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Books on the topic 'Aesthetic core'

Author: Grafiati

Published: 1 June 2024

Last updated: 31 July 2025

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1

Wenzel, Christian Helmut. An introduction to Kant's aesthetics: Core concepts and problems. Blackwell Pub., 2005.

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2

McLean, Alex (Christopher Alex), 1975-, ed. Speaking code: Coding as aesthetic and political expression. The MIT Press, 2012.

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3

Amoroso, Leonardo. L' estetica come problema. ETS editrice, 1988.

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4

Dottori, Riccardo. Paul Cézanne: L'opera d'arte come assoluto. Centro internazionale studi di estetica, 1994.

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5

Roy, Ron, and John Hesselberth. Mastering Cone 6 Glazes: Improving Durability, Fit and Aesthetics. Glaze Master Press, 2002.

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6

Diodato, Roberto. Vermeer, Góngora, Spinoza: L'estetica come scienza intuitiva. B. Mondadori, 1997.

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7

Coren, Michael. Aesthete: The Frank diaries of Michael Coren. Random House of Canada, 1993.

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8

Oliveira, Álamo. Telas & cores: Notas para tomar nota. Companhia das Ilhas, 2020.

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9

Nathan, Glazer, and Field Cynthia R, eds. The National Mall: Rethinking Washington's monumental core. Johns Hopkins University Press, 2008.

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10

Stanislao, Maria Chiara Di. Arte come evocatrice dei morti o giustificazione dell'esistenza? Aracne, 2010.

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11

Pagan, Alessandra. Musicosophia: L'arte dell'ascolto come meditazione occidentale. Supernova, 1999.

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12

Pagan, Alessandra. Musicosophia: L'arte dell'ascolto come meditazione occidentale. Supernova, 1999.

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13

Pinotti, Andrea. Il corpo dello stile: Storia dell'arte come storia dell'estetica a partire da Semper, Riegl, Wölfflin. Centro internazionale studi di estetica, 1998.

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14

Pinotti, Andrea. Il corpo dello stile: Storia dell'arte come storia dell'estetica a partire da Semper, Riegl, Wölfflin. Mimesis, 1998.

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15

Kandinsky, Wassily. Kandinsky: L'artista come sciamano. Giunti, 2014.

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16

Olivieri, Mario. Come in uno specchio: Dall'oggettività alla soggettività del bello. Guerra, 1999.

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17

Ismael Fernández de la Cuesta. Cantaré con el corazón =: Corde canam. Real Academia de Bellas Artes de San Fernando, 2000.

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18

Gregorat, Claudio. La musica come mistero del suono. Convivio, 1988.

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19

Buchner, Antoni. Come meno può essere più: Colloqui di etica della musica. S.F. Flaccovio, 1989.

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20

Spranzi, Aldo. Il marketing dell'arte: Come può l'economista dell'arte ottenere le conoscenze estetiche che gli servono per il suo lavoro? : come poi se ne serve? UNICOPLI, 2008.

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21

Spranzi, Aldo. Il marketing dell'arte: Come può l'economista dell'arte ottenere le conoscenze estetiche che gli servono per il suo lavoro? : come poi se ne serve? UNICOPLI, 2008.

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22

Rabelhofer, Bettina. So es geraunt rundumihn: Der ästhetische Code in Marianne Fritz' Roman "Dessen Sprache du nicht verstehst" : Versuch einer semiotischen Poetik. Palm & Enke, 1991.

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23

Christine, Lang. Come and play with us: Dramaturgie und Ästhetik im postmodernen Kino. Schüren, 2014.

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24

Muti, Anna Delli. Musica, ascolto, silenzio: Il silenzio come risorsa compositiva. Madona Oriente, 1995.

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25

Masolino, D'Amico, Severi Rita, and Holland Merlin, eds. La vita come arte: Oscar Wilde, le arti e l'Italia. Novecento, 2001.

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26

Teissier-Ensminger, Anne. La fortune esthétique du Code civil des Français. Éditions La Mémoire du Droit, 2004.

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27

Pearce, Nicky. Laser and Intense Pulsed Light for Aesthetic Purposes: Core of Knowledge. Independently Published, 2019.

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28

Unique Composition Unique Composition Books. Cottagecore Mushroom Composition Notebook: College Ruled Cottage Core Aesthetic Notebook Journal for Writing and School. Independently Published, 2021.

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29

Unique Composition Unique Composition Books. Cottagecore Composition Notebook - Stone Cottage: College Ruled Cottage Core Aesthetic Vintage Notebook Journal for Writing and School. Independently Published, 2021.

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30

Unique Composition Unique Composition Books. Cottagecore Composition Notebook - Owls and Flowers: Black College Ruled Cottage Core Aesthetic Notebook Journal for Writing and School. Independently Published, 2021.

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31

Unique Composition Unique Composition Books. Cottagecore Mushroom and Dragonflies Composition Notebook: College Ruled Cottage Core Aesthetic Vintage Notebook Journal for Writing and School. Independently Published, 2021.

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32

Unique Composition Unique Composition Books. Cottagecore Composition Notebook - Floral Botanical Print: College Ruled Cottage Core Aesthetic Vintage Notebook Journal for Writing and School. Independently Published, 2021.

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33

Unique Composition Unique Composition Books. Cottagecore Composition Notebook - Dandelion Floral Botanical Print: College Ruled Cottage Core Aesthetic Vintage Notebook Journal for Writing and School. Independently Published, 2021.

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34

Unique Composition Unique Composition Books. Cottagecore Composition Notebook - Rabbit and Kitten Babies: College Ruled Cottage Core Aesthetic Vintage Notebook Journal for Writing and School. Independently Published, 2021.

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35

Unique Composition Unique Composition Books. Cottagecore Composition Notebook - Farm Pig and Piglets: College Ruled Cottage Core Aesthetic Vintage Notebook Journal for Writing and School. Independently Published, 2021.

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36

Saito, Yuriko. The Aesthetics of Wind Farms. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199672103.003.0004.

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As one of the sustainable forms of energy production, wind farms are becoming increasingly prevalent, changing the global landscapes and seascapes. They are often met with resistance, primarily because of their presumed ‘eyesore’ effect. This chapter reviews several arguments based upon imagination and comparison to art that are intended to mitigate the negative aesthetic impact of wind farms. It concludes that the most promising aesthetic argument in support of wind farms must be a part of a larger aesthetics of sustainability informed by life values, sometimes referred to as the ‘thick’ sens

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37

Bartel, Christopher. Aesthetics and Video Games. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350104860.

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Aesthetics and Video Gamesintroduces current issues and ideas in philosophical aesthetics that help us to better understand why video games are different from cinema, animation and other types of fiction. Addressing two foundational issues, the notion of the aesthetic and the value of play, it asks what the aesthetic is and investigates how value arises from different forms of play. Introducing the history and theory surrounding these questions, this book: - Offers an account of the value of games that places gameplay and interactivity at its core - Acknowledges the importance of both ethical

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38

Lopes, Dominic McIver. Hundred Mile Aesthetics. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198827214.003.0008.

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The main argument for the network theory of aesthetic value is that it better explains the facts about aesthetic activity than aesthetic hedonism. According to the network theory, an aesthetic value figures in a fact that lends weight to the proposition that it would be an aesthetic achievement for an agent to act in the context of an aesthetic practice. Each aesthetic practice has its own aesthetic profile, in which determinate aesthetic values are distinctively realized, and each has core aesthetic norms centred on its distinctive aesthetic profile. An account is given of the valence of aest

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39

Lopes, Dominic McIver. Strength and Warranties of Skill. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198827214.003.0006.

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The main argument for the network theory of aesthetic value is that it better explains the facts about aesthetic activity than does its rival, aesthetic hedonism. The network theory states what makes it the case that an aesthetic value is reason-giving: it figures in a fact that lends weight to the proposition that it would be an aesthetic achievement for an agent to act. An aesthetic achievement is an act that succeeds as a result of the exercise of an aesthetic competence seated in the agent. Core aesthetic competence is competence in aesthetic evaluation. Aesthetic meta-competence is compet

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40

Hamaguchi, Justin. Cracking the Aesthetic Code. Independently Published, 2017.

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41

SCIENCE, F. O. R. Science Notebook Light Green: Lined Notebook, Science Notebook, Rainbow Lesson Notebooks Science Journal, Light Green Softcover Student Journal for Science Note Booking, Light Green Illustrated Cottage Core Aesthetic Diary. Independently Published, 2021.

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42

Lopes, Dominic McIver. In the Eye of the Beholder. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198796657.003.0009.

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According to a core tenet of contemporary philosophy, aesthetic properties are primarily represented in experiences. Obviously, however, the tenet does not apply in any straightforward manner to many items that nevertheless seem to have aesthetic properties. Examples include literary works, mathematical objects, scientific ideas, and works of conceptual art. Aesthetic properties need not be represented in perceptual experiences, but what is an experience if not a perceptual state? This paper adapts Fred Dretske’s distinction between analogue and digital representation to develop a broad concep

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43

Stecker, Robert. Value in Art. Edited by Jerrold Levinson. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199279456.003.0017.

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Questions about artistic value are not nicely uniform or all raised at the same level of inquiry. In this article they are divided up into three groups of issues: meta-aesthetic, ontological, and normative. The first of these concern the nature of a judgement of artistic value. The second concerns the nature of such value itself. The last concerns the core question of what is artistically valuable about art, and how one brings the various valuable features of a work to bear in arriving at an evaluation of the work. Though these are different questions, there are not sharp boundaries between th

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44

Maeda, John. Creative Code: Aesthetics + Computation. Thames & Hudson, 2004.

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45

Gailus, Andreas. Forms of Life. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501749803.001.0001.

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This book argues that the neglect of aesthetics in most contemporary theories of biopolitics has resulted in an overly restricted conception of life. The book insists we need a more flexible notion of life: one attuned to the interplay and conflict between its many dimensions and forms. The book develops such a notion through the meticulous study of works by Kant, Goethe, Kleist, Nietzsche, Wittgenstein, Benn, Musil, and others. It shows that the modern conception of “life” as a generative, organizing force internal to living beings emerged in the last decades of the eighteenth century in biol

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46

Lopes, Dominic McIver. Aesthetic Injustice. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780198930983.001.0001.

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Abstract There are many aesthetic cultures, and groups with different aesthetic cultures can come in contact with one another, sometimes resulting in conflict. An aesthetic injustice is a failure of policies in large-scale social arrangements to manage the contact well and avoid conflict. This book articulates and defends the cosmopolitan theory of aesthetic injustice: a large-scale social arrangement is aesthetically unjust when and only when it harms people in their capacities as aesthetic agents, thereby subverting interests in the value diversity and social autonomy of aesthetic cultures.

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47

Baldock, Emma, and David Veale. The Self as an Aesthetic Object : Body Image, Beliefs About the Self, and Shame in a Cognitive-Behavioral Model of Body Dysmorphic Disorder. Edited by Katharine A. Phillips. Oxford University Press, 2017. http://dx.doi.org/10.1093/med/9780190254131.003.0023.

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This chapter describes a cognitive-behavioral model of body dysmorphic disorder (BDD), focusing on a core concept of “processing of the self as an aesthetic object.” This concept refers to the experience of being intensely self-focused on a distorted and negative “felt sense” of how one appears to others, and of anticipating or experiencing negative evaluation and rejection because of how one looks. The model proposes that this “felt sense” is informed by intrusive imagery derived from aversive memories, which many individuals with BDD experience. Appearance may become an “idealized value” (i.

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48

Wenzel, Christian Helmut. Introduction to Kant's Aesthetics: Core Concepts and Problems. Wiley & Sons, Incorporated, John, 2008.

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49

Wenzel, Christian Helmut. Introduction to Kant's Aesthetics: Core Concepts and Problems. Wiley & Sons, Incorporated, John, 2008.

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50

Wenzel, Christian Helmut. Introduction to Kant's Aesthetics: Core Concepts and Problems. Wiley & Sons, Limited, John, 2008.

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