Relevant bibliographies by topics / Aesthetics in Clay

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Aesthetics in Clay'

Author: Grafiati
Published: 4 June 2021
Last updated: 16 February 2022

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Journal articles on the topic "Aesthetics in Clay"

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Duangkhachon, Kriangkrai, and Onlamee Kamon In. "The Development of Dan-Kwian Ceramic Jewelry for Contemporary Aesthetics in Nakhon Ratchasima Province." Key Engineering Materials 766 (April 2018): 44–50. http://dx.doi.org/10.4028/www.scientific.net/kem.766.44.

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This research aims to development of Dan-Kwian ceramic jewelry from past to present. In terms of design, the raw materials and decorative techniques used in designed and developed Dan-Kwian ceramic jewelry for unique contemporary beauty. As a result, developed from the original by adopting simple shapes of geometry to be used for modern purposes, the emphasis is on creating different sizes in jewelry, which are large, medium and small. And highlight the color of clay body to light, medium and dark. The raw materials used to create Dan-Kwian ceramic jewelry prototype is Dan-Kwian clay mixed with kaolin and compound clay. At difference mixing ratio to determine the shade, then design and create masterpieces. Test fired with electric furnace at 800 and 1200°C, emphasize the natural brown and orange color of clay body. Decorated with smoked technique with rice husk in clay pot using charcoal stove owing to create a black color in the finished workpiece. Then, put it to sort the appropriate of each set. After that, design a piece of 5 different styles, in which the set consists of necklaces, bracelets and earrings. The most popular set of Dan-Kwian ceramic jewelry from the producer group is the first set inspired by the sphere, which can be prepared easily. Outstanding, the attraction is that the sphere in the center can be rotated. And the dark color in the center contrasted with the light outer circle. Overall, the five set are well received by the producer group. Make a way to see how to produce for sale, by selling it with existing products.
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Musfiroh, Hafshoh. "Kajian komparatif perancangan dan produksi peralatan saji (Studi kasus CV Estetika Indonesia)." Productum: Jurnal Desain Produk (Pengetahuan dan Perancangan Produk) 3, no. 8 (July 22, 2020): 261–68. http://dx.doi.org/10.24821/productum.v3i8.3326.

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The purpose of this study was to find out: (1) Comparison of the process of designing and producing serving serveware from wood and clay materials in CV Estetika Indonesia. (2) Types of food serveware products at CV Aesthetic Indonesia. (3) Comparison of design aspects of food and wood products from clay in CV Estetika Indonesia. This research was carried out at CV Estetika Indonesia and wood suppliers in Putat Wetan Village and Clay suppliers in Melikan Village, Klaten from 10 May to 10 June 2019. This study used a descriptive comparative method with a qualitative approach. The data used in this study are qualitative data with data sources in the form of informants, documents, observations, interviews, and documentation. Based on the results of the study it can be concluded: (1) The process of designing design serveware at CV Estetika Indonesia refers to the briefs given by the buyer. The process of designing food serveware products with wood material is carried out with machines so that it is more in line with the concept of the mass product or industrial products. While clay products are more directed at handicrafts because the products are produced manually using hands. (2) Types of fast food products CV Aesthetics of wood and clay materials include trays (tray), plates (cutting board), bowls (bowls), plates (plates), glass (glass), and coasters (coasters). (3) Design comparisons of serving serveware products include the design process, style and theme, finishing, color, ergonomics, and packaging.
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Baiden, Bernard K., Kofi Agyekum, and Joseph K. Ofori-Kuragu. "Perceptions on Barriers to the Use of Burnt Clay Bricks for Housing Construction." Journal of Construction Engineering 2014 (July 21, 2014): 1–7. http://dx.doi.org/10.1155/2014/502961.

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Burnt clay bricks can be readily manufactured in Ghana as all ten regions have significant clay deposits with the Ashanti region having the highest estimated deposit of 37.1 million metric tonnes. In recent times, burnt clay bricks have been regarded as old fashioned and replaced by other perceived modern walling units within Kumasi, the metropolitan capital of Ashanti Region, despite its availability, unique advantages (aesthetics, low maintenance cost, etc.), and structural and nonstructural properties. This study involved a questionnaire survey of 85 respondents made up of architects, brick manufacturing firms, and brick house owners or occupants in the Kumasi Metropolis of Ghana and sought to examine their perceptions on barriers to the use of burnt clay bricks for housing construction. The findings revealed that the key factors inhibiting the use of burnt clay bricks for housing construction are low material demand, excessive cost implications, inappropriate use in construction, noncompatibility of burnt clay bricks with other materials, unreliable production, and transportation problems. The findings however provide a platform for stakeholders to address the barriers to enable the extensive use of clay bricks in housing constructions.
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Klem, E. R. "Searching for the Red Hue: Problems and Prospects for Global Norms." MANUSYA 5, no. 3 (2003): 14–28. http://dx.doi.org/10.1163/26659077-00503002.

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This paper argue for the establishment of global norms and rejects relativism. This is accomplished, not through the usual avenues of explicit epistemic justification, but through an exploration of the more subtle and fundamental values of aesthetics. Klein illustrates this process through the example of red clay architecture of Fatehpur Sikri, and urges theorists to take seriously the search for transcultural objective truths.
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Yamacli, Rusen, Aysegul Ozen, and Leyla Yekdane Tokman. "An Experimental Study in an Architectural Design Studio: the Search for Three-Dimensional Form and Aesthetics through Clay." International Journal of Art & Design Education 24, no. 3 (October 2005): 308–14. http://dx.doi.org/10.1111/j.1476-8070.2005.00454.x.

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Kotoula, Eleni, Kiraz Goze Akoglu, Eckart Frahm, and Stefan Simon. "QR Coded 3D Prints of Cuneiform Tablets." International Journal of Art, Culture and Design Technologies 6, no. 2 (July 2017): 1–11. http://dx.doi.org/10.4018/ijacdt.2017070101.

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This article discusses the design of a quick response (QR) coded 3D model of a Babylonian mathematical clay tablet for 3D printing purposes, in an attempt to make better use of advanced 3D visualizations, encourage public engagement and question the influence of tagging and 3D printing on the way humans interact with ancient documentary artefacts. The main emphasis of this article is the methodological challenge, taking under consideration both the technical constrains and object-oriented requirements, such as aesthetics and authenticity. The proposed methodology for the successful implementation of the project incorporates 3D modelling, 3D printing, Automatic Identification Data Capture (AIDC) technologies, and a new open source platform named Cultural Heritage Object (CHER-Ob), for data management, decision making and scientific collaboration.
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Predescu, Alina. "Aesthetic Means of Ethical Engagement in Rithy Panh’s The Missing Picture." University of Bucharest Review. Literary and Cultural Studies Series 9, no. 1 (November 19, 2020): 23–32. http://dx.doi.org/10.31178/ubr.9.1.3.

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In the context of the sensorial fatigue caused by the media’s saturation with representations of violence, Rithy Panh’s film The Missing Picture (2013) stands as a reinvigorating alternative of addressing trauma through aesthetic means that inscribe the affect within ethical dimensions. Panh’s testimony of surviving the death of his family through Pot Pol’s ‘killing fields’ is built around images of stylized clay figurines filmed in realistic dioramas. Forced labor, starvation and death make living a luxury – life fades away from the bodies of figurines that lose color and flesh, but is reaffirmed through the lush nature of dioramas and the resiliently colorful presence of the hero, the surviving storyteller. Khmer Rouge archival footage of carefully choreographed masses of people works as abstract imagery of an unreal reality. In an unmediated expression of affect, the sound mixes revolutionary choirs with electronic effects registering a fading daily life, and voice-over commentary that recuperates the words of propaganda slogans and shapes them into a personal narrative of wonder, pain, anger and guilt of survival. Panh achieves here “a formulation of affect understood as a radical act of interpretation in the face of unwilled subjugation”, in Judith Butler’s words on the poems of the Guantanamo detainees. (Butler 61) By mobilizing the realm of the affects through aesthetics, Panh fulfills what Simon O’Sullivan calls “the ethical imperative of art [that] involves a kind of moving beyond the already familiar (the human), precisely a kind of selfovercoming”. (O’Sullivan 129) Rithy Panh’s The Missing Picture works as an art organism that leads us to recover our subjectivity through the detour of a necessary perception of our objectivity. It allows us access to the position of subjects concerned about the others only through the mediation of our occupying the position of objects perceptible as others.
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Molina, W. Martínez, J. L. Ruvalcaba Sil, E. M. Alonso Guzmán, A. Flores Rentería, M. Manrique Ortega, and A. A. Torres Acosta. "Additions of Minerals in Clays of Morelia Region, Mexico: Effects on Volumetric Stabilization and Color." MRS Proceedings 1374 (2012): 215–24. http://dx.doi.org/10.1557/opl.2012.1391.

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ABSTRACTClays were used intensively in cultural heritage’s monuments and objects. Conservation procedures can be performed specifically for earthen materials using stabilized clays, considering that the aesthetic features must be preserved in order to avoid drastic differences and the lost of their patrimonial value.This work presents the study of the mechanical behavior of clay stabilized with different materials following the norm ASTM D 6276 – 99a, for lime stabilization. The effects of other stabilizers on the clay were studied as well. For these purposes, lime, gypsum, Portland cement (type II), sodium hydroxide, and dehydrated cactus fibers of white cactus opuntia in concentrations of 2, 4, 6, 8 and 10 wt% were added to a clay from Morelia region.Atterberg limits were determined to calculate the linear and volumetric stabilization. The best volumetric stabilization values were chosen to prepare samples to measure the mechanical behavior under compression, tension and flexion strengths. Colorimetric measurements were also performed on the stabilized clays to determine the best preparation with the most suitable aesthetic qualities to perform conservation treatments on monuments and cultural heritage constructions made with earthen materials.The highest values for compression were observed for gypsum and mucilage additions while the highest tension was obtained for mucilage ones. Gypsum addition had the bigger rupture module under flexion. On the other hand, the color of the stabilized clay is closer to the original clay color for cement, lime and mucilage preparations.
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Buriti, B. M. A. B., J. S. Buriti, I. A. Silva, J. M. Cartaxo, G. A. Neves, and H. C. Ferreira. "Characterization of clays from the State of Paraíba, Brazil for aesthetic and medicinal use." Cerâmica 65, no. 373 (January 2019): 78–84. http://dx.doi.org/10.1590/0366-69132019653732534.

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Abstract This study aimed to evaluate the potential of clays from the State of Paraíba to be used for medicinal, therapeutic and aesthetic treatments. The samples were characterized by X-ray diffraction, X-ray fluorescence chemical composition, thermogravimetry, differential thermal analysis, laser diffraction granulometric analysis, cation exchange capacity, and antimicrobial activity. Based on the study, it was concluded that the clays from the State of Paraíba had properties similar to those of commercial clay. The antimicrobial evaluation revealed that the samples showed no activity against the three bacterial strains of clinical interest: Staphylococcus epidermidis ATCC 12 228, Staphylococcus aureus ATCC 25 923, and Escherichia coli ATCC 25 922. Finally, it was concluded that the clays studied have the potential for technological applications in medicinal, therapeutic, and aesthetic treatments, and as raw material for obtaining biomaterials, due to their stability and biological safety.
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Bhatnagar, Mohit, Gagan Khanna, Pramiti Saxena, Arti Singh, and Veenuka Sharma. "Fabrication of Hollow Maxillary Complete Denture Using Silicon Putty and Double Flask Technique." Journal of Evolution of Medical and Dental Sciences 10, no. 34 (August 23, 2021): 2948–50. http://dx.doi.org/10.14260/jemds/2021/602.

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This article describes the fabrication of a hollow maxillary complete denture using silicone putty and a double flask technique. A successful complete denture directly depends on retention, stability and support accompanied by good aesthetics. However, in case of atrophic edentulous ridges the challenge lies in the fact that there is a significantly lesser denture bearing area that can lead to a number of problems. The most important of these is an increased interarch space resulting from excessive resorption of upper or lower arch. This can lead to a resulting heavy complete denture that further deteriorates the bone condition due to excessive and continuous load, accelerating bone resorption. Moreover, there is no effective support to deal with any kind of harmful lateral forces and this can lead to dislodgment of the denture. The operator’s efficiency lies in applying the basic principles of fabricating a denture and innovating various steps to counter critical situations. Various methods such as asbestos, silicone putty, modelling clay, thermocol, salt, wax have been used for creating a hollow space inside the denture. Out of the various methods that have been used for fabrication of a hollow space inside a complete denture, silicone putty method is one of the more convenient and accurate method for achieving the objective, thereby rendering a lighter prosthesis. A hollow maxillary denture is highly advantageous as it reduces the weight of acrylic resin, thereby preserving the residual alveolar ridge. It also helps in stability of the denture by indirectly reducing the lateral forces.
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Dissertations / Theses on the topic "Aesthetics in Clay"

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Sonenberg, Marc Ian. "Discovery through Numeric Strata: A Balance of Form and Aesthetics." [Johnson City, Tenn. : East Tennessee State University], 2001. http://etd-submit.etsu.edu/etd/theses/available/etd-0719101-221505/restricted/sonenbergm0809b.pdf.

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SILVA, Aldir José da. "Mulheres vestidas de barro e os sentidos da produção de mestras artesãs da comunidade do Alto do Moura em Caruaru/PE." Universidade Federal de Pernambuco, 2016. https://repositorio.ufpe.br/handle/123456789/20334.

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Submitted by Fabio Sobreira Campos da Costa (fabio.sobreira@ufpe.br) on 2017-08-08T12:50:57Z No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) Dissertação para Aprovação 2016.pdf - Aldir.pdf: 3858734 bytes, checksum: 32e9f8a43d43088f179c583d3ed4de0b (MD5)
Made available in DSpace on 2017-08-08T12:50:57Z (GMT). No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) Dissertação para Aprovação 2016.pdf - Aldir.pdf: 3858734 bytes, checksum: 32e9f8a43d43088f179c583d3ed4de0b (MD5) Previous issue date: 2016-10-13
O objetivo geral dessa pesquisa é o de compreender os sentidos da produção de mestras artesãs em barro da comunidade do Alto do Moura em Caruaru-PE. Entre os objetivos específicos tem-se, i) identificar os principais sentidos presentes na produção de mestras-artesãs de arte figurativa da comunidade do Alto do Moura; ii) descrever os principais processos de formação de artesãs através da produção de mestras-artesãs e iii) elencar as principais estratégias de invisibilização da produção de arte figurativa de mulheres em comunidades de artesãs(ãos) em barro. No Alto do Moura, as mulheres artesãs tem buscado avisibilidade de sua arte, pois há uma discrepância entre um maior reconhecimento da produção dos homens em detrimento a um menor reconhecimento da produção das mulheres. Ao mesmo tempo elas apontam inquietações acerca da formulação de uma organização para fortalecimento como protagonistas dos seus saberes e das suas produções. Neste sentido, consistiu em dialogar com as compreensões sobre Educação popular, nos termos de Danilo Streck, João Francisco de Souza, Paulo Freire, Carlos Rodrigues Brandão e Marco RaúlMejía. Sobre as discussões referente ao feminismo e suas epistemologias na América Latina dialogamos com Francesca Gargallo, Marcela Lagarde, Graciela Alonso, Raúl Díaz e MaríaLugones. A estética no imaginário popular, foi também outro ponto privilegiado do nosso estudo, em razão disso estudamos as concepções de Gilbert Durand, Michel Maffesoli e Danielle Perin Rocha Pitta. Por fim, o quadro teórico da Sociologia das Ausências de Boaventura de Sousa Santosnos deu base para discutir a invisibilidade da produção da mulher artesã, enquanto mestra.Estes(as) autores(as) contribuíram para uma melhor aproximação com o tema, e pôde nos revelar as diversas formas de exclusões destas artesãs num sistema patriarcal e sexista de dominação. O estudo sobre as mulheres, nos possibilitou uma visão da construção de saberes populares dentro de uma produção feminista, reafirmando, assim, o conhecimento popular das artesãs em barro da comunidade do Alto do Moura.
The overall objective of this research is to understand the significance of the production of master clay artisans in the Alto do Moura community in Caruaru-PE. Specifically, this research aims to, i) identify the key purpose present in the production of figurative art by master-artisans from the Alto do Moura community; ii) describe the principal processes of training artisans through the generation of master-craftsmen, and iii) list the principal strategies which inbisibilize the clay figurative art production by women artisans and female artisan communities. In Alto do Moura, female artisans have sought visibility of their art, because there is a discrepancy between a greater recognition of the works of male artisans, and lesser recognition of the works of female artisans. At the same time they raise concerns about the formulation of an organization to empower women to be protagonists of their own knowledge and their own productions. In this sense, it has been a dialogue with the understandings of popular education, in the terms of Danilo Streck, Joao Francisco de Souza, Paulo Freire, Carlos Rodrigues Brandão and Marco RaúlMejía. In discussions related to feminism and its epistemologies in Latin America, we dialogued with Francesca Gargallo, Marcela Lagarde, Graciela Alonso, Raul Diaz and Maria Lugones. Aesthetics in the popular imagination was also another focal point of our study, and on account of this, we studied the ideas of Gilbert Durand, Michel Maffesoli and Danielle Perin Rocha Pitta. Finally, the theoretical framework of Boaventura de Sousa Santos' Sociology of Absences gave us the basis to discuss the invisibility of the formation of artisan women as master-teachers. These authors contributed to a better approach to the subject, and were able to reveal the various forms of exclusion of these artisans in a patriarchal and sexist system of domination. The study on women enabled a vision of building popular knowledge within a feminist production, and thus reaffirming the popular knowledge of the clay artisans in the Alto do Moura community.
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Morse, Evan. "Objectified : a sculptural study /." Norton, Mass. : Wheaton College, 2009. http://hdl.handle.net/10090/8397.

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Aulich, J. "The human clay : R.B.Kitaj 1932-1980, the evolution of a figurative aesthetic." Thesis, University of Manchester, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.376127.

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Rowlands, Sioned Puw. "Marginal politics : the aesthetic and the essayistic in selected writings by Twm Morys, Václav Havel and Bohumil Hrabal." Thesis, University of Oxford, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.422434.

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Harsh, Mary Anne. "From muse to militant francophone women novelists and surrealist aesthetics /." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1199254932.

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CHEN, KUAN-YIN, and 陳冠吟. "Effect of clay modeling activities on children's education of aestheticism." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/16721000034734854007.

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碩士
亞太創意技術學院
茶陶創意研究所
104
The main purpose of this study is to explore the course of the activities of clay molding, by life sensory experience inspiring children’s aesthetic perception, cultivating ability to perceive beauty. Moreover, by topic integrated activity curriculum design to eliminate myth when teachers design unitary activities of aesthetic education in preschool. Mainly of this study is cultivation of children’s aesthetic perception with the direction of sensory experience, using clay molding as mediums to construct children in the curriculum of development of aesthetic perception courses. In the process emphasizes non-division, integrated learning in kindergarten, assimilates activities of fields of aesthetic to real life, brings care-taking courses and activities into various fields of learning in kindergarten. With action research as a method, implementation of 4 to 6 years-old class, carries one year of teaching activities out. Children besides experience the beauty of life through the senses, each activity in various fields in accordance with the pottery as the main life experience, to encourage children to show styling skills with clay modeling works. Study includes: 1.children’s creative expression while modeling clay . 2.Children apply modeling works to beautify life. 3.Clay modeling teaching really helps children build self-confidence and communication skills. The results of this study are summarized as below: 1.Clay modeling teaching enhances children’s capacity to perceive aestheticism. 2.Deep exploration of clay modeling teaching can enhance children’s expression and communication skills of aestheticism At the end, to the results of this study makes suggestions for preschool care-taking and teaching personnel, professional art teachers and future generations of researchers on clay modeling and fields of aestheticismrelated research for reference.
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Books on the topic "Aesthetics in Clay"

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Beaver, Frank Eugene. Dictionary of film terms: The aesthetic companion to film analysis. New York: Twayne Publishers, 1994.

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Dictionary of film terms: The aesthetic companion to film art. New York: P. Lang, 2005.

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Beaver, Frank Eugene. Dictionary of film terms: The aesthetic companion to film art. New York, NY: Peter Lang, 2007.

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Dictionary of film terms: The aesthetic companion to film art. 4th ed. New York: Peter Lang, 2009.

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Hanʼguk ŭi yŏhaeng munhak. Sŏul Tʻŭkpyŏlsi: Ihwa Yŏja Taehakkyo Chʻulpʻanbu, 2006.

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Weinberg. Spinning the Clay into Stars. George Ronald, 2000.

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Pueblo Pottery Figurines: The Expression of Cultural Perceptions in Clay. University of New Mexico Press, 2002.

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Dictionary of Film Terms: The Aesthetic Companion to Film Art. Lang Publishing, Incorporated, Peter, 2015.

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Beaver, Frank Eugene. Dictionary of Film Terms: The Aesthetic Companion To Film Art. Peter Lang Publishing, 2006.

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Kartomi, Margaret. The Mandailing Raja Tradition in Pakantan. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036712.003.0011.

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This chapter examines the music culture of the village complex of Pakantan in south Tapanuli, North Sumatra, with particular emphasis on the Mandailing raja tradition. It aims to reconstruct the historical and aesthetic context of Pakantan's pre-Muslim ritual orchestral music in the eighteenth and nineteenth centuries, when the village was ruled by a chieftain (raja) of the original Lubis clan. The three ritual orchestras, which are differentiated by their respective sets of either five or nine tuned gordang drums or two untuned gordang drums, possess indigenous religious and aesthetic meaning. After providing an overview of the Mandailing people's cultural history, the chapter discusses the social role, aesthetic thought, and ritual practice of their ceremonial music. More specifically, it considers the gordang sambilan performed at major ceremonies, funerals, weddings, and clairvoyant rituals. It shows that each musical item on ceremonial occasions, whether played on a gondang or a gordang ensemble, is named after its totop, or fixed drum rhythm, and serves as an invocation.
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Book chapters on the topic "Aesthetics in Clay"

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Liang, Dan. "A Generative Material System of Clay Components-The Porosity Language." In Proceedings of the 2020 DigitalFUTURES, 245–54. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-33-4400-6_23.

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AbstractCompared with the pre-determined architecture design based on standard elements, the underlying structure of nature is more like a complex system. Porosity language, for example, which is inspired by nature, has been widely applied in the architecture context. Through the analysis of the underlying methodologies of topology in each case, the strategy is to illustrate how clay components can achieve this natural porosity language. With the help of parametric topology, the report will clearly show how the innovative language of clay components is inspired, optimized and applied. As the background of the literature, natural porosity and examples of existing cavity wall made by clay components will be compared and analyzed in Sect. 1. In Sect. 2, Steven Hall’s porous methodology will be considered as the primary topological reference. The parametric iteration topology will be stated explicitly in Sect. 3, which will direct the randomness of porosity form to the balance between structural stability and the aesthetic value. In the last chapter, different architecture applications will be studied through the supporting of micro-climate simulation.
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Li, Ming, Jie Zhang, and Yiping Hou. "Research on Aesthetic Cognition Characteristics of Product Form: Case Study of Purple Clay Teapot." In Advances in Intelligent Systems and Computing, 524–30. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-11051-2_79.

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"Appreciating aesthetics Robert Clay , author of Beautiful Thing." In The Design Student's Handbook, 296–311. Routledge, 2015. http://dx.doi.org/10.4324/9781315661810-19.

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Evans-Powell, David, and David Evans-Powell. "Production and Reception." In The Blood on Satan's Claw, 11–26. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800348349.003.0003.

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This chapter outlines the film’s production, release and reception. It includes brief biographies for the key creatives (Piers Haggard, director; Robert Wynne-Simmons, writer; Marc Wilkinson, composer; Dick Bush, Director of Photography), a detailed history on the film’s inception and production, an account of the film’s release and its immediate reception, and a summary of its home release and its emergent cult status. This chapter concludes with a consideration of the film’s locations, the time setting for the film (an approximate early 18th Century) and a short discussion on the influence of Ingmar Bergman’s films on Satan’s Claw’s aesthetic and themes.
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"Clad in a Luminous Membrane: The Interior Decoration of Hagia Sophia." In Hagia Sophia and the Byzantine Aesthetic Experience, 111–64. Routledge, 2016. http://dx.doi.org/10.4324/9781315586069-8.

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Scovell, Adam. "Trilogy." In Folk Horror, 11–34. Liverpool University Press, 2017. http://dx.doi.org/10.3828/liverpool/9781911325239.003.0002.

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This chapter discusses the relationships found in three predominant cinematic examples of Folk Horror: Witchfinder General (1968), The Blood on Satan's Claw (1971), and The Wicker Man (1973). The trilogy were all summoned into existence during what can be called the British counter-culture movement, almost acting as signposts for its tidal highpoint of 1968 in Witchfinder and the dying, post-Manson embers of Wicker in 1973. The chapter argues that the trilogy are capable of both interconnection and of standing alone; their themes being permeable and mantra-like in their ease of repetition. This connection is not strictly that of British folklore's purely aesthetic or thematic influence, but is instead linked to certain elements within its narrative happenings; they share a mirrored but ultimately differing birth. The chapter then considers the theory of Folk Horror Chain: a linking set of narrative traits that have causational and interlinking consequences.
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Conference papers on the topic "Aesthetics in Clay"

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Aoyama, Hideki, and Hiroshige Kai. "Virtual Clay Modeling System Based on Aesthetic Curves." In ASME 2011 World Conference on Innovative Virtual Reality. ASMEDC, 2011. http://dx.doi.org/10.1115/winvr2011-5514.

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Reverse engineering is applied to design sophisticated forms such as car body. In the design process of reverse engineering, a clay model is created to express the designer’s idea and to evaluate the designed shape, after which a CAD model is constructed from the measurement data of the clay model. Modeling a shape in clay takes considerable time and costs, so there are strong demands for a more efficient process. In this study, a design support system which enables designers to model shapes in virtual clay in virtual space was developed. Since the process is carried out using digital data, the time and costs for the modeling are drastically reduced. In the modeling process, virtual clay is cut and deformed using digital tools with aesthetic curves which can be easily and intuitively defined by the designer. In order to define aesthetic curves, two methods are proposed; one by using the deflection curves of a plate spring with minimum strain energy and the other by using constant rhythm curves with constant curvature changing rate. Modeling tests were also carried out to verify the validity of the developed system.
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2

Melendez, Frank. "Computation and Clay: Evolving Fabrication and Performance Strategies for Ceramics in Architecture." In AIA/ACSA Intersections Conference. ACSA Press, 2015. http://dx.doi.org/10.35483/acsa.aia.inter.15.15.

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Throughout civilization, fired clay has taken on various roles, ranging from utilitarian objects to decorative art. In architecture, fired clay, as a building material, demonstrates a wide range of uses. Typically used as a tiling system, ceramics have provided a means of waterproofing buildings, protecting structures from fires, and as an aesthetic device for decorating surfaces.
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Yanqing, Hou. "Study on the Aesthetic Value and Folk Culture of Lanling Xiaoguo Clay Sculpture." In 2015 3d International Conference on Advanced Information and Communication Technology for Education (ICAICTE-2015). Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/icaicte-15.2015.40.

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Ткачева, Лейла, Leyla Tkacheva, Юрий Хмелевский, and Yuriy Hmelevskiy. "Designing the shell of a computer manipulator using the expert evaluation method." In 29th International Conference on Computer Graphics, Image Processing and Computer Vision, Visualization Systems and the Virtual Environment GraphiCon'2019. Bryansk State Technical University, 2019. http://dx.doi.org/10.30987/graphicon-2019-1-230-232.

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The paper describes the problem of the uncomfortable use of a computer manipulator, based on various ergonomic indicators among users. The analysis of aesthetic and ergonomic parameters in similar product models. Three artistic images of a computer manipulator thematically related to the main function of the designed product were selected. For each artistic image, a conceptual design of the product body was created. Using the method of expert evaluations, design professionals determined the most promising outline solution of the case in terms of aesthetic qualities and compliance with the main function of the product. An experimental prototyping of the design object was carried out using sculptural clay and foam, followed by expert evaluation and refinement of the shape of the body of the product and the location of the components. The result of the study was a mock-up of a computer manipulator with a bionic shape. The object has a spectacular appearance due to the bright image of a stylized fish, and also corresponds to aesthetic and ergonomic parameters.
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