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Dissertations / Theses on the topic 'Aesthetics of the asceticism'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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1

Proctor, Jonathan Bruce. "Lord, is it good for us to be here? Notes on aestheticism, asceticism and liturgical experience /." Theological Research Exchange Network (TREN), 1990. http://www.tren.com.

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2

Brake, David. "Athanasius and asceticism /." Baltimore (Md.) : the J. Hopkins university press, 1998. http://catalogue.bnf.fr/ark:/12148/cb39013972w.

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Texte remanié de: Doct. th.--New Haven (Conn.)--Yale university, 1992. Titre de soutenance : St Athanasius and ascetic Christians in Egypt.<br>Précédemment paru sous le titre "Athanasius and the politics of asceticism" Bibliogr. p. 335-349. Index.

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3

Galasso, Dario Emanuele. "Nietzsche : asceticism, philosophy, history." Thesis, Birkbeck (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.409689.

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4

Freiberger, Oliver. "Der Askesediskurs in der Religionsgeschichte : eine vergleichende Untersuchung brahmanischer und frühchristlicher Texte /." Wiesbaden : Harrassowitz, 2009. http://d-nb.info/991679466/04.

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5

Behr, John. "Asceticism and anthropology in Irenaeus and Clement /." Oxford : Oxford university press, 2000. http://catalogue.bnf.fr/ark:/12148/cb372103194.

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6

McNary-Zak, Bernadette. "Letters and asceticism in fourth-century Egypt /." Lanham (Md.) : University press of America, 2000. http://catalogue.bnf.fr/ark:/12148/cb372114189.

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7

Solovieva, Olga Y. "Asceticism and allegory: exegesis as an ascetic performance /." Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2009. http://wwwlib.umi.com/cr/syr/main.

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8

Carroll, Anna. "Holy Ghosts: Romantic Asceticism and Its Figural Phantoms." Thesis, University of Oregon, 2016. http://hdl.handle.net/1794/19720.

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This dissertation reconsiders sacred tropes in the Romantic poetry of William Wordsworth, Percy Shelley, and John Keats within the context of ascetic performances and written saints’ lives. I argue that reading these poets as ascetic figures helps us to better understand Romantic isolation as a deeply social engagement, for an ascetic rejects his social milieu in order to call for the sanctification of a corrupt community. Asceticism redraws the lines of Romantic immanent critique of nineteenth-century England and newly explains the ghostly afterlives of poets whose literary personae transcend

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9

Casey, Barbara. "Monastic life in the ascetic writings of St. Basil." Theological Research Exchange Network (TREN), 1985. http://www.tren.com.

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10

Cadenhead, Raphael Albert. "Corporeality and desire : a diachronic study of Gregory of Nyssa's ascetical theology." Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648813.

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11

Puusaar, Samuel. "Limpid purity of heart (lebba shaphya) in the "Ascetical homilies" of St. Isaac of Syria." Theological Research Exchange Network (TREN), 1996. http://www.tren.com.

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12

Richards, Joshua. "Aspects of asceticism in the poetry of T.S. Eliot." Thesis, University of St Andrews, 2012. http://hdl.handle.net/10023/3658.

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This thesis examines asceticism in T. S. Eliot's poetry by recapitulating his education in mysticism and theology then applying both the texts and doctrines to Eliot's poetry. Harvard's Houghton Library contains a record of approximately thirty books that he read during his graduate study, and a partial list appeared in Lyndall Gordon's 1977 biography T. S. Eliot's Early Years. Yet, these works have received little critical attention, and this is the first study to examine these works significantly. Intense reading of these neglected sources composes a large portion of the research for this th

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13

Gebers, Adrian. "Aesthetics of systems / Systems of aesthetics." Thesis, The University of Sydney, 2013. http://hdl.handle.net/2123/11964.

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This paper investigates the role artists play in maintaining their legitimacy through participating in various roles across the entire art world by tracing the careers of selected artists with expanded practices. Where actions are performed on behalf of artists, artists lose the ability to represent themselves and even participate in their own disenfranchisement. Systems and systems aesthetics are first explored before the art world itself is revealed as a system. The positions that artists take up in the system is explored through the careers of various artists, including those that work as c

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14

Pevarello, Daniele. "The Sentences of Sextus and the origins of Christian asceticism." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610739.

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15

Lai, Pak-Wah. "St. John Chrysostom's theology of Christian transformation." Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p048-0322.

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16

Cubitt, Sean. "Digital aesthetics." Thesis, Liverpool John Moores University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.402843.

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17

Berrios, Ruben Ernesto. "Nietzsche's aesthetics." Thesis, University of Southampton, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327365.

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18

Fulmer, Tracy. "BLIND AESTHETICS." Miami University / OhioLINK, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=miami1002992074.

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19

Vollbrecht, Tracy. "Adaptive Aesthetics." Kent State University Honors College / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1525685379561019.

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20

Cumming, Mitchel Spider. "Recessional Aesthetics." Thesis, The University of Sydney, 2019. http://hdl.handle.net/2123/20641.

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With this paper, I consider my operation of independent, artist run institutions (ARIs) as a constitutive element of my broader artistic practice, resisting a Kantian model of ‘disinterested’ aesthetics that would seek to keep the two ontologically distinct. Through a reading of Jacques Derrida’s deconstructionist text on Kant’s parergon, I identify that the various labours required to maintain spaces of exhibition have a peripheral impact on a viewer’s experience within this space, and can thus be used by the artist to (re)shape the terms of aesthetic encounter. I examine a range of critical

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21

Young, Margaret Louise. "Stranger and pilgrim : devotion and asceticism in the poetry of Christina Rossetti." Thesis, University of Liverpool, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.343686.

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22

Macmillan, Sarah M. "Asceticism in late-medieval religious writing : Oxford, Bodleian Library, MS Douce 114." Thesis, University of Birmingham, 2010. http://etheses.bham.ac.uk//id/eprint/1370/.

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The five texts contained in Oxford, Bodleian Library, MS Douce 114 (c. 1420-50) are seminal to understanding the centrality of asceticism in medieval English devotional literature. This thesis addresses the ways in which Douce 114 can be comprehended as a ‘whole book’ and as such outlines a transformation from extreme bodily mortification (in its first text) to the mortification of mind (in its last). It suggests that the manuscript was envisioned as a spiritual tool, its contents designed to be read in order, and that the central theme of asceticism is a hermeneutical device which guides the

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23

Damasceno, Francisco William Mendes. "Ética e metafísica em Schopenhauer: a coexistência da vontade livre com a necessidade das ações." www.teses.ufc.br, 2012. http://www.repositorio.ufc.br/handle/riufc/6554.

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DAMASCENO, Francisco William Mendes. Ética e metafísica em Schopenhauer: a coexistência da vontade livre com a necessidade das ações. 2012. 118f. – Dissertação (Mestrado) – Universidade Federal do Ceará, Programa de Pós-graduação em Filosofia, Fortaleza (CE), 2012.<br>Submitted by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2013-11-11T17:13:07Z No. of bitstreams: 1 2012-DIS-FWMDAMASCENO.pdf: 840511 bytes, checksum: 55a93b1f5e0de41ea3d91cba2db0716d (MD5)<br>Approved for entry into archive by Márcia Araújo(marcia_m_bezerra@yahoo.com.br) on 2013-11-12T11:02:05Z (GMT) No. of bitstreams: 1

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24

Costello, Diarmuid. "Aesthetics after modernism." Thesis, University of Essex, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395872.

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25

Pfenningstorff, Barbara. "Aesthetics of immanence." Thesis, Goldsmiths College (University of London), 2014. http://research.gold.ac.uk/11035/.

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This thesis is concerned with the spatial contingencies which affect the production and reception of art. The initial argument is premised on 19th century museum architecture and its role in the aesthetic judgement and containment of art. As an idealist formation, the art museum has survived to this day. However, the thesis claims that art is an immanent space which makes sense of the contingencies it contains, and not the other way round. Since the late 1960s, then, artists such as Robert Smithson and Donald Judd have recovered what they term 'architectural afterthought' and 'space as a main

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26

Elm, Susanna. "The organization and institutions of female asceticism in fourth century Cappadocia and Egypt." Thesis, University of Oxford, 1987. http://ora.ox.ac.uk/objects/uuid:ab8fce98-50da-4e26-b215-ba6f3d849377.

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In discussing the organization and institutions of fourth century female asceticism I attempt to apply methods used in the study of history to a topic generally regarded as theological, and therefore almost neglected by scholars of Ancient History. I concentrate on monasticism neither as generic phenomenon, nor on its spiritual aspects. Rather, I try to identify the social, economic and legal basis of a specific form (female asceticism) in a specific environment (fourth century Cappadocia and Egypt). By reconstructing the process of organization and the developing institutions of female asceti

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27

Gledhill, Michael. "Peter Damian and 'the World' : asceticism, reform and society in eleventh-century Italy." Thesis, King's College London (University of London), 2012. https://kclpure.kcl.ac.uk/portal/en/theses/peter-damian-and-the-world-asceticism-reform-and-society-in-eleventhcentury-italy(63b34550-bba9-4b0d-b18c-536cab94a1ff).html.

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The aim of this thesis is to conduct an analysis of Peter Damian’s letters specifically grounded in the immediate social and political contexts within which the letters were produced. Whilst Damian (c. 1007 - 1072) is generally seen as an important figure in the history of the Church as a whole, he is rarely studied as an active member of his contemporary Italian society. This thesis will seek to relate the ecclesiastical to the social, and the clerical/monastic to the lay, and to integrate Damian’s approach to women and to gender into the broader picture of his activity in northern and centra

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28

Swalwell, Melanie. "Aesthetics and hyper/aesthetics: rethinking the senses in contemporary media contexts." University of Technology, Sydney. Faculty of Humanities and Social Sciences, 2002. http://hdl.handle.net/2100/386.

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This thesis addresses the escalation of interest in the senses, across a range of media technological contexts, dating from the mid 1990s. Much of this discourse has focussed on the experiential, particularly intense, multisensory experience of the present. As there are numerous discourses on the senses, technology and affect individually, my concern is to examine some of the intersections between these, in order to reconsider the contemporary significance of aesthetics in media contexts. I develop a ‘hyper/aesthetic’ approach to try to think about aesthetic relations with technology in a nuan

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29

Mottram, Robert. "Novalis, Nietzsche, and the Rhetoric of Enchantment." Thesis, University of Oregon, 2015. http://hdl.handle.net/1794/19287.

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This work reopens the question of Nietzsche’s relationship to Early German Romanticism through critical readings of moments of enchantment in the writings of Novalis. It unveils the seemingly conciliatory gestures of enchantment as moments of discord between subject and figure, self and world. These readings attend to the tropes, ironic registers, and performative dimensions of texts that occlude rather than facilitate a strict demarcation between Novalis and Nietzsche. That the thinkers in question are shown to anticipate their critical reception is consonant with the present work, which, in

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30

Buchanan, D. A. "Aesthetics, art and Utopia : the philosophical significance of the discourse of aesthetics." Thesis, University of Reading, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.296698.

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31

Ednie-Brown, Pia Hope, and pia@rmit edu au. "The aesthetics of emergence." RMIT University. Architecture and Design, 2008. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080804.161628.

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Principles of design composition are commonly understood to pertain to geometrical systems for arranging parts in assembling a formal whole. Connection to socio-cultural 'meaning' and relevance arguably occurs primarily via the assumed divinity or universality of these systems. In the contemporary architectural world, where explicitly held beliefs in fundamental, geometrically defined principles or values have dissipated, guiding principles of composition appear to be obsolete. This seems particularly true in relation to work that highlights process - or change, responsiveness, interactivity a

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32

Lindley, Anne Hollinger. "Relating to relational aesthetics." Pomona College, 2009. http://ccdl.libraries.claremont.edu/u?/stc,74.

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This thesis will examine the practice of relational aesthetics as it involves the viewer, as well as the way in which it plays out within and outside of the institutional setting of the museum. I will focus primarily on two unique projects: that of The Machine Project Field Guide at Los Angeles County Museum of Art on November 15, 2008, produced by Machine Project, a social project operated out of a storefront gallery in Echo Park; and David Michalek's Slow Dancing at the Lincoln Center Festival in New York City, July 12-29 2007.

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33

Sampath, Krishna. "Visual aesthetics and Usability." Thesis, Linköpings universitet, Interaktiva och kognitiva system, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-97706.

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In the field of Human computer interaction, currently aesthetics has become one of the most frequently research dimension. Most of the researchers have found the correlation between aesthetics and usability, while some other could not discover the correlation between aesthetics and usability. This irregularity to find the correlation between aesthetics andusability makes to further research on this topic.Also based on the previous studies and empirical analysis, it is unclear the factors and issues that are affecting usability and aesthetics while analyzing the correlation. This thesis clearly

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34

Hough, Darren William. "Aesthetics and product usability." Thesis, Georgia Institute of Technology, 2003. http://hdl.handle.net/1853/23107.

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35

Gunningham, F. G. C. "Aesthetics in engineering design." Thesis, Swansea University, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.637189.

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Bad design must be a contributor to the demise of British manufacturing but good designers are often lost to jobs in management or selling, where the rewards are greater. Further, it is often said that although Britain produces ingenious prototypes, other countries produce better products by paying greater attention to reliability, cost and aesthetics in detail design. The research investigates the place of aesthetics in engineering design in the UK, now and in the past. By surveys and interviews, the attempt was made to quantify the aesthetic content of product design and the reaction of the

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36

Flint, Glenn Peter. "Otpar and political aesthetics." Thesis, Keele University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.534309.

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37

Mukdamanee, Vichaya. "(De)contextualising Buddhist aesthetics." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:ee1e2b7f-1c97-40ec-be69-160a3a35cf03.

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'(De)contextualising Buddhist Aesthetics' is a practice-led artistic research project focusing on the interchanging transition between Buddhist and artistic practices. Essentially inspired by the concept of vipassana meditation, I created a series of performances involving repetitive actions centring on the tasks of re-arranging readymade objects into multiple precarious configurations. Many exercises challenge the laws of gravity and other physical limitations of objects, as well as encouraging the learning experience through the process of trial and error. During the course of mindful observ

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38

Giambroni, Caitlin A. "The Aesthetics of Representation." Kent State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent1574717315842711.

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39

Shaw, Sarah. "Seventeen : ethics and aesthetics." Thesis, Northumbria University, 2014. http://nrl.northumbria.ac.uk/23587/.

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My practice-led research in Creative Writing consists of composing a novel closely focalised through three members of a dual-heritage family in Suffolk in 2004 after the teenage daughter is diagnosed with leukaemia. ‘Seventeen: Ethics and Aesthetics’ explores the question: what are the tensions between truth, kindness and the form and poetics of the novel? My critical reflection considers techniques used to convince the reader, and my attempts to represent unconscious psychic processes of the novel’s protagonists in relation to trauma fiction. The aim of the research programme has been to disc

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40

Riley, Mark Simon. "An aesthetics of hauntology." Thesis, Goldsmiths College (University of London), 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.425350.

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41

Edvalson, Eric John. "Cozy Mart: Convenient Aesthetics." BYU ScholarsArchive, 2017. https://scholarsarchive.byu.edu/etd/6207.

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Convenience stores in their various forms are not only commercial outlets of foodstuffs and sundry items but are also experiential in nature; the act of going to a convenience store is a culturally shared experience. In homage to these spaces, Cozy Mart is a public art installation and performance which recreates this shared experience in an idealized form. Based on do-it-yourself culture, appropriation of public space, and artistic traditions of sculpture and printmaking, Cozy Mart invites interaction with art outside of the traditional gallery space and capitalizes on alternative methods of

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42

Mijouin, Lola. "Invisible Aesthetics of Noise." Thesis, Konstfack, Industridesign, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-6856.

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Sound in our human world is broken down into two general types : desirable and undesirable. Unwanted sounds in our lives, that we also call “noises”, induce diverse kinds of physical and psychological reactions, many of them unhealthy. As humans living in the Anthropocene, we bring noise with us everywhere we go, creating soundscapes of random sources that we either enjoy or find annoying, while masking more aesthetically resonant sounds. As our modern society is moving faster, the urban soundscape becoming noisier, and our attention taken by technology, we forget to pay attention to our surro

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Zhang, Zhexi S. M. Massachusetts Institute of Technology. "The aesthetics of decentralization." Thesis, Massachusetts Institute of Technology, 2019. https://hdl.handle.net/1721.1/123614.

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Thesis: S.M. in Art, Culture and Technology, Massachusetts Institute of Technology, Department of Architecture, 2019<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (pages 79-86).<br>This thesis explores ways in which decentralized network technologies are used to experiment with and design new modes of socio-technical organization. Drawing on an understanding of aesthetics as a "distribution of the sensible" and Jack Burnham's notion of "systems esthetics", an artistic engagement with society's technological modes of organization, I explore the ways in which th

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Miniukovich, Aliaksei. "Computational Aesthetics in HCI: Towards a Predictive Model of Graphical User Interface Aesthetics." Doctoral thesis, Università degli studi di Trento, 2016. https://hdl.handle.net/11572/368110.

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This thesis describes the development and validation of a predictive model of graphical user interface (GUI) aesthetics. The development was informed by the processing-fluency theory of aesthetic pleasure and involved outlining several visual dimensions of GUI designs, which could affect aesthetics impression. Each of the dimensions was grounded in theory and represents a unique visual aspect of GUI design. The resulting model automatically evaluates the design dimensions and combines them in an estimate of the average impression that GUI appearance would make on the user population. The model

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Miniukovich, Aliaksei. "Computational Aesthetics in HCI: Towards a Predictive Model of Graphical User Interface Aesthetics." Doctoral thesis, University of Trento, 2016. http://eprints-phd.biblio.unitn.it/1773/1/aesthetics_thesis_v1.2.12_final_1.pdf.

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This thesis describes the development and validation of a predictive model of graphical user interface (GUI) aesthetics. The development was informed by the processing-fluency theory of aesthetic pleasure and involved outlining several visual dimensions of GUI designs, which could affect aesthetics impression. Each of the dimensions was grounded in theory and represents a unique visual aspect of GUI design. The resulting model automatically evaluates the design dimensions and combines them in an estimate of the average impression that GUI appearance would make on the user population. The model

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46

Lysack, Maxym. "The ascetic and sacramental dimensions of the spiritual life in the theological reflection of Father Alexander Schmemann, Metropolitan Hierotheos of Nafpaktos, and Paul Evdokimov." Online full text .pdf document, available to Fuller patrons only, 2000. http://www.tren.com.

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47

Hyon, Jungsin. "Méditation et médiation thérapeutique : Aspects théoriques et cliniques." Thesis, Université Côte d'Azur (ComUE), 2017. http://www.theses.fr/2017AZUR2030.

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Étant donné que les bienfaits de la méditation soient, sur un plan qualitatif, difficiles à mesurer, il est indispensable de recueillir des données empiriques issues d’expériences menées, tout en restant fidèle aux critères internationaux de la communauté scientifique. Et cela, afin de valider les résultats obtenus durant la présente étude. Ainsi, la présente thèse se divise-t-elle en 2 parties : la première partie porte sur la théorisation de la pratique méditative reposant sur des données théoriques, tandis que la seconde partie porte sur la modélisation de cette pratique, reposant sur des d

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48

Damasceno, Francisco William Mendes. "Ãtica e metafÃsica em Schopenhauer: a coexistÃncia da vontade livre com a necessidade das aÃÃes." Universidade Federal do CearÃ, 2012. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=8337.

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FundaÃÃo Cearense de Apoio ao Desenvolvimento Cientifico e TecnolÃgico<br>A presente pesquisa Ã uma anÃlise, Ã luz da filosofia de Schopenhauer, da problemÃtica tradicional acerca do livre-arbÃtrio, ou liberdade de indiferenÃa, termo mais utilizado por Schopenhauer. Trata-se de investigar atÃ que ponto se pode falar de uma liberdade dos atos particulares e como esta suposta liberdade poderia ser conciliada com a necessidade causal do mundo fÃsico. Para tanto Ã preciso refazer o percurso realizado por Schopenhauer na sua investigaÃÃo Ãtico-metafÃsica acerca da liberdade. Por outro lado, Ã extre

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49

Wainwright, John Joseph. "Treading the path of salvation : the religious devotion of Shaqīq al-Balkhī, al-Ḥārith al-Muḥāsibī, and Abū Saʻīd al-Kharrāz". Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:2844dccf-b479-42a2-92c6-54a3849b7f13.

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In the early ninth century Muslim renunciants developed the metaphor of devotion to God is a path to teach their disciples how to cultivate virtues that would enable them to escape attachment to the world. Alongside these virtues were ascetic practices, sometimes extreme, that demonstrated their commitment to God. The earliest example of this renunciant path is the ascetic manual Adab al-'ibadat attributed to Shaqiq al-Balkhi (d. 198/809-10). Al-Harith al-Muhasibi (d. 243/857-8) took exception to exaggerated practices of Shaqiq's path and insisted that religious devotion must adhere to the com

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50

Eccles, Tim. "Looking for beauty: a call to educators to address the need for aesthetic education in our classrooms /." Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/2204.

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