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Journal articles on the topic 'Aesthetics Of Filth'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Hacohen-Bick, Tafat. ""And Whatever Corner You Turn It's Either Garbage and Dirt or a Beard and Sidelocks": Agnon on Jews, Dirt, and Garbage." Shofar: An Interdisciplinary Journal of Jewish Studies 42, no. 2 (2024): 68–87. https://doi.org/10.1353/sho.2024.a946468.

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Abstract: This article examines the aesthetics of dirt in Shmuel Yosef Agnon's writing, through the perspective of the Anthropocene. I argue that the climate crisis requires a rethinking of many aspects of human life, including the way we think about consumerism, physical objects, bodily fluids, and filth. Agnon's writing — situated and struggling between two opposing aesthetic orders — can function as a valuable opportunity for rethinking these issues. I start with two moments of filth: The very short story "Three Sisters," and the story about Firadeus's father in the novel Shira . In the mai

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Olsson, Annika. "Groteska kroppar i folkhemmets sverige." Tidskrift för litteraturvetenskap 51, no. 1-2 (2021): 139–52. http://dx.doi.org/10.54797/tfl.v51i1-2.1744.

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Grotesque bodies in the Swedish folkhem: Improper aesthetic and rhetoric in the magazine PUSS 1968–1974 In an analysis of the Swedish satirical magazine PUSS (1968–1974) this article explores what is considered as improper rhetoric and aesthetic in the public sphere. It draws on theories of representation and the culture of carnival laughter and the grotesque as well as research on the Swedish folkhem and satire and democracies. I coin the concept demogrotesque-atic in order to capture how PUSS, by using comics, grotesque bodies and carnivalesque, improper rhetoric and aesthetics, makes

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Bahoora, Haytham. "BAUDELAIRE IN BAGHDAD: MODERNISM, THE BODY, AND HUSAYN MARDAN'S POETICS OF THE SELF." International Journal of Middle East Studies 45, no. 2 (2013): 313–29. http://dx.doi.org/10.1017/s0020743813000019.

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AbstractDuring a revolutionary period of cultural production and anticolonial political commitment in 1950s Baghdad, the modernist poet Husayn Mardan was put on trial for his “obscene” collection entitled Qasaʾid ʿAriya (Naked Poems). Heavily influenced by Baudelaire, Mardan's poetics provide a revolutionary paradigm focused on the gratification of the corporeal. This paper considers how Mardan's poetry, largely marginalized from the canonized modernist Arabic poetic tradition, registers resistance to an increasingly rationalized and bureaucratic social order through a transgressive poetics th

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Drăghici, Raluca, Cristina Teodora Preoteasa, Ana Maria Cristina Tancu, and Elena Preoteasa. "Impact of teeth color determination on dental eshtetic perception." Romanian Journal of Stomatology 61, no. 3 (2015): 238–42. http://dx.doi.org/10.37897/rjs.2015.3.5.

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Aim. People with attractive facial appearance are more easily integrated in society and are considered to be more capable, more intelligent and more responsible. The aesthetic aspect is influenced by expression, by facial symmetry, facial contours and teeth colour. In dental restorations, the correct determination of teeth colour is a critical step with extreme importance for successful treatment. From this perspective the practitioner must have experience, must have the ability to distinguish colours and must train through repetitive visual practical exercises that can have an impact on the p

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Singh, Sangeeta, and Martina Maria Keitsch. "Aesthetic Participation for Sustainable Development: A Case Study from Kathmandu, Nepal." Journal of Management and Sustainability 8, no. 4 (2018): 96. http://dx.doi.org/10.5539/jms.v8n4p96.

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Art and design are increasingly emphasizing the role of user participation and social inclusion. Some authors claim for example, that art processes should employ creative ideas, abilities and skills of diverse stakeholders. The idea of art as a social sculpture (Beuys) is not new. Art has played an important role for participation of different social groups in common cultural activities for many decades. The role of art, experience and participation in this sense connects Heidegger&rsquo;s interpretation of the artwork, expressed for example, through the significant cultural role of the te

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Trafí-Prats, Laura. "Aesthetic Post-Phenomenological Inquiry: A Compositional Approach to the Invention of Worlds." Qualitative Inquiry 26, no. 5 (2019): 432–39. http://dx.doi.org/10.1177/1077800419857454.

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In this article, I think retrospectively with art and passages of writing produced in connection to a study on aesthetic activity and urban nature with two classes of fifth graders attending school in a city of the American Midwest. For this, I take on the art philosophy of Deleuze, Deleuze and Guattari and Deleuzian scholars to discuss how aesthetics and processes of art-making can inform empirical gestures based on distance from and invention of worlds. Art extracts sensations from chaotic forces that function in excess, variation, and proliferation, offering valuable practices to attune tow

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Kumolu, Abiodun Florence, KIkelomo Adebanke Kolawole, and Ifeoluwa Elijah Ajao. "Evaluation of facial aesthetics using anthropometric dimensions." Journal of Research in Dentistry 12, no. 3 (2025): 1–11. https://doi.org/10.59306/jrd.v12e320241-11.

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Aims: To determine the anthropometric facial dimensions of a group of young Nigerian females, and investigate the relationship of derived proportions with ideal facial proportions, new golden ratio values and perceived facial aesthetics. Materials and methods: Standardized frontal facial photographs were obtained from a sample of female Nigerian undergraduates from which anthropometric facial measurements and proportions were derived. Another sample of undergraduates evaluated the facial photographs on a Visual Analogue Scale for aesthetics. Data was analyzed with Independent sample t- test an

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Hitchcock, Peter. "The aesthetics of alienation, or China's ‘fifth generation’." Cultural Studies 6, no. 1 (1992): 116–41. http://dx.doi.org/10.1080/09502389200490061.

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SHTEINBUK, Feliks. "QUEER-PROBLEMS AS A FACT OF AESTHETICS IN THE WORKS OF OLES ULIANENKO." INNOVATIONS IN THE SCIENTIFIC, TECHNICAL AND SOCIAL ECOSYSTEMS 84, no. 3 (2022): 56–69. http://dx.doi.org/10.56378/sjfs3008.

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The purpose of the research is to establish why the author uses images of queer identities on the example of Oles Ulianenko’s works. The research methodology is based on the hypothesis that to achieve the specified goal should be possible providing the three methods are used, namely hermeneutic, the comparative-typological, and the corporal- mimetic method to analyse fiction. The scientific novelty of the research is that queer issues are represented as an aesthetic phenomenon in Ukrainian literary studies for the first time. The Conclusions. First, the queer content depicted in the works unde

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Romand, David. "Konrad Lange on ‘the Illusion of Materials’ in Painting and Visual Arts: Revisiting a Psychoaesthetic Theory of the Perception of Material Properties." Art and Perception 8, no. 3-4 (2019): 283–98. http://dx.doi.org/10.1163/22134913-20191126.

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In the present article, I discuss the concept of ‘the illusion of materials’ (die Stoffillusion) as it was elaborated in the late 19th and early 20th centuries by the German aesthetician and art historian Konrad Lange (1855–1921). Here I intend to revisit a remarkable theory of the psychological mechanisms that underlie the aesthetic experience of mimesis in painting and, more generally speaking, in visual arts. First, I deal with the historical background of Lange’s contribution by saying a word about the German-speaking psychoaesthetic paradigm as it developed between the mid-19th century an

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Li, Qi, and Taig Youn Cho. "Research on Aesthetic Consciousness of Translucent-skin Buildings Based on Neuroaesthetics." Korea Institute of Design Research Society 7, no. 2 (2022): 117–30. http://dx.doi.org/10.46248/kidrs.2022.2.117.

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The functional separation of structure and skins in architecture has emerged in Gothic architecture. The Industrial Revolution accelerated the production of metal and glass, which led to the functional separation of structure from the skins becoming a common architectural design style after the 19th century. The architectural skins is liberated from the structure and assumes the role of expressing beauty. In this context, there are some suggestions on the visual design points of architectural skins and architectural structure given from the perspective of neuro-aesthetics in this paper. This s

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Grynova, M., and L. Kravchenko. "THE SCIENTIFIC JOURNAL «UKRAINIAN PROFESSIONAL EDUCATION» CELEBRATES THE FIFTH ANNIVERSARY." Ukrainian professional education, no. 9-10 (September 7, 2021): 9–14. http://dx.doi.org/10.33989/2519-8254.2021.9-10.263515.

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Analytical materials systematized in connection with the fifth anniversary of the scientific journal «Ukrainian Professional Education» are presented. It is a professional publication for the sciences of education and pedagogy, which was founded at Poltava V. G. Korolenko National Pedagogical University in 2016. The journal accumulates more than a century of experience in training teachers and specialists in the socio-humanitarian sphere. It is based on the world-famous achievements of its graduates and teachers, namely Anton Makarenko, Vasyl Sukhomlynskyi, Hryhorii Vashchenko, Volodymyr Shche

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Natalia*, Sukmanskaya, and Alessio Redaelli. "Face Forward: Streamlining Pre-Treatment Patient Assessment via FILLMEDs 6 Steps Matrix and Protocol." Journal of Biomedical Research & Environmental Sciences 5, no. 8 (2024): 1028–45. http://dx.doi.org/10.37871/jbres1985.

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As the demand for minimally invasive aesthetic treatments increases, the need for a structured individualized facial analysis is becoming more and more evident. This article therefore presents FILLMED’s 6-step matrix, a holistic six-step guide for facial assessment prior to aesthetic treatments aiming to optimize the efficacy of soft tissue filler treatments. The first step, skin quality assessment, involves evaluating factors such as texture, pigmentation and hydration to understand the patient's skin condition before treatment and anticipate the treatment outcome. The second step, shadow ass

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Belenova, Irina A., Muhammad Ali, and Alexander A. Kopytov. "Changing the Perception of Smile Aesthetics by Non-Medical Students." Актуальные проблемы медицины 48, no. 1 (2025): 88–96. https://doi.org/10.52575/2687-0940-2025-48-1-88-96.

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The perception of the components of a smile and its aesthetics in general is determined by anatomical features and the norms formed in specific ethnic communities. The purpose of the study is to establish the influence of higher education on the perception of diastema as a factor determining the aesthetics of a smile. Materials and methods. The survey revealed the peculiarities of smile and diastema perception by first- and fifth-year university students. The survey included 94 African students studying in Russia and the same number of students living in the Russian Federation. The results of

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Amatullah, Nida’ Fahima, and Iswinarno Doso Saputro. "A CASE REPORT: EARLOBE RECONSTRUCTION ON CONGENITAL AURICULAR LOBE DEFECT USING Z-PLASTY." Jurnal Rekonstruksi dan Estetik 9, no. 1 (2024): 29–38. http://dx.doi.org/10.20473/jre.v9i1.54622.

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Highlights: Congenital ear defects typically result from growth failures during the fifth to ninth weeks of gestation or from mechanical stress during this period. Auricular lobuloplasty using the Z-plasty flap technique effectively addresses earlobe defects, resulting in optimal aesthetic outcomes with no keloid formation, minimal scarring, and no complications. Abstract: Introduction: Earlobe defects, often due to embryonal growth failure or injury, can affect aesthetics and social interactions despite not impacting hearing. Earlobe defect can be formed either from birth as congenital defect

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DEWIDAR, KHALED, and GAMAL ELKHOLY. "THE FIFTH SENSE OF ARCHITECTURE DIGITAL ARCHITECTURE: A NEW AESTHETICS OF TOTAL SURREALISM." International Conference on Civil and Architecture Engineering 7, no. 7 (2008): 594–604. http://dx.doi.org/10.21608/iccae.2008.45415.

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이경희. "E. T. A. Hoffmann’s Romantic Aesthetics Revisited: Review of Beethoven’s Fifth Symphony (1810)." 音.樂.學 20, no. 1 (2012): 39–70. http://dx.doi.org/10.34303/mscol.2012.20.1.002.

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Kingston, Andrew. "Of Spiritual Failure: The Matter of Hegel's Pyramids." Excursions Journal 7, no. 1 (2020): 27–48. http://dx.doi.org/10.20919/exs.7.2017.217.

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This article critically examines GWF Hegel's treatment of the Egyptian pyramids in his Aesthetics as an aporia at a crucial juncture of his systematic philosophy. For Hegel, the pyramids are the aesthetic and historical moment at which 'Spirit' begins to extricate itself from matter. However, this article claims that such a transition is only possible through a repression and a forgetting of the material situation upon which it is predicated. In forming this argument, this article will examine Hegel's dismissive treatment of the pyramids in six sections. In the first and second sections, the p

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Richey, Jeffrey. "ASCETICS AND AESTHETICS IN THE ANALECTS." Numen 47, no. 2 (2000): 161–74. http://dx.doi.org/10.1163/156852700511487.

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AbstractThe ancient Confucian Analects (Lunyu) often has been interpreted as nothing more than the "pure" ethical teachings of a humanistic Chinese sage, "Confucius" (Kongzi or Kong Qiu). A careful and historically-sensitive interpretation of the Lunyu reveals that the text is capable of resisting this reading, providing clues to an altogether different Confucius - not the storied pedant who dispenses common-sense wisdom to office-seeking disciples, but a spiritual teacher who guides his pupils toward sagehood through a combination of ascetic and aesthetic disciplines. Key references in the te

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Alkhuzaim, Khalid Mohammed, and Thamer Ali Alwahbi. "The Availability Level of the Aesthetic Approach in Mathematics Textbooks for the Higher Grades at the Primary Stage in Saudi Arabia." Athens Journal of Sciences 10, no. 4 (2023): 241–60. http://dx.doi.org/10.30958/ajs.10-4-4.

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This study aims to establish the presence of aesthetic underpinnings in Saudi mathematics textbooks. For this, the researchers used descriptive-analytical methods. We looked at fourth, fifth, and sixth grade math textbooks. The arbitrated aesthetic method divides 27 signals into seven basic domains. The content availability of each main aesthetic approach area was found to be constant across all books in the elementary stage's upper grades. Aesthetic strategies were used in primary mathematics textbooks at a rate of 34%. The average percentages for the major domains were: 76.9% major themes, 5

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Karim, Abd. "Definitive obturator rehabilitation on the maxilla defect post-tumor surgery." Indonesian Journal of Prosthodontics 3, no. 2 (2022): 101–4. http://dx.doi.org/10.46934/ijp.v3i2.130.

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Background: Obturator is a prosthesis to replace tissue lost post tumor surgery in the maxilla called maxillectomy. Obturator is made of acrylic and consists of surgery, intermediate, and definitive obturator. Definitive obturator is made using Hollow bulb technique to be light and stable when used. In this case, a definitive obturator was made for a patient using intermediate obturator. Objectives: To inform that obturator can rehabilitate maxillary defect to restore the patient’s mastication, digestive, phonetic, aesthetic and psyche functions. Case report: A 28-year-old man came for postope

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Dina ERDİLEK, Ayşe, Merve ŞAHİN, and Begüm GÜRAY EFES. "EVALUATION OF AESTHETIC RESTORATIONS PREPARED BY UNDERGRADUATE STUDENTS ON TYPODONT MODELS." Euroasia Journal of Mathematics, Engineering, Natural & Medical Sciences 9, no. 20 (2022): 6–14. http://dx.doi.org/10.38065/euroasiaorg.920.

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The dental school curriculum is based on theoretical and practical courses. Before real patients, students practice on secure environments like typodonts or simulators to manage the functional and aesthetic properties of tooth restorations. This study aimed to evaluate the quality of class IV aesthetic restorations prepared by undergraduate dental students across different years of training, in terms of surface gloss, anatomic form, marginal adaptation, and proximal contact. Four consecutive classes of dental students (n = 15) were tasked with restoring a class IV cavity on a typodont tooth. R

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Wallace, V. A. "Imagination, Desire, and Aesthetics in Engendering a Vision of Śambhala." Orientalistica 2, no. 1 (2019): 40–50. http://dx.doi.org/10.31696/2618-7043-2019-2-1-40-50.

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Abstract: the legend of Śambhala and a related eschatological battle between the twenty-fifth kalkī king of Śambhala and the enemy of Dharma, which initially appeared in the eleventh-century Indian, Buddhist tantric tradition of the Kālacakratantra, proliferated in the later Tibetan and Mongolian sources. In the nineteenth, and particularly in the early twentieth-century Mongolia, when the demolishing of Buddhist monasteries and persecution of Buddhist monks were carried out by the Mongolian Peoples’ Revolutionary Party, a wealth of literature on meditational and ritual practices related to th

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Emre, Merve, and Justin A. Sider. "Introduction." Genre 58, no. 1 (2025): 1–12. https://doi.org/10.1215/00166928-11684122.

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Abstract 2025 marks the twenty-fifth anniversary of Isobel Armstrong's The Radical Aesthetic (2000), a powerful work of critical theory that aimed to “rethink the aesthetic” in the face of an antiaesthetic disposition that had come to dominate literary theory by the end of the 1990s. Erudite, witty, and experimental in form, The Radical Aesthetic received scant attention in American academia when it was published, yet Armstrong's brilliant polemic against the antiaesthetic anticipates many concerns and debates in literary studies over the years since its publication: an exhaustion with the her

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E. San Juan Jr. "Dialectics of Aesthetics and Politics in Maxine Hong Kingston's The Fifth Book of Peace." Criticism 51, no. 2 (2010): 181–209. http://dx.doi.org/10.1353/crt.0.0106.

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Franchi, Roberta. "Dal simbolismo della rosa alle reliquie." Augustinianum 63, no. 2 (2023): 527–44. http://dx.doi.org/10.5840/agstm202363223.

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Christians of the fourth and fifth centuries adopted Late Antique aesthetics, characterized by brilliance, dazzle and colors, to create a new form of imagination, where the corpses of the martyrs and their physical remains became shining bodies. Relics became a spiritual body, whose μετάληψις often produced roses or violets. Therefore there was a strict association in Late Antique Christianity among roses, relics and the colour red.

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DONALDSON, JAMES. "Reading the Musical Surreal through Poulenc's Fifth Relations." Twentieth-Century Music 17, no. 2 (2020): 127–60. http://dx.doi.org/10.1017/s147857222000002x.

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AbstractThis article develops a method of understanding concepts from the Parisian Surrealist movement in music using Poulenc's treatment of cadences and fifth relations as a case study. Although music was rejected by the group's figurehead André Breton as ‘the most profoundly confusing’ of all arts, many composers were keenly involved in Surrealist circles. Notably, Poulenc's acquaintance with major figures led him to set much of their literary work. But his engagement with their aesthetic principles extends deep into the musical form. After assessing Poulenc's flirtation with the movement's

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Valdivia Sisniegas, Richard H., Diego Mancilla Bravo, Vivian M. Chichipe Mondragón, Paola B. Chicche Mamani, and Aylin M. Vilchez Dominguez. "Morphology and photovoltaic architectural integration: students’ explorations on the ‘fifth façade’ in Lima’s multi-family projects." ESTOA 13, no. 26 (2024): 133–48. http://dx.doi.org/10.18537/est.v013.n026.a09.

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The aesthetic integration of solar systems with multi-family buildings remains rare in Latin American countries. This article considers sixty-five projects by architecture students in Lima (Peru) to establish compositional criteria using typological classifications of the solar system layout on the roofs, volumetric composition, and their relationship with façades and lower spaces. The results show a wide range of variables that must be resolved. However, there are limitations to understanding this integration when dealing with the inclination of roofs as well as the coherence and geometric ar

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Slugan, Mario. "What Counts as (Evidence of) Narrow Aesthetic Cognitivism." European journal of analytic philosophy 20, no. 2 (2024): 363–88. http://dx.doi.org/10.31820/ejap.20.2.6.

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In this paper I argue that the existing arguments for narrow aesthetic cognitivism are not valid. The reason is that the proponents of the view have mostly focused on theoretical debates rather than on empirical studies of the matter. I make my argument in five steps. First, I distinguish narrow from broad aesthetic cognitivism. Second, I specify the scope of the narrow claim and suggest that narrow aesthetic cognitivism is not about art in general but about narrative fictional works. Third, I point out that arguments in favor of the possibility of such works expressing truth do not discuss ho

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Parameswari, B. Devi, R. Ranjith, H. Annapoorni, and S. Dhevishri. "Obturator prosthesis with esthetic retainer for hemimaxillectomy patient: A case report." IP Annals of Prosthodontics and Restorative Dentistry 8, no. 4 (2022): 228–32. http://dx.doi.org/10.18231/j.aprd.2022.048.

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Congenital or acquired, intraoral or extraoral, traumas or carcinomas are known to produce psychological imbalances in patients with the least expectations of returning to their normal lives. Oral carcinomas are the fifth most common of all. The major goals of rehabilitation are such patients are to restore function, speech, swallowing, and aesthetics. However, there are many limitations in achieving these goals, an obturator prosthesis remains as the first line of choice in these maxillectomy patients.

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Leven, Pauline A. "New music and its myths: Athenaeus' reading of theAulosrevolution (Deipnosophistae14.616e–617f)." Journal of Hellenic Studies 130 (November 2010): 35–48. http://dx.doi.org/10.1017/s0075426910000030.

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AbstractScholarship on the late fifth-century BC New Music Revolution has mostly relied on the evidence provided by Athenaeus, the pseudo-PlutarchDe musicaand a few other late sources. To this date, however, very little has been done to understand Athenaeus' own role in shaping our understanding of the musical culture of that period. This article argues that the historical context provided by Athenaeus in the section of theDeipnosophistaethat cites passages of Melanippides, Telestes and Pratinas on the mythology of theaulos(14.616e–617f) is not a credible reflection of the contemporary aesthet

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McEwan, Drew. "Mad Trans Difficulty." TSQ Transgender Studies Quarterly 12, no. 2 (2025): 178–89. https://doi.org/10.1215/23289252-11713367.

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Abstract This article argues that the category of difficulty, theorized at the intersection of madness, transness, and femininity, offers critical and aesthetic potential as a site of communicative impasse and critique. Difficulty sticks to certain objects, both cultural and aesthetic objects such as literary texts, as well as people and groups of people perceived to be communicatively intransigent or oppositional, especially in psychiatric contexts. As both a negative social descriptor and an aesthetic radicalism, difficulty contains an important nexus with which to consider the confluence of

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Pospisil, Peter, and Fabio Stoch. "Rediscovery and Redescription of Austriocyclops Vindobonae Kiefer, 1964 (Copepoda, Cyclopoida) With Remarks On the Subfamily Eucyclopinae Kiefer." Crustaceana 70, no. 8 (1997): 901–10. http://dx.doi.org/10.1163/156854097x00528.

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AbstractSince the publication of the description of Austriocyclops vindobonae Kiefer, 1964, all known material was represented by a single female collected in a groundwater well in Vienna (Austria), characterized by a strong reduction of leg 5. The recent discovery of several specimens of A. vindobonae in phreatic waters in Vienna allows a redescription of the female and the first description of the male. The rudimentary fifth leg consists of one or two setae and resembles that of some Cyclopinae genera; however, the presence of tube-like, plumed aesthetascs on the male antennula and the spine

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Kinderman, W. ""Ich bin der Welt abhanden gekommen": Mahler's Ruckert Setting and the Aesthetics of Integration in the Fifth Symphony." Musical Quarterly 88, no. 2 (2006): 232–73. http://dx.doi.org/10.1093/musqtl/gdi006.

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Jančič, Polona, and Vlasta Hus. "Teaching Social Studies With Games." International Journal of Game-Based Learning 8, no. 2 (2018): 68–79. http://dx.doi.org/10.4018/ijgbl.2018040106.

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Social studies is a class students encounter in the fourth and fifth grades of primary school in Slovenia. It includes goals from the fields of geography, sociology, history, ethnology, psychology, economy, politics, ethics, aesthetics, and ecology. Among other didactic recommendations in the national curriculum for teaching, social studies include experiential learning with games. Game-based learning enables an optimal learning environment for students. The purpose of this article is to examine representation of games in social studies in primary school. The research sample consisted of 290 s

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DOWNES, STEPHEN. "Hans Werner Henze as Post-Mahlerian: Anachronism, Freedom, and the Erotics of Intertextuality." Twentieth-Century Music 1, no. 2 (2004): 179–207. http://dx.doi.org/10.1017/s1478572205000113.

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In the early 1960s Mahler’s music became a vital stimulus for Henze’s compositional technique and aesthetics. Particularly important were its exploration of formal crises, the incorporation of ‘old’ musical materials, and its apparently direct expression of love and beauty. These aspects confirmed Henze’s desire to break out of the restrictions of Darmstadt dogma, into an apparently anachronistic expressive and technical freedom. This article explores structural and hermeneutic relationships between two of Henze’s works of the period – Being Beauteous and The Bassarids– and Mahler’s Fifth Symp

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Hapsari, Vany Dwi, and M. Widyanto. "Analisis Faktor Konsumen Pria Membeli Jasa Perawatan Wajah di Larissa Aesthetic Center Semarang." JEMAP 2, no. 1 (2019): 93. http://dx.doi.org/10.24167/jemap.v2i1.2101.

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This research was conducted to know the reasons male consumers buy face treatment. Survey was conducted and sampling by purposive sampling toward 105 respondents and collecting data by questionnaires. The results of factor analysis by SPSS software showed 6 factors identified which influenced male consumer tend buying face treatment in Larissa Aesthetic Center Semarang. First factor was expert doctor and price promotion (variance 29.4%). Second factor was accessability (variance 14.2 %). Third factor was service quality (variance 11.3%). Fourth factor was membership card (variance 6.2%). Fifth

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Tatla, Helen. "Classical architecture in the scope of Kantian aesthetics: Between Lyotard and Rancière." SAJ - Serbian Architectural Journal 11, no. 3 (2019): 487–500. http://dx.doi.org/10.5937/saj1903487t.

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Classical architecture's inherent potentiality to constitute the principal architectural expression of western culture since Greek antiquity is due to its dual character: although it comes out from the primordial unity of things expressed by myth and religion in archaic times, it acquires its form of completion in the fifth c. BC, as a symbol of democracy and a harmonic articulation of the world on the ground of philosophical thinking. By placing the avant-guard art in the sphere of the Kantian sublime, Jean-Francois Lyotard focuses on the impossibility of an absolute relation between reason a

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Schneider, Federico. "Pastoral Therapies for the Heartbroken in Guarini's Pastor Fido and Monteverdi's Book V." Quaderni d'italianistica 29, no. 1 (2008): 73–103. http://dx.doi.org/10.33137/q.i..v29i1.8494.

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The idea of pastoral poetry as therapy against love-melancholy is well rehearsed throughout the Renaissance. Guarini's Pastor Fido (1589) and Monteverdi Fifth Book of Madrigals (1605) represent two effective responses to the therapeutic urgencies of the pastoral. Guarini's famous pastoral ushers in a new form of dramatic poetry: tragicomedy, that is, with its tragic-in-the-comic purging formula and its advocacy for music as a necessary catalyst for the purging effect of poetry. Monteverdi's Book V co-opts to a great extent Guarini's pastoral in order to issue a program for a new tragic-in-the-

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Somerville, S. E., K. L. Miller, and J. M. Mair. "Assessment of the aesthetic quality of a selection of beaches in the Firth of Forth, Scotland." Marine Pollution Bulletin 46, no. 9 (2003): 1184–90. http://dx.doi.org/10.1016/s0025-326x(03)00126-7.

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Duin, Ezra M. A., Sinin Hamdan, Khairul A. M. Said, Aaliyawani Ezzerin Sinin, Ahmad Faudzi Musib, and Harini Sosiati. "The ‘Nirai’ guitar (‘Ichigo ichie’) of Okinawa Japan." BioResources 20, no. 2 (2025): 2643–55. https://doi.org/10.15376/biores.20.2.2643-2655.

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The ‘nirai’ instrument is a mix of ‘sanshin’ and guitar. In this study, the sound was analysed with a PicoScope oscilloscope. The ‘sanshin’ tuning is a fifth, root, and fifth. In the key of C, these notes are G, C, G (GCG). When a low C is added in ‘nirai’ it makes the tuning a root, fifth, root, fifth. The ‘nirai’ was tuned to the key of G; the 4th, 3rd, 2nd and 1st string was G2 (100 Hz), D3 (147 Hz), G3 (197 Hz), and D4 (296 Hz). String 4, 3, 2 and 1 displayed 25, 25, 19 and 12 partials frequencies, respectively. The 24th, 17th and 13th harmonics are missing in string 4, 3 and 2. The differ

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Shanie, Arsan. "Art Education Phenomena in the School Environment (a Case Study of the Application of Art Education in a School Environment)." International Journal of Social Learning (IJSL) 1, no. 1 (2020): 35–41. http://dx.doi.org/10.47134/ijsl.v1i1.4.

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Art education exists to help transfer knowledge and attitudes to students and is not to be seen as mere leisure time. Writing this article aims to restore the function of art education to its original function. The method in this study using the Literature method. The results of the research are, first, art is the result of imitation of nature in the form of creativity, feeling and human intention or human ability to do something, in the form of an expression of the artist's activity process starting from physical activity that comes from human feelings and is beautiful so that it can move the

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Zhu, Yahui, and Ziye Qing. "A Report on the C-E Translation of Running Like Wind (Excerpts) Based on Reception Aesthetics." Journal of Global Humanities and Social Sciences 4, no. 4 (2023): 155–60. http://dx.doi.org/10.61360/bonighss232013470801.

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This is a report on Chinese-English translation. The source text is selected from the children’s literature Running Like Wind by Deng Xiangzi, a Hunan children’s literature writer. There is no English translation of this book yet. The book tells the life experience of the fifth-grade girl Juduo in her grandmother’s hometown, Hongfengping. It depicts Juduo’s kindness and diligency, guiding children to find the truth of life. Under the guidance of Reception Aesthetics, this translator fully considers children’s mind, thought and reception level. The translation keeps the subjectivity of target r

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Maitra, Ani. "Touching Hearts: The Uncertain but Strategic Politics of KASHISH 2015." Film Quarterly 69, no. 2 (2015): 60–65. http://dx.doi.org/10.1525/fq.2015.69.2.60.

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Ani Maitra reviews the fifth edition of the Mumbai International Queer Film Festival, focusing on the crucial role that the festival plays in bringing together Indian activists and filmmakers, while also combining collective action and aesthetic self-expression. Maitra examines the festival's rather difficult self-stated goal of “touching hearts” locally and globally, as shaped by the often-conflicting ideologies espoused by local politics, global and corporatized LGBT rights discourses, and Euro-American queer theory.

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Dhillon, Pradeep A. "Literary Fonn and Philosophical Argument in Premodem Texts." Dialogue and Universalism 8, no. 11 (1998): 131–41. http://dx.doi.org/10.5840/du1998811/1213.

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I examine a link between forms of argument and aesthetics that occur in "premodem" Westem and non-Western texts so as to build toward a universal theory of knowledge while taking postmodern criticisms seriously. Such a method allows for dialogue across time and space. Specifically, I focus on John Bunyan's "Apology" for the Pilgrim s Progress, published in 1674, and the Tibetan logician Acarya Dignaga's fifth-century treatise Hetucakra. Their claims to tmth proceed through allegory and poetry. This examination does not settle existing debates; it brings a prior question more sharply into focus

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Firth, Ian. "President's Inaugural Address: Going for gold in a changing world." Structural Engineer 95, no. 2 (2017): 16–24. http://dx.doi.org/10.56330/mgcb2523.

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In his inaugural address, 2017 President of The Institution of Structural Engineers, Ian Firth, celebrates the role of the structural engineer in contributing to the built environment and highlights some of the challenges and opportunities facing the profession today: the need to communicate to the public what structural engineers do and to inspire young people to join the profession; the value society places on aesthetics and high-quality design; the dangers of forgoing independent checking and supervision; the threat to innovation from ever-shorter preconstruction times; the questions posed

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Kuzmina, Ilina Aleksandrovna, and Svetlana Ivanovna Karpova. "Artistic and aesthetic activity as the condition of emotional welfare of children of the fifth year of life." Tambov University Review. Series: Humanities 23, no. 173 (2018): 128–35. http://dx.doi.org/10.20310/1810-0201-2018-23-173-128-135.

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Kim, Min-Jeong, and Chae-Mok Yu. "The Effects of Long-term Mask Wearing on Aesthetic Behavior: Focusing on the COVID-19 pandemic." Korean Society of Beauty and Art 21, no. 3 (2020): 17–35. http://dx.doi.org/10.18693/jksba.2020.21.3.17.

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This study attempted to examine self-skin recognition and aesthetic behavior as well as providing basic data needed to develop strategies in preparation for the post-COVID-19 era in the beauty industry. For this, an online survey was performed among a total of 150 adult men and women aged 20 or older who have worn a mask regularly during the COVID-19 pandemic, and the results of the survey revealed the following: First, mask-wearing intention had a positive influence on mask-wearing experiences. Second, in self-skin recognition, mask-wearing revealed a significant effect on the recognition of

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Cheng, Arthur Erqi. "Portraying the Clinical Margins." Asian Medicine 20, no. 1 (2025): 72–108. https://doi.org/10.1163/15734218-12341583.

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Abstract Illustrations of “human-derived drugs” (renyao) were rare, if not entirely absent, in premodern Chinese medical texts until forty-three such illustrations, rendered in different styles, appeared across four medical volumes in the late Ming period. A long-established consensus on the representation of human-derived drugs was transformed by a surge in visual representations during the late-Ming boom in commercial medical publications. These illustrations, serving various functions, challenged conventional moral views on pharmaceutical therapies and prevailing conceptions of filth and ev

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Bates, Joe. "PROPORTION AND SYMMETRY AS MUTUAL ANTAGONISTS IN TUNING: SOME QUARTER-TONE RESOURCES." Tempo 78, no. 309 (2024): 67–78. http://dx.doi.org/10.1017/s004029822400007x.

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AbstractQuarter-tones have the dubious honour of being the microtonal default in Western art music, yet they have been of little recent interest to those most involved with extended intonation. Other microtonal equal divisions have appealed as pragmatic approximations of consonant just-intonation intervals, something that quarter-tones do not offer. This article proposes that quarter-tones can be valued in a different way, for their ability to generate symmetrical harmonic resources that divide the fourth and fifth as the tritone does the octave. These resources are offered as examples of a br

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