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Journal articles on the topic 'Aesthetic medi'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Hiroyuki, Akio, Juliawan Juliawan, and I. Ketut Sudarsana. "Internalization Values Of Character Education Towards The Teruna-Daha In The Medi-Median Tradition." Vidyottama Sanatana: International Journal of Hindu Science and Religious Studies 2, no. 2 (2018): 232. http://dx.doi.org/10.25078/ijhsrs.v2i2.623.

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<p>National culture and character education is a concept of character education in Indonesia, namely through the process of internalization of education based on the principles of religious, social and cultural norms. The <em>medi-median</em> tradition is one of the cleansing ceremonies that returns all elements in <em>Bhuana Agung</em> and <em>Bhuana alit </em>back to its place, which is carried out by <em>Krama desa</em> in the traditional village of Tenganan Pegringsingan, which in this tradition gives deep meaning as an internalization

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Diuzheva, Kateryna. "Media Aesthetics As A University Educational Component." Obraz 47, no. 1 (2025): 144–52. https://doi.org/10.21272/obraz.2025.1(47)-144-152.

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Introduction. The article deals with the university discipline “Media Aesthetics”, reveals the problem of forming and improving students’ ideas about the general laws of aesthetic activity and aesthetic development of the world, and substantiates the need to outline the specifics of the social nature of beauty, art as a mechanism of human socialization, aesthetic information as an integral part of the mass media. Relevance and purpose. The study of media aesthetics at the university is relevant because of the need to analyze the aesthetic aspects of media materials, especially in wartime. Medi

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Holgate, John. "Informational Aesthetics—What Is the Relationship between Art Intelligence and Information?" Proceedings 47, no. 1 (2020): 54. http://dx.doi.org/10.3390/proceedings2020047054.

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The author examines the notion of informational aesthetics. The origin of aesthetics lies in Epicurus’s notion of aesthesis and the integration of artistic activity within ethics and the ‘good life’—as in the aesthetic theory and practice of the East. The debasement of the word ‘aesthetic’ reflects the increasing alienation of beauty from imagination. The fragmentation of art now packaged as media objects in our digital world is the legacy of this alienation. The author retraces the history of the concept of information aesthetics developed in the 1960s by Birkhoff, Bense and Mole and which so

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Holgate, John. "Informational Aesthetics—What Is the Relationship between Art Intelligence and Information?" Proceedings 47, no. 1 (2020): 54. http://dx.doi.org/10.3390/proceedings47010054.

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The author examines the notion of informational aesthetics. The origin of aesthetics lies in Epicurus’s notion of aesthesis and the integration of artistic activity within ethics and the ‘good life’—as in the aesthetic theory and practice of the East. The debasement of the word ‘aesthetic’ reflects the increasing alienation of beauty from imagination. The fragmentation of art now packaged as media objects in our digital world is the legacy of this alienation. The author retraces the history of the concept of information aesthetics developed in the 1960s by Birkhoff, Bense and Mole and which so

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Christiane, Wagner. "Aesthetic Appreciation: Natural, Artistic, and Media Effects." Art Style, Art & Culture International Magazine 9, no. 9 (2022): 129–47. https://doi.org/10.5281/zenodo.6808426.

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Art Style | Art & Culture International Magazine Abstract This article aims to conceptualize aesthetic appreciation based on the main aesthetic theories of the last decades. The development of this analysis includes the core values that highlight the natural and urban environmental aesthetic experience. The need to know more about aesthetic experience establishes possibilities for research beyond art that focuses on natural and artificial spaces. While other traditional approaches have sought to discuss the object of aesthetics, namely artistic beauty and its relation to natural beauty, or

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Mirazim, Zaidov. "MODERN METHODS OF FACIAL REJUVENATION: SYNERGY OF MINIMALLY INVASIVE AND SURGICAL TECHNIQUES." Deutsche internationale Zeitschrift für zeitgenössische Wissenschaft 104 (May 20, 2025): 36–38. https://doi.org/10.5281/zenodo.15476977.

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Modern aesthetic facial surgery is aimed at achieving a natural, harmonious result with minimal trauma and a shortened rehabilitation period. The article discusses current trends and techniques in the field of facial rejuvenation, including minimally invasive technologies, SMAS-lifting, lipofilling, as well as the use of regenerative medicine and energy-based devices. Clinical algorithms for choosing the optimal treatment strategy are shown, taking into account the anatomical and age characteristics of the patient. Real clinical cases and an overview of the latest international studies are pre

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Godspower, Udoh PhD1* Samuel Jacobs2 Samuel Jimmy3. "Aesthetic Appeal and Uyo-based Graduate Residents' Patronage of Online News Papers." MSI Journal of Arts, Law and Justice (MSIJALJ) Volume 2, Issue 3 (2025): 32–37. https://doi.org/10.5281/zenodo.15083561.

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The study examined influence of newspaper aesthetics on Uyo-based graduates’ patronage of online newspapers. The objectives were to: examine the extent to which Uyo-based graduates were aware of newspaper aesthetic elements; identify the specific aesthetic element that influenced the patronage of newspapers among them; identify the aesthetic element that they found to be the most prominently used by newspapers that they read; and examine any other aesthetic related elements that positively influenced readers’ patronage of newspapers. While the survey research design was adopted for

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Mankovskaya, Nadezda Borisovna. "The Man of Action of French Romanticism. Aesthetic Views of Victor Hugo and their Embodiment in Poetry and Dramaturgy." Культура и искусство, no. 8 (August 2023): 50–73. http://dx.doi.org/10.7256/2454-0625.2023.8.39409.

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The subject of the study is the fundamental philosophical and aesthetic problems in the romantic aesthetics of one of its leaders in France - Victor Hugo. The evolution of his aesthetic views is traced - from adherence to the aesthetics of classicism and royalist views to the established theory and artistic practice of romanticism, colored with democratic pathos. The core of Hugo's aesthetics is revealed - the original concept of the grotesque, which has found a convincing embodiment in his poetry, drama, historical novels. Such main themes as the correlation of the tragic and the comic, the b

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Ferreira, Emmanoel. "Agency, Appropriation, Politics: Three Epistemological Keys Towards an Aesthetics of Play." Acta Ludologica 6, no. 2 (2023): 62–78. http://dx.doi.org/10.34135/actaludologica.2023-6-2.62-78.

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Based on a dialogue with authors of pragmatist philosophy, game studies, and communication, this article intends to understand the relationship between aesthetic experience and ludic media, in particular digital games, in what this relationship distinguishes from the aesthetic experiences provided by different media, such as literature, music, film and the arts in general. To better understand this relationship, we propose the presentation and development of three epistemological axes (or keys), namely: i) aesthetics and agency, ii) aesthetics and appropriation, and iii) aesthetics and politic

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Yuhan, Li. "Research on the Transformation of Aesthetic Paradigms in Chinese Animation in the New Media Era." Journal of Education, Humanities and Social Sciences 39 (November 7, 2024): 481–86. http://dx.doi.org/10.54097/vkzzm276.

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With the advent of the new media era, the platforms for disseminating animation art have expanded, raising higher demands for the precision of animation itself. This expansion has, to a certain extent, enriched and altered the aesthetic characteristics of animation, leading to a fundamental shift in its aesthetic paradigms. A paradigm refers to an example or model that possesses temporality, universality, and normativity. In the history of aesthetics, aesthetic paradigms are not static; they evolve in response to societal influences. New aesthetic paradigms integrate and transcend old ones, cr

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Kucsa, Roman. "Between Ethics and Aesthetics: The "Aesthetic" Dispute between Bernard of Clairvaux and Suger of Saint-Denis." Aither 8, no. 15 (2016): 94–109. http://dx.doi.org/10.5507/aither.2016.006.

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Prakosa, Rohmat Djoko. "PANJI DALAM TRADISI SENI PERTUNJUKAN: Alih Estetika dari Keraton Merasuki Estetika Kerakyatan." Panggung 33, no. 4 (2023): 519. http://dx.doi.org/10.26742/panggung.v33i4.2917.

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Panji in the performing arts tradition has a big role. The diversity of forms and types of performances expresses the Panji cycle on the theme of wandering/wandering patriotic, romantic. There is an aesthetic transfer from palace aesthetics to popular aesthetics, research into this aesthetic transfer needs to be carried out to obtain aesthetic diversity. So it is necessary to explore the variants formed by local and folk traditions. To explore Panji’s cultural diversity in performing arts, a literature study is needed to approach Panji from the perspective of perf

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Lukman, Christopher. "Popular pleasures: Sharpening the tools for a popular aesthetic in video game criticism." Journal of Gaming & Virtual Worlds 15, no. 3 (2023): 209–27. http://dx.doi.org/10.1386/jgvw_00085_1.

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What is the purpose of popular aesthetics in video game criticism? This overarching question will serve as a starting point in this article, which is an attempt to bring the focus of game studies back to popular aesthetics in general and the aesthetic category of ‘cuteness’ in particular. As popular media pose problems for established aesthetic theories, I want to explore the most classical of all aesthetic theories, Immanuel Kant’s Critique of the Power of Judgment, in order to point towards the possibility of a popular aesthetic. The aesthetic judgement of cuteness, more concretely Yoshi’s C

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Tian, Yi nong, and Guanwen Diao. "Research and analysis of the development of news film and television based on the integrated media environment." SHS Web of Conferences 167 (2023): 02014. http://dx.doi.org/10.1051/shsconf/202316702014.

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The expansion of the digital integration mode of contemporary digital cinema from creation to projection and the change of cinematic language both herald the breakthrough of technology once again and the opening of a new era of digital cinematic art. From the aesthetic point of view, digital cinema has overturned and dismantled some of the theoretical essentials and important concepts of traditional film aesthetics about film ontology, and the changes and progress of digital cinema’s generation principle, audiovisual environment and media properties have profoundly influenced film art creation

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Yunita, Gesnida. "PENGARUH DESAIN KOMUNIKASI VISUAL ESTETIKA DALAM DAYA BELI KONSUMEN DI MEDIA SOSIAL." JURNAL Dasarrupa: Desain dan Seni Rupa 4, no. 2 (2022): 1–5. http://dx.doi.org/10.52005/dasarrupa.v4i2.138.

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Aesthetics is a matter that studies the quality or value of the beauty of an object, as well as the impulse power and aesthetic experience of the creator and his observations. In general, the aesthetic understanding of visual arts related to visuals is the emanation of beautiful values, that is, each genre has its own value and aesthetics. This study departs from the problem of aesthetic design in the 4.0 era affecting consumer purchasing power on social media, especially women who are considered to have a high level of consumptiveness compared to men. This study uses a qualitative descriptive

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Ata-Awaji, Anthony Reuben ThankGod Ekene Ugwuanyi &. Edith Ugochi Ohaja. "Assessment of the Aesthetic Quality of Select Private Universities' Websites in Nigeria." International Journal of Sub-Saharan African Research 3, no. 1 (2025): 508–20. https://doi.org/10.5281/zenodo.15101480.

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<strong>Background: </strong>Aesthetic consideration is a worthwhile exercise. Individuals and organisations that understand the importance of aesthetics embrace it. It is even more expedient for universities to give high priority to aesthetics in what they do, especially on their websites which are like windows through which people view them. People’s perception of such universities is, therefore, tied to the aesthetic qualities of various pages of the websites. Ignoring this aesthetic appeal can result in losing prospective students and others who visit the websites for various reasons

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Vuksanović, Divna. "Aesthetics, Media, Games." Diogenes 30, no. 2 (2022): 142–57. http://dx.doi.org/10.54664/rdrd7616.

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This paper reflects the relationship between contemporary media and games in the context of aesthetic research and the existing practice of digitalization of culture. The essay aims to explore and re-examine how the traditionally conceived notion of game can be considered and applied in theoretical terms in our time, taking into account the prevailing digital media culture and the presence of artificial intelligence in it. Furthermore, the essay deliberately addresses a possible critique of digital culture from the perspective of freedom and the general humanistic worldview.

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Fu, Hua. "Beyond Aesthetics: The Transformative Power of Transaesthetics." International Journal of Contemporary Humanities 8, no. 1 (2024): 43–55. https://doi.org/10.62531/14270.2024.09223.305.

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The concept of Transaesthetics is one of the most innovative forms of aesthetics that emerged following the "postmodern turn" in 20th-century Western aesthetics. Transaesthetics was coined by Jean Baudrillard in the 1980s. The notion redefines the tradition of modern aesthetics in four significant ways. Transaesthetics was coined by Jean Baudrillard and serves as a critical framework that redefines the tradition of modern aesthetics in four significant ways. Firstly, it shifts the focus from objective reality to a hyperreal condition, where distinctions between the real and the simulated blur.

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Li, Shuo, and Jianjun Li. "Construction of Interactive Virtual Reality Simulation Digital Media System Based on Cross-Media Resources." Computational Intelligence and Neuroscience 2022 (August 5, 2022): 1–12. http://dx.doi.org/10.1155/2022/6419128.

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The combination of video and music is the most typical combination form in interactive multimedia works, which focuses on the audio-visual presentation characteristics of interactive art. Since both creative practice and theoretical research are still in the development stage, we focus on the creation of audio-visual integration in interactive multimedia works. Theoretical achievements are still very rare, and the guidance of creation theory plays an important role in the improvement of the aesthetic level of works. Therefore, for the development of interactive multimedia works creation, creat

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Piao, Xiumin. "Research on the Influence of Chinese Social Media on Women’s Self-esteem Catalyzed by the Homogenization of Female Images in China." SHS Web of Conferences 207 (2024): 02014. https://doi.org/10.1051/shsconf/202420702014.

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Social media in modern society are platforms where everyone can present themselves, and they are also “stages” where women can present diverse images of women and convey messages of women’s strength. Most of the images of women are from a male aesthetic perspective, and men’s discourse in the image of women is higher than that of women. Nowadays, the status of women in Chinese society is gradually rising, but women still do not have a great say in image aesthetics. This phenomenon is particularly evident in social media platforms, where women’s aesthetic shift towards diversity has significant

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Nashid, Laila. "Understanding Digital Narratives of Black Girlhood Through Social Media Aesthetics." Girlhood Studies 17, no. 2 (2024): 86–102. http://dx.doi.org/10.3167/ghs.2024.170207.

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Abstract Today, Black girls use social media, including TikTok, as sites for storytelling and for creating their own self-definitions. In this article, I address the question of how Black girls use social media aesthetics to construct digital narratives about their Black girlhoods. To do so, by analyzing a case study of TikToks, I explore the rise of the Soft Black Girl aesthetic and its connections to larger, white-dominated aesthetics, such as Cottagecore. Furthermore, I trace the political implications of social media sub-aesthetics that Black girls create, as well as how such sub-aesthetic

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Simakova, Svetlana. "Media aesthetic component of communication and its manifestation in infographic content." Lumina 14, no. 1 (2020): 84–96. http://dx.doi.org/10.34019/1981-4070.2020.v14.30188.

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The goal of the present study is to demonstrate the media-aesthetic potential of infographic messages on particular cases. This can be done due to an integrated approach to the analysis of the visual content of media content. That indicates the case study method implementation as well as description and generalization. The theoretical basis of the research is represented by scientific studies of various directions. That includes the history of media and visual media culture; features of the concepts of media culture and media language, media aesthetics; infographics as a tool of media language

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Holdhus, Kari, and Torill Vist. "Does this Work [of Art] Invite Me into [Intersubjective] Dialogue? - Discussing Relational Aesthetics in Music Education." European Journal of Philosophy in Arts Education - EJPAE 03, no. 01 (2018): 182–221. https://doi.org/10.5281/zenodo.3383768.

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Some artistic and educational practices in music have yet to be defined within the dichotomy of referential and autonomy aesthetics. However, there has been an ongoing shift towards more interactive, social and relationally founded aesthetic practices, which often originate in other art media but influence music as well. In this article, we investigate relational aesthetics’ place and further potential in music education, taking Nicolas Bourriaud’s term ‘relational aesthetics’ as a point of departure. Originally a theory concerning a specific postmodern genre within the

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Zhang, Yu, Yongzhong Yang, Ruo Yang, and Yunyan Tang. "Offline aesthetic design of restaurants and consumers' online intention to post photographs: A moderated mediation model." Social Behavior and Personality: an international journal 50, no. 3 (2022): 65–81. http://dx.doi.org/10.2224/sbp.11288.

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Consumers' motivation for photograph posting as a taste expression practice on social media platforms from an offline aesthetic perspective has been neglected in the literature. We explored the influential mechanisms in this relationship using positive emotional arousal and self-expression as mediators and centrality of visual servicescape aesthetics as a moderator. Data were collected from 273 consumers who had recently dined in well-designed restaurants in China and used social media. The results support the direct and indirect role of offline aesthetic design in consumers' formation of the

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Victor, Kelechukwu ONWUKA. "Aesthetic Gaffes: Perspectives of the Radio Media Professional and Production." ISRG Journal of Arts Humanities & Social Sciences (ISRGJAHSS) III, no. II (2025): 250–53. https://doi.org/10.5281/zenodo.15162208.

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<em>This study explores the phenomenon of aesthetic gaffes in radio media, examining the perspectives of both radio media professionals and production teams. Aesthetic gaffes refer to mistakes or oversights in the creative and technical aspects of radio programming, such as sound design, music selection, and narrative structure. Through the uses and gratification theory, this paper identifies common aesthetic gaffes in radio production, including inconsistencies in audio quality, ineffective use of sound effects, and poorly crafted narrative arcs. The findings highlight the importance of atten

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Yuntian, Shi. "The Postmodern Aesthetic Style of the Film “A Pigeon Sat on a Branch Reflecting on Existence"." Journal of Humanities and Social Sciences Studies 5, no. 6 (2023): 133–38. http://dx.doi.org/10.32996/jhsss.2023.5.6.16.

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Postmodern aesthetics, as a product of postmodern culture, shows resistance to traditional aesthetic values, subverts the cognitive logic of rational and absolute concepts, and has a profound impact on contemporary films. Swedish director Roy Andersson's representative work, "A Pigeon Sat on a Branch Reflecting on Existence", embodies obvious post-modern aesthetic features. Its images attempt to subvert traditional authority, the narrative is broken, the audience interacts with the depth of field lens, and the interpretation is returned to the audience. The highly copied characters and scenes

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Deepika, K. "Conformity to Social Media Aesthetics: Capitalism, Induvidualty and Contemporary Literary Perspectives." Shanlax International Journal of Arts, Science and Humanities 12, S1-Apr (2025): 62–66. https://doi.org/10.34293/sijash.v12is1-apr.8940.

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The paper deals with how the ideas of what “aesthetics” originally were and how it differs massively with present day notions of “aesthetic” which is predominantly connected with social media. Initially aesthetics was a rebellious charge against rigid and conventional norms of the society but what is available today is a set of pre-regulated rules on how to attain a particular aesthetic. Which was initially a means of self-expression, has become a subculture that has been commodified. Capitalism has been a driving force to these commodified online personas. However, this aesthetics promote a l

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Zhang, Dian. "Deep Learning-based Aesthetic Assessment of Food Images." Highlights in Science, Engineering and Technology 124 (February 18, 2025): 45–51. https://doi.org/10.54097/sd34ns56.

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In recent years, the significance of food aesthetics has increasingly been recognized within the food industry and on social media platforms. Accurate evaluation of the aesthetic quality of food images is crucial for enhancing consumer experience and improving marketing outcomes. This study aims to assess the performance of different deep learning models in food aesthetics evaluation to identify the most suitable model for this task. Two mainstream convolutional neural network models, including MobileNetV2 and ResNet50, were employed to score the aesthetics of food images. These models were ev

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Xiaobo, Lu, and Liu Yuelin. "Embodiment, Interaction and Experience: Aesthetic Trends in Interactive Media Arts." Leonardo 47, no. 2 (2014): 166–69. http://dx.doi.org/10.1162/leon_a_00734.

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The relationship between technology and art has always been an important issue in the field of art. With the application of information technology in interactive media arts, the traditional aesthetic theories can no longer fully interpret an emerging morphology of artistic styles. The unification of interaction, experience and aesthetics based on the “indwelling” idea of tacit knowledge theory and embodiment theory of phenomenology may be seen as a total framework for analyzing interaction aesthetics from three dimensions: information, space and time, which embodies three important features: f

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Rashof, Sascha. "Review: Peter Sloterdijk, Der Ästhetische Imperativ – Schriften zur Kunst." Theory, Culture & Society 33, no. 7-8 (2016): 367–74. http://dx.doi.org/10.1177/0263276416672537.

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Peter Sloterdijk’s Der Ästhetische Imperativ – Schriften zur Kunst is a collection of essays addressing a range of topics in the aesthetic realm, including sound, light, product design, cities and architecture, the human (artificial) condition, museums, action cinema and the art system. Via a ‘media’-anthropological, historico-philosophical approach, he critiques the ‘aesthetic imperative’ of (post-)modern design civilizations by re-evaluating the analogy between universal ethics and aesthetics after Kant. In this way, Sloterdijk argues for a more singular, intensive, socially and environmenta

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Nanjundaiah, Shashidhar. "Beauty and truth. The aesthetic practice of news and the media prosumer." methaodos.revista de ciencias sociales 13, no. 1 (2025): m251301a04. https://doi.org/10.17502/mrcs.v13i1.842.

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The rationality of modern aesthetics is not limited to art but extends to news. However, an ideological approach to news aesthetics remains, at best, unfulfilled. By applying a global South approach, this paper offers an alternative understanding of how television platforms employ aesthetic value. It first offers an ideological description of news aesthetics—that is, the conversion of an incident into a media event by the creation of popular appeal, and its mythification in society. By situating the media prosumer in this ecosystem, it exposes the bond between presented beauty and absented tru

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Hubbard, Kevin. "Collaboration in aesthetics." Journal of Aesthetic Nursing 8, no. 6 (2019): 301–2. http://dx.doi.org/10.12968/joan.2019.8.6.301.

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Following on from his presentation at the Journal of Aesthetic Nursing's 2019 conference, Kevin Hubbard explores the idea of collaboration in aesthetics, discussing how his team use social media and training opportunities to connect with others

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Careddu, Arianna, and Paolo Vargiu. "Visual Justice and the Aesthetic Construction of the Trial." Amicus Curiae 6, no. 3 (2025): 618–39. https://doi.org/10.14296/ac.v6i3.5787.

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This article explores the concept of visual justice—the aesthetic and symbolic construction of justice in courtroom films and television—and its impact on public legal consciousness when its tropes and dynamics are used in journalistic discourse. While legal dramas do not claim to represent judicial reality, they shape cultural expectations through narrative coherence, emotional legibility, and moral clarity. As these visual tropes migrate from fiction into journalism, particularly in the phenomenon of “trial by media”, they risk distorting public understanding of how justice operates in pract

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Kurnianto, Arik. "Analisis Layout Surat Kabar berdasarkan Prinsip-Prinsip Desain melalui Metode Estetika Birkhoff." Humaniora 4, no. 2 (2013): 986. http://dx.doi.org/10.21512/humaniora.v4i2.3540.

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This study has primary focus to analyze the aesthetic layout of a newspaper with a mathematical approach, which refers to some methods of Birkhoff’s aesthetic measurement developed by David Ngo Chek Ling, et.al. Ngo developed a method of measuring the aesthetic layout that can be used for various design purposes, especially for a computer interface design. Measurement method that he developed refers to the principles of design aesthetics, such as: the principle of balance, the principle of sequence, the principle of unity, and the principle of equilibrium. Birkhoff aesthetic measurement method

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Naori, Erin Arita, and Deddy Muharman. "Beyond Aesthetic Communication Strategies in Improving the Company's Image Through Social Media." Ilomata International Journal of Management 5, no. 2 (2024): 503–23. http://dx.doi.org/10.61194/ijjm.v5i2.1131.

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This study aims to analyze the role of social media in Beyond Aesthetics' communication strategy on improving their company image in the competitive world of beauty industry as a medical aesthetic specialist in Indonesia. This study uses qualitative research method, case study methodology and using strategic planning for Public Relations which analyze the situation, strategy, tactics, and evaluative research. To achieve the required information, the company's social media was analyzed and The Director of Sales and Operations and related staff was interviewed to give their in-depth knowledge ab

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Casey, Kris. "On Kitsch in Nature & Technology: Redefining Kitsch for Posthuman Feminist Aesthetics." International Visual Culture Review 1 (February 6, 2019): 9–15. http://dx.doi.org/10.37467/gka-visualrev.v1.1747.

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This research makes a case for a shift from thinking of kitsch as a phenomenon extending from the industrial revolution, to one that is considered preternatural, existing as a state of being or a process of becoming. This re-theorization co-opts the pejorative connotations of ‘bad’, ‘trash’, and ‘imitation’ and ‘failure’ into positive processes and useful metaphors for contemporary aesthetics, particularly for feminist aesthetics. Its ultimate goal is to articulate an aesthetic theory for Posthuman Feminist Aesthetics and to redefine kitsch as it exists in media culture.

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Vagt, Christina. "Design as aesthetic education: On the politics and aesthetics of learning environments." History of the Human Sciences 33, no. 1 (2020): 175–87. http://dx.doi.org/10.1177/0952695119882883.

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The article, speaking from the double perspective of media history and political aesthetics, discusses the impact of behaviourism and early computer technology on the design of learning environments in the United States after the Second World War. By revisiting B. F. Skinner’s approaches to behavioural techniques and cultural engineering, and by showing how these principles were applied first at US design departments, and later to prison education, it argues that cybernetic and behavioural techniques merged in the common field of design and education. Behavioural design of the 1960s and 1970s

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Ojo, Abayomi C., and Olalekan F. Olatunji. "Theatrical Performance and Aesthetic Communication in Darkest Night Directed by Festus Dairo." SCHOLARS: Journal of Arts & Humanities 5, no. 2 (2023): 73–83. http://dx.doi.org/10.3126/sjah.v5i2.57501.

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The theatre functions as a platform for communication; however, the surge in audiences' level of media literacy and aesthetic taste caused by the exposure to media elements has warranted a review of the medium of communication to include a critical use of aesthetics in performance. Therefore, directors like Festus Dairo have identified the use of special effects make-up and mixed-media as currencies for creating contemporary performances with an aesthetic essence. This paper engages Ole Thyssen’s aesthetic communication theory as a theoretical framework as it examines Dairo’s art of aesthetic

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Kraner, Kaja. "The Aesthetics of Relations: The Modernist, Contemporary and Post-Contemporary General Conceptualizations of Art." AM Journal of Art and Media Studies, no. 19 (September 15, 2019): 119. http://dx.doi.org/10.25038/am.v0i19.312.

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The article will juxtapose the modernist, contemporary and post-contemporary general conceptualization of art and aesthetic appearance of an artwork. Even though all three conceptualizations can be understood as intertwined because they are largely established in mutual relations, for our purpose they will be analyzed in terms of the basic epistemological terrain on which art enters the Western tradition of knowledge and power: the terrain of aesthetic education. The conceptualization of modernist art/artwork will mainly draw from its link with the autopoietic image of artwork/artistic creativ

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Сергеєва, Н. В. "ЕСТЕТИЧНІ АСПЕКТИ ФОРМУВАННЯ ОСНОВ ФІЛОСОФІЇ ДИЗАЙНУ". Традиції та новації у вищий архітектурно-художній освіті, № 5 (4 січня 2019): 46–52. https://doi.org/10.5281/zenodo.2532017.

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In modern art studies, design is considered as a powerful versatile phenomenon that gradually covers an increasing number of human life spheres. Recognizing the important role of design in the formation of the subject-spatial environment, it is worth paying attention to the fact that it further continues to acquire activity as a means of creating not only the material but also the spiritual component of world culture. During the combination of design with traditional and new types of artistic creativity and various scientific branches, in a short period of time, it developed into a variety of

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Räber, Michael Ivo. "The Aesthetic Dis- and Configuration of Democracy: On Nadia Urbinati's Conception of Democratic Opinion and the Aesthetic Function of Democratic Politics." Filosofický časopis, no. 1 (January 1, 2024): 64–84. https://doi.org/10.5281/zenodo.14884206.

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Nadia Urbinati, in her writings, has recurrently warned about the dangers of theo- rizing democracy in aesthetic terms. She sees most aesthetic elements of a media- tized politics as harmful for the very project of democracy itself. In Democracy Dis- figured (2014) and other writings, she urges that in a democracy the people ought to be conceptualized as organized around the principles of voice and of written law and not as an audience enthralled by the aesthetic or visual and theatrical representation of the sovereign. She levels her critique of an aesthetic take on democracy primar- ily at J

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C. J., Ikpeama, and Omeonu D. U. "Influence of the Concept Acceptability on Magic FM 102.9 Radio Station Communication Aba, Through Media Aesthetics." British Journal of Mass Communication and Media Research 4, no. 1 (2024): 74–82. http://dx.doi.org/10.52589/bjmcmr-axq7tlvm.

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This study was centered on the influence of the concept of acceptability on Magic FM 102.9 radio station, communication through media aesthetics. The study was able to relate aesthetics to media as conjugal twins that cannot be separated from each other no matter what. It also related aesthetics as a form of communication which sees it as something or object that has the capacity of producing an outstanding feeling of pleasure which makes communication attractive and believable to the audience. The study also reviewed aesthetics as a sign of communication that makes use of colour, design and s

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Koch, Anne. "Introduction: Revisiting Civil Religion from an Aesthetic Point of View." Journal of Religion in Europe 10, no. 1-2 (2017): 1–15. http://dx.doi.org/10.1163/18748929-01002001.

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This special issue enquires into aesthetic ways of newly creating or re-shaping and re-presenting civil religion and its central characters, symbols, or figures. Normally, civil religion addresses value-orientation and social integration. In addition to these features, the papers make the aesthetic performance of civil religion the subject of discussion. The reason for taking this path is the altered aesthetic circumstances of highly mediatised and consumerist societies. Before this backdrop, images, literary figurations, movie sequences, and brands in media, public and national discourse are

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Kyyrö, Jere. "Mannerheim in the Twenty-First Century: Finnish National Symbol, Aesthetics, and Media Strategies." Journal of Religion in Europe 10, no. 1-2 (2017): 44–70. http://dx.doi.org/10.1163/18748929-01002003.

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This article analyses media discussions around three film projects of the 2000s and 2010s, interpreting the figure of field marshal C. G. E. Mannerheim from the point of view of Bourdieuan social aesthetics and civil religion. Mannerheim is a central part of Finnish civil religious concentration of symbols—that is symbols associated to the Finnish nation. This article analyses different actors’ strategies of classification, legitimisation, de-legitimisation, and evaluation in relation to the three film projects. These socio-aesthetic strategies reflect the positions and competitive environment

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Dezfooli, Maryam, Marzieh Ramezani, and Fatemeh Ahmad Beigi. "The Relationship between the Aesthetic Dimension of Media Literacy and Academic Performance." Pakistan Journal of Medical and Health Sciences 15, no. 6 (2021): 1644–46. http://dx.doi.org/10.53350/pjmhs211561644.

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The aim of this study was to investigate the relationship between the aesthetic dimension of media literacy and the academic performance of women in the 12th district of Tehran in 2018-2018. The statistical population in this study is 80 women interested in education and 66 people were selected as a sample using Morgan table. In fact, the whole statistical population was determined as a sample. The research tools are two questionnaires: media literacy and academic performance. Hassan Khani Media Literacy Questionnaire (2018) with 90% reliability and Pham and Taylor (1999) Academic Performance

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Oommen, Thomas, and Ryan Christopher Sequeira. "The politics of infrastructural aesthetics: a case of Delhi’s Bus Rapid Transit corridor." International Development Planning Review ahead-of-print (August 1, 2020): 1–22. http://dx.doi.org/10.3828/idpr.2020.21.

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This paper studies how transportation infrastructure projects are dependent on making aesthetic arguments through form, space and experience. It does this through a discourse analysis of the media coverage of the Delhi Bus Rapid Transit (BRT) corridor. Tracing the planning history of the BRT, it explores how it was construed as ineffective, expensive and dangerous. Deconstructing the BRT discourse, the authors make two propositions about the politics of transport infrastructure; its truth claims must be aesthetic arguments, and transformational agendas must be coupled with a distinctive aesthe

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Salih, Kouthar, and Ewen McColl. "Are Dermal Fillers Dentistry?" Dental Update 49, no. 4 (2022): 283–88. http://dx.doi.org/10.12968/denu.2022.49.4.283.

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Recent social media influence has set up a world of aesthetic idealism, whereby rises in demand for non-surgical cosmetic treatment to cater for the unrealistic desire of ‘perfection’ has meant that the aesthetics industry has been expanding and has gained interest among dental practitioners and members of the dental team. This guest editorial discusses the medico-legal and regulatory status of facial aesthetics and the various complications involved in using such techniques in the dental environment Clinical Relevance: To allow dental team members to make informed decisions when considering i

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Lin, Guanqun, and Tianhai Lu. "Analysis of Integrating Aesthetic Education into Short Video Course." International Journal of Education and Humanities 13, no. 2 (2024): 195–99. http://dx.doi.org/10.54097/nmakvc33.

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With the rapid development of digital technology and new media, short videos have become a popular means of expression among young people today. However, most short video production courses often neglect the cultivation of aesthetics and art, lacking in creativity and aesthetic appreciation. Therefore, integrating aesthetic education into short video production courses to achieve the goal of cultivating marketable talents in short video production theory, practical skills, and aesthetic education in the new media environment is an inevitable requirement for the current innovative reform in sho

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Pigulak, Joanna. "Interface aesthetics in interactive media." Quart, no. 1(71) (July 16, 2024): 5–7. http://dx.doi.org/10.19195/2449-9285.71.4.

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The introduction to the thematic number of “Quart”, entitled Interface aesthetics in interactive media, presents the title issue of interfaces from the perspective of interdisciplinary humanities research. The author points out that interfaces are the basic tool for users’ interaction in the digital space, and at the same time they perform various cognitive, communication and aesthetic functions. Due to the multifunctionality, variability and reconfigurability of interfaces, reflection on them integrates knowledge and methodology from various areas of science. Therefore, the articles published

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Lu, Yage, and Gaofeng Mi. "Research on the Stage Art Expression of the Opening Ceremony of Large Sports Events: A Case Study of the Beijing Winter Olympics." Economic Society and Humanities 1, no. 11 (2024): 127–34. https://doi.org/10.62381/e244b18.

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As a significant global sporting event commanding worldwide attention, the Winter Olympics functions as a crucial platform for nations to project their national images and convey their cultural legacies to the international arena. The 2022 Beijing Winter Olympics, themed "Together for a Shared Future", emphasized multi-dimensional cross-border exchanges in culture, art, and technology, integrating diverse aesthetic experiences such as oriental poetic aesthetics, national aesthetics, and emotional aesthetics. It amalgamated stage media with digital imagery, graphic representations, and audio -

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