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Journal articles on the topic 'Aesthetic sensitivity'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

John, Eileen. "Can Aesthetics Be Global?" Royal Institute of Philosophy Supplement 93 (May 2023): 209–30. http://dx.doi.org/10.1017/s1358246123000061.

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AbstractPhilosophical aesthetics is to some extent beholden to what I will call personal aesthetics. By personal aesthetics, I mean the phenomena of individual aesthetic sensitivity: how each of us discerns and responds to elements of experience. I take that sensitivity to be finely woven into feeling to some degree at home in the world. There is something extremely local, and in a certain sense unreflective, about personal aesthetics – it is hard to notice one's own, historically specific aesthetic formation. Philosophical aesthetics, meanwhile, aspires to understand aesthetic life in a more

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Novakovic, Marko. "Renewal of aisthesis in contemporary aesthetics." Theoria, Beograd 62, no. 2 (2019): 17–34. http://dx.doi.org/10.2298/theo1902017n.

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The main subject of this work is the new aesthetics of atmospheres promoted in the last decades of 20th century by Gernot B?hme. Aesthetics of the atmospheres is a consequence of revival of aesthesis in contemporary aesthetics. The concept of atmospheres changes the model of perception from mechanical-cognitivistic to pathic and existential: perception is not grasping the sensitive qualities of things, but bodily sensing ourselves in the presence of atmospheres filling space or environment. Traditional concept of aisthesis and aesthetics as a science of sensitive knowledge provides a model for

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Pei, Lei, and Zihao Cao. "Aesthetic Appreciation Is Different: Aesthetic Pleasure in Architectural Aesthetics." Buildings 15, no. 4 (2025): 543. https://doi.org/10.3390/buildings15040543.

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Architectural aesthetics is often studied with a focus on the visual properties of buildings, yet the role of individual aesthetic appreciation abilities in shaping aesthetic pleasure remains overlooked. This study challenges the traditional object-centric perspective by investigating how aesthetic appreciation ability influences architectural aesthetic pleasure through aesthetic judgment. Using Hui-style architecture, a distinctive architectural style originating from the Huizhou region in southern China, as the representative case, a questionnaire survey was conducted with 453 participants.

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Nikandish, Mehrasa, Mohammad Nikandish, and Hedayatpour Behnoud. "Harmonizing Aesthetics and Psychological Well-being: An Indepth Exploration of the Integrative Impact of Dysport in Cosmetic Procedures." European Scientific Journal, ESJ 20, no. 6 (2024): 131. http://dx.doi.org/10.19044/esj.2024.v20n6p131.

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This research delves into the intricate interplay between aesthetic intelligence, aesthetic sensitivity, and psychological well-being within the framework of positive psychology, with a particular emphasis on the integrative impact of Dysport in cosmetic procedures. By recognizing the significant influence of environmental aesthetics on individual health and well-being, this study seeks to illuminate the relationship between aesthetic intelligence and psychological well-being while considering the role of Dysport in cosmetic procedures. Employing a correlational research design, structural equ

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Markovic, Slobodan, and Suncica Zdravkovic. "Introduction to the special issue on visual aesthetics." Psihologija 50, no. 3 (2017): 213–17. http://dx.doi.org/10.2298/psi1703213m.

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Visual aesthetics encompasses the studies of the relationship between vision and various aesthetic phenomena - from the beauty ratings of simple visual patterns to the appreciation of visual art, from the preference for natural objects and scenes to the preference for products of human creativity, from the aesthetic effects of culture to the aesthetic effects of biology, from the universal aesthetic sensitivity to the individual differences in taste, and so on. In this special issue ten papers reported the most recent studies on very different subjects related to visual aesthetics.

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Chandra, Subhash. "Evaluation of different aesthetic indices for planning orthodontic treatment." Bioinformation 19, no. 13 (2023): 1394–98. http://dx.doi.org/10.6026/973206300191394.

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Three aesthetic indices namely aesthetic component of index of orthodontic treatment needs (IOTN –AC), dental aesthetic index (DAI) and dental aesthetics screening index (DESI) were compared in orthodontic treatment. 242 participants (160 female and 82 male) who were interested in orthodontic treatment participated. The individuals' ages ranged from 16-25 years. Three aesthetic indices namely IOTN -AC, DAI and DESI were evaluated for each participant. The overall accuracy of DAI, AC-IOTN and DESI in assessment of dental aesthetics in orthodontic treatment was 62%, 68% and 64% respectively. The

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7

Götz, Karl Otto. "Visual Aesthetic Sensitivity and Intelligence." Perceptual and Motor Skills 65, no. 2 (1987): 422. http://dx.doi.org/10.2466/pms.1987.65.2.422.

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8

Bender, John W. "Sensitivity, Sensibility, and Aesthetic Realism." Journal of Aesthetics and Art Criticism 59, no. 1 (2001): 73–83. http://dx.doi.org/10.1111/0021-8529.00008.

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9

Beaudoin, Huguette. "Modele du Processus d'Experience Esthetique." Journal of Educational Thought / Revue de la Pensée Educative 26, no. 3 (2018): 202–29. http://dx.doi.org/10.55016/ojs/jet.v26i3.52282.

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My intention in this article is to clarify the concept of aesthetic experience. It offers a definition and presentation of the stages required to actualize this phenomenon. To begin with, we will examine the various conceptions of aesthetic experience, through the best known authors in the area of aesthetics. Through the analysis of these conceptions, we will build the foundation of an aesthetic experience model. This will enable us to better understand what occurs within individuals when they have an aesthetic experience. Thus, it will illustrate the stages required to carry out this process

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Kim, Lan-Ju. "Exploring the Concept of “Aesthetic Sensitivity Competency”." Journal of Curriculum Studies 37, no. 3 (2019): 1–28. http://dx.doi.org/10.15708/kscs.37.3.1.

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Corradi, Guido, Erick G. Chuquichambi, Juan Ramón Barrada, Ana Clemente, and Marcos Nadal. "A new conception of visual aesthetic sensitivity." British Journal of Psychology 111, no. 4 (2019): 630–58. http://dx.doi.org/10.1111/bjop.12427.

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Liao, Shen-yi, and Aaron Meskin. "Aesthetic Adjectives: Experimental Semantics and Context-Sensitivity." Philosophy and Phenomenological Research 94, no. 2 (2015): 371–98. http://dx.doi.org/10.1111/phpr.12217.

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13

Jiménez Bolaños DDS, Francisco J., and Marcelino Fernández Murillo. "Root Coverage with Coronally Advanced Flap with Connective Tissue Graft: Literature Review and Case Report." Odovtos - International Journal of Dental Sciences 19, no. 2 (2017): 25. http://dx.doi.org/10.15517/ijds.v19i2.28745.

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The root coverage procedure to treat gingival recessions is the best line of treatment, being the most used the coronal advanced flap. There have been multiple clinical and aesthetic results that cast doubt on whether this procedure by adding a connective tissue graft will be a more predictable and more aesthetic regarding defect removal. In this case report a patient 24-year-old male refers hypersensitivity and aesthetic discomfort in the area of gingival recession. An autologous graft with a coronal flap advancement of connective tissue will be used. After six months of healing the patient r

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Zhang, Ju, Zijia Lu, Yongsheng Wang, and Xuejun Bai. "The Aesthetic Developmental Characteristics of Contour Features in Children and Adolescents with High- and Low-Level Visual Aesthetic Sensitivity across Grade Levels." Behavioral Sciences 14, no. 5 (2024): 416. http://dx.doi.org/10.3390/bs14050416.

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This study examined the aesthetic developmental characteristics of contour features (curved and sharp corners) among children and adolescents with different levels (high and low) of visual aesthetic sensitivity in three grades (4, 6, and 8). The results revealed that (1) there was a significant main effect of contour features, with children and adolescents liking curved contours and perceiving them as more beautiful than sharp-angled contours; (2) there was a significant interaction with contour features in grades 6 and 4, and there was no significant difference in liking curved contours and p

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Zhantaeva, M., and S. Zhantaev. "THE ROLE OF EDUCATIONAL EVENTS IN AESTHETIC EDUCATION OF JUNIOR SCHOOL STUDENTS." POLISH JOURNAL OF SCIENCE, no. 59 (February 14, 2023): 74–76. https://doi.org/10.5281/zenodo.7638400.

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Sensitivity to the world around, sensitivity to aesthetic perception, interest, care form the basis of the aesthetic development of the child. And this article examines the role of educational activities in the aesthetic education of younger students.

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Montano-Rodríguez, Freddy, and Miguel Ángel Fernández-Marín. "Aesthetic Education and Artistic Education. The Aesthetic Artistic Competition in the formation of the Education professional." Revista Metropolitana de Ciencias Aplicadas 6, no. 2 (2023): 43–49. http://dx.doi.org/10.62452/66z49p25.

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In the article that is presented, an analysis of Aesthetics is carried out from the perspective of humanism, as well as the importance of Aesthetic Education and Artistic Education in the process of integral, axiological, creative, sensitive and humanistic formation of the students, which, without a doubt, constitute social demands and adjustments that today are imposed on the current educational systems. The Aesthetic Artistic professional competence is presented as a necessity in the training of the education professional, since it is one that allows the direction of the process of formation

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17

Liu, Jingni, and Hirokata Fukushima. "Confirmation of Aesthetic Sensitivity in Highly Sensitive Person." Proceedings of the Annual Convention of the Japanese Psychological Association 87 (2023): 1A—010—PB—1A—010—PB. http://dx.doi.org/10.4992/pacjpa.87.0_1a-010-pb.

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Yoo, Hyun Joo. "Aesthetic Sensitivity Education in Shaun Tan’s The Arrival." Korean Society for Teaching English Literature 28, no. 3 (2024): 381–406. https://doi.org/10.19068/jtel.2024.28.3.14.

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19

Seifert, Christin, and Veena Chattaraman. "Too new or too complex? Why consumers’ aesthetic sensitivity matters in apparel design evaluation." Journal of Fashion Marketing and Management 21, no. 2 (2017): 262–76. http://dx.doi.org/10.1108/jfmm-10-2016-0092.

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Purpose The purpose of this paper is to examine the individual and joint effects of collative design factors, complexity and novelty, on aesthetic response to apparel products; and whether the influence of these factors is moderated by consumers’ centrality of visual product aesthetics (CVPA). Design/methodology/approach A mixed factorial experimental design, using women’s tops with design complexity and novelty (high vs low) manipulated orthogonally, was conducted among 260 female participants to test the model and its corresponding hypotheses. Findings Consumers’ aesthetic response was more

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Strugova, Ekaterina Alexandrovna. "The Aesthetic Status of Disgust in Cinematic Experience: The Case of the Comedy Genre." Философия и культура, no. 6 (June 2025): 1–14. https://doi.org/10.7256/2454-0757.2025.6.72718.

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The subject of the study is the causes and ethical-aesthetic consequences of the borderline nature of disgust as a cinematic experience. The analysis of emotions, experiences, and disgust has a long history in aesthetics, ethics, phenomenology, and other fields of philosophy and science. The aim of the research is to determine the aesthetic status of disgust in the experience of art and cinema. With a substantial source-based and art historical foundation, existing works on disgust and various film genres establish hierarchical relationships between ethical and aesthetic concepts. In studies o

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Guyer, Paul. "Formalism around 1800: A grudging concession to aesthetic sensibility." Filozofija i drustvo 30, no. 2 (2019): 241–56. http://dx.doi.org/10.2298/fid1902241g.

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This paper compares the outwardly similar structural formalisms of Marc- Antoine Laugier and Arthur Schopenhauer (who uses many of Laugier?s examples). Laugier purports to base his aesthetics on an historical argument from the ?primitive hut?; but his preferences are really based on aversion to structurally and programmatically non-functional elements. His preferences show disregard for purely aesthetic considerations, such as pleasing proportions. Schopenhauer?s formalism is based on his cognitivist approach to aesthetics, according to which architecture is above all supposed to demonstrate r

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22

Gomes, Graciele Maria Coelho de Andrade, and Mário de Faria Carvalho. "Aesthetic Education and Sensitivity from the Thought of Friedrich Schiller." Art&Sensorium 5, no. 2 (2018): 125–35. http://dx.doi.org/10.33871/23580437.2018.5.2.125-135.

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In this article, we reflect on the aesthetic formation of man from the dialogue established between Friedrich Schiller and the Duke of Augustenburg, what we know today as the letters of Schiller. We try to problematize some theoretical assumptions present in these letters regarding the subject and how this constructions shapes subjectivity from aesthetic sensations. The objective of this research is to understand the (de) appreciation of the sensitive and the (dis) equilibrium between human nature, sensibility and aesthetic education of man, with Schiller's letters as a universe of reflection.

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Abate, Elena. "Fashion as an Aesthetic Form of Life." Croatian journal of philosophy 21, no. 61 (2021): 53–69. http://dx.doi.org/10.52685/cjp.21.1.4.

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Fashion is an aesthetic practice that concerns the ordinary sphere of our life: it is associated with everydayness and it is a source of endless aesthetic experiences. The purpose of this paper is to validate a new perspective on fashion based on Wittgenstein’s later aesthetic conception. In Philosophical Perspectives on Fashion (2017), Matteucci introduces the idea of combining the Wittgensteinian concept of “form of life” with fashion. In accordance with this thesis, the paper aims at showing how fashion is constituted as a “form of life”. Specifically, I shall argue that fashion is an “aest

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24

Lambrou, Christina, David Veale, and Glenn Wilson. "The role of aesthetic sensitivity in body dysmorphic disorder." Journal of Abnormal Psychology 120, no. 2 (2011): 443–53. http://dx.doi.org/10.1037/a0022300.

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Marschallek, Barbara E., Selina M. Weiler, Mona Jörg, and Thomas Jacobsen. "Make It Special! Negative Correlations Between the Need for Uniqueness and Visual Aesthetic Sensitivity." Empirical Studies of the Arts 39, no. 1 (2019): 101–17. http://dx.doi.org/10.1177/0276237419880298.

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This study investigated the need for uniqueness, visual aesthetic sensitivity, and their correlation. To investigate these variables, we asked 71 participants to complete the German adaptation of the Need for Uniqueness scale (NfU-G) and the Visual Aesthetic Sensitivity Test (VAST)—including the VAST-Revised (VAST-R). The NfU-G measures the need to set oneself apart from others, whereas the VAST(-R) tests the ability to identify the objective aesthetic goodness of a figural composition. The findings of this study are significantly compliant with theoretical considerations: the higher a partici

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Jaśkiewicz, Michał. "Place attachment, place identity and aesthetic appraisal of urban landscape." Polish Psychological Bulletin 46, no. 4 (2015): 573–78. http://dx.doi.org/10.1515/ppb-2015-0063.

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Abstract As the aesthetic of the Polish cities became a topic of wider discussions, it is important to detect the potential role of human-place relations. Two studies (N = 185 & N = 196) were conducted to explore the relationship between place attachment, place identity and appraisal of urban landscape. Satisfaction with urban aesthetic was predicted by two dimensions of place attachment (place inherited and place discovered), local identity (on the trend level) and national-conservative identity. Place discovered and European identity were also predictors of visual pollution sensitivity.

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Świątek, Agata Hiacynta, Małgorzata Szcześniak, Hanna Borkowska, Michał Stempień, Karolina Wojtkowiak, and Rhett Diessner. "The unexplored territory of aesthetic needs and the development of the Aesthetic Needs Scale." PLOS ONE 19, no. 3 (2024): e0299326. http://dx.doi.org/10.1371/journal.pone.0299326.

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Human needs, and their fulfillment, are the building blocks of human development, personality, and well-being. However, no published paper in the field of psychology has focused on exploring aesthetic needs. Maslow (1986) gave the topic little more than a paragraph; and Dweck [1], in her elegant Unified Theory of Motivation, Personality, and Development, never mentions aesthetic needs. The aim of this article is to describe developing a scale for measuring the intensity of aesthetic needs. The structure, psychometric properties, and criterion-related validity of the scale were verified with th

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Vepkhvadze, Tamar. "The Term “Art” As a New Aesthetic Discourse in European and Georgian Philosophical Thinking of the Early 19th Century." International Journal of Arts, Humanities & Social Science 04, no. 05 (2023): 11–15. http://dx.doi.org/10.56734/ijahss.v4n5a2.

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In Georgian reality, the term “art”, can be found in a new, purely aesthetic sense, in terms of “artistic creation” – in the translation (1815) of Jean-Pierre Frédéric Ansillion’s (1767-1837) work “Aesthetic Judgments”, a French philosopher, member of the Prussian Academy, by David Bagrationi (1767-1819). As we know, the term “art” (Greek “techne”) has been historically interpreted in various ways. The term referred to practices established in the society, nature, individual creativity or crafts, as well as religious and mystical rituals. It shows a resemblance to the concepts such as “art – s

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Lisecka, Małgorzata. "Notes on Le Grand Macabre and the Aesthetics of Camp." Studia Universitatis Babeş-Bolyai Musica 69, Sp.Issue 2 (2024): 25–35. http://dx.doi.org/10.24193/subbmusica.2024.spiss2.03.

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The article presents an analysis of the features of Ligeti’s opera Le Grand Macabre, indicating that it belongs to the camp aesthetics. The starting point for the analysis is the features of this aesthetic/sensitivity described by Susan Sonntag in her Notes on Camp. The opera’s libretto, its theatrical and musical layers, as well as Ligeti’s personal life experience as a composer – important for camp – are the subject of the analysis. Keywords: Camp, opera, Ligeti, Sonntag, postmodernism

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Popiel, Magdalena. "Rodin, czyli świat. Dwie kosmogonie – Rainera Marii Rilkego i Georga Simmla." Przestrzenie Teorii, no. 29 (January 31, 2019): 15–29. http://dx.doi.org/10.14746/pt.2018.29.1.

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The article is a comparative analysis of the modernist aesthetics of creation. It describes how Rilke and Georg Simmel discovered August Rodin’s rules of modern perception, sensitivity and creative imagination. In the work of both writers we see them striving to interpret works of art as a creative process that is the effect of their astute diagnosis of contemporary culture. A new approach to aisthesis restores value to aesthetic experience and opens up broader learning opportunities.

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Schnoor, Neal H. "Incorporating Strategies Designed to Develop Aesthetic Sensitivity into Band Rehearsals." Update: Applications of Research in Music Education 21, no. 2 (2002): 2–9. http://dx.doi.org/10.1177/87551233020210020101.

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Dewall, C. Nathan, David R. Schurtz, Paul J. Silvia, and Jessica McKenzie. "Taste Sensitivity and Aesthetic Preferences: Is Taste Only a Metaphor?" Empirical Studies of the Arts 29, no. 2 (2011): 171–89. http://dx.doi.org/10.2190/em.29.2.c.

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Shrivastava, Paul, Gunter Schumacher, David M. Wasieleski, and Marco Tasic. "Aesthetic Rationality in Organizations: Toward Developing a Sensitivity for Sustainability." Journal of Applied Behavioral Science 53, no. 3 (2017): 369–411. http://dx.doi.org/10.1177/0021886317697971.

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Myszkowski, Nils, Martin Storme, Franck Zenasni, and Todd Lubart. "Is visual aesthetic sensitivity independent from intelligence, personality and creativity?" Personality and Individual Differences 59 (March 2014): 16–20. http://dx.doi.org/10.1016/j.paid.2013.10.021.

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Summerfeldt, Laura J., Shaun J. Gilbert, and Michael Reynolds. "Incompleteness, aesthetic sensitivity, and the obsessive-compulsive need for symmetry." Journal of Behavior Therapy and Experimental Psychiatry 49 (December 2015): 141–49. http://dx.doi.org/10.1016/j.jbtep.2015.03.006.

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Corradi, Guido, Manuel Belman, Tommaso Currò, Erick G. Chuquichambi, Carlos Rey, and Marcos Nadal. "Aesthetic sensitivity to curvature in real objects and abstract designs." Acta Psychologica 197 (June 2019): 124–30. http://dx.doi.org/10.1016/j.actpsy.2019.05.012.

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Brattico, Elvira, and Ulrika Varankaitė. "Aesthetic empowerment through music." Musicae Scientiae 23, no. 3 (2019): 285–303. http://dx.doi.org/10.1177/1029864919850606.

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This article describes how aesthetic enjoyment accompanying musical activities can empower individuals in health and disease. First, we explain the biological determinants of music enjoyment and how they can be studied. In doing so, we distinguish between core sensory pleasure and conscious liking, and we illustrate their respective contributions to aesthetic appreciation and expressive interaction with music. Second, we review findings illustrating the long-term impact of listening to favourite music on the brains of healthy musicians as well as on the brains and behaviour of individuals with

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Mankovskaya, N. B. "Aesthetics of Early French Romanticism and Its Literary Aspects. Germaine de Stael." Art & Culture Studies, no. 3 (October 2021): 44–81. http://dx.doi.org/10.51678/2226-0072-2021-3-44-81.

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The article reconstructs the early romantic philosophical aesthetics of Madame de Stael, which was embodied in her literary work. She made a significant contribution to the creation of the theory of romanticism, compared the romantic and classical types of creativity. De Stael was one of the first French romantics to use the term “romanticism”, define it and analyze from a philosophical and aesthetic point of view a number of key concepts for this new direction of artistic life: love, passion, enthusiasm, spirituality, sensitivity, reflection, self-reflection, melancholy, self-sacrifice, lonel

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Jahani, Ali. "Forest landscape aesthetic quality model (FLAQM): A comparative study on landscape modelling using regression analysis and artificial neural networks." Journal of Forest Science 65, No. 2 (2019): 61–69. http://dx.doi.org/10.17221/86/2018-jfs.

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Today, the landscape aesthetic quality assessment is more technical and quantitative in environmental management. We aimed at developing artificial neural network (ANN) modelling and multiple regression (MLR) analysis approaches to predict the perceptional aesthetic quality of forest landscapes. The methodology, followed in this paper, can be divided into six distinct parts: (i) selection of representative study sites, (ii) mapping of landscape units, (iii) quantification of naturalness indicators, (iv) visibility analysis, (v) assessment of human perceptions, (vi) ANN and MLR modelling and se

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Eysenck, H. J., and G. W. Hawker. "The Taxonomy of Visual Aesthetic Preferences: An Empirical Study." Empirical Studies of the Arts 12, no. 1 (1994): 95–101. http://dx.doi.org/10.2190/53uf-qc5k-qgf4-6wxb.

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Earlier work has suggested the existence of two major dimensions of aesthetic preference judgments: 1) A general factor of “good taste,” and 2) a bipolar factor based on a preference for simplicity as opposed to complexity. Two tests measuring these two factors were administered to an artistic and a control group, and a zero correlation was predicted for both. In addition, the effects of artistic training were studied for the artistic group. Finally, ratings for aesthetic sensitivity and executive skill for members of the artistic group were correlated with the two tests. The tests, as predict

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Pan, Qinghua. "Exploring the Path of Integrating Chaozhou Opera Artistic Elements into Campus Cultural Construction from an Aesthetic Education Perspective." Economic Society and Humanities 1, no. 1 (2024): 28–33. http://dx.doi.org/10.62381/e244106.

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The core of aesthetic education for college students lies in fostering their sensitivity to beauty, cultivating their aesthetic judgment, and enhancing their overall quality to nurture well-rounded individuals. However, the current lack of aesthetic education courses in colleges mostly focuses on theoretical explanations, with a dearth of practical experience-based courses. Therefore, there is an urgent need to find suitable methods and approaches for implementing aesthetic education. Traditional theatrical performances encompass a wealth of artistic elements, and incorporating these elements

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Roberts, Merrilees. "Psychological Limits in Percy Shelley's Prefaces." Romanticism 24, no. 2 (2018): 158–68. http://dx.doi.org/10.3366/rom.2018.0369.

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The prefaces to Shelley's poems are generally seen as an important addendum to understanding the complex narratorial personae in the poems they accompany; to pull these textual edges into the centre of enquiry allows for consideration of the unique perspectives on ethics and aesthetics that they offer. I argue that Shelley's prefaces conflate Sympathy conceived of as a personal and morally accountable emotional reflex, such as found in the thought of Adam Smith, and sympathy conceived as the abstract, disinterested aesthetic judgment of Kant's Critique of Judgment. This conflation casts the se

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Sumchenko, Irina. "THE DYNAMICS OF CHANGES IN AESTHETIC LIKES IN JAPANESE CULTURE." Doxa, no. 1(37) (July 5, 2023): 51–67. http://dx.doi.org/10.18524/2410-2601.2022.1(37).281821.

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This article explores the evolution of aesthetic preferences in Japanese culture over time. Through examining the influence of Zen Buddhism, Shintoism, and cultural interactions with China, the article traces the shift in Japanese aesthetics from an appreciation of impermanence and melancholy beauty to a more subtle and understated sense of elegance and refinement. Mono-no аvare was characterized by sensitivity to the impermanence of life, glorifying the beauty of fleeting moments and emphasizing the emotional response to these moments. This concept was refined and expanded with the advent of

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Musayev, F., E. Mamedov, and A. Gasimova. "AESTHETIC AND ETHICAL CULTURE OF SERVICE STAFF OF FOOD ENTERPRISES." Scientific heritage, no. 153 (January 24, 2025): 61–63. https://doi.org/10.5281/zenodo.14729638.

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A person's aesthetic activity in work reveals the level of his development, education, aesthetic culture of the individual, which can be characterized as developed human sensitivity, capable of recording not only the properties of objects that are vital for a person, but also the qualities of their form, the degree of its organization and orderliness, regardless of the immediate practical goals of a person. Aesthetic aspects in the work of service personnel are connected with a creative attitude to work; aesthetic feeling evaluates the work process - the process of revelation and self-affirmat

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Friedman, Ronald, Sijia Song, and Gregory Cox. "Reexamining the Association between Aesthetic Sensitivity to Musical and Visual Complexity." Empirical Musicology Review 19, no. 2 (2025): 77–87. https://doi.org/10.18061/emr.v19i2.9705.

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In a provocative recent study, Clemente et al. (2021) found that individual differences in aesthetic sensitivity to stimulus complexity in the musical domain were uncorrelated with those in the visual domain. This ostensibly contradicts existing theory and research pointing to a link between idiographic preferences for musical and visual complexity. However, a review of their methodology reveals that Clemente et al. (2021) inadvertently introduced confounds in the temporal dynamics of their experimental stimuli as well as in their operational definitions of complexity in each domain. To addres

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Jaume-Adrover, Magdalena, and Noemy Berbel-Gómez. "The aesthetic experience: Project on perception and sound and plastic sensitivity." SHS Web of Conferences 26 (2016): 01055. http://dx.doi.org/10.1051/shsconf/20162601055.

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Shepelova, M. V. "THE MANIFESTATIONS OF AESTHETIC SENSITIVITY AS AN INTEGRAL ATTRIBUTE OF PERSONALITY." Habitus, no. 52 (2023): 51–55. http://dx.doi.org/10.32782/2663-5208.2023.52.8.

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Seo, Joohee. "Cultivating Aesthetic Sensitivity and the Tragicomic Affect in Toni Morrison’s Novels." Korean Society for Teaching English Literature 28, no. 3 (2024): 151–72. https://doi.org/10.19068/jtel.2024.28.3.06.

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Beau, Gaelle. "Beyond the leader-centric approach." Society and Business Review 11, no. 1 (2016): 62–79. http://dx.doi.org/10.1108/sbr-10-2015-0060.

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Purpose – The purpose of this paper is to go beyond the leader-centric approach to highlight the shared leadership phenomena happening in organizations where there is no head leader. Seeing interactions between the orchestra members through the lens of aesthetics is a useful way of understanding leadership phenomena. Design/methodology/approach – The different approaches used are interviews, participant observation, analysis of video, photo materials and journalist review. Findings – The managerial evidence says that without a head leader nothing is possible in organizations with a high level

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Ryu, Cheong San. "Developing a Forest-Based Program for School Autonomy Time." Korean Society for Holistic Convergence Education 29, no. 2 (2025): 25–47. https://doi.org/10.35184/kshce.2025.29.2.25.

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This study aims to develop a forest-based experiential learning program for elementary school students during autonomy time, and to examine its effects on cultivating a cooperative spirit and aesthetic sensitivity. In modern society, the increasing use of digital devices and urbanization have reduced students' opportunities for direct interaction with nature, leading to concerns about emotional instability and decreased environmental sensitivity. To address this issue, the study designed a program enabling students to engage in direct learning experiences in a forest setting during autonomy ti

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