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Books on the topic 'Aesthetic evaluation'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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1

The theory and aesthetic evaluation of literature. Susquehanna University Press, 1989.

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2

Allerton Park Institute (34th 1992 Monticello, Ill.). Evaluating children's books: A critical look : aesthetic, social, and political aspects of analyzing and using children's books. Edited by Hearne Betsy Gould and Sutton Roger. University of Illinois, Graduate School of Library and Information Science, 1993.

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Allerton Park Institute (34th 1992 Monticello, Ill.). Evaluating children's books: A critical look : aesthetic, social, and political aspects of analyzing and using children's books. Edited by Hearne Betsy Gould and Sutton Roger. University of Illinois, Graduate School of Library and Information Science, 1993.

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4

Evaluating art. Temple University Press, 1988.

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5

Sight and sensibility: Evaluating pictures. Oxford University Press, 2005.

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6

Massam, Bryan H. Political geography at the subnational scale: Autonomy, evaluation, aesthetics in a civil society. York University, Dept. of Geography, 1994.

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7

Perkins, V. F. Film as film: Understanding and judging movies. Da Capo Press, 1993.

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8

Perkins, V. F. Film as film: Understanding and judging movies. Penguin Books, 1986.

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9

Fabe, Marilyn. Closely watched films: An introduction to the art of narrative film technique. University of California Press, 2004.

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10

Closely watched films: An introduction to the art of narrative film technique. University of California Press, 2004.

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11

Churchward, Craig. Evaluation of methodologies for visual impact assessments. Transportation Research Board, 2013.

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12

Arnaud, Diane, and Dork Zabunyan. Les images et les mots: Décrire le cinéma. Presses universitaires du Septentrion, 2014.

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13

Dasgupta, Subhoranjan. Dialects and Dreams: An evaluation of Bishnu Dey's poetry in the light of neo-Marxian aesthetics. Steiner, 1987.

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14

Dasgupta, Subhoranjan. Dialectics and dream: An evaluation of Bishnu Dey's poetry in the light of neo-Marxian aesthetics. Steiner Verlag Wiesbaden, 1987.

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15

Was lehrt das Kino?: 24 Filme und Antworten. Edition Text + Kritik, 2012.

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16

Biau, Véronique, and François Lautier. La qualité architecturale: Acteurs et enjeux. RAMAU, Réseau activités et métiers de l'architecture et de l'urbanisme, 2009.

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17

The evaluative image of the city. Sage Publications, 1998.

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18

United States. National Transportation Safety Board. Aircraft accident report: Midair collision of Wings West Airlines Beech C-99 (N6399U) and Aesthetec, Inc., Rockwell Commander 112TC N112SM near San Luis Obispo, California, August 24, 1985 [i.e., 1984]. The Board, 1985.

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19

Understanding movies. 7th ed. Prentice Hall, 1996.

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20

D, Giannetti Louis. Understanding movies. Pearson Education, 2007.

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21

Understanding movies. 9th ed. Prentice Hall, 2002.

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22

Understanding movies. Pearson/Prentice Hall, 2005.

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23

D, Giannetti Louis. Understanding movies. 2nd ed. Prentice Hall, 2001.

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24

D, Giannetti Louis. Understanding movies. Prentice Hall Allyn and Bacon Canada, 1998.

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25

Understanding movies. 6th ed. Prentice Hall, 1993.

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26

Understanding movies. 5th ed. Prentice Hall, 1990.

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27

D, Giannetti Louis. Understanding movies. 4th ed. Prentice-Hall, 1987.

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28

Jim, Leach, ed. Understanding movies. 3rd ed. Pearson Prentice Hall, 2005.

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29

Jim, Leach, ed. Understanding movies. 4th ed. Pearson Prentice Hall, 2008.

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30

D, Giannetti Louis. Understanding movies. 8th ed. Prentice Hall, 1999.

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31

Hanʼguk sosŏl ŭi pundan iyagi. Chʻaek Sesang, 2006.

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32

Aesthetic evaluation and film. Manchester University Press, 2018.

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33

Klevan, Andrew. Aesthetic Evaluation and Film. Manchester University Press, 2015.

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34

Klevan, Andrew. Aesthetic Evaluation and Film. Manchester University Press, 2018.

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35

Toward an Aesthetic Evaluation of the Furman Campus. Universal Workshop, 1986.

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36

Garelick, Leslie Cavell. The aesthetic theories of Roger Fry: A re-evaluation. 1985.

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37

Spencer, Diana. Aesthetic, Sociological, and Exploitative Attitudes to Landscape in Greco-Roman Literature, Art, and Culture. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199935390.013.121.

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This article introduces and discusses ancient and contemporary approaches to landscape and proposes model readings for their evaluation. Model readings suggest strategies drawn from environmental and ecocritical studies alongside art historical, and more traditional literary studies approaches. This article emphasizes in particular the benefits of evaluating architectural and agricultural interventions in nature alongside one another. Perceptions of landscape in the Greco-Roman world were strongly associated with cultivation and human invention. In order better to understand how and why aesthe

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38

Bergqvist, Anna, and Robert Cowan, eds. Evaluative Perception. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198786054.001.0001.

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Evaluation is ubiquitous. Indeed, it isn't an exaggeration to say that we assess actions, character, events, and objects as good, cruel, beautiful, etc., almost every day of our lives. Although evaluative judgement—for instance, judging that an institution is unjust—is usually regarded as the paradigm of evaluation, it has been thought by some philosophers that a distinctive and significant kind of evaluation is perceptual. For example, in aesthetics, some have claimed that adequate aesthetic judgement must be grounded in the appreciator's first-hand perceptual experience of the item judged. I

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39

Cutter, Mary Ann G. How Is Breast Cancer Evaluated? Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190637033.003.0004.

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The question “How is breast cancer evaluated?” raises a host of considerations, including ones about the role of values in clinical concepts, the kinds of clinical values in medical thinking, and the extent to which our evaluations of clinical phenomenon provide clinical certainty. What we find is that, initially, breast cancer is a treatment warrant and appears to fit the view of a clinical entity that is value-neutral. But things are not as simple as one would initially think. Upon reflection, descriptions and explanations of breast cancer are nested in evaluative frames of reference through

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40

Forster, Michael N. Aesthetics. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199588367.003.0007.

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Aesthetics, or the philosophy of literature and art, was one of Herder’s main focuses. By valorizing these areas of culture (in comparison with others such as science and religion) and in several other ways he prepared the ground for German Romanticism. He also established many principles of great intrinsic importance: rejecting apriorism and systematization in aesthetics in favor of an empirical, non-systematic approach; insisting that arts such as sculpture and painting express meanings and therefore require interpretation; recognizing the central role of genre not only in literature but als

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41

Lopes, Dominic McIver. Strength and Warranties of Skill. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198827214.003.0006.

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The main argument for the network theory of aesthetic value is that it better explains the facts about aesthetic activity than does its rival, aesthetic hedonism. The network theory states what makes it the case that an aesthetic value is reason-giving: it figures in a fact that lends weight to the proposition that it would be an aesthetic achievement for an agent to act. An aesthetic achievement is an act that succeeds as a result of the exercise of an aesthetic competence seated in the agent. Core aesthetic competence is competence in aesthetic evaluation. Aesthetic meta-competence is compet

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42

Sarwer, David B., and Canice E. Crerand. Evaluation of Body Dysmorphic Disorder in Patients Seeking Cosmetic Surgery and Minimally Invasive Treatments. Edited by Katharine A. Phillips. Oxford University Press, 2017. http://dx.doi.org/10.1093/med/9780190254131.003.0031.

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This chapter details the recommended elements of the mental health assessment of individuals seeking cosmetic surgery or minimally invasive cosmetic treatments. Recommendations are provided for both mental health clinicians and aesthetic medical providers (e.g., surgeons, dermatologists). The standard elements of a comprehensive, initial mental health evaluation provide the foundation for assessment. In addition to assessing patients’ current psychosocial functioning and mental health history, providers should more specifically evaluate patients’ body image concerns. This includes a detailed a

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43

Yen, Michael T., ed. Surgery of the Eyelid, Lacrimal System, and Orbit. Oxford University Press, 2011. http://dx.doi.org/10.1093/oso/9780195340211.001.0001.

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Surgery of the Eyelids, Lacrimal System, and Orbit, second edition is a richly illustrated text of oculofacial plastic surgery, with contributions from over 50 nationally and internationally recognized expert authors. Extensively updated from the first edition, this comprehensive text details the evaluation and surgical management of conditions ranging from basic functional eyelid malpositions to complex aesthetic facial reconstructions. It is an excellent resource for those in training as well as seasoned practitioners wanting to be updated on the newest techniques in eyelid, lacrimal, and or

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44

Stecker, Robert. Value in Art. Edited by Jerrold Levinson. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199279456.003.0017.

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Questions about artistic value are not nicely uniform or all raised at the same level of inquiry. In this article they are divided up into three groups of issues: meta-aesthetic, ontological, and normative. The first of these concern the nature of a judgement of artistic value. The second concerns the nature of such value itself. The last concerns the core question of what is artistically valuable about art, and how one brings the various valuable features of a work to bear in arriving at an evaluation of the work. Though these are different questions, there are not sharp boundaries between th

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45

Thomas, Richard F. Domesticating Aesthetic Effects. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198810810.003.0017.

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Domestication of ancient epics appears to be a focal theme in recent translation studies. This chapter explores a specific aspect of this theme by focusing on the domestication of aesthetic, linguistic, and metre-specific effects. Thomas raises the question of whether or not it is possible to translate language-specific idioms into the target language without losing the poignancy of the source text; and his discussion provides copious examples drawn from English translations of Virgil’s works. By juxtaposing and evaluating different translations of the same highly marked passages of Virgil, he

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46

Baldock, Emma, and David Veale. The Self as an Aesthetic Object : Body Image, Beliefs About the Self, and Shame in a Cognitive-Behavioral Model of Body Dysmorphic Disorder. Edited by Katharine A. Phillips. Oxford University Press, 2017. http://dx.doi.org/10.1093/med/9780190254131.003.0023.

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This chapter describes a cognitive-behavioral model of body dysmorphic disorder (BDD), focusing on a core concept of “processing of the self as an aesthetic object.” This concept refers to the experience of being intensely self-focused on a distorted and negative “felt sense” of how one appears to others, and of anticipating or experiencing negative evaluation and rejection because of how one looks. The model proposes that this “felt sense” is informed by intrusive imagery derived from aversive memories, which many individuals with BDD experience. Appearance may become an “idealized value” (i.

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47

Hedberg Olenina, Ana. Psychomotor Aesthetics. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190051259.001.0001.

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In the late 19th century, neurophysiology introduced techniques for detecting somatic signs of psychological processes. Scientific modes of recording, representing, and interpreting body movement as “expressive” soon found use in multiple cultural domains. Based on archival materials, this study charts the avenues by which physiological psychology reached the arts and evaluates institutional practices and political trends that promoted interdisciplinary engagements in the first quarter of the 20th century. In mapping the emergence of a paradigm it calls “psychomotor aesthetics,” this book unco

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48

Lopes, Dominic McIver. Getting Practical. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198827214.003.0003.

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While the main argument for the network theory of aesthetic value is that it better explains the facts about aesthetic activity than does aesthetic hedonism, the two theories share some common assumptions. Aesthetic evaluations are mental representations that attribute aesthetic values to items. Aesthetic acts are acts based on aesthetic evaluations. Aesthetic values figure in aesthetic reasons, which are practical reasons. That is, an aesthetic reason lends weight to the proposition that an agent should perform some act—an act of aesthetic appreciation, for example. Hence, one task for a theo

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49

Philip, Dearden, Sadler Barry, and University of Victoria (B.C.). Dept. of Geography, eds. Landscape evaluation: Approaches and application. Dept. of Geography, University of Victoria, 1989.

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50

Kirchin, Simon. Thick Evaluation. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198803430.001.0001.

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We use evaluative terms and concepts every day, in talk of ethics, aesthetics, politics, and when we discuss common-or-garden issues. We call actions right and wrong, teachers wise and ignorant, and children annoying and angelic. Philosophers place evaluative concepts into two camps. Thin concepts, such as goodness and badness, and rightness and wrongness have evaluative content, but they supposedly have no or hardly any nonevaluative, descriptive content: they supposedly give little or no specific idea about the character of the person or thing described. In contrast, thick concepts such as k

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