Relevant bibliographies by topics / Aesthetics, Arab

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Aesthetics, Arab'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Aesthetics, Arab.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Aesthetics, Arab"

1

Gaber, Tammy. "Modern Arab Art." American Journal of Islam and Society 26, no. 1 (January 1, 2009): 114–17. http://dx.doi.org/10.35632/ajis.v26i1.1422.

Full text
Abstract:
This book endeavors to define a specific term for modern Arab art, which ismost often considered a continuation of Islamic or ethnic art or a subordinatecopy of western trends. This academic text, which targets audiences interestedin contemporary art or the Arab world, or both, is divided into threeparts: “Background and Definitions,” “Modern Arab Aesthetics,” and “The Arabic Letter in Art.” It contains forty images within the text and thirty-twoplates of contemporary works of art by Arabs ...
APA, Harvard, Vancouver, ISO, and other styles
2

Moosa, Ebrahim. "Aesthetics and Transcendence in the Arab Uprisings." Middle East Law and Governance 3, no. 1-2 (March 25, 2011): 171–80. http://dx.doi.org/10.1163/187633711x591512.

Full text
Abstract:
Politics is regarded as a science for it tells us what to do, when it deals with measurable concepts. But politics is also an art—a form of practice, telling us how and when to do things. Lest we forget, the arts of persuasion and inspiration are part of politics. And, every art also produces an aesthetic. By aesthetics I mean, the ways by which we think about art: recall, art is what we do and how we do things. Th ose things and acts that become visible when we do and produce certain actions—jubilation, conversations, speeches, greetings, protests, banners, deaths, wounds and other expressions—all constitute the means by which thought becomes visible, eff ective, and sensible. Th ese forms and visible expressions of the sensible constitute the aesthetics of politics. Only the patient will know where the momentum for change in the Arab world is heading. But, if the outcome of the Arab uprisings is unclear, then there is one certainty: the people have changed the order of the sensible. Th anks to peaceful protests in the face of regime brutality, tens of millions of people have performed change in myriads of expressions: aesthetics. Th eir feelings have cumulatively changed, and how people feel about governance is ultimately what politics is all about.
APA, Harvard, Vancouver, ISO, and other styles
3

Mohamed, Eid, Waleed Mahdi, and Hamid Dabashi. "The aesthetics of dissent: Culture and politics of transformation in the Arab world." International Journal of Cultural Studies 23, no. 2 (September 19, 2019): 141–49. http://dx.doi.org/10.1177/1367877919859898.

Full text
Abstract:
Our special issue captures the interplay of media, politics, religion, and culture in shaping Arabs’ search for more stable governing models at a crossroads of global, regional, and national challenges through systematic and integrated analyses of evolving and contested Arab visual and performing arts in revolutionary and unstable public spheres. The issue presents a unique attempt to investigate these forms of cultural production as new modes of knowledge that shed light on the nature of social movements with the aim of expanding the critical reach of the disciplinary methods of political discourse and social theory. Contributors articulate the ways in which the Arab scene can contribute to the understanding of the rise of new social movements worldwide by exploring the methodological gaps in dominant Western discourses and theories.
APA, Harvard, Vancouver, ISO, and other styles
4

Ammagui, Nada. "Artistic Taste-Making at the Sharjah Biennial." Review of Middle East Studies 54, no. 1 (June 2020): 125–26. http://dx.doi.org/10.1017/rms.2020.8.

Full text
Abstract:
This poster investigates the role that the Sharjah Biennial (SB), an international art showcase in the United Arab Emirates, plays in the development of a local artistic and cultural taste. It argues that the SB contributes to the molding of local aesthetic values through its selection of curatorial themes, artists, artworks, and, especially, venues. Using field visits, interviews, and archival research informed by sociological and anthropological theories on aesthetics, the author shows that organizers of public art exhibitions and programs are in a key position to shape the art to which people are exposed and how this, in turn, creates a public valuation of aesthetics. This project fills a gap in contemporary biennial literature by shedding light on the pivotal roles of art events in shaping societal aesthetic values.
APA, Harvard, Vancouver, ISO, and other styles
5

Bahoora, Haytham. "Locating Modern Arab Art: Between the Global Art Market and Area Studies." Review of Middle East Studies 54, no. 1 (June 2020): 25–36. http://dx.doi.org/10.1017/rms.2020.15.

Full text
Abstract:
AbstractThis essay situates the publication of Modern Art in the Arab World: Primary Documents in the context of an expanding global interest in modern Arab art as well as the study of modern Arab art as an academic discipline. The essay first examines the implications of the cultivation of a new museum and gallery infrastructure for modern Arab art in the Arab Gulf. It then considers how the academic study of modern Arab art has faced institutional barriers, due largely to the overwhelming academic focus on Ancient Studies and Islamic art. Finally, it suggests that Modern Arab Art in the Arab World provides scholars with a comprehensive textual archive that calls for a historicized approach to theorizing the emergence of modernist aesthetics in Arab visual cultures.
APA, Harvard, Vancouver, ISO, and other styles
6

Ågerup, Karl. "Knowing an Arab: Yasmina Khadra and the aesthetics of didactic fiction." Critique: Studies in Contemporary Fiction 59, no. 2 (November 27, 2017): 180–90. http://dx.doi.org/10.1080/00111619.2017.1373057.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Shilton, Siobhán. "Art and the ‘Arab Spring’: Aesthetics of revolution in contemporary Tunisia." French Cultural Studies 24, no. 1 (January 29, 2013): 129–45. http://dx.doi.org/10.1177/0957155812464166.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Howell, Sally. "Cultural Interventions: Arab American Aesthetics between the Transnational and the Ethnic." Diaspora: A Journal of Transnational Studies 9, no. 1 (2000): 59–82. http://dx.doi.org/10.1353/dsp.2000.0023.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Shabout, Nada. "Whose Space Is It?" International Journal of Middle East Studies 46, no. 1 (February 2014): 163–65. http://dx.doi.org/10.1017/s0020743813001347.

Full text
Abstract:
Designers and architects argue that interaction in public spaces is the product of relations between physical, cultural, social, and aesthetic components. As an art historian, my interest in and understanding of the production of public space is necessarily linked to its visual construction and to public art in particular. Urban planners have always included art in public spaces as a means of forming relationships between the people and the space. Governments have similarly understood the political significance of public space and its power to make meaning and have commissioned art accordingly. This essay reflects on the role of aesthetics and public art in the production and transformation of the modern public space in the Arab world by considering two examples from Cairo and Baghdad.
APA, Harvard, Vancouver, ISO, and other styles
10

Avila, Robert. "Space for “Speculative Friendships”: Keith Hennessy and Jassem Hindi’s future friend/ships." TDR/The Drama Review 62, no. 2 (June 2018): 136–43. http://dx.doi.org/10.1162/dram_a_00753.

Full text
Abstract:
Starting from the ineffable brutality of the Syrian Civil War, and the larger world of war and empire, dancer/performers and cocreators Keith Hennessy and Jassem Hindi draw on Arab Futurism, queer politics and aesthetics, and Donna Haraway’s conception of Science Fiction, embracing and queering the SF imagination to create “speculative friend/ships.”
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Aesthetics, Arab"

1

Van, de Peer Stefanie E. "The aesthetics of moderation in documentaries by North African women." Thesis, University of Stirling, 2011. http://hdl.handle.net/1893/3535.

Full text
Abstract:
This thesis focuses on documentaries by North African women, who have been marginalised within the limited space of the field of African filmmaking. I illustrate how North African cinema has suffered from neglect in studies on African as well as Arab culture and particularly African and Arab cinema. I discuss the work of four pioneering women documentary makers in Egypt, Tunisia, Algeria and Morocco. Consecutively I will discuss Ateyyat El Abnoudy, Selma Baccar, Assia Djebar and Izza Génini’s work. My approach is transnational and Bakhtinian in the sense that I am an outsider looking in. I promote a constant self-awareness as a Western European and an academic interested in the area that is defined as the Middle East. Like the documentary makers, I take the nation state as a starting point so as to understand its effects, in order to be able to critique it and place the films in a transnational context. The documentaries in this thesis illustrate that films of a socio-political nature contest the notion of a singular national identity and can become a means of self-definition. Asserting one’s own cultural and national identity, and subjectively offering the spectator an individual’s interpretation of that self-definition, is a way towards female emancipation. Going against the grain and avoiding stereotypes, evading censorship and dependence on state control, these directors find ways to give a different dimension to their identity. Analysing the work of these four pioneering filmmakers, I uncover diverse female subject matters treated by a similar aesthetic. I argue that through overlooked cinematic techniques, they succeed in subverting the censor and communicating a subtle but convincing critique of the patriarchal system in their respective countries. Their preoccupation with representing ‘the other half’ puts a new and under-explored spin on perceptions of anti-establishment filming with subtly emancipating consequences. I suggest that their common aesthetic is one that develops moderation in terms of context, content and style. There is a cinematic way of implicitly subverting not only the (colonial) past but also the (neo-colonial) present which goes further than re-inscription or compensation: new modes of resistance co-exist with the more rebellious and heroic ones. These women’s films rewrite, imply and contemplate rather than denounce and attack heroically. They do not reject as much as interrogate their situations, counting on the empathic and intersubjective abilities of the spectator. A relationship of trust between director, subject and spectator is crucial if we want to believe in the subalterns’ aptitude for voicing issues and gazing back. I reveal a different approach to communication beyond the verbal, and a belief in the subjects’ capacities to speak and listen. This is echoed in the filmmaker’s sensitive analysis of the subjects’ expression and voice and the non-vocal expression – the gaze. The intended outcome is dependent on the willingness of the spectator to take part in the intersubjective communication triangle. I conclude with the idea that moderation is the foundational concept of a post-Third Cinema transnational aesthetic in North Africa. Ateyyat El Abnoudy, Selma Baccar, Assia Djebar and Izza Génini are pioneers of women’s filmmaking in North Africa, who opened up a space for underrepresented subjects, voices and gazes.
APA, Harvard, Vancouver, ISO, and other styles
2

Bitar, Amer. "The Impact of Visual Representations of Leadership in Tribal Dominated Societies: A critical qualitative study of aesthetic leadership in the United Arab Emirates." Thesis, University of Bradford, 2017. http://hdl.handle.net/10454/17216.

Full text
Abstract:
This thesis explores the role and impact of leadership as a socially constructed and aesthetic phenomenon in tribal-dominated Bedouin Arabia. The concept of leadership is investigated in terms of its discursive and aesthetic dimensions across different geographical, historical, and intellectual settings by adopting and applying a Foucauldian perspective of interconnected concepts of power/knowledge, discourse, subjectivity, body symbolism and the power of gaze. The thesis draws on three related types of data: First, images to understand the leaders’ perspective. Second, interviews with artists to gain insights into the visual message and the creative process. Third, through semi-structured interviews with the audience to garner an understanding of how it perceives the message leaders send. This thesis contributes theoretically to ongoing research into the visual representation of leadership and to critical debates concerning Foucauldian perspectives on discourse, power, discipline and the body. This thesis concludes by recommending practical implications for rethinking leadership as something both aesthetic and mythical to consider the role of followership in the consumption of leadership-themed visual artworks and communication, and the growing global role and influence of social media in shaping leader-follower relations.
APA, Harvard, Vancouver, ISO, and other styles
3

La, Follette Tavia. "Sites of Passage: Art as Action in Egypt and the US-- Creating an Autoethnography Through Performance Writing, Revolution, and Social Practice." Antioch University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=antioch1365450771.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Messaadi, Farhat. "Poésie de la nature à l'âge abbasside (VIII-XIII siècles) : approche analytique et thématique." Thesis, Paris, INALCO, 2019. http://www.theses.fr/2019INAL0004.

Full text
Abstract:
Ce travail de recherche explore la place de la nature dans la poésie arabe à l’âge abbasside (VIII-XIII siècles), en s’intéressant plus particulièrement à l’esthétique de la poésie, à l’imaginaire arabe et à l’essence même de la production poétique. Il s’agit de montrer en quoi l’évolution de la poésie descriptive dans la littérature arabe constitue un sujet, non seulement essentiel, mais aussi sous-jacent à la poésie de la nature telle qu’elle est abordée et traitée par d’autres chercheurs dans des périodes différentes. Pour ce faire, cette étude a délibérément respecté la démarche chronologique, afin de proposer une vue synoptique de l’évolution de la représentation de la nature depuis la période préislamique jusqu’à l’âge abbasside, en passant par la période omeyyade, ère durant laquelle ce thème deviendra un thème à part entière et trouvera pleinement sa place, bien ancrée dans le nouvel essor civilisationnel de la vie citadine. Ce mode de vie inédit a invité les poètes abbassides à se tourner vers la description des aspects de la nature dans un langage mieux élaboré, épousant exactement les changements d’inspiration de la société contemporaine et engendrant naturellement une production poétique métamorphosée, fruit d’une débauche d’imagination spontanée, foisonnant de connotations polysémiques imprimant une dynamique enlevée. Cette représentation artistique versifiée en une langue riche et raffinée, ponctuée par un rythme marqué, miroir fidèle de l’environnement intellectuel et culturel de l’époque envisagée, se manifeste chez des poètes abbassides innovants, construisant de longs poèmes sur le thème unique de la nature dans lesquels ils épanchent leurs émotions et leur vécu. Finalement, ce travail de recherche a montré que la poésie avait atteint son apogée esthétique à l’âge abbasside qui, ainsi, devint l’âge d’or de la littérature arabe
The piece of research is exploring the place of Nature in the Arabic poetry during the Abbasside Age (VIII-XIII century), focusing more particularly on the poetical aesthetics, the Arabic imaginativeness as well as the very essence of poetical production. This work aims at showing how the evolution of descriptive poetry in the Arabic literature can be considered as a subject not only essential, but also subjacent to the poetry of Nature itself by the way it has been tackled and treated by other research students in other periods. In this perspective this research has deliberately abided by chronological approach in order to propose a synoptic survey of the evolution of the representation of Nature since the preislamic era until the Abbasside age throughout the Ommeyyade period during which this theme was to become a full one completely inserted into the new civilization development of the urban way of life. Indeed this new way of life invited the Abbasside poets to engage into the use of a more elaborate language for describing the various aspects of Nature, thus, strictly following up the changes in inspiration due to this contemporary society and naturally entailing a deeply transformed poetical production as the fruit of a spontaneous, abundant imagination rich in polysemic connotations inducing a spirited dynamic movement. This artistic representation written in richly refined verses, hammered out in a marked rhythm, faithfully mirrored in the intellectual and cultural milieu of their epoch, is obvious among this Abbasside poets making innovations while building long poems about the subject-matter of nature-in which they pour forth their emotions and their experience-. Last but not least, this piece of research has put in the limelight that poetry had reached its peak of aesthetical perfection during the Abbasside Age that consequently became the Golden Age of the Arabic literature
APA, Harvard, Vancouver, ISO, and other styles
5

DeVault, Christopher. "Amorous Joyce: Ethical and Political Dimensions." Scholarly Repository, 2009. http://scholarlyrepository.miami.edu/oa_dissertations/196.

Full text
Abstract:
My dissertation challenges the longstanding dismissal of love in James Joyce's texts by examining the ethical and political implications of his love stories. Primarily using Martin Buber's works (but also including perspectives derived from bell hooks and Julia Kristeva), I define love as an affirmation of otherness and adopt a critical framework that promotes the love of others over the narcissistic devotion to oneself. In so doing, I highlight love as the ultimate challenge to authoritarian systems because the embrace of the other is necessary to transcend the boundaries that alienate individuals from each other and that justify imperialist and racist political structures. I thus offer a love ethic that not only compels meaningful individual interaction, but also establishes a model for effective social and civic participation, encouraging a climate of cooperation that embraces the solidarity and empathy needed for progressive politics. I also argue that analyzing Joyce's works provides a fruitful opportunity to recognize the individual and political viability of this love ethic. Focusing on Dubliners, Stephen Hero, A Portrait of the Artist as a Young Man, Exiles, and Ulysses, I examine the relationships between his characters' pursuits of love and their socio-political struggles, arguing that their love for others directly influences their acceptance of otherness within the colonialist discourses of Joyce's Dublin. For example, James Duffy's refusal of Emily Sinico in "A Painful Case" also rejects her advice to engage in the political cooperation that would promote his socialist ideas. Similarly, Stephen Dedalus's promotion of symbolic romance over real-world attachments focuses his aesthetics on ideal beauty instead of everyday Dublin, which alienates him from his audience and limits the practical success of his art. By contrast, Leopold Bloom's love for his wife Molly reflects a broader empathy for others that encourages social dialogue and counteracts what Joyce called "the old pap of racial hatred," an element in both British imperialism and Irish nationalism. My dissertation's afterword anticipates the amorous potential of Finnegans Wake, reading ALP's concluding soliloquy as a demonstration of her enduring affection for HCE that is reignited through each iteration of the text's cyclical narrative.
APA, Harvard, Vancouver, ISO, and other styles
6

Belkind, Nili. "Music in Conflict: Palestine, Israel and the Politics of Aesthetic Production." Thesis, 2014. https://doi.org/10.7916/D8QN64WP.

Full text
Abstract:
This is an ethnographic study of the fraught and complex cultural politics of music making in Palestine-Israel in the context of the post-Oslo era. I examine the politics of sound and the ways in which music making and attached discourses reflect and constitute identities, and also, contextualize political action. Ethical and aesthetic positions that shape contemporary artistic production in Israel-Palestine are informed by profound imbalances of power between the State (Israel), the stateless (Palestinians of the occupied Palestinian territories), the complex positioning of Israel's Palestinian minority, and contingent exposure to ongoing political violence. Cultural production in this period is also profoundly informed by highly polarized sentiments and retreat from the expressive modes of relationality that accompanied the 1990s peace process, strategic shifts in the Palestinian struggle for liberation, which is increasingly taking place on the world stage through diplomatic and cultural work, and the conceptual life and currency Palestine has gained as an entity deserving of statehood around the world. The ethnography attends to how the conflict is lived and expressed, musically and discursively, in both Israel and the occupied Palestinian territories (oPt) of the West Bank, encompassing different sites, institutions and individuals. I examine the ways in which music making and attached discourses reflect and constitute identities, with the understanding that musical culture is a sphere in which power and hegemony are asserted, negotiated and resisted through shifting relations between and within different groups. In all the different contexts presented, the dissertation is thematically and theoretically underpinned by the ways in which music is used to culturally assert or reterritorialize social and spatial boundaries in a situation of conflict. Beginning with cultural policy promoted by music institutions located in Israel and in the West Bank, the ethnography focuses on two opposing approaches to cultural interventions in the conflict: music as a site of resistance and nation building amongst Palestinian music conservatories located in the oPt, and music is a site of fostering coexistence and shared models of citizenship amongst Jewish and Arab citizens in mixed Palestinian-Jewish environments in Israel. This follows with the ways in which music making is used to re-write the spatial and temporal boundaries imposed on individuals and communities by the repressive regime of the occupation. The ethnography also attends to the ways in which the cultural construction of place and nation is lived and sounded outside of institutional frameworks, in the blurry boundaries and `boderzones' where fixed ethno-national divisions do not align with physical spaces and individual identities. This opens up spaces for alternative imaginings of national and post-national identities, of resistance and coexistence, of the universal and the particular, that musically highlight the daily struggles of individuals and communities negotiating multiplex modalities of difference.
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Aesthetics, Arab"

1

Shabout, Nada M. Modern Arab art: Formation of Arab aesthetics. Gainesville: University Press of Florida, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Shabout, Nada M. Modern Arab art: Formation of Arab aesthetics. Gainesville, FL: University Press of Florida, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Historia del pensamiento estético árabe: Al-Andalus y la estética árabe clásica. Madrid, España: Ediciones Akal, 1997.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Ghurayyib, Rūz. al- Naqd al-jamālī wa-atharuhu fī al-naqd al-ʻArabī. Bayrūt: Dār al-Fikr al-ʻArabī, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Shalaq, ʻAlī. al- ʻAql fī al-turāth al-jamālī ʻinda al-ʻArab. Bayrūt: Dār al-Madā lil-Ṭibāʻah wa-al-Nashr, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Behrens-Abouseif, Doris. Schönheit in der arabischen Kultur. München: Beck, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Studies, Institute of Ismaili, ed. Beauty and Islam: Aesthetics in Islamic art and architecture. London: I.B. Tauris in association with the Institute of Ismaili Studies, London, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Murtāḍ, Muḥammad. Mafāhīm jamālīyah fī al-shiʻr al-ʻArabī al-qadīm: Muḥāwalah tanẓīrīyah wa-taṭbīqīyah. Bin ʻAknūn, al-Jazāʾir: Dīwān al-Maṭbūʻāt al-Jāmiʻīyah, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Falsafat al-jamāl wa-masāʼil al-fann ʻinda Abī Ḥayyān al-Tawḥīdī. Ḥalab: Dār al-Rifāʻī, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Falsafat al-jamāl wa-masāʾil al-fann ʻinda Abī Ḥayyān al-Tawḥīdī. Ḥalab: Dār al-Rifāʻī, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Aesthetics, Arab"

1

Gesser, Silvina Schammah, and Susana Brauner. "Aesthetics, Politics and the Complexities of Arab Jewish Identities in Authoritarian Argentina." In Contemporary Sephardic and Mizrahi Literature, 43–68. First edition. | New York : Routledge, [2017] | Series: Routledge Jewish studies series: Routledge, 2017. http://dx.doi.org/10.4324/9781315308593-4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Kreinath, Jens. "Infrastructures of Interrituality and the Aesthetics of Saint Veneration Rituals Among Orthodox Christians and Arab Alawites in Hatay." In The Palgrave Handbook of Anthropological Ritual Studies, 345–71. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76825-6_17.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Pannewick, Friederike. "The Year 1979 as a Turning Point in Syrian Theatre: From Politicization to Critical Humanism." In Re-Configurations, 277–87. Wiesbaden: Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-31160-5_18.

Full text
Abstract:
Abstract This chapter investigates a crucial turning point in the writing of Syrian dramatist Saadallah Wannous (1941–1997) in the late 1970s. This internationally acclaimed author belonged to a generation of Arab intellectuals and artists whose political and artistic identities were strongly shaped by the question of Palestine. After the Camp David Accords of 1978 and the resulting Egypt-Israel peace treaty, signed in 1979, Wannous attempted suicide and stopped writing plays for more than ten years. This chapter shows how the plays he published after this self-imposed silence moved away from a didactic, political theater and towards psychological studies focusing on individuals as well as minority and gender issues. This chapter asks whether the significant aesthetic and conceptual turn in Wannous’s work from the early 1990s onwards might go beyond the concerns of a specific individual artist. To what extent does it mark a generational shift in regard to the meaning and connotations of political art?
APA, Harvard, Vancouver, ISO, and other styles
4

Najjar, Michael Malek. "Acting Arab/Arab acting." In Arab American Aesthetics, 99–113. Routledge, 2018. http://dx.doi.org/10.4324/9781315103914-7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Harb, Sirène. "An aesthetics of haunting." In Arab American Aesthetics, 29–41. Routledge, 2018. http://dx.doi.org/10.4324/9781315103914-3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Pickens, Therí A. "Introduction." In Arab American Aesthetics, 1–10. Routledge, 2018. http://dx.doi.org/10.4324/9781315103914-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Fadda, Carol N. "The poetics of torture in Philip Metres’s Sand Opera." In Arab American Aesthetics, 13–28. Routledge, 2018. http://dx.doi.org/10.4324/9781315103914-2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Pazargadi, Leila Moayeri. "Unfixing the autobiographical subject." In Arab American Aesthetics, 42–60. Routledge, 2018. http://dx.doi.org/10.4324/9781315103914-4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Stiffler, Matthew Jaber. "“Serving Arabness”." In Arab American Aesthetics, 63–86. Routledge, 2018. http://dx.doi.org/10.4324/9781315103914-5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Khoury, Jamil. "Beyond first responders." In Arab American Aesthetics, 89–98. Routledge, 2018. http://dx.doi.org/10.4324/9781315103914-6.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Aesthetics, Arab"

1

Ibrahim, Fayrouz. "ART EDUCATION CHALLENGES AND THE ROLE OF COMMUNITY EDUCATION IN DEVELOPING AESTHETICS PERCEPTION IN ARAB SOCIETIES." In International Technology, Education and Development Conference. IATED, 2017. http://dx.doi.org/10.21125/inted.2017.2338.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Aesthetics, Arab' for particular source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography