Relevant bibliographies by topics / Aesthetics Of Filth

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Aesthetics Of Filth'

Author: Grafiati
Published: 2 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Aesthetics Of Filth"

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Hacohen-Bick, Tafat. ""And Whatever Corner You Turn It's Either Garbage and Dirt or a Beard and Sidelocks": Agnon on Jews, Dirt, and Garbage." Shofar: An Interdisciplinary Journal of Jewish Studies 42, no. 2 (2024): 68–87. https://doi.org/10.1353/sho.2024.a946468.

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Abstract: This article examines the aesthetics of dirt in Shmuel Yosef Agnon's writing, through the perspective of the Anthropocene. I argue that the climate crisis requires a rethinking of many aspects of human life, including the way we think about consumerism, physical objects, bodily fluids, and filth. Agnon's writing — situated and struggling between two opposing aesthetic orders — can function as a valuable opportunity for rethinking these issues. I start with two moments of filth: The very short story "Three Sisters," and the story about Firadeus's father in the novel Shira . In the mai
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Olsson, Annika. "Groteska kroppar i folkhemmets sverige." Tidskrift för litteraturvetenskap 51, no. 1-2 (2021): 139–52. http://dx.doi.org/10.54797/tfl.v51i1-2.1744.

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Grotesque bodies in the Swedish folkhem: Improper aesthetic and rhetoric in the magazine PUSS 1968–1974
 In an analysis of the Swedish satirical magazine PUSS (1968–1974) this article explores what is considered as improper rhetoric and aesthetic in the public sphere. It draws on theories of representation and the culture of carnival laughter and the grotesque as well as research on the Swedish folkhem and satire and democracies. I coin the concept demogrotesque-atic in order to capture how PUSS, by using comics, grotesque bodies and carnivalesque, improper rhetoric and aesthetics, makes
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Bahoora, Haytham. "BAUDELAIRE IN BAGHDAD: MODERNISM, THE BODY, AND HUSAYN MARDAN'S POETICS OF THE SELF." International Journal of Middle East Studies 45, no. 2 (2013): 313–29. http://dx.doi.org/10.1017/s0020743813000019.

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AbstractDuring a revolutionary period of cultural production and anticolonial political commitment in 1950s Baghdad, the modernist poet Husayn Mardan was put on trial for his “obscene” collection entitled Qasaʾid ʿAriya (Naked Poems). Heavily influenced by Baudelaire, Mardan's poetics provide a revolutionary paradigm focused on the gratification of the corporeal. This paper considers how Mardan's poetry, largely marginalized from the canonized modernist Arabic poetic tradition, registers resistance to an increasingly rationalized and bureaucratic social order through a transgressive poetics th
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Drăghici, Raluca, Cristina Teodora Preoteasa, Ana Maria Cristina Tancu, and Elena Preoteasa. "Impact of teeth color determination on dental eshtetic perception." Romanian Journal of Stomatology 61, no. 3 (2015): 238–42. http://dx.doi.org/10.37897/rjs.2015.3.5.

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Aim. People with attractive facial appearance are more easily integrated in society and are considered to be more capable, more intelligent and more responsible. The aesthetic aspect is influenced by expression, by facial symmetry, facial contours and teeth colour. In dental restorations, the correct determination of teeth colour is a critical step with extreme importance for successful treatment. From this perspective the practitioner must have experience, must have the ability to distinguish colours and must train through repetitive visual practical exercises that can have an impact on the p
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Singh, Sangeeta, and Martina Maria Keitsch. "Aesthetic Participation for Sustainable Development: A Case Study from Kathmandu, Nepal." Journal of Management and Sustainability 8, no. 4 (2018): 96. http://dx.doi.org/10.5539/jms.v8n4p96.

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Art and design are increasingly emphasizing the role of user participation and social inclusion. Some authors claim for example, that art processes should employ creative ideas, abilities and skills of diverse stakeholders. The idea of art as a social sculpture (Beuys) is not new. Art has played an important role for participation of different social groups in common cultural activities for many decades. The role of art, experience and participation in this sense connects Heidegger’s interpretation of the artwork, expressed for example, through the significant cultural role of the te
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Trafí-Prats, Laura. "Aesthetic Post-Phenomenological Inquiry: A Compositional Approach to the Invention of Worlds." Qualitative Inquiry 26, no. 5 (2019): 432–39. http://dx.doi.org/10.1177/1077800419857454.

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In this article, I think retrospectively with art and passages of writing produced in connection to a study on aesthetic activity and urban nature with two classes of fifth graders attending school in a city of the American Midwest. For this, I take on the art philosophy of Deleuze, Deleuze and Guattari and Deleuzian scholars to discuss how aesthetics and processes of art-making can inform empirical gestures based on distance from and invention of worlds. Art extracts sensations from chaotic forces that function in excess, variation, and proliferation, offering valuable practices to attune tow
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Kumolu, Abiodun Florence, KIkelomo Adebanke Kolawole, and Ifeoluwa Elijah Ajao. "Evaluation of facial aesthetics using anthropometric dimensions." Journal of Research in Dentistry 12, no. 3 (2025): 1–11. https://doi.org/10.59306/jrd.v12e320241-11.

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Aims: To determine the anthropometric facial dimensions of a group of young Nigerian females, and investigate the relationship of derived proportions with ideal facial proportions, new golden ratio values and perceived facial aesthetics. Materials and methods: Standardized frontal facial photographs were obtained from a sample of female Nigerian undergraduates from which anthropometric facial measurements and proportions were derived. Another sample of undergraduates evaluated the facial photographs on a Visual Analogue Scale for aesthetics. Data was analyzed with Independent sample t- test an
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Hitchcock, Peter. "The aesthetics of alienation, or China's ‘fifth generation’." Cultural Studies 6, no. 1 (1992): 116–41. http://dx.doi.org/10.1080/09502389200490061.

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SHTEINBUK, Feliks. "QUEER-PROBLEMS AS A FACT OF AESTHETICS IN THE WORKS OF OLES ULIANENKO." INNOVATIONS IN THE SCIENTIFIC, TECHNICAL AND SOCIAL ECOSYSTEMS 84, no. 3 (2022): 56–69. http://dx.doi.org/10.56378/sjfs3008.

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The purpose of the research is to establish why the author uses images of queer identities on the example of Oles Ulianenko’s works. The research methodology is based on the hypothesis that to achieve the specified goal should be possible providing the three methods are used, namely hermeneutic, the comparative-typological, and the corporal- mimetic method to analyse fiction. The scientific novelty of the research is that queer issues are represented as an aesthetic phenomenon in Ukrainian literary studies for the first time. The Conclusions. First, the queer content depicted in the works unde
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Romand, David. "Konrad Lange on ‘the Illusion of Materials’ in Painting and Visual Arts: Revisiting a Psychoaesthetic Theory of the Perception of Material Properties." Art and Perception 8, no. 3-4 (2019): 283–98. http://dx.doi.org/10.1163/22134913-20191126.

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In the present article, I discuss the concept of ‘the illusion of materials’ (die Stoffillusion) as it was elaborated in the late 19th and early 20th centuries by the German aesthetician and art historian Konrad Lange (1855–1921). Here I intend to revisit a remarkable theory of the psychological mechanisms that underlie the aesthetic experience of mimesis in painting and, more generally speaking, in visual arts. First, I deal with the historical background of Lange’s contribution by saying a word about the German-speaking psychoaesthetic paradigm as it developed between the mid-19th century an
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Dissertations / Theses on the topic "Aesthetics Of Filth"

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Christopher-Yarrington, Laura. "Art criticism and aesthetics activities for fourth and fifth graders: Design, implementation and exploration of students' responses." Thesis, The University of Arizona, 1998. http://hdl.handle.net/10150/278666.

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This study explored two areas: (1) teacher implementation of aesthetic and critical activities in the classroom; and (2) the nature of fourth and fifth grade students' responses during such activities. A series of lessons were designed and taught to fourth and fifth grade students. The study had two goals: (1) to solicit responses from the students that would illustrate their cognitive levels and their stages of understanding art; and (2) to provide a venue by which the researcher would assess her ability to design and facilitate philosophical and interpretive activities. Data from the study i
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Ni, Yen Ling, and 倪研菱. "The Influences of Cross-Disciplinary Aesthetic Instruction On Chinese Language Learning Motivation of Fifth Graders." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/685np7.

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碩士<br>臺北市立大學<br>視覺藝術學系碩士在職專班<br>107<br>The purpose of this study is to explore the influences of cross-disciplinary aesthetic instruction on Chinese language learning motivation of fifth graders. In this study, teaching activities of a unit including four courses in the original Chinese textbook are made to design a Chinese teaching course with visual arts applicable to the fifth grade students. Approaches to data collection included questionnaires, teaching observations, study sheets, analysis of students' works and interviews. With the researcher as the supervisor and 26 fifth-grade students
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陳文美. "A Study on the Visual art Instruction Centered on Aesthetic Activities for the fifth-sixth Elementary Classes." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/85170990480729113367.

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碩士<br>國立屏東師範學院<br>視覺藝術教育研究所<br>91<br>This study aimed at promoting the students’ interest and effect in the visual art learning and providind a preparatory study for the implementation of the new Arts and Humanity curriculum, through an innovated visual art curriculum centered on aesthetic activities with related music and performance. Related literature concerning theories and practices for the aesthetic curriculum and instruction were reviewed and analyzed for understanding the rationale, contents and methods of instruction. Then a series of units around five themes were develop
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Lu, Kao-Cheng, and 呂國正. "The Aesthetic Preference of Lovable Forms and the Body Images of the Girls in Fifth and Sixth Grades." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/60460432679095241957.

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碩士<br>臺北市立教育大學<br>視覺藝術學系視覺藝術教學碩士學位班<br>99<br>This research was to study the relationship between girls in fifth and sixth grades and body images and the aesthetic preference of lovable forms. The respondents are the girl students of fifth and sixth graders of an elementary school in Yonghe, New Taipei City. The researcher carried out a questionnaire of body images and the aesthetic preference of lovable forms in order to understand the evaluation that the girls in fifth and sixth grades have for their own body images and the factors of them liking the adorable products. Finally, cross analysis
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Wang, Yu-Ya, and 王郁雅. "Action Research of Integrating Aesthetic Experience into the Field of Science and Technology Teaching in a Fifth Grade Class." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/b94572.

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碩士<br>國立彰化師範大學<br>教育研究所<br>106<br>This action research aimed to investigate the instructional effectiveness of integrating the aesthetic experience into the field of science and technology in a fifth-grade class of elementary school. Twenty-five fifth-grade students were the participants and the courses were implemented for 12 weeks. During the research period, the data were collected through teaching journals, worksheets, teacher’s observation records, group interviews, as well as scales of aesthetic experience, learning attitude, and scientific literacy. Quantitative data analyses included d
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Cheng, ChiaChi, and 鄭嘉琪. "An Action Research On Appreciation of Aesthetic Consciousness and implementation of Creative Instruction in Visual Art Course for Fifth and Sixth Graders." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/71798831761612478277.

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碩士<br>國立臺中教育大學<br>美術學系碩士班<br>101<br>In the past, the focus on art education in elementary school was based on an individual's ability to create. Unfortunately, it has overlooked on nurturing appreciation for the visual art itself. It has since become an important aspect of art education. Hence, the dire need for such a research. The objectives of the research is to explore the different consciousness of aesthetics, it’s meaning and connotation. In addition, there is also a need to design a syllabus aimed to elevate the senses and appreciation of art, ability to measure results and provides cor
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謝佩華. "Influences of Nature Photography Instruction on Fifth and Sixth Grade Elementary School Students' Analytical ability of Aesthetic Forms, Environmental Awareness, and Environmental Attitudes." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/32969079159779813845.

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碩士<br>國立新竹教育大學<br>藝術教育與創作碩士班<br>101<br>The present study is to investigate the influences of nature photography instruction on fifth and sixth grade elementary school students’ analytical ability of aesthetic forms, environmental awareness and environmental attitudes. This study adopted the quasi-experimental design. The subjects were 31 fifth grade elementary school students, who received sixteen experimental instruction sessions and received tests before and after the experimental instruction sessions. The study conducted a literature review and analyzed theories about photography instructio
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WEI, YAN-HAO, and 魏延豪. "A Study on the Learning Effect of Integrating Rhetoric Teaching into Xiang-Sheng Collected Composition Education on Chinese Courses of Fifth and Sixth Graders:Taking an Arts and Aesthetics Cultivation Project for the Elementary school of Rural Area in New Taipei City as an Example." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/gu5m4z.

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碩士<br>國立臺灣藝術大學<br>藝術與人文教學研究所<br>106<br>In order to seek characteristic development, elementary schools in rural area pay too much attention to the introduction of Arts and Aesthetics Cultivation resources, instead reducing exercise time for basic disciplines. Therefore, a study on integrating rhetoric teaching into Xiang-Sheng collected composition education on Chinese courses has been conducted, aiming to understand learning status of fifth and sixth graders on rhetorical knowledge through text creation and performance practices while establishing an environment for constant practice of rheto
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Books on the topic "Aesthetics Of Filth"

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Kelly, Michael J., Arthur Rose, and Adi Efal-Lautenschläger, eds. Journal of Badiou Studies 5. punctum books, 2017. https://doi.org/10.21983/p3.0173.1.00.

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The fifth volume of the Journal of Badiou Studies, “Architheater,” energized by the publication of Badiou’s Rhapsodie pour le théâtre (2014), knits together distinguished approaches to artistic production engaging with the work of Alain Badiou: ‘Engaging’ here means articulated positions that include, imply, or criticize the Badiouiesque corpus. The issue does not therefore seek to implement Badiou’s philosophical insights in interpretations of art or of aesthetics, but rather to take Badiou’s philosophy as a center of convergence-nexus of a plethora of philosophical positions that include art
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author, Shockley Jay, ed. Seventh Regiment Armory Interior first floor interior consisting of the Entrance Hall, the main corridor, the grand Stair Hall and staircase leading to the basement and to the second floor, the Veterans' Room, the Library, the Reception Room, the Board of Officers Room (Colonel Emmons Clark Memorial Room), the Colonel's Room, the Adjutant's Room, the Equipment Room, the Outer Committee Room, the Inner Committee Room, the Field and Staff Room, and the Drill Room (excluding the storage rooms beneath the gallery, but including the four comer stairs and the passageways to the Lexington A venue and administration building entrances); the second floor interior consisting of the main corridor, the grand Stair Hall and staircase leading to the third floor, the staircases at the north and south ends of the main corridor leading to the third floor, the Company A (First Company) Room, the Company B (Second Company) Room, the Company C (Third Company) Room, the Company D (Fourth Company) Room, the Company E (Fifth Company) Room and western alcove, the Company F (Sixth Company) Room and western alcove, the Company G (Seventh Company) Room, the Company H (Eighth Company) Room, the Company I (Ninth Company) Room, the Company K (fenth Company) Room, the Company L (Eleventh Company) Room, and the Company M (Twelfth Company) Room; and the fixtures and interior components of these spaces, including but not limited to, wall, ceiling, and floor surfaces, woodwork, cabinets, fireplaces, doors and door hardware, chandeliers, light fixtures, stained-glass window screens, stair railings, radiators, affixed paintings, attached decorative elements, and Drill Room roof trusses; 643 Park Avenue, Manhattan: Built 1877-81, architect Charles W. Clinton : additions and alterations, Robinson & Knust, 1909-11. NYC Landmarks Preservation Commission, 1994.

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Kinderman, William. Aesthetics of Integration in Mahler’s Fifth Symphony. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037160.003.0004.

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This chapter examines the intermovement connections of the final two movements in Mahler's Fifth Symphony—the Adagietto and the Rondo-Finale. It shows how the questions of aesthetic meaning and biographical context raised by the Adagietto are complicated by the fact that the finale of the Fifth Symphony has generated its own share of controversy since the appearance in 1960 of Theodor Adorno's classic study Mahler: Eine musikalische Physiognomik. The chapter studies these paired final movements of the Fifth Symphony and explores the nature of their interrelationship. It then assesses Mahler's
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Fearn, David. Conclusion. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198746379.003.0006.

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The conclusion rounds out this study, summing up the importance of the approaches taken in relation to previous more historicizing models of Pindaric scholarship. Particular emphasis is placed on aesthetics and the importance of contextualizability: how Pindar’s poetry consistently draws attention to its own aesthetic status and makes an issue of its relation to contexts, through gesturing towards material culture and visual experience; how the interstices between lyric voices and contexts matter for a considered appreciation of epinician lyric’s cultural value. Potential future avenues for re
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Beaver, Frank. Dictionary of Film Terms: The Aesthetic Companion to Film Art - Fifth Edition. Lang AG International Academic Publishers, Peter, 2014.

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Beaver, Frank. Dictionary of Film Terms: The Aesthetic Companion to Film Art - Fifth Edition. Lang AG International Academic Publishers, Peter, 2014.

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Beaver, Frank. Dictionary of Film Terms: The Aesthetic Companion to Film Art - Fifth Edition. Lang AG International Academic Publishers, Peter, 2014.

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Congrès International Congrès International d'Esthétique <05>. Actes du Cinquième Congrès International d'Esthétique. Amsterdam 1964. Proceedings of the Fifth International Congress of Aesthetics. De Gruyter, Inc., 2019.

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Cermak, J. E. Wind Engineering: Proceedings of the Fifth International Conference, Fort Collins, Colorado, USA, July 1979. Elsevier Science & Technology Books, 2013.

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The Fifth stream: Proceedings of the festival-conference held in Waterloo, Ontario 4-7 May 1989. Institute for Canadian Music, 1991.

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Book chapters on the topic "Aesthetics Of Filth"

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Patiño Rabines, Paola. "The Fifth Skin: Capitalism, Modernity/Coloniality and Patriarchy." In The Aesthetic and Political Practices of Trans Women in Peru. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-42816-6_7.

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Tamborini, Marco. "Data, Aesthetics, and Visualizations of Deep Time." In Historiographies of Science. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-030-92679-3_18-2.

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AbstractThis chapter accomplishes a phenomenology of deep time visualizations. It examines the power and limits of a series of visual devices used in paleontology and geology to access, and eventually work with the earth’s deep past. First, I discuss how paleontologists visualize and sort data in the field; second, I examine the practices used to illustrate and validate knowledge about extinct animals; third, I explore what function visualizations play in supporting the transition between data collection and the possible explanation of global biological phenomena such as the estimation of dive
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Tamborini, Marco. "Data, Aesthetics, and Visualizations of Deep Time." In Historiographies of Science. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-030-92679-3_18-1.

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AbstractThis chapter accomplishes a phenomenology of deep time visualizations. It examines the power and limits of a series of visual devices used in paleontology and geology to access, and eventually work with the earth’s deep past. First, I discuss how paleontologists visualize and sort data in the field; second, I examine the practices used to illustrate and validate knowledge about extinct animals; third, I explore what function visualizations play in supporting the transition between data collection and the possible explanation of global biological phenomena such as the estimation of dive
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Richmond, Scott C. "The Body, Unbounded." In Cinema's Bodily Illusions. University of Minnesota Press, 2016. http://dx.doi.org/10.5749/minnesota/9780816690961.003.0006.

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The fifth chapter uses Alfonso Cuarón’s Gravity to offer an in-depth theoretical discussion of the term “proprioceptive aesthetics,” and offers a schematic discussion of the main aesthetic problems of the proprioceptive cinema. Taking Gravity as an exemplar and developing proprioceptive aesthetics in terms of its fundamental aesthetic problems, the chapter argues that in the locution proprioceptive aesthetics, the term proprioceptive is not merely some qualification of a previously understood aesthetics, but a modular adjective specifying a region of aesthetics. Rather, proprioceptive aestheti
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Strathausen, Carsten. "Neuroaes Thetics." In Bioaesthetics. University of Minnesota Press, 2017. http://dx.doi.org/10.5749/minnesota/9781517900755.003.0006.

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The fifth chapter on “Neuroaesthetics” focuses on the relation of art and the human brain. It begins with a technologically informed critique of the limited usefulness of digital brain-imagery for the study of art and aesthetics. The remainder of the chapter elaborates and evaluates the methodological premises and aesthetic insights that separate humanist approaches from scientific approaches in contemporary neuroaesthetics.
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Moland, Lydia L. "Individuality Embodied." In Hegel's Aesthetics. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190847326.003.0008.

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While architecture simply houses the spiritual, sculpture shows spirit embodied in physical form. Hegel claims that the human body can uniquely express this perfect interpenetration and that it does so most effectively in the still, reposed sculptures of fifth-century BCE Greece. He argues that marble best captures skin tones and so is sculpture’s most appropriate material. Once statues begin to depict action, however, sculpture’s perfect interpenetration is disrupted. Sculpture then disintegrates into less perfect forms, including figures that attempt to depict emotion and sculpture that is s
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"The Aesthetic Doctrine of the BhāGavata Purāṇa." In The ‘Fifth Veda’ of Hinduism. I.B.Tauris, 2016. http://dx.doi.org/10.5040/9781350988415.ch-002.

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Armstrong, Charles. "Romanticism and Aestheticism." In The Oxford Handbook of W.B. Yeats. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780198834670.013.3.

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Abstract Not only a custodian of a long-lost Romantic movement, Yeats presents himself as a survivor. Although the filthy modern tide may impatiently have sidelined the heritage of Romanticism, Yeats stands forward as witness to the neglected but constant value of that heritage. He is a survivor in much the same sense that he is a survivor of the late nineteenth-century protest against Victorian values. Although it is a powerful presence, Romanticism is no univocal thing in his writings but, rather, interacts in constantly changing ways with other historical tendencies and movements, and this
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Whittall, Mary. "The Symphonic Style." In Ludwig van Beethoven. Oxford University PressOxford, 1991. http://dx.doi.org/10.1093/oso/9780198161486.003.0004.

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Abstract E. T. A. Hoffmann’s review of Beethoven’s Fifth Symphony, published in the Allgemeine musikalische Zeitung in 1810, has always been regarded both as one of the finest testimonies to an enthusiasm for Beethoven that was informed by thoughtfulness and imagination, and also as a primary document of the musical aesthetics of the Romantic era, and therefore, to that extent, a source of the misunderstandings that were part of the ‘romantic picture of Beethoven’. There is no escaping the fact that, in some important features, Hoffmann’s musical aesthetics were in direct contradiction to the
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"the sur-round." In Mu, 49 Marks of Abolition. Duke University Press, 2024. http://dx.doi.org/10.1215/9781478025719-005.

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The fifth set of seven letters of Mu marks the movement of radical political desire around a now-defunct super jail in downtown Oakland, California. Focusing on the window as an aesthetic and functional feature of panoptic surveillance, the materiality of glass and light shapes writing about the visuality of punishment and actual art practices that demonstrate the seditious force of light on desire, thought, and writing.
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Conference papers on the topic "Aesthetics Of Filth"

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Kac, Eduardo. "Aesthetics and representation in holography." In Display Holography: Fifth International Symposium, edited by Tung H. Jeong. SPIE, 1995. http://dx.doi.org/10.1117/12.201893.

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Crosbie, Tess, Tim French, and Marc Conrad. "Towards a model for replicating aesthetic literary appreciation." In the Fifth Workshop. ACM Press, 2013. http://dx.doi.org/10.1145/2484712.2484720.

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Hwang, Ouchul. "Fifth Dimensional Perspectives of Cinematic Arts Digital Cinema Practice and Aesthetics of Vincent Van Gogh." In 2015 International Conference on Arts, Design and Contemporary Education. Atlantis Press, 2015. http://dx.doi.org/10.2991/icadce-15.2015.32.

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Maline, Sarah R. "Stranger in a strange land: holography, aesthetics, and criticism 1968-1993." In Display Holography: Fifth International Symposium, edited by Tung H. Jeong. SPIE, 1995. http://dx.doi.org/10.1117/12.201890.

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Chen, Yi-Ning, and Mei-Chen Yeh. "Photo Filter Recommendation Through Analyzing Objects, Scenes and Aesthetics." In 2019 IEEE Fifth International Conference on Multimedia Big Data (BigMM). IEEE, 2019. http://dx.doi.org/10.1109/bigmm.2019.00-16.

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CHANG, CHUN CHIEH, HUO TSAN CHANG, I. CHUNG LIU, RUEY GWO CHUNG, and TSANG LANG LIANG. "The Relationship Between Emotional Labor and Service Quality The Moderating Effects of Aesthetic Labor and Aesthetic Value Combination of Supervisor Subordinate." In Fifth International Conference on Advances in Social Science, Management and Human Behaviour - SMHB 2017. Institute of Research Engineers and Doctors, 2017. http://dx.doi.org/10.15224/978-1-63248-124-5-40.

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Zhu, Yingping. "Analysis of Mental Connotation of Beethoven s Fifth Symphony (Fate) from the Angle of Improving College Students Aesthetic Quality." In International Academic Workshop on Social Science (IAW-SC-13). Atlantis Press, 2013. http://dx.doi.org/10.2991/iaw-sc.2013.223.

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Lin, Tingyi S. "Attraction and Action: User Types for Blending Aesthetical and Functional Design." In 2013 Fifth International Conference on Service Science and Innovation (ICSSI). IEEE, 2013. http://dx.doi.org/10.1109/icssi.2013.32.

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Riber, Adrian Garcia, and Francisco Serradilla Garcia. "Sonification of TESS Data Validation Timeseries Files." In ICAD 2022: The 27th International Conference on Auditory Display. International Community for Auditory Display, 2022. http://dx.doi.org/10.21785/icad2022.024.

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Abstract:
In August 2022, the Transiting Exoplanet Survey Satelite (TESS) will start its fifth year of exploration having observed and analyzed more than a million stars in the search of extrasolar planets around both celestial hemispheres. At this time, with 5,767 declared TESS objects of interest (TOI), the total number of confrmed planets that appear in peer-reviewed journals exceeds 220. This article describes the prototype design and domain conversion strategies used for the sonification of Data Validation Time-series (DVT) fles from TESS mission. Focused on 132 examples of publicly available light
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