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Journal articles on the topic 'Aestheticism Dorian Gray'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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1

Wu, Ya-feng. "‘[C]allee me Oscar’: The Picture of Dorian Gray, Aestheticism, and Opium." Victoriographies 9, no. 1 (2019): 70–87. http://dx.doi.org/10.3366/vic.2019.0327.

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Oscar Wilde's only novel, The Picture of Dorian Gray (1891), one of the flagship novels of Aestheticism, contains an intricate opium narrative that has yet to receive adequate critical attention. The novel consists of two nested units: the House Beautiful that subsumes a Gothic nursery where Dorian's portrait is placed, and London the Metropolis that harbours Blue Gate Fields in the East End. The former might be read as a miniature of the latter. This double mechanism hinges on a Chinese box in which opium is stored. The structure, which evolves from the classic opium narrative established by
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2

Stilling, Robert. "An Image of Europe: Yinka Shonibare's Postcolonial Decadence." PMLA/Publications of the Modern Language Association of America 128, no. 2 (2013): 299–321. http://dx.doi.org/10.1632/pmla.2013.128.2.299.

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In 1891 Oscar Wilde argued that “Lying, the telling of beautiful untrue things, is the proper aim of art.” A hundred years later, the Anglo-Nigerian artist Yinka Shonibare MBE takes up where Wilde left off, arguing that “[t]o be an artist you have to be a good liar.” This essay explores how Shonibare reinvents Wilde's antirealism for a globalized, postcolonial world. Building on Leela Gandhi's notion of “interested autonomy,” I argue that in works such as his 2001 photo series Dorian Gray, Shonibare turns to Wilde's aestheticism as a means of upending the relation between realism and politics
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3

Frleta, Zrinka. "Art, the Artist and Ethics in Wilde's Picture of Dorian Gray." European Journal of Interdisciplinary Studies 3, no. 4 (2017): 18. http://dx.doi.org/10.26417/ejis.v3i4.p18-21.

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This paper examines ideological and philosophical premises of aestheticism, presented in Wilde's critical essays (The Critic as Artist and The Decay of Lying), and epigrams in the preface to the novel The Picture of Dorian Gray, which both offer a philosophical context to the novel. Aestheticism emphasized that art can not be subordinated to moral, social, religious and didactic goals, because its ultimate goal is art itself, l'art pour l'art (art for art's sake). „Art never expresses anything but itself.“ „All bad art comes from returning to Life and Nature, and elevating them into ideals.“ „
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4

Frleta, Zrinka. "Art, the Artist and Ethics in Wilde's Picture of Dorian Gray." European Journal of Interdisciplinary Studies 9, no. 1 (2017): 18. http://dx.doi.org/10.26417/ejis.v9i1.p18-21.

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This paper examines ideological and philosophical premises of aestheticism, presented in Wilde's critical essays (The Critic as Artist and The Decay of Lying), and epigrams in the preface to the novel The Picture of Dorian Gray, which both offer a philosophical context to the novel. Aestheticism emphasized that art can not be subordinated to moral, social, religious and didactic goals, because its ultimate goal is art itself, l'art pour l'art (art for art's sake). „Art never expresses anything but itself.“ „All bad art comes from returning to Life and Nature, and elevating them into ideals.“ „
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5

Carroll, Joseph. "Aestheticism, Homoeroticism, and Christian Guilt in The Picture of Dorian Gray." Philosophy and Literature 29, no. 2 (2005): 286–304. http://dx.doi.org/10.1353/phl.2005.0018.

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6

Lian, Ye-Ping, and Jing-Dong Zhong. "Oscar Wilde’s Multiple Appeals Revealed in the Male Characters in The Picture of Dorian Gray." English Language and Literature Studies 11, no. 2 (2021): 89. http://dx.doi.org/10.5539/ells.v11n2p89.

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Concerning Oscar Wilde’s The Picture of Dorian Gray, the previous studies have mainly been conducted on the writer’s aesthetic thoughts and moral senses reflected in this novel, while the relationship between his literary creation and his psychological appeals needs to be further explored, for possibly these appeals are essentially related to his multiple personalities and complex psychology. Focusing on the three male characters, this paper attempts to examine Wilde’s psychological appeals for the recognition of his aestheticism and the acceptance of his non-aest
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7

Zhang, Yan. "From Self-identification to Self-destruction—A Mirror Image Interpretation of Dorian Gray’s Psychic Transformation." Journal of Language Teaching and Research 7, no. 2 (2016): 377. http://dx.doi.org/10.17507/jltr.0702.18.

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Oscar Wilde, the representative of Aestheticism, is the most controversial figure in English literary history. The Picture of Dorian Gray, as his first and only novel, has been the object of study for a long time. The study of the protagonist from the psychoanalytic angle is still new and has potential research value for its in-depth analysis. According to Lacanian mirror theory, the self-construction of an individual is formed under the influence of the other’s mirror image. In the novel, under the influence of all the elements, Dorian experiences the psychic transformation and gradually ends
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8

曹, 岳. "Tragedy of Aestheticism in Reality—An Analysis of Pygmalion Archetype in the Picture of Dorian Gray." World Literature Studies 09, no. 02 (2021): 69–74. http://dx.doi.org/10.12677/wls.2021.92011.

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9

Loesberg, Jonathan. "Kant's Aesthetics and Wilde Form." Victoriographies 1, no. 1 (2011): 79–95. http://dx.doi.org/10.3366/vic.2011.0008.

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Although Wilde was convicted of Gross Indecency, not of having written questionable literature, critics frequently take his trial as a trial of his literature and his theories, and, in a sense, they are oddly enough right since, at key moments, the difficult of reading Wilde's writing becomes manifest in the difficulty of reading what occurs in the trials. That reading difficulty results from the alignment between Wilde's aestheticism and the ostensibly straighter Kantian aesthetics, a theory Wilde queered only by clarifying its paradoxes. Through a comparative reading of Kant's and Wilde's th
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10

McCann, Andrew. "ROSA PRAED AND THE VAMPIRE-AESTHETE." Victorian Literature and Culture 35, no. 1 (2007): 175–87. http://dx.doi.org/10.1017/s1060150307051479.

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ROSA CAMPBELL PRAED left Australia for London in 1876. In the decade or so subsequent to her arrival in the metropolis she forged a successful career as a writer of occult-inspired novels that drew on both theosophical doctrine and a nineteenth-century tradition of popular fiction that included Edward Bulwer-Lytton and Joseph Sheridan Le Fanu. A string of novels published in the 1880s and the early 1890s, including Nadine: the Study of a Woman (1882), Affinities: A Romance of Today (1885), The Brother of the Shadow: A Mystery of Today (1886), and The Soul of Countess Adrian: A Romance (1891),
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11

Scheible, Ellen. "Imperialism, Aesthetics, and Gothic Confrontation in The Picture of Dorian Gray." New Hibernia Review 18, no. 4 (2014): 131–50. http://dx.doi.org/10.1353/nhr.2014.0066.

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12

Salomova, Malika Zohirovna. "AN ANALYSIS OF ARTISTIC AESTHETICS IN OSCAR WILDE'S PORTRAIT OF DORIAN GRAY." Theoretical & Applied Science 84, no. 04 (2020): 420–23. http://dx.doi.org/10.15863/tas.2020.04.84.73.

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13

Khairulina, N. F. "The art of aphorisms in „The Picture of Dorian Gray” by Oscar Wilde." Bulletin of Luhansk Taras Shevchenko National University, no. 4 (335) (2020): 170–76. http://dx.doi.org/10.12958/2227-2844-2020-4(335)-170-176.

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The article under consideration is devoted to the study of the nature of aphorisms in an artistic text. Variants of definitions of the term „aphorism” in modern science, its functions, and semantic features in the text are fully provided. The objective and all the tasks for solving are realized during the process of investigation. The principles of using aphorisms in English literature are described on the example of O. Wilde’s novel „The Picture of Dorian Gray”. The classification and interpretation of aphorisms that are actively used in the text of the English writer in the original language
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14

Wilhelm, Lindsay. "SEX IN UTOPIA: THE EVOLUTIONARY HEDONISM OF GRANT ALLEN AND OSCAR WILDE." Victorian Literature and Culture 46, no. 2 (2018): 403–24. http://dx.doi.org/10.1017/s1060150318000074.

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In his provocative polemic“The New Hedonism,” Grant Allen mounts a passionate defense offin-de-siècleaestheticism by proposing a modern ethic – the titular “new hedonism,” which he borrows from Oscar Wilde's novelThe Picture of Dorian Gray(1890, rev. 1891) – that fully synthesizes aestheticism's insights with up-to-date scientific knowledge. At first glance, Allen seems an unexpected ally for Wilde, in part because few literary historians have explored the link between the two contemporaries. Many modern-day scholars of Allen's work (including Peter Morton, Bernard Lightman, William Greenslade
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15

Trumpener, Katie. "Johanna d'Arc of Mongolia in the Mirror of Dorian Gray: Ethnographic Recordings and the Aesthetics of the Market in the Recent Films of Ulrike Ottinger." New German Critique, no. 60 (1993): 77. http://dx.doi.org/10.2307/488667.

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16

Hibbitt, Richard. "Two Tombeaux to Oscar Wilde: Jean Cocteau’s Le Portrait surnaturel de Dorian Gray and Raymond Laurent’s essay on Wildean aesthetics, A bilingual presentation of the texts edited and translated by Emily Eells." Cahiers victoriens et édouardiens, no. 74 Automne (November 14, 2011): 265–68. http://dx.doi.org/10.4000/cve.1440.

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17

Saputri, Anastasia Intan Kurnia. "Hedonism as Seen in Oscar Wilde’s "The Picture of Dorian Gray"." Lexicon 4, no. 1 (2018). http://dx.doi.org/10.22146/lexicon.v4i1.42136.

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This article discusses hedonism in Oscar Wilde’s The Picture of Dorian Gray through the main character’s actions and lifestyle. The Picture of Dorian Gray (1890) was published in the era where aestheticism movement was flourishing. Aestheticism is an arts movement that promoted art for the sake of its beauty alone. This movement is believed to be existed as a protest against the machine-made products in the Industrial Revolution which were regarded to be ugly. Therefore, the whole story of The Picture of Dorian Gray concerns about beauty. By analyzing the main character, this article aims to f
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18

Taghizadeh, Ali, and Mojtaba Jeihouni. "Aestheticism versus Realism? Narcissistic Mania of the Unheeded Soul in Oscar Wilde's The Picture of Dorian Gray." Theory and Practice in Language Studies 4, no. 7 (2014). http://dx.doi.org/10.4304/tpls.4.7.1445-1451.

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19

Kennedy, Kevin. "Disinterest and Disruption: The Picture of Dorian Gray and the Modernist Aesthetics of the Obscene." Miranda, no. 21 (October 13, 2020). http://dx.doi.org/10.4000/miranda.27718.

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