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Relevant bibliographies by topics / Aesthetics of photography

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Academic literature on the topic 'Aesthetics of photography'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 April 2022

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Journal articles on the topic "Aesthetics of photography"

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Ray, Larry. "Social Theory, Photography and the Visual Aesthetic of Cultural Modernity." Cultural Sociology 14, no. 2 (2020): 139–59. http://dx.doi.org/10.1177/1749975520910589.

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Social theory and photographic aesthetics both engage with issues of representation, realism and validity, having crossed paths in theoretical and methodological controversies. This discussion begins with reflections on the realism debate in photography, arguing that beyond the polar positions of realism and constructivism the photographic image is essentially ambivalent, reflecting the ways in which it is situated within cultural modernity. The discussion draws critically on Simmel’s sociology of the visual to elucidate these issues and compares his concept of social forms and their developme

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Kea, Pamela. "Photography, care and the visual economy of Gambian transatlantic kinship relations." Journal of Material Culture 22, no. 1 (2016): 51–71. http://dx.doi.org/10.1177/1359183516679188.

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This article examines transnational kinship relations between Gambian parents in the UK and their children and carers in The Gambia, with a focus on the production, exchange and reception of photographs. Many Gambian migrant parents in the UK take their children to The Gambia to be cared for by extended family members. Mirroring the mobility of Gambian migrants and their children as they travel between the UK and The Gambia, photographs document changing family structures and relations. It is argued that domestic photography provides an insight into the representational politics, values and ae

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Rezende, Paula Davies. "A APROPRIAÇÃO, PASTEURIZAÇÃO E MERCANTILIZAÇÃO DA PRECARIEDADE ANALÓGICA PELA INDÚSTRIA DA FOTOGRAFIA DIGITAL / The appropriation, pasteurization and mercantilization of analogue precariety by the digital photography industry." arte e ensaios 26, no. 40 (2020): 155–71. http://dx.doi.org/10.37235/ae.n40.11.

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Proponho uma reflexão sobre como câmeras de baixa fidelidade contribuem para subversão da fotografia tradicional e para a consolidação de uma estética caracterizada por ruídos e falhas, denominada estética da precariedade. Abordo ainda a apropriação, padronização e mercantilização da estética da precariedade pela indústria fotográfica digital, por meio de aplicativos de edição de imagens e redes sociais de compartilhamento de fotos e vídeos.Palavras-chave: Estética da precariedade; Fotografia de baixa fidelidade; Fotografia analógica; Fotografia digital; Indústria fotográfica.AbstractI propose

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Close, Ronnie. "Parallax Error: The Aesthetics of Image Censorshipe." Cabinet, Vol. 2, no. 2 (2017): 74–81. http://dx.doi.org/10.47659/m3.074.art.

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Parallax Error is a found photographic image collection scavenged from well-known art history publications in bookstores in Cairo between 2012 and 2014. What makes the series distinct are the forms and styles of censorship used on the original images ahead of sale and public distribution. The altered images involve some of the leading figures in the canon of Western photographic history and these respected photo works enter into a process of state censorship. This entails hand-painting each photograph, in each book edition, in order to obscure the full erotic effect of the object of desire, i.

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Vissers, Nathalie, Pieter Moors, Dominique Genin, and Johan Wagemans. "Exploring the Role of Complexity, Content and Individual Differences in Aesthetic Reactions to Semi-Abstract Art Photographs." Art and Perception 8, no. 1 (2020): 89–119. http://dx.doi.org/10.1163/22134913-20191139.

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Artistic photography is an interesting, but often overlooked, medium within the field of empirical aesthetics. Grounded in an art–science collaboration with art photographer Dominique Genin, this project focused on the relationship between the complexity of a photograph and its aesthetic appeal (beauty, pleasantness, interest). An artistic series of 24 semi-abstract photographs that play with multiple layers, recognisability vs unrecognizability and complexity was specifically created and selected for the project. A large-scale online study with a broad range of individuals (n = 453, varying i

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Klingle, Matthew. "River Glass." Boom 5, no. 2 (2015): 42–51. http://dx.doi.org/10.1525/boom.2015.5.2.42.

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This essay by historian Matthew Klingle compares the work of Carleton Watkins, a pioneer in early photography, and Michael Kolster, a contemporary photographer. Like his predecessor, Kolster uses the wet-plate photographic process to create ambrotypes: handmade images made on glass. Watkins’s images, made in the late-nineteenth century, helped to sell scenic, monumental California and the West to the nation. In contrast, Kolster’s photographs of the Los Angeles River, a degraded and often ignored urban waterway, suggest how older photographic techniques might be employed to create new aestheti

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Ground, Ian. "Aesthetics and Photography." British Journal of Aesthetics 45, no. 4 (2005): 448–50. http://dx.doi.org/10.1093/aesthj/ayi058.

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Sailor, Rachel. "Pictorialism in the American West." UW National Parks Service Research Station Annual Reports 36 (January 1, 2013): 150–52. http://dx.doi.org/10.13001/uwnpsrc.2013.4009.

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Early twentieth century (1900-1945) photography of northwestern Wyoming (including the Teton and Yellowstone areas) fits into a paradigm of regional photographic production that either conforms to the documentary or pictorial aesthetics most common in the era. Pictorial photography, especially, links the region to larger trends in the nation and can be analyzed to uncover previously unexamined assumptions about the value of photographic aesthetics and regional production within the milieu of fine art photography in the United States prior to WWII.

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م.د. اخلاص عبد القادر طاهر. "The aesthetics of artistic expression in productions of Islamic Photography School." journal of the college of basic education 26, no. 106 (2020): 324–43. http://dx.doi.org/10.35950/cbej.v26i106.4870.

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The research highlights on the aesthetics of artistic expression in the products of the Islamic photography schools to highlight the most important aesthetic and aesthetic values by analyzing selected models of those products that the Islamic photographer was able to employ the various life data and its multiple vocabulary to create visual spaces that are characterized by balanced symmetry. He distributes his vocabulary and characters and the contents of his photographic art through a visual text that gave special attention to these productions. These products came as a clear, articulated an

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Chaudhary, Zahid R. "Desert Blooms." October 168 (May 2019): 92–109. http://dx.doi.org/10.1162/octo_a_00351.

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This essay considers the place of abstraction in documentary photography, a genre whose primary aesthetic-political commitment is usually assumed to be on the side of figuration, denotation, and facticity. Taking up photographer Fazal Sheikh's photographic series Desert Bloom, which records natural and human-made disturbances in the Naqab/Negev desert, the essay considers artistic abstraction in relation to other forms of economic, juridical, and political abstraction critical to settler colonialism in particular and capitalism more generally. How might abstraction be the very condition of pol

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Dissertations / Theses on the topic "Aesthetics of photography"

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Nicoletti, Martino. "Submerged landscapes : aesthetics of visual primitivism." Thesis, University of the West of Scotland, 2012. http://hdl.handle.net/10545/303736.

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This practice-based thesis presents the results of experimental research devoted to ethnic tourism among the Kayan minority and has involved the interconnection of artistic and anthropological languages. Known worldwide for the traditional female custom of wearing a long coiled brass necklace aimed at causing a considerable extension to the neck, the Kayan are a Tibeto-Burman ethnic group originally from Burma. Due to the prolonged civil war in their own homeland, a large number of Kayan recently fled from Burma to refuge in neighbouring Thailand. Here, over the past years, in response to the

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Kingsley, Hope. "Crosscurrents of aesthetics and technology in nineteenth century British photography." Thesis, Courtauld Institute of Art (University of London), 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.398428.

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Tranca, Ioana Alexandra. "Aesthetics in ruins : Parisian writing, photography and art, 1851-1892." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/270739.

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This project explores two main lines of inquiry concerning representations of ruins in Paris. I first identify a turning point in the evolution of the ruin leitmotif beyond Romanticism in its transfer into a new context: modern Paris. The analysis demonstrates the correlation between this leitmotif and urban environment in transformation, and their influence on aesthetics, leading to the renewal of modes of representation in literary and visual discourse. Unconventional ruins, recently created by demolition during Haussmannisation (1853-70) or war (1870-71) challenge conceptions about space (i

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Lewis, Simon John. "The aesthetics of spectacle in mainstream cinema." Thesis, Northumbria University, 2012. http://nrl.northumbria.ac.uk/8781/.

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This thesis seeks to develop an aesthetics of spectacle in mainstream cinema. Whilst a significant amount of critical work has been undertaken on spectacle within the context of narrative theory, little attention has been paid to defining and analysing spectacle in itself and its place in the cinematic experience. Not only does this mean that a pervasive concept in film studies is left poorly defined and unconsidered, it also hampers an understanding of the nature of the cinematic experience itself. The central question addressed by the thesis is ‘What is the role of spectacle in the cinematic

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Watts, Robert. "Children's perceptions of beauty : exploring aesthetic experience through photography." Thesis, University of Roehampton, 2016. https://pure.roehampton.ac.uk/portal/en/studentthesis/childrens-perceptions-of-beauty(b5a72e1d-fbf7-433b-8c82-833642331438).html.

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The research reported in this thesis explores children’s perceptions of beauty. It investigates how children reflect upon and articulate their perceptions of beauty and examines how these perceptions relate to philosophical thinking about aesthetic experience. For the past 100 years, beauty has been marginalised in art and education and it is widely regarded as a problematic notion in a range of social and cultural contexts. Art educators have often portrayed beauty as a peripheral concern, and those who have studied children’s responses to artworks have tended to characterise their references

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Jakubowski, Philip. "Masters thesis /." Online version of thesis, 1992. http://hdl.handle.net/1850/11152.

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Friday, Jonathan Charles. "Transparancy, representation and expression : an essay in the aesthetics of photography." Thesis, University of Cambridge, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.338326.

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Ito, Atsuhide. "Separate landscape : non-place, aesthetics and landscape on the Tōkaidō Route, Japan." Thesis, University of Brighton, 2007. https://research.brighton.ac.uk/en/studentTheses/022fc32a-3aa4-451e-8fb8-7941389e7e6e.

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Separate landscape is a research that combines a theory and practice through the examination of 'non-place'. Non-places such as airports, waiting lounges, car parks, shopping malls have been defined as places which lack a sense of history, social relations, and identity.

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Ortells, Nicolau Xavier. "Urban demolition and the aesthetics of recent ruins in experimental photography from China." Doctoral thesis, Universitat Autònoma de Barcelona, 2015. http://hdl.handle.net/10803/288299.

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A la Xina de les reformes econòmiques, la demolició i la runa han esdevingut una presencia indefugible a la majoria de ciutats xineses. Reificant “l’amenaça a la ciutat i la seva memòria”, en paraules de Yomi Braester, la demolició ha atret una munió d’artistes i cineastes que l’han incorporada a les seves obres. Aquesta tesi doctoral contribueix a estudis recents sobre l’imaginari de les ruïnes a l’art i la cultura visual de la Xina, i al creixent nombre d’estudis sobre fotografia xinesa amb un anàlisi de fotògrafs experimentals que han treballat sobre el tema de la demolició urbana. La pre

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Ho, King Tong. "The poetics of making a new cross-cultural aesthetics of art making in digital art through the creative integration of Western digital ink jet printmaking technology with Chinese traditional art substrates : this exegesis is submitted to AUT University in partial fulfillment of the degree of Doctor of Philosophy." Click here to access this resource online, 2007. http://hdl.handle.net/10292/333.

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Books on the topic "Aesthetics of photography"

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Hoy, Paul D. Van. Wedding photojournalism: The business of aesthetics. Amherst Media, 2011.

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Touching surfaces: Photographic aesthetics, temporality, aging. Rodopi, 2009.

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Alexander, Streitberger, ed. Situational aesthetics: Selected writings by Victor Burgin. Leuven University Press, 2009.

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The photographic impressionists of Spain: A history of the aesthetics and technique of pictorial photography. E. Mellen Press, 1989.

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Blow up: Photography, cinema and the brain. D.A.P./Distributed Art Publishers, 2003.

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Neidich, Warren. Blow up: Photography, cinema and the brain. D.A.P./Distributed Art Publishers, 2004.

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Martin, Hill. Nature works: Sculpture & photography. Godwit, 1997.

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Moholy-Nagy, László. Painting, photography, film. MIT Press, 1987.

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Kants Ästhetik im Zeitalter der Photographie: Analysen zwischen Sprache und Bild. transcript, 2009.

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Painting, photography, film. MIT Press, 1987.

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Book chapters on the topic "Aesthetics of photography"

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Burris, Jennifer. "Architectural Photography." In Aesthetics. Routledge, 2017. http://dx.doi.org/10.4324/9781315303673-20.

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Chan-Fai, Cheung. "Photography." In Handbook of Phenomenological Aesthetics. Springer Netherlands, 2009. http://dx.doi.org/10.1007/978-90-481-2471-8_51.

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Scruton, Roger. "Why Photography Does Not Represent Artistically." In Aesthetics. Routledge, 2017. http://dx.doi.org/10.4324/9781315303673-18.

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Goldstein, Steven H. "Digital Photography and Digital Asset Management." In Implant Aesthetics. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50706-4_10.

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Campanelli, Vito. "New Aesthetic in the Perspective of Social Photography." In Postdigital Aesthetics. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137437204_20.

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Tifentale, Alise, and Lev Manovich. "Selfiecity: Exploring Photography and Self-Fashioning in Social Media." In Postdigital Aesthetics. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137437204_9.

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Rigal, Laura. "Pulled by the Line: Speed and Photography in Moby-Dick." In Melville and Aesthetics. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230120044_7.

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Nair, Akshay Gopinathan. "The Role of Photography in Oculofacial Aesthetics." In Orbit and Oculoplastics. Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-8538-4_1.

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Sheridan, Bridget. "Following Footprints: Photography, Writing, and the Artist’s Book in Art Walking." In Walking and the Aesthetics of Modernity. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-60364-7_7.

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Zhang, Ben, Ran Ju, Tongwei Ren, and Gangshan Wu. "Say Cheese: Personal Photography Layout Recommendation Using 3D Aesthetics Estimation." In Lecture Notes in Computer Science. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-48896-7_2.

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Conference papers on the topic "Aesthetics of photography"

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Suchecki, Maciej, and Tomasz Trzciski. "Understanding aesthetics in photography using deep convolutional neural networks." In 2017 Signal Processing: Algorithms, Architectures, Arrangements and Applications (SPA). IEEE, 2017. http://dx.doi.org/10.23919/spa.2017.8166855.

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Akyuwen, Ardiles, and Cininta Analen. "The Aesthetics of Still Life Photography at Home During Covid-19 Pandemic: Designing Mobile Photographic Works." In International Conference of Innovation in Media and Visual Design (IMDES 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201202.087.

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Huang, Yaozhun, Sze-Chun Tsang, Hei-Ting Tamar Wong, and Miu-Ling Lam. "Computational light painting and kinetic photography." In Expressive '18: Joint Symposium on Computational Aesthetics and Sketch Based Interfaces and Modeling and Non-Photorealistic Animation and Rendering. ACM, 2018. http://dx.doi.org/10.1145/3229147.3229167.

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Zhang, Bochen. "Reflection and Comparison of the Eastern and Western Aesthetics of Photography Composition." In 2017 International Conference on Sports, Arts, Education and Management Engineering (SAEME 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/saeme-17.2017.2.

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Fan, Liu, and Zhang Yansong. "Research on the “Instantaneity” of Documentary Photography from the Perspective of Reception Aesthetics." In 2021 International Conference on Modern Educational Technology and Social Sciences (ICMETSS 2021). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210824.032.

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Tahalea, Silviana, Erlina Novianti, and FX Damarjati. "Urban Aesthetics Analysis with Townscape Theory Approach in Architecture Photography (Case Study: Jakarta Old Town Core Zone)." In Proceedings of the First Lekantara Annual Conference on Public Administration, Literature, Social Sciences, Humanities, and Education, LePALISSHE 2021, August 3, 2021, Malang, Indonesia. EAI, 2022. http://dx.doi.org/10.4108/eai.3-8-2021.2315079.

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Aristizábal, José Antonio. "HUMBERTO RIVAS, DESDE LO ROMÁNTICO Y LO SINIESTRO. HUMBERTO RIVAS FROM THE ROMANTIC AND THE SINISTER." In I Congreso Internacional sobre Fotografia: Nuevas propuestas en Investigacion y Docencia de la Fotografia. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/cifo17.2017.6880.

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Palabras clave:Fotografía, estética, Humberto Rivas, Rafael Argullol, Eugenio Trías.Keywords: Photography, esthetic, Humberto Rivas, Rafael Argullol, Eugenio Trías.Resumen:El siguiente artículo busca dar una lectura a la obra del fotógrafo Humberto Rivas, Premio Nacional de Fotografía y unos de los mayores exponentes de la fotografía española de finales del siglo XX. Se parte de la convicción de que hace falta ubicar a Humberto Rivas en una tradición de pensamiento estético, ya que las distintas lecturas que existen sobre su trabajo, aunque importantes, no han dejado de ser lecturas impresioni

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Lou, Hao, Heng Huang, Chaoen Xiao, and Xin Jin. "Aesthetic Evaluation and Guidance for Mobile Photography." In MM '21: ACM Multimedia Conference. ACM, 2021. http://dx.doi.org/10.1145/3474085.3478557.

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Yeo, Yong-Yaw, John See, Lai-Kuan Wong, and Hui-Ngo Goh. "Generating Aesthetic Based Critique For Photographs." In 2021 IEEE International Conference on Image Processing (ICIP). IEEE, 2021. http://dx.doi.org/10.1109/icip42928.2021.9506385.

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Dang Thi Dieu, Trang. "Modern Folk poetry (Ca Dao): A Form of Folklore Linguistic Composition on the Internet." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.4-2.

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The context of globalization along with the development of electronic media has opened a new era for folklore in general as well as forms of linguistic composition of folk literature in particular. In addition to the form of composing and keeping media documents in the traditional way, the Internet explosion has dominated the main spaces of communal life and has gradually changed the mode of human interaction. Cyber space is considered as a tool to convey traditional values, to create many new cultural activities, and to be a place to circulate folk cultural works in contemporary society, in w

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