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Dissertations / Theses on the topic 'Aesthetics and ethics'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Shaw, Sarah. "Seventeen : ethics and aesthetics." Thesis, Northumbria University, 2014. http://nrl.northumbria.ac.uk/23587/.

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My practice-led research in Creative Writing consists of composing a novel closely focalised through three members of a dual-heritage family in Suffolk in 2004 after the teenage daughter is diagnosed with leukaemia. ‘Seventeen: Ethics and Aesthetics’ explores the question: what are the tensions between truth, kindness and the form and poetics of the novel? My critical reflection considers techniques used to convince the reader, and my attempts to represent unconscious psychic processes of the novel’s protagonists in relation to trauma fiction. The aim of the research programme has been to disc

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2

Ali, Zulfiqar. "Ethics as aesthetics : Michel Foucault's genealogy of ethics." Thesis, University of Warwick, 2010. http://wrap.warwick.ac.uk/35118/.

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3

Armstrong, Kevin Anthony. "Aesthetics/ethics, two modern views." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ37936.pdf.

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4

Hofmeyr, Augusta Benda. "Ethics and aesthetics in Foucault and Levinas /." Nijmegen : Faculty of philosophy, 2005. http://catalogue.bnf.fr/ark:/12148/cb40087927b.

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5

O'Byrne, Cheryl. "An Ethos of Dialogue: The Aesthetics, Ethics and Politics of Australian Matriography." Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/29796.

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This project explores life narratives Australian daughters have written about their mothers and published since 1990. It analyses how the daughters navigate the tensions between their desire to write the mother’s story and the myriad factors that impede their view and process; and it concentrates on the ethical and political implications of their aesthetic choices. At one end of the aesthetic spectrum (chapter 1) is a realist memoir which disregards the layers of mediation between text and mother. At the other end (chapter 5) is an avant-garde matriography which thematises these layers. Rather

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6

Johnston, Jennene Louise Hooper. "Angels of desire subtle subjects, aesthetics and ethics /." View thesis, 2004. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20050527.155421/index.html.

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7

MacLeod, Kathryn Dawn. "Transgressing words and silence : aesthetics, ethics and education." Thesis, University of British Columbia, 2011. http://hdl.handle.net/2429/33789.

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This thesis explores the relationship between ethics, aesthetics and education, using the limit case of art created in response to the Holocaust, and argues that art is not autonomous: The theme of the Holocaust speaks directly to the question of art’s relationship to moral, political and educational purpose. Guided by the philosophy of Maxine Greene, Jean-Francois Lyotard, and Immanuel Kant, this thesis focuses on three works by artists who have addressed the Holocaust in their work: writer Primo Levi, filmmaker Claude Lanzmann, and sculptor Rachel Whiteread. Lyotard’s aesthetic and political

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8

Kovach, Vanya. "Judgement as play: revealing analogies between aesthetics and ethics." Thesis, University of Auckland, 1993. http://hdl.handle.net/2292/2488.

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This thesis is about the similarities of process between aesthetic experience and ethical judgement. I claim that in both cases the activity is best described as a type of play in which elements interact in mutual adjustment and transformation. This conception of play has its roots in Kant's aesthetic theory. Describing aesthetic experience as play results in emphasis on three central characteristics. These characteristics become the basis of constraints on judgement. In the case of ethical judgement these are important because they save from subjectivism a moral theory, particularism, which r

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9

Toyoda, Mitsuyo. "Approaches to Nature Aesthetics: East Meets West." Thesis, University of North Texas, 2002. https://digital.library.unt.edu/ark:/67531/metadc3305/.

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Nature aesthetics is examined as an approach to environmental ethics. The characteristics of proper nature appreciation show that every landscape can be appreciated impartially in light of the dynamic processes of nature. However, it is often claimed that natural beauty decreases if humans interfere into nature. This claim leads to the separation of human culture and nature, and limits the number of landscapes which can be protected in terms of aesthetic value. As a solution to this separation, a non-dualistic Japanese aesthetics is examined as a basis for the achievement of the coexistence of

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10

Kuzma, Andrew J. "Theo-dramatic ethics| A balthasarian approach to moral formation." Thesis, Marquette University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10102835.

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<p> What role does beauty play in our moral formation? What difference does the perception of beauty make to the way we live our lives? In order to answer these questions, I look to the twentieth-century Catholic theologian, Hans Urs von Balthasar. Relatively little has been written about Balthasar’s ethics. He is, perhaps, best known for his retrieval of beauty as a transcendental property of being. Balthasar, though, never set down an extended account of his ethics or moral theology. While he had no explicit ethic, he certainly thought that his theology could be lived. The <i>Theo-Dram

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11

Fritsch, Ryan. "The ethics of imagination: Levinas, Aesthetics and Poiesis in uTOpia." Thesis, McGill University, 2010. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=95124.

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Before Al Gore's 2005 documentary "An Inconvenient Truth" ignited general public concern for the worsening environmental crisis, artists played a crucial role in both exemplifying ecological concerns and in building alternative living and social arrangements. They did so with a sense of "creative responsibility" that formal political and legal institutions seemed incapable of harnessing or acting upon. This thesis looks at how such activist aesthetic movements occurring simultaneously in Toronto and Windsor, Ontario, unleashed a form of "constituent imagination" at once critical, constructive

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12

Palladino, Mariangela. "Toni Morrison's late fiction : an investigation into ethics and aesthetics." Thesis, University of Strathclyde, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.510673.

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13

Yang, Julianne Qiuling Ma, and 楊秋凌. "Towards a cinema of contemplation: Roy Andersson's aesthetics and ethics." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hub.hku.hk/bib/B50162810.

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Considered one of Northern Europe’s most renowned art film directors to date, Swedish filmmaker Roy Andersson has been hailed by critics and art cinemagoers alike for his unconventional visual and narrative style. Marked by his use of long, static shots filmed in wide-angle and deep focus, Andersson’s “tableau aesthetic” is intimately linked to his idea that films, like other art forms, can have an important function in contemporary society: to provoke social and moral awareness in its audience. Aiming to counter what he considers a “fear of seriousness” and a dearth of critical contemplation

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14

Phillips, Andrea. "Walking into trouble : the ethics and aesthetics of the pedestrian." Thesis, University College London (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.406481.

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15

Breel, Astrid. "Conducting creative agency : the aesthetics and ethics of participatory performance." Thesis, University of Kent, 2017. https://kar.kent.ac.uk/64138/.

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The current vogue for experiential performance in contemporary theatre has led to a rise in interactive, immersive and participatory approaches that focus on creating work that attempts to involve and respond to the audience as individuals. This development has in turn led to an interrogation and redefinition of aesthetics, for instance in Claire Bishop's Artificial Hells (2012), which examines spectatorship in participatory art. This thesis examines the aesthetics and ethics of participatory performance and argues that agency is fundamental to both. The research builds on Gareth White's Audie

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16

Wardle, Huon Oliver Blaise. "Examining aesthetics and ethics in a pragmatic context, Kingston, Jamaica." Thesis, University of Cambridge, 1994. https://www.repository.cam.ac.uk/handle/1810/272781.

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17

Malecka, Joanna. "The ethics, aesthetics and politics of Thomas Carlyle's 'French Revolution'." Thesis, University of Glasgow, 2017. http://theses.gla.ac.uk/8182/.

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‘The Ethics, Aesthetics and Politics of Carlyle’s French Revolution’ examines the work of Thomas Carlyle as a crucial aesthetic intervention in the modern reception of the French Revolution in Europe. It interrogates the prevalent critical constructions of Carlyle’s work and finds them to proceed predominantly from the Whig historical agenda, structured around such key nineteenth-century concepts as utilitarianism and civilisational and moral progress. Within this critical framework, Carlyle’s largely conservative cultural stance and Christian spirituality are hardly allowed any creative poten

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18

Felstead, Kenneth Desmond 1945. "The metaphysical grounds for the modern relationship between aesthetics and ethics." Monash University, School of Literary, Visual and Cultural Studies, 2001. http://arrow.monash.edu.au/hdl/1959.1/8648.

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19

Fedorova, Kseniya. "New media and performance: Aesthetics and ethics of the technological sublime." Connect to online resource, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1442970.

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20

Hernandez, Maria C. "Ethics and Aesthetics in Contemporary Basque Narrative: Three Portrayals of Terrorism." University of Cincinnati / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1553613721523236.

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21

Alexander, Tamar. "The pious sinner : ethics and aesthetics in the medieval Hasidic narrative /." Tübingen : J. C. B. Mohr (P. Siebeck), 1991. http://catalogue.bnf.fr/ark:/12148/cb35773207d.

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22

Nedeljkovic, Marijana. "Kiš's vigilance : ethics as aesthetics in the prose of Danilo Kiš." Thesis, University of Westminster, 2016. https://westminsterresearch.westminster.ac.uk/item/q0808/ki-s-vigilance-ethics-as-aesthetics-in-the-prose-of-danilo-ki.

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This thesis offers a reading of the late Yugoslav writer Danilo Kiš by looking at how a particular tradition of European aesthetics and ethical philosophy (namely Levinas and Blanchot) can be compared to Danilo Kiš’s poetics. Beyond critically evaluating Kiš, I am to make connections between ethics, literature and philosophy. The major objective of my thesis is to argue that ethical is embedded as aesthetical in Kiš’s poetics as both Blanchotian and Levinasian understanding of ethics, i.e. as a non-dialectical and non-intentional movement from ‘I’ to the ‘other’ in the midst of passivity of dy

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23

Ednie-Brown, Pia Hope, and pia@rmit edu au. "The aesthetics of emergence." RMIT University. Architecture and Design, 2008. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080804.161628.

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Principles of design composition are commonly understood to pertain to geometrical systems for arranging parts in assembling a formal whole. Connection to socio-cultural 'meaning' and relevance arguably occurs primarily via the assumed divinity or universality of these systems. In the contemporary architectural world, where explicitly held beliefs in fundamental, geometrically defined principles or values have dissipated, guiding principles of composition appear to be obsolete. This seems particularly true in relation to work that highlights process - or change, responsiveness, interactivity a

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24

Coates, Adrian. "Everyday aesthetic existence and discipleship: exploring the connections between aesthetics, faith and ethics in being human and becoming Christian." Doctoral thesis, Faculty of Humanities, 2019. http://hdl.handle.net/11427/30398.

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The aim of this project is to provide a theological basis for the practice of discipleship in the world as a form of aesthetic existence. The study is framed by Dietrich Bonhoeffer’s cryptic call for a recovery of Søren Kierkegaard’s notion of aesthetic existence in being Christian, set against the backdrop of their mutual concern for the captivity of the church to Christendom. In addition to the contribution by Kierkegaard (discipleship as poetic living) and Bonhoeffer (Christian living as polyphonous this-worldly celebration of Christological reality), three further key intellectuals have be

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25

Jeong, Heon. "The Cinematic Aesthetics of Digital Virtualism." Thesis, The University of Sydney, 2013. http://hdl.handle.net/2123/10404.

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This dissertation explores the cinematic ontology of digital virtualism in the context of the current trend to digitalisation. I define digital virtualism as the aesthetics of assemblage and configuration in the age of digital images. This definition implies that digital technology strengthens the complex tension between physical reality and imaginary illusion. Based on computer simulation and synthesis, the digital image intensifies the contradiction between cinematic materiality and immateriality. Digital virtualism is the aesthetics of historical hybridity and aesthetic complexity between t

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26

Pellecchia, Diego. "Aesthetics and ethics in the reception of Noh theatre in the West." Thesis, University of London, 2011. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.549590.

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Arguing that fundamental aesthetic elements of Noh are deeply imbued with ethical qualities, the thesis describes how, throughout the different socio-economic scenarios that marked the transition of Japan and the West to new phases of modernity, Noh became part of an international debate on theatre and ethics. Since the beginning of the twentieth century, European practitioners such as Yeats, Pound, Copeau and Brecht sought to ‘restore’ theatre by returning to ideals of honesty and spirituality that were thought to be lost as a consequence of the rise of bourgeois materialism. The promotion of

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27

Pett, Sarah. "Reading and writing chronic illness, 1990-2012 : ethics and aesthetics at work." Thesis, University of York, 2014. http://etheses.whiterose.ac.uk/6645/.

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This thesis is about autobiographical and fictional accounts of chronic illness professionally published between 1990 and 2012. It begins with a survey of popular and critical thinking about illness accounts, in which I show how both the medical humanities and literary studies have placed restrictions on what these accounts can mean, and thus on the kinds of cultural work they can do: restrictions that frequently belie the complexity of the aesthetics and ethics at work in many of the texts considered in this thesis. I build on this claim through close reading of a cross-section of contemporar

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28

McIntire, William. "Living as sublimated dying : understanding aesthetics and ethics from Freud and Nietzsche." Thesis, University of Warwick, 2016. http://wrap.warwick.ac.uk/88893/.

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This thesis aims to examine the connection between aesthetic and ethical valuations. Nietzsche and Freud both claim that values are symptoms of underlying psychical constitutions. I elicit an original understanding of aesthetic and ethical valuations through a synthesis of their works. Beginning with drive theory, I argue that the death-drive is an entropic principle guiding all psychical life. Another original contribution is my conceptualization of Eros as reducible to the death-drive as the means by which the death-drive manifests itself as a homeodynamic process in open systems. I argue, f

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29

Sullivan, Lindsay M. "'The ethics of art' : incarnation, revelation and transcendence in the aesthetics and ethics of George Eliot and M.M. Bakhtin." Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/14748.

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This thesis offers an analysis of George Eliot's aesthetics and ethics from the interdisciplinary perspective of literature and theology. I examine the role that religious motifs play in Eliot's "ethics of art," and argue that the motifs of incarnation, revelation, and transcendence are central to Eliot's aesthetic aim of extending her reader's sympathies. Eliot's ethics of art is designed to help her reader transcend his or her inherent egoism, and to improve the way her reader understands his or her own self in relation to the world and to others. An exploration of the religious motifs of in

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Boetzkes, Amanda. "Beyond perception : the ethics of contemporary earth art." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102788.

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This dissertation considers the aesthetic strategies and ethical implications of contemporary earth art. Drawing from feminist and ecological critiques of phenomenology, it posits that an ethical preoccupation with the earth is identifiable in works that stage the artist's inability to condense natural phenomena into an intelligible art object thereby evidencing the earth's excess beyond the field of perception. Contemporary earth art has the paradoxical goal of evoking the sensorial plenitude of the earth without representing it as such. The first chapter analyzes Robert Smithson's monumental

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31

FOSSATI, MARTA. "WHEN AESTHETICS MEETS ETHICS: THE SOUTH AFRICAN SHORT STORY IN ENGLISH, 1920-2010." Doctoral thesis, Università degli Studi di Milano, 2022. http://hdl.handle.net/2434/923651.

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This thesis explores the development of the short-story genre in English in South Africa from the late 1920s to the present day. I intend to close read a corpus of short stories by eight South African writers (Rolfes and Herbert Dhlomo, Peter Abrahams, Can Themba, Alex La Guma, Mtutuzeli Matshoba, Ahmed Essop, and Zoë Wicomb) with particular focus on the dialogue between ethics and aesthetics performed by these texts vis-à-vis the evolution of South Africa’s socio-political situation (before, during, and after apartheid). Often considered a minor genre, the short story actually thrives in post

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Thompson, Ian H. "Sources of values in landscape architecture." Thesis, University of Newcastle Upon Tyne, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311145.

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33

Issa, Theodora. "Ethical mindsets, aesthetics and spirituality: a mixed-methods approach analysis of the Australian services sector." Thesis, Curtin University, 2009. http://hdl.handle.net/20.500.11937/497.

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This thesis reports on an interpretive mixed-methods approach research conducted in the Australian services sector. Deriving from two different yet related literatures on aesthetics and spirituality, this thesis focuses on the examination of ethical mindsets. Data was collected through an online survey of 223 respondents and focus groups interviews with 20 participants. Analysis of the quantitative and qualitative data suggests the presence of aesthetic spirituality and religious spirituality, along with optimism, harmony and balance, contentment, personal truth, making a difference, and inter

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34

Jin, Lipeng. "Animal ethics and contemporary art : an exploration of the intersections between ethics and aesthetics, humans and animals, human and animal injustices." Thesis, Lancaster University, 2016. http://eprints.lancs.ac.uk/82819/.

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This research provides artistic interventions into the question of institutionalised violence against animals. With a relational and holistic vision in mind, this artistic enquiry explores the intersections between ethics and aesthetics, humans and animals, human and animal injustices. It is dualistic and anthropocentric thinking that underlies both human and animal oppression. A Derridean approach invites us to think about the shared vulnerability among all beings through the presence of the animal other, calling our infinite responsibility towards the animal and dismantling entwined dualisms

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35

O'Brien, Marianne. "Aesthetics and ethics at the intersection: Contemporary reflections on the philosophy of Arthur Schopenhauer." Thesis, University of Liverpool, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.494273.

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In the last hundred years of commentarial literature on Schopenhauer, the breadth and profundity of the relationships that exist between aesthetics and ethics in his philosophy have been overlooked and overshadowed by studies of Schopenhauer as a metaphysician. This exploration of the status of the metaphysical connection between aesthetics and ethics in his philosophy. In order to establish the significance of this connection for contemporary debates on aesthetics and ethics, I elucidate Schopenhauer's philosophy in a manner that addresses its inconsistencies and inadequacies whilst being con

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Naiboglu, Gozde. "Beyond representation : the ethics and aesthetics of change in Turkish German cinema after Reunification." Thesis, University of Manchester, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.634928.

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This thesis explores recent Turkish-German film through a radically postrepresentationalvision of aesthetics and ethics. Post-representationalism as amethodology involves confronting conventional cognitive and hermeneuticapproaches to film, and going beyond representational schemes and nationalparadigms for a closer engagement with the aesthetic. This thesis puts emphasison tropes such as movement, gesture, process and becoming through anengagement with the writings of Gilles Deleuze and Félix Guattari as analternative to the theoretical models that dominate the scholarship on migrant anddiasp

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Staunton, Benjamin. "The Aesthetics and Ethics of the Absent Subject in the Novels of Tom McCarthy." Thesis, Montpellier 3, 2018. http://www.theses.fr/2018MON30084/document.

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Résumé en français : Ce projet s’intéresse à la fois aux œuvres et à la théorie de l’écrivain-artiste Tom McCarthy, précisément en analysant ses livres Remainder (2005), Men in Space (2007), C (2010), et Satin Island (2015), ainsi que ses œuvres théoriques, Tintin and the Secret of Literature (2006) et Typewriters, Bombs, Jellyfish : Essays (2017). Son rapport avec certains styles littéraires d’avant-garde et de modernisme a provoqué des analyses qui l’ont rendu explicit à travers les accueils critiques au sein de et en dehors du monde universitaire, et également a travers ses propres œuvres d

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Green, Jennifer Elizabeth. "Aesthetic Excuses and Moral Crimes: The Convergence of Morality and Aesthetics in Nabokov's Lolita." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-04272006-134431/.

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Thesis (M.A.)--Georgia State University, 2006.<br>Title from title screen. Paul Schmidt, committee chair ; Marti Singer, Chris Kocela, committee members. Electronic text (60 p.) : digital, PDF file. Description based on contents viewed Apr. 17, 2007. Includes bibliographical references (p. 55-64).

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Cinaglia, Valeria. "Aristotle and Menander on the ethics of understanding." Thesis, University of Exeter, 2011. http://hdl.handle.net/10036/3182.

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This doctoral thesis explores a subject falling in the interface between ancient Greek philosophy and literature. Specifically, I am concerned with common ground between the New Comedy of Menander and aspects of Aristotle’s philosophy. The thesis does not argue that the resemblance identified between the two writers shows the direct influence of Aristotle on Menander but rather thay they share a common thought-world. The thesis is structured around a series of parallel readings of Menander and Aristotle; key relevant texts are Menander’s "Epitrepontes", "Samia", "Aspis", "Perikeiromene" and "D

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Dho, Seung-Youn. "The implication of turning to the question of aesthetics of existence in later Foucault's work." Diss., Online access via UMI:, 2006.

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Rogers, Taylor. "The Ethical Significance of the Aesthetic Experience of Non-Representational Art." Oberlin College Honors Theses / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1306457898.

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Shaver, Mandy [Verfasser]. "Art, aesthetics and ethics of tattooing : Analysis of a tattoo business in Hamilton / Mandy Shaver." München : GRIN Verlag, 2019. http://d-nb.info/119779946X/34.

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Tay, Yi Lin Adeline. "The Slow Food Movement : an étude on commodity, time, ethics and aesthetics in contemporary life." Thesis, University of Bristol, 2009. http://hdl.handle.net/1983/f7f2bd57-4cea-418f-b3d0-f5d632cfc896.

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This thesis is a study of the Slow Food Movement (SFM), charting the journey of this grassroots organisation from its ideological and material roots in Bra, Italy to its meteoric development in the advanced capitalist landscapes of England and USA as a consumer-driven, 'eco-gastronomy' movement. It takes to heart the movement's promise for a 'revolution of taste', from which was derived four significant themes, namely: Commodity, Time, Ethics and Aesthetics. Fieldwork was carried out in Italy, England and USA, including sixy-four recorded interviews and ethnographic, moment-to-moment research.

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Senior, Adele Marie. "Bioart in the making : aesthetics, ethics and politics in the tissue culture and art project." Thesis, Lancaster University, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.543994.

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Lacerda, Teresa Isabel Machado Moura de Oliveira e. Ferraz. "Elementos para a construção de uma estética do desporto." Phd thesis, Instituições portuguesas -- UP-Universidade do Porto -- -Faculdade de Ciências do Desporto e de Educação Física, 2002. http://dited.bn.pt:80/29513.

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Pacheco, Rui Manuel de Gouveia. "Caracterização da intervenção do treinador na reunião de preparação da equipa para a competição no Futebol : Estudo comparativo de treinadores da 1ª Liga e da 2ª Divisão-B no Escalão de Seniores Masculinos." Master's thesis, Instituições portuguesas -- UP-Universidade do Porto -- -Faculdade de Ciências do Desporto e de Educação Física, 2002. http://dited.bn.pt:80/30121.

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Dissertação de Mestrado em Ciências do Desporto, área de especialização em Treino de Alto Rendimento Desportivo, apresentada à Faculdade de Ciências do Desporto e de Educação Física da Universidade do Porto<br>Pretendemos neste estudo caracterizar os conteúdos que são transmitidos pelos treinadores aos jogadores, na reunião de preparação da equipa para a competição no futebol, no escalão de seniores masculinos. Realizamos um estudo comparativo partindo de uma amostra constituida por seis treinadores pertencentes a equipas classificadas no terço superior do campeonato nacional de futebol da 1ª

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Miragaia, Dina Alexandra Marques. "Para uma análise das estruturas organizacionais do desporto-a importância da definição do produto." Master's thesis, Instituições portuguesas -- UBI-Universidade da Beira Interior -- -Departamento de Ciências do Desporto, 2002. http://dited.bn.pt:80/30197.

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Romão, João Caldeira. "Desenvolvimento motor infantil em contexto de ensino-estudo do desenvolvimento da habilidade motora transitiva saltar à corda em crianças entre os 5 e os 9 anos de idade." Master's thesis, Instituições portuguesas -- -Universidade do Algarve -- -Faculdade de Ciências Humanas e Sociais -- -Escola Superior de Educação, 2002. http://dited.bn.pt:80/30482.

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Pacheco, Rui Manuel de Gouveia. "Caracterização da intervenção do treinador na reunião de preparação da equipa para a competição no Futebol : Estudo comparativo de treinadores da 1ª Liga e da 2ª Divisão-B no Escalão de Seniores Masculinos." Master's thesis, Universidade do Porto. Reitoria, 2002. http://hdl.handle.net/10216/9551.

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Dissertação de Mestrado em Ciências do Desporto, área de especialização em Treino de Alto Rendimento Desportivo, apresentada à Faculdade de Ciências do Desporto e de Educação Física da Universidade do Porto<br>Pretendemos neste estudo caracterizar os conteúdos que são transmitidos pelos treinadores aos jogadores, na reunião de preparação da equipa para a competição no futebol, no escalão de seniores masculinos. Realizamos um estudo comparativo partindo de uma amostra constituida por seis treinadores pertencentes a equipas classificadas no terço superior do campeonato nacional de futebol da 1ª

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Bramwell, Richard. "The aesthetics and ethics of London based rap : a sociology of UK hip-hop and grime." Thesis, London School of Economics and Political Science (University of London), 2011. http://etheses.lse.ac.uk/189/.

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This thesis considers rap music produced in London. The project employs close textual analysis and ethnography to engage with the formal characteristics of rap and the social relations constructed through its production and use. The black cultural tradition has a considerable history and the thesis focuses upon its appropriation in contemporary London. The study begins with an examination of the process of becoming a rapper. I then consider the collaborative work that rap artists engage in and how these skills contribute to construction of the UK Hip-Hop and Grime scenes. Moving on from this f

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