Academic literature on the topic 'Aesthetic medi'

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Journal articles on the topic "Aesthetic medi"

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Hiroyuki, Akio, Juliawan Juliawan, and I. Ketut Sudarsana. "Internalization Values Of Character Education Towards The Teruna-Daha In The Medi-Median Tradition." Vidyottama Sanatana: International Journal of Hindu Science and Religious Studies 2, no. 2 (2018): 232. http://dx.doi.org/10.25078/ijhsrs.v2i2.623.

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<p>National culture and character education is a concept of character education in Indonesia, namely through the process of internalization of education based on the principles of religious, social and cultural norms. The <em>medi-median</em> tradition is one of the cleansing ceremonies that returns all elements in <em>Bhuana Agung</em> and <em>Bhuana alit </em>back to its place, which is carried out by <em>Krama desa</em> in the traditional village of Tenganan Pegringsingan, which in this tradition gives deep meaning as an internalization
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Diuzheva, Kateryna. "Media Aesthetics As A University Educational Component." Obraz 47, no. 1 (2025): 144–52. https://doi.org/10.21272/obraz.2025.1(47)-144-152.

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Introduction. The article deals with the university discipline “Media Aesthetics”, reveals the problem of forming and improving students’ ideas about the general laws of aesthetic activity and aesthetic development of the world, and substantiates the need to outline the specifics of the social nature of beauty, art as a mechanism of human socialization, aesthetic information as an integral part of the mass media. Relevance and purpose. The study of media aesthetics at the university is relevant because of the need to analyze the aesthetic aspects of media materials, especially in wartime. Medi
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Holgate, John. "Informational Aesthetics—What Is the Relationship between Art Intelligence and Information?" Proceedings 47, no. 1 (2020): 54. http://dx.doi.org/10.3390/proceedings2020047054.

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The author examines the notion of informational aesthetics. The origin of aesthetics lies in Epicurus’s notion of aesthesis and the integration of artistic activity within ethics and the ‘good life’—as in the aesthetic theory and practice of the East. The debasement of the word ‘aesthetic’ reflects the increasing alienation of beauty from imagination. The fragmentation of art now packaged as media objects in our digital world is the legacy of this alienation. The author retraces the history of the concept of information aesthetics developed in the 1960s by Birkhoff, Bense and Mole and which so
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Holgate, John. "Informational Aesthetics—What Is the Relationship between Art Intelligence and Information?" Proceedings 47, no. 1 (2020): 54. http://dx.doi.org/10.3390/proceedings47010054.

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The author examines the notion of informational aesthetics. The origin of aesthetics lies in Epicurus’s notion of aesthesis and the integration of artistic activity within ethics and the ‘good life’—as in the aesthetic theory and practice of the East. The debasement of the word ‘aesthetic’ reflects the increasing alienation of beauty from imagination. The fragmentation of art now packaged as media objects in our digital world is the legacy of this alienation. The author retraces the history of the concept of information aesthetics developed in the 1960s by Birkhoff, Bense and Mole and which so
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Christiane, Wagner. "Aesthetic Appreciation: Natural, Artistic, and Media Effects." Art Style, Art & Culture International Magazine 9, no. 9 (2022): 129–47. https://doi.org/10.5281/zenodo.6808426.

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Art Style | Art & Culture International Magazine Abstract This article aims to conceptualize aesthetic appreciation based on the main aesthetic theories of the last decades. The development of this analysis includes the core values that highlight the natural and urban environmental aesthetic experience. The need to know more about aesthetic experience establishes possibilities for research beyond art that focuses on natural and artificial spaces. While other traditional approaches have sought to discuss the object of aesthetics, namely artistic beauty and its relation to natural beauty, or
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Mirazim, Zaidov. "MODERN METHODS OF FACIAL REJUVENATION: SYNERGY OF MINIMALLY INVASIVE AND SURGICAL TECHNIQUES." Deutsche internationale Zeitschrift für zeitgenössische Wissenschaft 104 (May 20, 2025): 36–38. https://doi.org/10.5281/zenodo.15476977.

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Modern aesthetic facial surgery is aimed at achieving a natural, harmonious result with minimal trauma and a shortened rehabilitation period. The article discusses current trends and techniques in the field of facial rejuvenation, including minimally invasive technologies, SMAS-lifting, lipofilling, as well as the use of regenerative medicine and energy-based devices. Clinical algorithms for choosing the optimal treatment strategy are shown, taking into account the anatomical and age characteristics of the patient. Real clinical cases and an overview of the latest international studies are pre
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Godspower, Udoh PhD1* Samuel Jacobs2 Samuel Jimmy3. "Aesthetic Appeal and Uyo-based Graduate Residents' Patronage of Online News Papers." MSI Journal of Arts, Law and Justice (MSIJALJ) Volume 2, Issue 3 (2025): 32–37. https://doi.org/10.5281/zenodo.15083561.

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The study examined influence of newspaper aesthetics on Uyo-based graduates’ patronage of online newspapers. The objectives were to: examine the extent to which Uyo-based graduates were aware of newspaper aesthetic elements; identify the specific aesthetic element that influenced the patronage of newspapers among them; identify the aesthetic element that they found to be the most prominently used by newspapers that they read; and examine any other aesthetic related elements that positively influenced readers’ patronage of newspapers. While the survey research design was adopted for
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Mankovskaya, Nadezda Borisovna. "The Man of Action of French Romanticism. Aesthetic Views of Victor Hugo and their Embodiment in Poetry and Dramaturgy." Культура и искусство, no. 8 (August 2023): 50–73. http://dx.doi.org/10.7256/2454-0625.2023.8.39409.

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The subject of the study is the fundamental philosophical and aesthetic problems in the romantic aesthetics of one of its leaders in France - Victor Hugo. The evolution of his aesthetic views is traced - from adherence to the aesthetics of classicism and royalist views to the established theory and artistic practice of romanticism, colored with democratic pathos. The core of Hugo's aesthetics is revealed - the original concept of the grotesque, which has found a convincing embodiment in his poetry, drama, historical novels. Such main themes as the correlation of the tragic and the comic, the b
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Ferreira, Emmanoel. "Agency, Appropriation, Politics: Three Epistemological Keys Towards an Aesthetics of Play." Acta Ludologica 6, no. 2 (2023): 62–78. http://dx.doi.org/10.34135/actaludologica.2023-6-2.62-78.

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Based on a dialogue with authors of pragmatist philosophy, game studies, and communication, this article intends to understand the relationship between aesthetic experience and ludic media, in particular digital games, in what this relationship distinguishes from the aesthetic experiences provided by different media, such as literature, music, film and the arts in general. To better understand this relationship, we propose the presentation and development of three epistemological axes (or keys), namely: i) aesthetics and agency, ii) aesthetics and appropriation, and iii) aesthetics and politic
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Yuhan, Li. "Research on the Transformation of Aesthetic Paradigms in Chinese Animation in the New Media Era." Journal of Education, Humanities and Social Sciences 39 (November 7, 2024): 481–86. http://dx.doi.org/10.54097/vkzzm276.

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With the advent of the new media era, the platforms for disseminating animation art have expanded, raising higher demands for the precision of animation itself. This expansion has, to a certain extent, enriched and altered the aesthetic characteristics of animation, leading to a fundamental shift in its aesthetic paradigms. A paradigm refers to an example or model that possesses temporality, universality, and normativity. In the history of aesthetics, aesthetic paradigms are not static; they evolve in response to societal influences. New aesthetic paradigms integrate and transcend old ones, cr
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Dissertations / Theses on the topic "Aesthetic medi"

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Obrador, Espinosa Pere. "Media aesthetics based multimedia storytelling." Doctoral thesis, Universitat Politècnica de Catalunya, 2011. http://hdl.handle.net/10803/33293.

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Since the earliest of times, humans have been interested in recording their life experiences, for future reference and for storytelling purposes. This task of recording experiences --i.e., both image and video capture-- has never before in history been as easy as it is today. This is creating a digital information overload that is becoming a great concern for the people that are trying to preserve their life experiences. As high-resolution digital still and video cameras become increasingly pervasive, unprecedented amounts of multimedia, are being downloaded to personal hard drives, and als
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Swalwell, Melanie. "Aesthetics and hyper/aesthetics: rethinking the senses in contemporary media contexts." University of Technology, Sydney. Faculty of Humanities and Social Sciences, 2002. http://hdl.handle.net/2100/386.

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This thesis addresses the escalation of interest in the senses, across a range of media technological contexts, dating from the mid 1990s. Much of this discourse has focussed on the experiential, particularly intense, multisensory experience of the present. As there are numerous discourses on the senses, technology and affect individually, my concern is to examine some of the intersections between these, in order to reconsider the contemporary significance of aesthetics in media contexts. I develop a ‘hyper/aesthetic’ approach to try to think about aesthetic relations with technology in a nuan
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Jackson, Rebecca. "The Glitch Aesthetic." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/communication_theses/80.

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The miscommunication between sender and receiver during transcoding indexes specific historical moments similarly to analog film's indexical trace. Iconography and glitch art begin to establish glitch's deictic index. The glitch aesthetic exposes societal paranoia by illustrating dependence on the digital and fear of system failure. With the advent of video sharing sites like Youtube and popular cyberfilms, the glitch aesthetic has evolved into a pop culture artifact.
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Foley, Kimberly Ann. "Perception, aesthetics and culture in new media." Thesis, Massachusetts Institute of Technology, 1988. http://hdl.handle.net/1721.1/73763.

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Zics, Brigitta. "Transparency, cognition and interactivity : toward a new aesthetic for media art." Thesis, University of South Wales, 2008. https://pure.southwales.ac.uk/en/studentthesis/transparency-cognition-and-interactivity(c029eaa7-93ac-40e5-ba3c-c3c3d6e18a0a).html.

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This practice-based thesis undertakes research into the contemporary aesthetic of interactive media art, in order to propose a useful practical model of interactivity founded on a critical approach to both existing theory and practice. It proceeds from the identification of a primary lack in contemporary aesthetics that arises from the predominantly materialistic comprehension of technologically-mediated artworks. The thesis establishes a new model for interactive art that offers an immaterial engagement with technology at a locus where cognition and the aesthetic intertwine. This model is con
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Basile, Jeffrey A. Jr. "A Modern Aesthetic Reevaluation of Literacy." Youngstown State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1418303891.

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Maqbool, Hira. "Aesthetic choices: Defining the range of aesthetic views in interactive digital media including games and 3D virtual environments (3D VEs)." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2023. https://ro.ecu.edu.au/theses/2682.

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Defining aesthetic choices for interactive digital media such as games is a challenging task. Objective and subjective factors such as colour, symmetry, order and complexity, and statistical features among others play an important role for defining the aesthetic properties of interactive digital artifacts. Computational approaches developed in this regard also consider objective factors such as statistical image features for the assessment of aesthetic qualities. However, aesthetics for interactive digital media, such as games, requires more nuanced consideration than simple objective and subj
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Nemirovsky, Paul 1975. "Aesthetic forms of expression as information delivery units." Thesis, Massachusetts Institute of Technology, 1999. http://hdl.handle.net/1721.1/62347.

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Thesis (S.M.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 1999.<br>Includes bibliographical references (leaf 53).<br>This thesis presents the hypothesis that aesthetic forms of expression - such as music, painting, video - can be used for direct information delivery. In contrast to text or verbal narrative techniques, which require a conscious act of transcoding, these aesthetic forms stimulate more direct, emotional response. Such a hypothesis could open a new channel for the delivery of various types of information, providi
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Dragulescu, Alexandru C. "Data portraits : aesthetics and algorithms." Thesis, Massachusetts Institute of Technology, 2009. http://hdl.handle.net/1721.1/55188.

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Thesis (S.M.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2009.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (p. 91-93).<br>While interacting online, one generates a multitude of personal data trails, both textual and behavioral. The data portrait is a way to collect, condense and represent these information trails, which are often time consuming and tedious to find and grasp when read linearly across web pages or domains, into an easy, legible, and compelling visualization. This thesis pres
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Delacruz, Phillip S. "EXPLORATIONS & REDEFINITIONS OF NEW MEDIA AESTHETIC CONCEPTS IN CONTEMPORARY ART CULTURE." Master's thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3043.

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My thesis pursues the exploration, invention, and redefinition of the role of Aesthetics through artistic practices of 3d digital graphics, 2d print, video, and sculpture. Aesthetic research altruistically generates visual installations informed by utopian idealism, science and technology centric culture, pop culture iconography, art history, international contemporary art and design.<br>M.F.A.<br>Department of Art<br>Arts and Humanities<br>Studio Art and the Computer MFA
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Books on the topic "Aesthetic medi"

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Dorai, Chitra, and Svetha Venkatesh. Media computing: Computational media aesthetics. Springer, 2002.

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Chitra, Dorai, and Venkatesh Svetha, eds. Media computing: Computational media aesthetics. Kluwer Academic Publishers, 2002.

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(Sweden), Kungliga Biblioteket, ed. Regional aesthetics: Locating Swedish media. National Library of Sweden, 2010.

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Stam, Robert, Richard Porton, and Leo Goldsmith. Keywords in Subversive Film/Media Aesthetics. John Wiley & Sons, Inc, 2015. http://dx.doi.org/10.1002/9781118340660.

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Zettl, Herbert. Sight, sound, motion: Applied media aesthetics. 6th ed. Wadsworth Cengage Learning, 2011.

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name, No. Rethinking media change: The aesthetics of transition. MIT Press, 2003.

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Christopher, Balme, and Wagner Meike, eds. Beyond aesthetics: Performance, media, and cultural studies. Wissenschaftlicher Verlag, 2004.

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D, Thorburn David Ph, Jenkins Henry 1958-, and Seawell Brad, eds. Rethinking media change: The aesthetics of transition. MIT Press, 2003.

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Stam, Robert. Keywords in subversive film-media aesthethics. Malden, MA, 2015.

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Paulson, Sarah J., and Anders Skare Malvik. Literature in contemporary media culture: Technology, subjectivity, aesthetics. John Benjamins Publishing Company, 2016.

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Book chapters on the topic "Aesthetic medi"

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Zagidullina, Marina. "Media-aesthetic approach." In The Covid-19 Pandemic as a Challenge for Media and Communication Studies. Routledge, 2022. http://dx.doi.org/10.4324/9781003232049-14.

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Nehamas, Alexander. "Plato and the Mass Media." In Aesthetics. Routledge, 2017. http://dx.doi.org/10.4324/9781315303673-78.

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Dorai, Chitra. "Computational Media Aesthetics." In Encyclopedia of Database Systems. Springer US, 2009. http://dx.doi.org/10.1007/978-0-387-39940-9_1036.

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Zettl, Herbert, and James D. Kelly. "Applied Media Aesthetics." In Handbook of Visual Communication. Routledge, 2020. http://dx.doi.org/10.4324/9780429491115-27.

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Dorai, Chitra. "Computational Media Aesthetics." In Encyclopedia of Database Systems. Springer New York, 2016. http://dx.doi.org/10.1007/978-1-4899-7993-3_1036-2.

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Dorai, Chitra. "Computational Media Aesthetics." In Encyclopedia of Database Systems. Springer New York, 2018. http://dx.doi.org/10.1007/978-1-4614-8265-9_1036.

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Płotka, Witold. "Toward a Phenomenology of Media." In Primary Sources in Phenomenology. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-63685-1_9.

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AbstractIn his aesthetics, as shown in Chap. 8, Blaustein formulated a sophisticated theory of the aesthetic experience and the aesthetic object. However, the value of his approach was evidenced not only by theoretical examinations but also by detailed and rich descriptions of different aesthetic phenomena. Whereas in the previous chapter I was interested in the basics of Blaustein’s aesthetic theory, the present chapter concerns its concrete applications; more precisely, I will outline his phenomenology of media as an example of the application of descriptive tools in the analysis of cinema a
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Majkut, Paul. "Media." In Handbook of Phenomenological Aesthetics. Springer Netherlands, 2009. http://dx.doi.org/10.1007/978-90-481-2471-8_40.

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Pokojska, Weronika, and Olga Kosińska. "Kitsch in social media." In Management Aesthetics. Routledge, 2024. http://dx.doi.org/10.4324/9781003504931-14.

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Rustad, Gry C. "Distributional Aesthetics." In Social Media Television and Distributional Aesthetics. Routledge, 2025. https://doi.org/10.4324/9781032657844-2.

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Conference papers on the topic "Aesthetic medi"

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Luchen, Fang, and Cai Sishi. "The Technical Aesthetics and Spectacular Narratives of Science Fiction Films in the Perspective of Digital Media." In 2024 5th Technology Innovation Management and Engineering Science International Conference (TIMES-iCON). IEEE, 2024. http://dx.doi.org/10.1109/times-icon61890.2024.10630760.

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Revnew, Steve. "The Myths about Mold: What Every Painting Contractor, and Customer, Should Know about Combating This Problem." In Paint and Coatings Expo (PACE) 2007. SSPC, 2007. https://doi.org/10.5006/s2007-00077.

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Abstract Widespread media coverage has made mold a concern for everyone from home and business owners to those in building construction. This presentation explains the facts and fiction of mold ― what it is, where it grows best and how to control it. The benefits of antimicrobial coatings are also explained. The goal of this presentation is to provide contractors with an understanding of mold and antimicrobial coatings that can be used to educate customers and ultimately increase profits. Objectives are to help painting contractors make informed decisions regarding mold, increase their underst
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Szalwa, Anna. "POTENTIAL, RISKS, AND FUTURE OF NEW MEDIA IN URBAN PUBLIC SPACES." In 11th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscss.2024/s14/87.

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New media play a role transforming public spaces into interactive platforms for communication, advertising, art, and social integration (Manuel Castells, 2009) [1]. Technologies such as LED displays and digital interactive installations aim to enhance the functionality of urban spaces, broaden the experience of a place, and attract users� attention. According to Lev Manovich (2001) [2], such technologies not only change the aesthetics of urban spaces but also the way in which people interact with them. Examples of media facades onto shopping malls or audiovisual installations at courtyards of
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Koziakova, M. "HERMENEUTICS AS AN AESTHETIC DISCOURSE OF THE MEDIA ENVIRONMENT." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2567.978-5-317-06726-7/149-153.

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The beginning of the modern era is associated with the intensive development of fundamentally new media technologies that generate the formation and development of the media environment. This process is one of the Central moments of profound transformations in the life of modern society, in art. Art acquires new characteristics, and an important topic of modern research is the question of the ontological perspective of aesthetics. In this regard, hermeneutical procedures that make it possible to clarify the meaning of changes are of particular conceptual significance. The article examines the
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Li, Wanyue. "THE FUSION OF ART AND TECHNOLOGY EXPLORING THE BOUNDARIES OF NEW MEDIA AESTHETICS." In 4th International Conference Modern Culture and Communication. Institute for Peace and Conflict Research, 2024. http://dx.doi.org/10.31312/978-5-6048848-7-4-20.

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Focusing on new media aesthetics, this paper explores the relationship between modern art and the integration of technology. The impact of technology on artistic innovation and its historical development are discussed, with an emphasis on new interactive art forms such as virtual reality and augmented reality. Characteristics of new media art such as interactivity, digitisation, multimedia integration, immediacy, openness and criticality are outlined. Finally, the importance of new media art for the shaping of contemporary art and the aesthetic experience of the audience is emphasised.
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Strugova, E. "SPACE AS SENSUAL AUTHENTICITY: ANACHRONISM IN THE INTERIOR." In Aesthetic Problems of Environmental Design. LCC MAKS Press, 2024. https://doi.org/10.29003/m4240.978-5-317-07275-9/265-269.

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The study aims at the description of aesthetic mode of experiencing space as something that, taking various forms, including emptiness, acquires a sensual potential. Using the example of a spatial ‘turn' in contemporary aesthetics, media studies and film theory, in particular, the thesis is substantiated that in the sensory experience of space there is a high probability of feeling the ‘emptiness' of time, literally, the unbearability of the present tense, which ‘hangs' too heavily.
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Rühse, Viola. "Alison Knowles’s “Bean Rolls”: The influence of mycological and aesthetic discussions with John Cage on early women’s Fluxus aesthetics." In RE:SOUND 2019 – 8th International Conference on Media Art, Science, and Technology. BCS Learning & Development, 2019. http://dx.doi.org/10.14236/ewic/resound19.1.

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Miyazaki, Shintaro. "Musik für Maschinen?! – Wo sich die Wissenschaft der Medien, des Computers und der Musik treffen und wie sie zusammenarbeiten könnten." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.105.

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Musicology and computer science do not only come together in areas such as the use, analysis and performance of digitized data, but also meet in unexpected places such as in context of critical media studies and inquiries about the material and aesthetic conditions of digitality. Such „exploratory interactions“ with computers and their aesthetics might resonate well with musicology. This mini-contribution firstly presents a historical situation in which for a short period in the 20th century the machinic music of digitality became audible. It then formulates, just as briefly and sketchily, the
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Inakage, Masa. "Media design aesthetics." In the 2nd international conference. ACM Press, 2007. http://dx.doi.org/10.1145/1306813.1306815.

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Fries-Briggs, Gabriel. "Device-Media-Architecture: Julia Child’s Kitchens." In 111th ACSA Annual Meeting Proceedings. ACSA Press, 2023. http://dx.doi.org/10.35483/acsa.am.111.32.

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This paper traces a lineage of device-as-architecture through the mediatization of Julia Child’s kitchens. A historical survey of the changes to her kitchen and its relationship to interior design during the latter half of the 20th century suggest a reading of interior architecture not as a means to house new technology but rather as composed by technology and devices. Counter to Ryener Banham’s projection of a future where interior technologies give shape to an architectural exterior, Child’s kitchen reflects a growing trend in the second half of the 20th century in which tool-based clutter a
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Reports on the topic "Aesthetic medi"

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Ripey, Mariya. NORMATIVE ASPECT OF USE OF NOUNS IN NEWSPAPER PUPLICATIONS. Ivan Franko National University of Lviv, 2022. http://dx.doi.org/10.30970/vjo.2022.51.11410.

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The article provides a study of the standard aspect of vocabulary usage in Ukrainian newspaper publications. The language quality in newspaper publications is an important and topical problem. The paper puts special emphasis on the language of the media which needs to be normative. The research is predetermined by the need to establish word meanings (based on the editorial practice), which is not specifically delineated in the reference literature, and to give variants of their proper usage. It is emphasized that the accuracy of word usage depends on the availability, aesthetic impact and effe
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Ripey, Mariya. Сполучуваність іменника кількість із дієсловами у газетних публікаціях (на матеріалі всеукраїнської газети «День»). Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11741.

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The article a study of the standard aspect of vocabulary usage in modern Ukrainian newspaper publications. Based on the analysis of the reference literature, the article examines the cases of conjugation of the noun quantity with the verbs to increase and to grow, as well as to decrease, to lower, to shrink, to fall in the publications of the newspaper «Den’». This newspaper is one of the most popular publications in the rating of national media. There are a lot of doubts about the proper usage of these linguistic expressions in the editorial work. The research is predetermined by the need to
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