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Books on the topic 'Aesthetics Of Filth'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Kelly, Michael J., Arthur Rose, and Adi Efal-Lautenschläger, eds. Journal of Badiou Studies 5. punctum books, 2017. https://doi.org/10.21983/p3.0173.1.00.

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The fifth volume of the Journal of Badiou Studies, “Architheater,” energized by the publication of Badiou’s Rhapsodie pour le théâtre (2014), knits together distinguished approaches to artistic production engaging with the work of Alain Badiou: ‘Engaging’ here means articulated positions that include, imply, or criticize the Badiouiesque corpus. The issue does not therefore seek to implement Badiou’s philosophical insights in interpretations of art or of aesthetics, but rather to take Badiou’s philosophy as a center of convergence-nexus of a plethora of philosophical positions that include art

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2

author, Shockley Jay, ed. Seventh Regiment Armory Interior first floor interior consisting of the Entrance Hall, the main corridor, the grand Stair Hall and staircase leading to the basement and to the second floor, the Veterans' Room, the Library, the Reception Room, the Board of Officers Room (Colonel Emmons Clark Memorial Room), the Colonel's Room, the Adjutant's Room, the Equipment Room, the Outer Committee Room, the Inner Committee Room, the Field and Staff Room, and the Drill Room (excluding the storage rooms beneath the gallery, but including the four comer stairs and the passageways to the Lexington A venue and administration building entrances); the second floor interior consisting of the main corridor, the grand Stair Hall and staircase leading to the third floor, the staircases at the north and south ends of the main corridor leading to the third floor, the Company A (First Company) Room, the Company B (Second Company) Room, the Company C (Third Company) Room, the Company D (Fourth Company) Room, the Company E (Fifth Company) Room and western alcove, the Company F (Sixth Company) Room and western alcove, the Company G (Seventh Company) Room, the Company H (Eighth Company) Room, the Company I (Ninth Company) Room, the Company K (fenth Company) Room, the Company L (Eleventh Company) Room, and the Company M (Twelfth Company) Room; and the fixtures and interior components of these spaces, including but not limited to, wall, ceiling, and floor surfaces, woodwork, cabinets, fireplaces, doors and door hardware, chandeliers, light fixtures, stained-glass window screens, stair railings, radiators, affixed paintings, attached decorative elements, and Drill Room roof trusses; 643 Park Avenue, Manhattan: Built 1877-81, architect Charles W. Clinton : additions and alterations, Robinson & Knust, 1909-11. NYC Landmarks Preservation Commission, 1994.

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3

Kinderman, William. Aesthetics of Integration in Mahler’s Fifth Symphony. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037160.003.0004.

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This chapter examines the intermovement connections of the final two movements in Mahler's Fifth Symphony—the Adagietto and the Rondo-Finale. It shows how the questions of aesthetic meaning and biographical context raised by the Adagietto are complicated by the fact that the finale of the Fifth Symphony has generated its own share of controversy since the appearance in 1960 of Theodor Adorno's classic study Mahler: Eine musikalische Physiognomik. The chapter studies these paired final movements of the Fifth Symphony and explores the nature of their interrelationship. It then assesses Mahler's

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4

Fearn, David. Conclusion. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198746379.003.0006.

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The conclusion rounds out this study, summing up the importance of the approaches taken in relation to previous more historicizing models of Pindaric scholarship. Particular emphasis is placed on aesthetics and the importance of contextualizability: how Pindar’s poetry consistently draws attention to its own aesthetic status and makes an issue of its relation to contexts, through gesturing towards material culture and visual experience; how the interstices between lyric voices and contexts matter for a considered appreciation of epinician lyric’s cultural value. Potential future avenues for re

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5

Beaver, Frank. Dictionary of Film Terms: The Aesthetic Companion to Film Art - Fifth Edition. Lang AG International Academic Publishers, Peter, 2014.

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6

Beaver, Frank. Dictionary of Film Terms: The Aesthetic Companion to Film Art - Fifth Edition. Lang AG International Academic Publishers, Peter, 2014.

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7

Beaver, Frank. Dictionary of Film Terms: The Aesthetic Companion to Film Art - Fifth Edition. Lang AG International Academic Publishers, Peter, 2014.

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8

Congrès International Congrès International d'Esthétique <05>. Actes du Cinquième Congrès International d'Esthétique. Amsterdam 1964. Proceedings of the Fifth International Congress of Aesthetics. De Gruyter, Inc., 2019.

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9

Cermak, J. E. Wind Engineering: Proceedings of the Fifth International Conference, Fort Collins, Colorado, USA, July 1979. Elsevier Science & Technology Books, 2013.

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10

The Fifth stream: Proceedings of the festival-conference held in Waterloo, Ontario 4-7 May 1989. Institute for Canadian Music, 1991.

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11

Osawa, Yoshimi. “We Can Taste but Others Cannot”. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190240400.003.0007.

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This chapter addresses the concept of umami—the fifth “savory” taste recently recognized alongside sweet, sour, salty, and bitter—as a symbol of Japanese culinary, and thus cultural, distinctiveness. It studies earlier usages of said term and its more recent promotion as a key element of Japan's culinary brand in state-sponsored pavilions at international food exhibitions and trade shows. The chapter also reveals the popular, nationalistic belief that the Japanese have a superior ability to discern this taste and contextualizes this belief in a larger discourse of national chauvinism that clai

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12

Boncardo, Robert. Jacques Rancière’s Mallarmé: Deferring Equality. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474429528.003.0006.

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This fifth chapter presents Jacques Rancière’s reading of Mallarmé through a critical exegesis of his 1996 book Mallarmé: The Politics of the Siren. By exploring Rancière’s studied opposition to the critical tradition that has framed Mallarmé as a hermetic recluse concerned exclusively with literature’s relation to itself, this chapter shows how Rancière presents Mallarmé as a thinker deeply engaged with the political crises of his times and committed to equality. The chapter explains how Rancière reformulates Mallarmé’s proposal for a poetic religion in terms of his famous account of the aest

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13

Pentcheva, Bissera V., ed. Icons of Sound. Taylor & Francis Group, 2021. https://doi.org/10.5040/9780367440879.

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Icons of Sound: Voice, Architecture, and Imagination in Medieval Art brings together art history and sound studies to offer new perspectives on medieval churches and cathedrals as spaces where the perception of the visual is inherently shaped by sound. The chapters encompass a wide geographic and historical range, from the fifth to the fifteenth century, and from Armenia and Byzantium to Venice, Rome, and Santiago de Compostela. Contributors offer nuanced explorations of the intangible sonic aura produced in these places by the ritual music and harness the use of digital technology to reconstr

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14

Kim, Lawrence. Atticism and Asianism. Edited by Daniel S. Richter and William A. Johnson. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199837472.013.4.

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This chapter treats two imperial Greek phenomena that have often been paired, usually in opposition: Atticism and Asianism. It first describes the theory, practice, and development of Atticism, the attempt by imperial Greeks to write in the language of the fifth and fourth century bce, treating its stylistic and grammatical variants and outlining its relation to imperial classicism. The second part treats the so-called “Asian” prose style associated primarily with the Hellenistic writer Hegesias of Magnesia and reminiscent of Gorgias and the first sophistic. The term itself is not current in t

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15

Ungvary, David. Converting Verse. Oxford University PressNew York, NY, 2024. http://dx.doi.org/10.1093/9780197600771.001.0001.

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Abstract This book is concerned with the Christianization of Latin poetry during the turbulent fifth century, a period in which the Roman world experienced barbarian incursion, the rise of monasticism, and the collapse of the Western Empire itself. Exploration focuses on Christian verse composed within contexts shaped by the dynamic ascetic movement of southern Gaul, and reveals a world of competing theories of poetry and practices of Christian writing. In the fifth century, Christian poetry became an especially contested discourse. Ascendant ascetic authorities promoted ethics of thinking, sp

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16

Parker, Robert Dale. The Literature of Extreme Poverty in the Great Depression. Oxford University Press, 2024. https://doi.org/10.1093/oso/9780197785065.001.0001.

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Abstract The Literature of Extreme Poverty in the Great Depression studies a forgotten side of modernism: the literature of unemployment and poverty in the 1930s, especially fiction and poetry about people starving on the street or half-starving on welfare, people who often don’t know where they’ll find something to eat that night or whether they’ll find someplace to sleep. They spend the night on park benches or in filthy flophouses, or they trade sex for food and shelter, or they starve. Time itself changes. For the starving poor standing for hours and hours in a breadline, the speed of mode

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17

Kelly, Catriona. Soviet Art House. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197548363.001.0001.

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This book examines cinema in the Brezhnev era from the perspective of one of the USSR’s largest studios, Lenfilm. Producing around thirty feature films per year, the studio had over three thousand employees working in every area of film production. The discussion covers the period from 1961 to the collapse of centralized state facilities in 1986. The book focuses particularly on the younger directors at Lenfilm, those who joined the studio in the recruiting drive that followed Khrushchev’s decision to expand film production. Drawing on documents from archives, the analysis portrays film produc

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18

Fardy, Jonathan. Ideology and Interpellation. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350358942.

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Ideology and Interpellation examines the relation between ideology, the humanist subject, interpellation, and the role of theory. Placing the work of Althusser, Rancière, Baudrillard, and Laruelle into dialogue, this book offers a useful starting point for understanding the demands and possibilities for ideological critique after the deconstruction of the subject. With chapters devoted to each French theorist’s critique, the book first examines the historical and political roots of Althusser's theory of ideology, then placing focus on Rancière's historiographic work in the following chapter. C

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19

Gagliano, Marco da. Madrigals, Part 6. Edited by Edmond Strainchamps. A-R Editions, 2021. http://dx.doi.org/10.31022/b223.

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Il sesto libro de madrigali a cinque voci, Marco da Gagliano's final book in the genre, was published in 1617, nine years after its predecessor. In the book's dedication Gagliano indicated that its music was composed the year before, and not earlier in the gap between the two books. Book 6 was popular enough that it was reprinted in 1620, and although he lived another twenty-six years, Gagliano published no more madrigals. There are sixteen compositions in the book, fourteen of them by Gagliano, one by Lodovico Arrighetti, and one by an unnamed composer who was most certainly Ferdinando Gonzag

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