uma introdução. Nesta apresentamos inicialmente a teoria da intencionalidade desenvolvida nas Investigações Lógicas, cujos elementos são fundamentais para a compreensão da análise da estrutura intencional das imagens físicas e da fantasia empreendida nas Lições. Num segundo momento, buscamos retraçar o percurso analítico feito por Husserl nas Lições, o qual conduz ao reconhecimento de que as fantasias, consideradas inicial
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4

Enberg, Mårten. "Begreppet estetiskt välbehag: Kant och nutid." Thesis, Uppsala universitet, Filosofiska institutionen, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-379563.

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5

Yang, Julianne Qiuling Ma, and 楊秋凌. "Towards a cinema of contemplation: Roy Andersson's aesthetics and ethics." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hub.hku.hk/bib/B50162810.

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Considered one of Northern Europe’s most renowned art film directors to date, Swedish filmmaker Roy Andersson has been hailed by critics and art cinemagoers alike for his unconventional visual and narrative style. Marked by his use of long, static shots filmed in wide-angle and deep focus, Andersson’s “tableau aesthetic” is intimately linked to his idea that films, like other art forms, can have an important function in contemporary society: to provoke social and moral awareness in its audience. Aiming to counter what he considers a “fear of seriousness” and a dearth of critical contemplation
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6

Johnston, Jennene Louise Hooper. "Subtle exchanges : cultivating relations with duration : Eastern, Western and esoteric approaches to contemplating art practice /." [Richmond, N.S.W.] : University of Western Sydney, Hawkesbury, 1999. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030527.120956/index.html.

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7

Escribano, Miguel. "Dalí's religious models : the iconography of martyrdom and its contemplation." Thesis, University of Essex, 2016. http://repository.essex.ac.uk/17356/.

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This thesis investigates Dalí’s adoption of religious iconography to help represent themes that he had conceptualised through Surrealism, psychoanalysis and other thought systems. His selective use of sources was closely bound to his life circumstances, and I integrate biographical details in my analysis of his paintings. I identify unexpected sources of Dalí's images, and demonstrate how alert he was to the psychological motivations of traditional art. I find he made especial use of the iconography of martyrdom – and the perceptual and cognitive mechanics of the contemplation of death – that
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8

Johnston, Jennene, of Western Sydney Hawkesbury University, and Faculty of Social Inquiry. "Subtle exchanges : cultivating relations with duration : eastern, western and esoteric approaches to contemplating art practice." THESIS_FSI_XXX_Johnston_J.xml, 1999. http://handle.uws.edu.au:8081/1959.7/419.

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This thesis aims to consider the potential for perception of the subtle exchanges of viewers and artwork; subject and object. This necessitates an examination of ontologies, concepts of the body, perceptive schemas and modes of consciousness that ultimately destabilise the assumed solidity and individuality of subject and object. Exchanges of subtle effects are continually taking place between viewer and object, and the space between subject and object is alive with interaction. Process philosophy is introduced as the basic ontological perspective underlying this reflection of subject-object r
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9

Rundall, Shane. "Artistic Action and Contemplation: Recapturing The Elements of Mystery That Make Every Round of Golf A Voyage of Discovery." Thesis, Virginia Tech, 2006. http://hdl.handle.net/10919/32376.

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Artists think differently. They challenge the practical and apply their ideas to the contemporary world creating many journeys and excitement along the way. Without them, the world would have remained flat and as unique as black and white. This thesis investigation is grounded in phenomenological theories of aesthetics proposed by Maurice Merleau-Ponty and John Dewey, the artistic approach of Jackson Pollock and Yves Klein, and my own perceptions of the process of creating art. The objective is to apply aesthetic concepts and principles derived from these sources to the practice of golf cours
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10

Popa, Emilia Diana. "The specificity of the aesthetics of slowness in contemporary Romanian cinema." Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/14124.

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Contemporary Romanian cinema, particularly in its internationally successful instances, displays formal characteristics that have often led to its being seen in terms of the so-called Slow Cinema trend in contemporary cinema. This thesis proposes that there is something distinctive about slowness in contemporary Romanian films, similar to and yet different from Slow Cinema. Through a detailed analysis of films made by Cristi Puiu and Cristian Mungiu, two of the most representative contemporary Romanian filmmakers, Romanian slow films emerge as a less stringent form of slowness characterised by
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11

Fleischaker, Mary Frances. "Sacred bridges, holy play a study of the contemplative function of the arts in liturgical worship /." Theological Research Exchange Network (TREN), 1998. http://www.tren.com.

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12

Monteil, Ariane. "Wittgenstein et l'héritage de Schopenhauer : de la contemplation du monde à l'expression de la vie." Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040072/document.

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La rencontre entre Wittgenstein et Schopenhauer était inéluctable dans la Vienne « fin-de- siècle », fascinée par le philosophe allemand et lasse des exigences d’une rationalité néo-kantienne non exempte de contradictions. Mais le héraut de la volonté aveugle et sans but laisse un héritage difficile à assumer, dans lequel la quête du sens de l’existence et les problèmes d’identité interfèrent avec les conditions très strictes imposées à l’exercice de la pensée et aux formes de la représentation, dominées dans la culture moderne par la recherche incessante des causes et l’idéal de la science. L
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13

Ribeiro, Maria Eveline Ramalho. "O brilho sensível do espírito absoluto: a arte em Hegel." Universidade Federal da Paraí­ba, 2011. http://tede.biblioteca.ufpb.br:8080/handle/tede/5589.

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Made available in DSpace on 2015-05-14T12:11:42Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 1520847 bytes, checksum: 1935a654468cff80facca7f50bac3541 (MD5) Previous issue date: 2011-07-28<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>By proposing a reflection upon art and liberty, by means of Hegel s work, Lectures and Aesthetics, we intend to discuss the way Hegel asserts art, which is, as an expression of liberty whereby the Absolute is manifested in the finite sphere. It (art) announces the reconciliation between spirit and nature, matter and form by means of the po
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14

Brazauskas, Justinas. "Schopenhauerio meno filosofija (Kritinė analizė)." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2008. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2008~D_20080924_182202-63569.

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Šiame darbe atsispindi A.Schopenhauerio meno filosofijos pamatinės idėjos. Mąstytojas nuodugniai iškristalizuoja estetinės patirties sampratą remdamasis Platoniškosios idėjos pirmavaizdžiu. Kadangi A. Shopenhaueriui meninis patyrimas užima kilniadvasiškiausią gyvenimo pakopą. Jam itin rūpi paneigti, betikslės, voliuntaristinės, iracionalios valios viešpatavimą, ištrūkti iš valios vergystės. Filsofas padaro radikalią perskyrą atribodamas pagrindo principo pažinimą nuo estetinės – kontempliacinės patirties plotmės. Jis kelia klausimą: kas gali pažinti grynąsias pasaulio formas? Ir iš kart nedve
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15

Martínez, Font Jorge Octavio. "Una mirada al malalt terminal: Experiència de transcendència mitjançant l'estètica." Doctoral thesis, Universitat Ramon Llull, 2021. http://hdl.handle.net/10803/672075.

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Aquesta tesi defensa que la contemplació d’un malalt terminal pot conduir a una experiència estètica. Després de plantejar l’objecte de recerca, l’estudi es divideix en tres parts: marc teòric, metodologia qualitativa i metodologia quantitativa. En la primera es defineixen i es reflexiona sobre els conceptes de malalt terminal, contemplació, transcendència i les categories estètiques del sublim i el sinistre. En la segona part, s’aborden manifestacions artístiques que tracten l’aspecte estètic de les malalties terminals. En l’última secció es valida la hipòtesi inicial a partir d’un estudi est
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16

CHUNG, PEI-YU, and 鐘培妤. "The Implementation on Artistic Courses of Waldorf Preschool Teachers:An Contemplation from the Perspectives of Aesthetic." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/85a5ur.

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碩士<br>明道大學<br>課程與教學研究所<br>107<br>In the new curriculum of kindergarten, one of the fields is aesthetic education. This study aims to explore the combination of aesthetic education and art curriculum, increase the aesthetic experience of young children, cut in from Waldorf education, and implement the art curriculum of Waldorf kindergarten. In order to study the main axis, this author first discusses the relevant literature, and then use the in-class observation and interview art teacher as the main research method. Through the above literature discussion, the observation of the class and the i
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17

Truman, Sarah E. "Writing Affect: Aesthetic Space, Contemplative Practice and the Self." Thesis, 2013. http://hdl.handle.net/1807/42652.

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In this thesis I explore writers and their writing practices as embodied, contingent, and affected by aesthetic environments and contemplative practices. I discuss contemplative practices as techniques for recognizing the co-dependent origination of the self/world, and as tools for disrupting the trifurcation of body, mind and word. I explore the written word’s role in the continuous production of new meaning, and as part of the continuous production of new “selves” for writers, and readers. I use narrative auto-ethnography to situate myself as a researcher, sensory ethnography and interviews
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