Relevant bibliographies by topics / Aesthetics, Thai

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Aesthetics, Thai'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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Journal articles on the topic "Aesthetics, Thai"

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Hoang, Nguyen Tan. "Wer Aesthetics in Contemporary Queer Thai Cinema." Camera Obscura: Feminism, Culture, and Media Studies 33, no. 1 (2018): 139–69. http://dx.doi.org/10.1215/02705346-4336872.

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Shannan, Jonathan H. "Sounding the Center: History and Aesthetics in Thai Buddhist Performance:Sounding the Center: History and Aesthetics in Thai Buddhist Performance." American Anthropologist 105, no. 1 (March 2003): 215–17. http://dx.doi.org/10.1525/aa.2003.105.1.215.

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Intaraporn, Weerawat. "Aesthetics of Khlong in Thai Poetry: Convention and Creativity." MANUSYA 9, no. 3 (2006): 73–87. http://dx.doi.org/10.1163/26659077-00903005.

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This paper aims to illustrate the beauty of khlong (Thai poetry) creatively written and transmitted from the past to the present through a study of the preservation and creation of aesthetics in relation to euphony, and diction, as well as the imitation of words used by previous poets with new meaning in Thai poetry. From the study, it is found that Thai poets of each era have both followed and adapted the traditional style of composition. In terms of euphony, poets from the past to the present put an emphasis on tones at the end of each line, play on different tone levels, and use internal rhymes as seen in both alliteration and assonance. As for diction, puns, either homophones or homonyms and repeated words are employed. Regarding word formation, even though it is obviously seen that poets have imitated the same words employed by poets of previous generations, they have also adapted and developed them to suit the individuality of each poet for the unique aesthetics of both diction and concept. It can be said that the creation of melodious and witty khlongis congruent with the nature of the Thai language since khlong is Thai in its origin and this in itself enhances the effectiveness of Thai poets in making use of the dominant characteristics of the Thai language in the composition of their poetic works from the past to the present.
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Greene, Paul D., and Deborah Wong. "Sounding the Center: History and Aesthetics in Thai Buddhist Performance." Yearbook for Traditional Music 33 (2001): 172. http://dx.doi.org/10.2307/1519645.

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Suphanyot, Buaphan. "Sexuality in Thai Folk Songs." MANUSYA 10, no. 4 (2007): 92–101. http://dx.doi.org/10.1163/26659077-01004007.

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Combining fieldwork research with textual analysis, this paper investigates the role of traditional Thai folk songs in teaching sexuality and sex education in contemporary Thai society. Although this mode of teaching is not formally included in school curricula, folk songs have easily lent themselves to the role of education and the transmission of cultural values. They are filled with humour, easy to remember, and do not challenge prevailing Thai moral standards. This paper shows how folk songs have long been an important way for Thai people to learn about sexual desire, the functioning of sexual organs, intercourse, sexual behaviour, courtship and reproduction, as well as the roles of husband and wife in marriage. Through a close reading of their musical composition, lyrics and symbols, the paper analyses the double role of folk songs in the transmission of knowledge about sex and the sexual body, as well as strengthening the notion of an essential Thai sense of aesthetics and way of life.
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Popovic, Una. "Baumgarten on the sublime: Aesthetics and ethics." Theoria, Beograd 63, no. 3 (2020): 129–39. http://dx.doi.org/10.2298/theo2003129p.

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In this paper, Baumgarten?s account of the sublime will be inspected with regard to the category of aesthetic greatness (magnitudo aesthetica), and in view of his analysis of aesthetic subjectivity. The Sublime is here shown to be the topic within which Baumgarten aims to prove the inner connection between aesthetics and ethics, or, more precisely, that the aesthetic domain is intrinsically related to moral acts and decision-making. My analysis will primarily focus on Baumgarten?s Aesthetics, but it will also include his other works, like Metaphysics and Ethics, as well as the comparison with Pseudo-Longinus?s text On the Sublime. My research should indicate one possible interpretation of Baumgarten?s project, such that it would not discard its purpose, the autonomy of aesthetical domain, but which could, at the same time, determine the relations of aesthetics with other forms of human thought.
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Jatuthasri, Thaneerat. "Unakan: A Combination of the Images of Thai Hero and Heroine." MANUSYA 9, no. 2 (2006): 81–94. http://dx.doi.org/10.1163/26659077-00902005.

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Focusing on Unakan, the heroine in male disguise in Bot lakhon nai reung Inao, this paper aims at studying the roles and significance of her character that reflect the outstanding image of a heroine in Thai literature. In the story, Butsaba, the heroine, is disguised by her divine ancestor, Patarakala, as a young man named Unakan. The study reveals that Unakan possesses the characteristics of both hero and heroine. By portraying the roles as parallel to Inao, the hero of the story, Unakan is a great warrior and a dignified hero who has irresistible charm to women. She also searches for the lost lover which is generally the role of a hero. These roles are usually found in many versions of the Panji romances. It reflects that the poet kept these outstanding roles of the Panji romances' heroines. Still, Unakan preserves the same characteristics as other heroines in the Thai literary convention. Unakan does not only have perfect beauty and conduct like other Thai ideal women, but she also represents an ideal wife. The character of Unakan has significance to literary aesthetics and values, to the criticism of women’s potential, and to Thai literary tradition.
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Ortlieb, Stefan A., Werner A. Kügel, and Claus-Christian Carbon. "Fechner (1866): The Aesthetic Association Principle—A Commented Translation." i-Perception 11, no. 3 (May 2020): 204166952092030. http://dx.doi.org/10.1177/2041669520920309.

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Most of the groundbreaking works of Gustav Theodor Fechner (1801–1887), who paved the way for modern experimental psychology, psychophysics, and empirical aesthetics, are so far only available in German. With the first full text translation of Fechner’s article on The Aesthetic Association Principle ( Das Associationsprincip in der Aesthetik), we want to fill in one of the blank spots in the reception of his Aesthetics from Below (Aesthetik von Unten). In his 1866 article, Fechner devises a fundamental principle that accounts for the role of associations in the formation of aesthetic preferences. Based on concrete everyday examples and thought experiments, he demonstrates how aesthetic choices are largely shaped by the observer’s learning history (associative factors) rather than by an object’s formal properties (direct factors). Fechner’s Aesthetic Association Principle has lost nothing of its initial relevance as the role of content and personal meaning is still grossly underrated in theory and practice of empirical aesthetics today.
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Chapakdee, Thanom. "Art of Engagement: Visual Art of Thailand in Global Contexts." International Journal of Creative and Arts Studies 3, no. 1 (December 29, 2017): 21. http://dx.doi.org/10.24821/ijcas.v3i1.1832.

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This paper on the topic of Art of Engagement: Visual Art of Thailand in Global Contexts, attempts to explore that “global contexts” is transformed because of the impacts rapid change in economics, politics, society and culture. Globalization based on the notion of Global art and transform Thai art scene into the state of international art movement such as Installation art, Performance art, Community art, i.e. these movement becomes the mainstream of art since 1980s. This kind of movement which artist has created the art objects, space, time and sphere as a model of sociability which audiences can participate with people in community as relational art practice. The relational art becomes the space of exchange and participants can share experienced of taste, aesthetic, criticism which it’s related to art objects and sphere of community. This paper will explains that relational art is in the process of art of engagement. That is why art has become the community engagement which art objects and practical based are of the relational art and relational aesthetics.
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Raksamani, Kusuma. "The Validity of the Rasa Literary Concept: An Approach to the Didactic Tale of PHRA Chaisurjya." MANUSYA 9, no. 3 (2006): 67–72. http://dx.doi.org/10.1163/26659077-00903004.

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The rasa (emotive aesthetics), one of the major theories of Sanskrit literary criticism, has been expounded and evaluated in many scholarly studies by Indian and other Sanskritists. Some of them maintain that since the rasa deals with the universalized human emotions, it has validity not only for Indian but for other literatures as well. The rasa can be applied to any kind of emotive poetry such as lyric, epic, drama and satire. However, in Thai literature an emotive definition of poetry encompasses a great variety of works. A question is then raised in this paper about whether the rasa can be applied to a Thai poem of didactic nature. Phra Chaisuriya, a versified tale by Sunthon Phu, is selected as an example of study.
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Dissertations / Theses on the topic "Aesthetics, Thai"

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Mukdamanee, Vichaya. "(De)contextualising Buddhist aesthetics." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:ee1e2b7f-1c97-40ec-be69-160a3a35cf03.

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'(De)contextualising Buddhist Aesthetics' is a practice-led artistic research project focusing on the interchanging transition between Buddhist and artistic practices. Essentially inspired by the concept of vipassana meditation, I created a series of performances involving repetitive actions centring on the tasks of re-arranging readymade objects into multiple precarious configurations. Many exercises challenge the laws of gravity and other physical limitations of objects, as well as encouraging the learning experience through the process of trial and error. During the course of mindful observation of the performing body and objects, the mental state gradually gains moments of stillness and silence, which approach the meaning of emptiness (suññata) in Buddhism. Repeated failures generate intermittent feelings of exhaustion and disappointment, which naturally become part of the progress, and can be personally used to develop insight into the notions of impermanence and the non-self derived from dhamma (Buddhist teachings). The video and photography documentations were edited and altered to generate a visual experience that echoes my thoughts and feelings developed during the proceedings; these moving images later inspired other series of hand-made artworks, including collages, drawings and paintings on paper and canvas, exhibited as part of the installations. Various techniques were applied so these objective components resonate a comparative experience of uncontrollability and controllability: dynamic and stillness, fast pace and slow rhythm, abstract and representation. Some two-dimensional pieces are transformed to three-dimensional and their displays keep changing from location to location, and from time to time, in conjunction with an unstable state of the mind. All artworks were created in various formats and interrelate and inform each other. They act together as evidence of the endless journey of artistic learning, which also mirrors the concept of self-learning in Buddhist meditation.
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Sinhaneti, Kantara, and Jitmanee Pullawan. "Thailand, A beauty hub for everyone? : Internationalizing Thai Aesthetic Surgery." Thesis, Mälardalen University, Mälardalen University, School of Business, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-4283.

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Introduction: Aesthetic surgery becomes another option of beauty. Interested Patients seeking for choices offered outside their homeland for more benefits. Thailand maybe one of those choices people is now interested in. Thai aesthetic industry may prove to be one of the most wanted destinations because of its expertise and relatively low cost with impressive service.

Problem: “How should Thailand improve its Aesthetic service attractiveness to drive its potential to the level of internationalization?”

Purpose: This thesis aim to understand Thai aesthetic surgery business and expect to conduct the idea of how to improve the attractiveness of aesthetic service in Thailand by find out international demand then analyze advantages of Thai aesthetic surgery and what can be improve to serve international customers’ demand.

Method: Primary data gathered from interviews with two doctors, two former patients and eight interested in aesthetic surgery people from different countries. Secondary data mostly came from hospitals and clinics publications, medical articles and Societies of plastic surgeons in many countries. Business Newspaper gives idea about medical care situation and news in medical care field. The theories use to analyze information are Diamond of national advantage, 7Ps, and Total perceived quality model.

Analysis and

Conclusion: International demand of aesthetic surgery is high and people tend to go have operation abroad. Four factors of diamond national advantage show advantages and 7Ps show the capability of Thai aesthetic surgery service. Explication of Thai Marketing Mix (7Ps) clarified that Thai medical care service operate with qualified doctors and service team , well equipped instruments and luxury hospitals and clinics environment . Thai aesthetic surgery also gains high reputation from foreigners especially about lower cost of surgery. Despite the good image of this industry abroad there still are areas which the customers feel inferior ,for example the level of hospitals internationalization does not reach the high standard of international hospitals. The language barrier with hospital staff and difficulties to follow up patients

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Omphornuwat, Kosum. "In pursuit of looking good : Thai women office workers and everyday consumption practices at work." Thesis, Loughborough University, 2010. https://dspace.lboro.ac.uk/2134/6276.

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Drawing upon my eleven-month ethnographic fieldwork in two business organisations in Bangkok, Thailand, this thesis explores Thai women office workers consumption of makeup and clothes at work. What emerges from this thesis is that a claim to beauty as a reason for which women are engaged in the consumption of makeup and clothes is not always valid. Grounded in theoretical discussions and empirical findings, I argue that the women s consumption of makeup and clothes is not always in the pursuit of beauty, but rather the pursuit of looking good. While beauty is perceived as an innate quality of the body, looking good entails the materialisation of the outer body through consumption practices in an attempt to achieve an ideal look. I introduce a concept of looking good practices. Looking good practices demonstrate the ways in which women office workers exert agency in mobilising their outer bodies to achieve an appropriate appearance at work. I argue that looking good practices entail a process of social learning. The women office workers learn to look good through the process by which they look at other women, participate in the practices shared amongst themselves, negotiate the meanings of appropriateness and reify such meanings through their consumption of makeup and clothes. By sharing meanings and practices, the women office workers inevitably participate in looking good practices, which, I argue, are social practices. My research also demonstrates how, through their engagement in the consumption of makeup and clothes, the women office workers aestheticise their bodies to be situated in the aesthetic workplace.
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Dock, Amanda M. ""Inspired Industry."." Digital Commons @ East Tennessee State University, 2005. https://dc.etsu.edu/etd/1098.

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This thesis supports the Master of Fine Arts exhibition entitled "Inspired Industry" at Johnson City Area Arts Council, Johnson City, Tennessee, from November 14 - December 22, 2005. It is the culmination of studies and research affected by the artist's own industry vis-à-vis personal inspirations, including: discussion of aesthetics and personal utilization of the techniques learned in relation to both functional and non-functional ceramic forms. This is a self-evaluation of personal preferences and how this body of ceramic work evolved.
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Jansson, Cathrine. "Elements of design that affect aesthetic evaluation." Thesis, London Metropolitan University, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.444562.

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Point-of-Purchas(eP OP)d isplaysa ree ffectivet ools for increasings aleso f a product. However,C onsumePr sychologya nd marketingli terature containsli ttle theoretical developmenitn the areao f POP-displaysa ndi ts communicativee ffects.C onsequently the aim of this thesisw ast o exploret he phenomenono f POP-displaysw ith the objective of providing a foundation for a conceptual framework that shows how humansr espondt o ande valuatec ertaini n-stores timuli. The sort of questionsaddressedb y this researchre fers in particulart o how elementso f designa ffect aesthetice valuationso f POP-displaysa ndh ow this in turn may affect dwell time, productc ontacta ndp urchasep robability. The influenceo f designe lementsu pon aesthetice valuationi s of particulari nterest to designersa sr esearchh ass hownt hat peoplen o longerb uy productsf or their functionality but for their physical attributes which make the product meaningful. The outcomeo f the studiesc onducteds, howedt hat designe lementss ucha s colour ands hapec an be usedt o capturec onsumersa' ttentiona ndb e usedt o construct perceptuacl onceptss ucha s 'complexity'a nd' clarity', which in turn affectst he overall visual evaluation of a display. It was also found that design principles such as unity andf ocal point canb e utilised to increaseth e overalla esthetice valuation.M oreover aesthetice valuationw as foundt o be affectedb y hapticp ropertiesa sw ell as visual evaluation.D ependingo n the texturesu sedt he overall aesthetice valuationi s sometimesm ore influencedb y hapticp ropertiest han visual evaluation. Furthermoreit was foundt hat dwell time canb e influencedb y whethert he display is perceivedt o be 'mysterious','c omplex'o r'interesting, as well ast he texturesu sed on a product.
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Dilinga, Siyamthanda Iribagiza. "‘That mountain cannot be beautiful for nothing’: Zakes Mda’s aesthetics of liberation." Thesis, Rhodes University, 2019. http://hdl.handle.net/10962/70452.

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Zakes Mda is a prominent post-apartheid black South African novelist whose style has been described as experimental. He also wrote plays intended to ‘rally people to action’ during the apartheid years. The changes in the political and social situation in South Africa since 1994 have had significant implications for those writers and artists who produced protest literature and art. The changes in Mda’s own practice and approach to art are themselves quite telling. His experimental novels place him among those African artists pioneering a new chapter for black South African art and the self-reflexive nature of his novels suggest that he is aware of the fact and is consciously forming and reforming his ideas about what it means to be an artist in post-apartheid South Africa. This study will unpack the role of the artist and the function of art in the becoming new South Africa as represented in Zakes Mda’s novels, thereby hypothesizing Mda’s aesthetic philosophy, as may be deduced from his practice, for what an African artist and art should be. This will be done first by locating Mda in the debates around art and literature within the sociopolitical context of a South Africa in transition. Despite the fact that when it comes to public action in the post-apartheid situation, Mda distinguishes between his own role in society as an artist who is a social activist and the role intended for his work, his own novels reveal a desire for the artefact (or artwork) to have a developmental, educational or conscientizing function. This is evident in representations of the effects of art in what this study proposes to be his extended South African black Kunstlerroman, which spans three novels. It is also demonstrated in his ekphrastic novel, The Madonna of Excelsior, in which visual art is interpreted in the process of description, thereby educating the reader. Not only that, but the reader is made into an ‘almost viewer’ and taught how to ‘see’ art. What emerges in the process of this study is Mda’s aesthetic philosophy or what may be termed his ‘aesthetics of liberation’ concerning the role of the artist in post-apartheid South Africa, a suitable African audience and how art works theoretically, as expressed through his fiction.
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Lien, Hao-Ting. "Streets Features That Increase the Intention to Walk." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1534511657373787.

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Jackson, Lisa Kathleen. "The Theatre That Will Be: 'Devised Theatre' Methodologies and Aesthetics in Training and Practice." VCU Scholars Compass, 2006. http://scholarscompass.vcu.edu/etd/1461.

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This thesis details my process of teaching Devising Theatre, a course of my own design, in Spring of 2005 and Fall of 2005. I address my curricular development from semester to semester (readings, assignments, assessments) as well as the students' responses to the material. Additionally, I discuss my reasons for teaching the course and the place that alternative theatre can and should have in theatre training programs and in the realization of feminist pedagogy.
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Archer-Straw, Petrine. "Negrophilia Paris in the 1920's : a study of the artistic interest in and appropriation of, Negro cultural forms in Paris during that period." Online version, 1994. http://bibpurl.oclc.org/web/34427.

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Rundall, Shane. "Artistic Action and Contemplation: Recapturing The Elements of Mystery That Make Every Round of Golf A Voyage of Discovery." Thesis, Virginia Tech, 2006. http://hdl.handle.net/10919/32376.

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Artists think differently. They challenge the practical and apply their ideas to the contemporary world creating many journeys and excitement along the way. Without them, the world would have remained flat and as unique as black and white. This thesis investigation is grounded in phenomenological theories of aesthetics proposed by Maurice Merleau-Ponty and John Dewey, the artistic approach of Jackson Pollock and Yves Klein, and my own perceptions of the process of creating art. The objective is to apply aesthetic concepts and principles derived from these sources to the practice of golf course architecture and expand the way we view and play in our golf course environment. Golf, unlike any other sport, is carried out over an area of awarded luck and encouraged misfortune that also happens to be a living environment. Without question, no two courses are alike. Nor is any hole on any course ever the same. Nor is any hole, even if played the very next day, going to relinquish the same experience. Daily tee and hole locations make for an infinite number of configurations; as does wind, the temperature, the condition of the grass or the suddenly drooping branches of a once upright tree. However, not all courses reach their potential and capitalize on the environments possibilities and the perception of those experiencing it. Some course designers simply place holes in a pattern to reach desired numbers of par and yardage in order to fulfill a requirement. With the unrelenting expense of land and the continued awareness of negative development impacts, the art of golf course architecture could be viewed a bit differently. By incorporating the attitude of an artist such as Jackson Pollock, or the mentality of a psychologist such as Merleau-Ponty, and revealing the possibilities of the subconscious, the golf course architectâ s design can do more than give shape to space. Blacksburg Country Club, located in Ellett Valley just outside of the town of Blacksburg, Virginia serves as a case study site for this design investigation. The intent of the thesis is to develop a design that addresses the technicalities of golf course architecture and the history of the profession while creating a piece of â art in natureâ that touches all the senses â the gateway to the soul. There just happens to be a game inside.
Master of Landscape Architecture
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Books on the topic "Aesthetics, Thai"

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Sounding the center: History and aesthetics in Thai Buddhist performance. Chicago: University of Chicago Press, 2001.

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Sirikit. Suntharīyasāt thritsadī hǣng wičhit sinlapākō̜n. Bangkok]: Krom Sinlapākō̜n, 2004.

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Desideri, Fabrizio, and Giovanni Matteucci, eds. Dall'oggetto estetico all'oggetto artistico. Florence: Firenze University Press, 2006. http://dx.doi.org/10.36253/88-8453-386-4.

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Does such a thing as an "aesthetic" object exist? And if so, how can it be defined? This book, with no less than 23 contributions, emerging from a Seminar on Aesthetics and a Convention of the Italian Philosophical Society, seeks to answer these questions, exploring the concept of the aesthetic object as distinct from the artistic object. The first section is theoretical and attempts to identify what are the aesthetic properties of an object as opposed to the physical or semantic. This is followed by a historical-aesthetic section, where the question is explored in terms of its theoretical effects within the coils of contemporary aesthetics. Finally, there is a third part devoted to grasping the object-dimension in certain occasions of contemporary art.
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Thai, Praisanī. Sayām sin ʻattalak Thai ʻāraya lōk: Siam art : the aesthetic of Thai identity & civilization. Krung Thēp Mahā Nakhō̜n: Praisanī Thai, 2013.

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Lindner, Christoph, and Gerard Sandoval, eds. Aesthetics of Gentrification. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463722032.

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Gentrification is reshaping cities worldwide, resulting in seductive spaces and exclusive communities that aspire to innovation, creativity, sustainability, and technological sophistication. Gentrification is also contributing to growing social-spatial division and urban inequality and precarity. In a time of escalating housing crisis, unaffordable cities, and racial tension, scholars speak of eco-gentrification, techno-gentrification, super-gentrification, and planetary gentrification to describe the different forms and scales of involuntary displacement occurring in vulnerable communities in response to current patterns of development and the hype-driven discourses of the creative city, smart city, millennial city, and sustainable city. In this context, how do contemporary creative practices in art, architecture, and related fields help to produce or resist gentrification? What does gentrification look and feel like in specific sites and communities around the globe, and how is that appearance or feeling implicated in promoting stylized renewal to a privileged public? In what ways do the aesthetics of gentrification express contested conditions of migration and mobility? Addressing these questions, this book examines the relationship between aesthetics and gentrification in contemporary cities from multiple, comparative, global, and transnational perspectives.
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Why is that art?: Aesthetics and criticism of contemporary art. 2nd ed. New York: Oxford University Press, 2012.

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Barret, Terry. Why is that art?: Aesthetics and criticism of contemporary art. New York: Oxford University Press, 2008.

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Why is that art?: Aesthetics and criticism of contemporary art. Oxford: Oxford University Press, 2007.

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Barrett, Terry. Why is that art?: Aesthetics and criticism of contemporary art. New York, NY: Oxford University Press, 2007.

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Barrett, Terry. Why is that art?: Aesthetics and criticism of contemporary art. Oxford: Oxford University Press, 2008.

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Book chapters on the topic "Aesthetics, Thai"

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Parret, Herman. "Time, That Great Sculptor." In The Aesthetics of Communication, 39–62. Dordrecht: Springer Netherlands, 1993. http://dx.doi.org/10.1007/978-94-011-1773-9_3.

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Machon, Josephine. "Jo McInnes: A Text That Demands to Be Played With — Performing Kane’s 4.48 Psychosis." In (Syn)aesthetics, 153–59. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230236950_11.

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Zeng, Fanren. "The Socio-economic Context that Ecological Aesthetics Produces." In Introduction to Ecological Aesthetics, 3–19. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-8984-9_1.

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Xenakis, Ioannis, and Argyris Arnellos. "Aesthetics as an Emotional Activity That Facilitates Sense-Making: Towards an Enactive Approach to Aesthetic Experience." In Contributions To Phenomenology, 245–59. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-017-9379-7_15.

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Adamson, Maria, and Suvi Salmenniemi. "‘The Bottom Line Is That the Problem Is You’: Aesthetic Labour, Postfeminism and Subjectivity in Russian Self-Help Literature." In Aesthetic Labour, 301–16. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-47765-1_17.

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Ettinger, Bracha L. "Chapter 5 MATRIXIAL GAZE AND SCREEN: Other than Phallic and Beyond the Late Lacan ([1995] 1999)." In Matrixial Subjectivity, Aesthetics, Ethics, 241–85. London: Palgrave Macmillan UK, 2020. http://dx.doi.org/10.1057/978-1-137-34516-5_6.

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Viernes, Noah. "Drones, Cinema, and Protest in Thailand." In The Aesthetics of Global Protest. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2019. http://dx.doi.org/10.5117/9789463724913_ch08.

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The drone is defined within the duality of indifference and depersonalization, but also elevates a specific technology of seeing above fluid expressions of collectivity. This chapter addresses the drone as a mechanical device and figurative analogy of clarification that helped to organize ideological divisions into an objective narrative of the 2014 military coup d’état in Thailand. To critique these droned hierarchies, I draw upon Jacques Rancière’s conception of the ‘politics of aesthetics’ to address independent Thai cinema as a regime of ‘fictionality’ where the personalization of protest returns. The fictionality of Prapat Jiwarangsan and Danaya Chulphuthipong, two Thai film-makers, reconfigures the field of protest by extending its duration into an expanded realism of post-coup oppression and resistance.
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Dominoni, Annalisa. "Aesthetics in Microgravity." In Machines that become Us, 277–84. Routledge, 2017. http://dx.doi.org/10.4324/9780203786826-20.

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Yayla, Neslihan. "Homo Aestheticus' Search for Violence." In Advances in Media, Entertainment, and the Arts, 567–91. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-4655-0.ch028.

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Homo-Aestheticus is a term that describes human art aesthetics and evolution under its effect. When we look at the artworks that came to our date million years ago, the similarities we encounter are the signs that our aesthetic preferences, understanding of beauty, and our tastes are a legacy from our ancestors. Aesthetic is not only an understanding adopted by our cultures; it has been with us for centuries. Similarly, violence appears as a concept that has been part of humanity for ages. It is an interdisciplinary concept that is center of attention of scientific fields particularly social sciences, art, sociology, psychology. As a result of digital developments, virtual reality, anonymous identities and together with the fantasy of the virtual world emerging with uncontrolled digital media eases presentation of the violence in digital medias. In video games, violence is presented to the player in an aesthetic way. This study aims to reveal how the aesthetics of violence in video game are received by the players and fill the gap in the literature.
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Livesey, Ruth. "William Morris and the Aesthetics of Manly Labour." In Socialism, Sex, and the Culture of Aestheticism in Britain, 1880-1914. British Academy, 2007. http://dx.doi.org/10.5871/bacad/9780197263983.003.0002.

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This chapter traces this complex history of aestheticism, socialist aesthetics, and early modernism through a study of the development of William Morris's works in the later nineteenth century. Placing Morris's aesthetic development in the context of the writings of John Ruskin and Walter Pater, the discussion explore Morris's resistance to an emerging aesthetic that emphasized individual taste and consumption, rather than communal production. In his socialist essays, Signs of Change (1888) Morris developed an aesthetic continuum that enabled him to collapse the distinction between art and bodily labour and imagine a future of communal artistic production after the revolution. Both the radical nature of Morris's aesthetic and its preoccupation with productive masculinity are emphasized by contrasting his work to Wilde's essay ‘The Soul of Man under Socialism’ (1891).
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Conference papers on the topic "Aesthetics, Thai"

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Chen, Ying-Hsun, Ming-Chyuan Ho, and Hsien-Chun Wu. "Adding value by semi-automatic craft with thai sense of quality and aesthetics: Foundation of PANDORA charms." In 2016 International Conference on Applied System Innovation (ICASI). IEEE, 2016. http://dx.doi.org/10.1109/icasi.2016.7539837.

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Gauvreau, Paul. "Economy and Elegance in Bridge Design: The Beauty of Practical Objects that Do Their Job Well." In IABSE Conference, Kuala Lumpur 2018: Engineering the Developing World. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2018. http://dx.doi.org/10.2749/kualalumpur.2018.0151.

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<p>The vast majority of bridges are works for which owners have allocated no funds specifically for aesthetics. The visual impression created by these “practical bridges” is nonetheless important. Designers find it difficult to create bridges of high visual quality when no aesthetic premium is available. The key to designing bridges that are both economical and aesthetically significant is to incorporate new ideas into the design that enable the bridge to perform its practical function better than what had previously been possible. These new ideas can be a source of new and pleasing visible forms and can also take on aesthetic significance simply by virtue of their newness.</p>
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Zhang, Andy S. J. "Teaching Computer Aided Product Design With Aesthetic Considerations." In ASME 2005 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2005. http://dx.doi.org/10.1115/detc2005-85531.

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This paper presents a study on how to utilize the computer based 3-dimensional parametric solid modeling software to integrate aesthetics into the lectures of product design related courses of a mechanical engineering curriculum to improve teaching and learning. The study indicates that when aesthetics were properly introduced into the classrooms of product design related courses; it created an environment that stimulated students’ imagination and creativity therefore enhancing their learning experience. When teaching product design courses, instruction tends to be focused on the underlying engineering requirements related to the product. Little is taught in the classroom about the aesthetic aspects of the product. As a result, the products created from the student’s design projects are mostly functional but not necessarily visually appealing. To address this issue, in teaching design-related courses, students were told to play the roles of both designers and consumers. After learning the basics of aesthetics, students were encouraged to inject their own aesthetic evaluations, considering themselves as customers, into the design process. This allowed the students to put more attention on the human elements (aesthetics) of their design. As a result, the students’ design projects have dramatically improved in content and in forms. The advances in computer based 3D parametric modeling software has made the integration of aesthetics into the engineering design curriculum possible. Both AutoDesk’s Inventor and PTC’s Pro Engineer Wildfire software packages were used in the classrooms. With the software’s enhanced spline and surface features, students were able to try different forms or shapes to generate the desired aesthetic effects that they weren’t able to create in the past.
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French, Fiona, Clara Mancini, and Helen Sharp. "More Than Human Aesthetics." In DIS '20: Designing Interactive Systems Conference 2020. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3357236.3395445.

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Iranfar, Maryam, and Hourakhsh Ahmad Nia. "The Synthesis of Ethics and Aesthetics in Modern Movement of Architecture: ‘Truth’ Theory as an Assessment Tool." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 20-21 May 2021. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021235n17.

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Architects and designers are obligated to think comprehensively to create aesthetically pleasing buildings together with functional features. The modern movement of architecture represents a dramatic movement in the buildings design to create a different functional and new architecture. There is a debate about the priority of beauty (aesthetics) and functionality (ethics) in this architectural style and leads to ambiguity in evaluating ethics and aesthetics. Hence, the study aims to understand the relationship between ethics and aesthetics value in architecture's modern movement. This study hypothesizes that there is a significant relationship between ethical and aesthetical values through the functionality of modern architecture. The study has proposed a conceptual model to be applied in future studies on different case studies. This is through assessment tools to evaluate the presence of ethics and aesthetics in modern architectural style.
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Radomski, W. "Bridge Aesthetics – Functional and Structural Needs versus Architectural Imagination." In IABSE Symposium, Wroclaw 2020: Synergy of Culture and Civil Engineering – History and Challenges. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2020. http://dx.doi.org/10.2749/wroclaw.2020.0135.

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<p>Relations between structural form as well as service function of bridges and their aesthetics are analysed. Irrespective of their scale bridges always affect their surroundings or landscape. Therefore, they not only have an engineering and economic meaning but also a social and a cultural one. In some cases, especially older bridges have an additional symbolic or a historic meaning. Contemporary trends concerning bridge aesthetics are discussed. Commonly modern bridge structures ideas are controversial – their forms often seem to be more important than their service function and classical aesthetic principles are rather rarely observed. Presented problems are exemplified by bridge structures in Poland and in other countries. Conclusions concerning the relations between the bridge aesthetics and bridge function are formulated. Some remarks on the future trends in the bridge engineering are also presented.</p>
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Dittmar, Gunter. "Architecture and the Dilemma of Aesthetics: Towards an Alternate Defintion and Approach to Architecture." In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.24.

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The paper calls for a paradigm shift in the definition and approach to architecture to reverse the erosion of its societal relevance, and the loss of its identity as a discipline. The paper contends that this development originated with the Renaissance when architecture evolved from a craft into an art, and the pursuit of beauty became the foremost ideal: the aspect that distinguishes architecture from “mere building”. Ever since, architecture has tried-and failed- to solve the dilemma of aesthetics: the integration of utility, technology and beauty. However, neither beauty, nor the question of aesthetics, are really the problem. The real issue is that architecture is, ultimately, about more than beauty or aesthetics: it is about our life and our existence; about creating a place for our being in the world. Architecture is, thus, grounded in an ontological paradigm rather than an aesthetic one. This has far-reaching, theoretical implications. The paper then proceeds to delineate some of the premises fundamental to an ontological approach to architecture, based on the notion that architecture makes possible the congruence between human and natural order, between our inner and our outer world. Beauty is present when one resonates and reveals itself through the other.
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Orsborn, Seth, Jonathan Cagan, and Peter Boatwright. "Quantifying Aesthetic Form Preference in a Utility Function." In ASME 2008 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2008. http://dx.doi.org/10.1115/detc2008-49295.

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One of the greatest challenges in product development is creating a form that is attractive to an intended market audience. Functional product features are easier to test and verify through user surveys and consumer interactions. But, aesthetic preferences are as varied as the people that respond to these products. Currently, there is no technique that clearly and concisely quantifies aesthetic preference. The common methods use semantics like “strong” and “sexy”. A designer then needs to take the consumer’s desire for a certain aesthetic and translate that into a form that the consumer will find desirable. This translation is a gap in understanding that often is not crossed successfully, such as in the creation of the Pontiac Aztek. By providing the designer with a method for understanding and quantifying a consumer’s aesthetic preference for a product’s form, this gap can be closed. The designer would have concrete directions to use as a foundation for development of the product form. Additionally, the quantification of the aesthetics could be used by the designer as leverage when engineering and manufacturing decisions are made that might adversely affect the product form. This paper demonstrates how a qualitative attribute, like form, can be represented quantitatively. This quantification can be molded into a utility function which through design of experiments can be used to capture an individual’s preference for the indicated attributes. Once preference is summarized in the utility function, the utility function can be used as the basis for form generation and modification or design verification.
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Lugo, José E., James P. Schmiedeler, Stephen M. Batill, and Laura Carlson. "Relationship Between Product Aesthetic Subject Preference and Quantified Gestalt Principles." In ASME 2014 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/detc2014-34327.

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Birkhoff proposed that order divided by complexity is a formula for aesthetic measurement. In that context, this work proposes to measure order with a method to quantify Gestalt principles. These principles establish how humans visually group elements of a shape together, and they have been used in architecture, product design and art as guidelines for good design. A human subject study was conducted to test the hypothesis that if complexity is held constant, Gestalt can serve as a direct measurement of aesthetics. In a survey, subjects were asked to evaluate their preference for multiple individual 2-D representations of automotive wheel rims from a variety of styles. The wheel rims within each style were designed in pairs, one pair with lower and one pair with higher Gestalt. Complexity was held constant by only comparing subject ratings within wheel rim styles. The results show that a positive change in Gestalt has a positive effect on aesthetic subject preference and that preferences are not significantly different for designs differing in geometry but having the same Gestalt. The implications of these results for designers and for future work are discussed.
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Takai, Shun, Michael Wagner, and Marcos Esterman. "A Pilot Study of Cognitive-Neuroscience Mechanism in Product Concept Evaluation." In ASME 2015 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/imece2015-50466.

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Novel, functional, and aesthetic products are thought to have a high likelihood of success in the marketplace. While making sound design decisions is a critical ability of good designers, evaluating product concepts for their future successes in the marketplace is a challenging task. In design classes, only about half of product concepts selected by student design teams may be retained and prototyped into final products, i.e., about half of student design teams find that their initial product concepts are difficult to make workable and change to different concepts by the time they create prototypes for testing. This paper investigates if electrophysiological concomitants in product concept evaluation may potentially be used to improve students’ and designers’ product concept evaluation processes. The preliminary data in this pilot study indicate that distinct decision-making processes may occur during evaluations of product concepts on novelty, functionality, and aesthetics, evidenced by brain activation differences among students.
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Reports on the topic "Aesthetics, Thai"

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Baca, Julie, Daniel Carruth, Alex Calhoun, Michael Stephens, and Christopher Lewis. Challenges in evaluating efficacy of scientific visualization for usability and aesthetics. Engineer Research and Development Center (U.S.), May 2021. http://dx.doi.org/10.21079/11681/40800.

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This paper presents the results of a study to evaluate the efficacy of scientific visualization for multiple categories of users, including both domain experts as well as users from the general public. Efficacy was evaluated for understanding, usability, and aesthetic value. Results indicate that aesthetics play a critical, but complex role in enhancing both user understanding and usability.
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Klengel, Susanne. Pandemic Avant-Garde Urban Coexistence in Mário de Andrade’s Pauliceia Desvairada (1922) after the Spanish Flu. Maria Sibylla Merian Centre Conviviality-Inequality in Latin America, December 2020. http://dx.doi.org/10.46877/klengel.2020.30.

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The radical aesthetic of the historical avant-garde movements has often been explained as a reaction to the catastrophic experience of the First World War and a denouncement of the bourgeoisie’s responsibility for its horrors. This article explores a blind spot in these familiar interpretations of the international avant-garde. Not only the violence of the World War but also the experience of a worldwide deadly pandemic, the Spanish flu, have moulded the literary and artistic production of the 1920s. In this paper, I explore this hypothesis through the example of Mário de Andrade’s famous book of poetry Pauliceia desvairada (1922), which I reinterpret in the light of historical studies on the Spanish flu in São Paulo. An in-depth examination of all parts of this important early opus of the Brazilian Modernism shows that Mário de Andrade’s poetic images of urban coexistence simultaneously aim at a radical renewal of language and at a melancholic coming to terms with a traumatic pandemic past.
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Berkowitz, Jacob F., Christine M. VanZomeren, Jaybus J. Price, and Anthony M. Priestas. Incorporating Color Change Propensity into Dredged Material Management to Increase Beneficial Use Opportunities. Engineer Research and Development Center (U.S.), December 2020. http://dx.doi.org/10.21079/11681/39261.

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Dredged materials provide a number of beneficial use opportunities, including beach nourishment, habitat creation and restoration, and other activities. In situ sediment color is important for determining aesthetic and habitat suitability, for beach nourishment, and for other projects. However, dredged materials must meet locally established color compatibility requirements (for example, material cannot be too dark). Often, potential sediment sources are close to meeting specified color thresholds, and previous observations suggest that sediments lighten over time. In response to these observations, this study quantified sediment color change potential in a dredged m aterial management context. Results indicate that dredged material sediment color responded to changes in secondary color components, sediment mixing, and photolytic bleaching improving the sediment color for beneficial use application. Findings allowed for development of a conceptual color change capacity framework and supported development of tools for resource managers to incorporate color change dynamic into planning and operations activities.The following report provides a framework for determining the color change capacity of dredged materials using (1) a comprehensive laboratory approach and (2) a semiquantitative index based on source material and placement location conditions. These tools allow practitioners to incorporate dredged-material color change into resource management decisions, thus increasing beneficial use opportunities.
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Sarofim, Samer. Developing an Effective Targeted Mobile Application to Enhance Transportation Safety and Use of Active Transportation Modes in Fresno County: The Role of Application Design & Content. Mineta Transportation Institute, July 2021. http://dx.doi.org/10.31979/mti.2021.2013.

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This research empirically investigates the need for, and the effective design and content of, a proposed mobile application that is targeted at pedestrians and cyclists in Fresno County. The differential effect of the proposed mobile app name and colors on the target audience opinions was examined. Further, app content and features were evaluated for importance and the likelihood of use. This included design appeal, attractiveness, relevance, ease of navigation, usefulness of functions, personalization and customization, message recipients’ attitudes towards message framing, and intended behaviors related to pedestrian, cyclist, and motorist traffic safety practices. Design mobile application features tested included image aesthetics, coherence and organization, and memorability and distinction. Potential engagement with the mobile app was assessed via measuring the users’ perceived enjoyment while using the app. The behavioral intentions to adopt the app and likelihood to recommend the app were assessed. The willingness to pay for purchasing the app was measured. This research provided evidence that a mobile application designed for pedestrians and cyclists is needed, with high intentions for its adoption. Functions, such as Safety Information, Weather Conditions, Guide to Trails, Events for Walkers and Bikers, and Promotional Offers are deemed important by the target population. This research was conducted in an effort to increase active transportation mode utilization and to enhance the safety of vulnerable road users. The public, city administrators, transportation authorities, and policy makers shall benefit from the results of this study by adapting the design and the features that are proposed in this research and were found appealing and useful for the target vulnerable road user groups. The need of the proposed mobile application and its main functions are established, based on the results of this research, which propagates further steps of implementation by city administrators and transportation authorities.
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Cox, Jeremy. The unheard voice and the unseen shadow. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.621671.

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The French composer Francis Poulenc had a profound admiration and empathy for the writings of the Spanish poet Federico García Lorca. That empathy was rooted in shared aspects of the artistic temperament of the two figures but was also undoubtedly reinforced by Poulenc’s fellow-feeling on a human level. As someone who wrestled with his own homosexuality and who kept his orientation and his relationships apart from his public persona, Poulenc would have felt an instinctive affinity for a figure who endured similar internal conflicts but who, especially in his later life and poetry, was more open about his sexuality. Lorca paid a heavy price for this refusal to dissimulate; his arrest in August 1936 and his assassination the following day, probably by Nationalist militia, was accompanied by taunts from his killers about his sexuality. Everything about the Spanish poet’s life, his artistic affinities, his personal predilections and even the relationship between these and his death made him someone to whom Poulenc would be naturally drawn and whose untimely demise he would feel keenly and might wish to commemorate musically. Starting with the death of both his parents while he was still in his teens, reinforced by the sudden loss in 1930 of an especially close friend, confidante and kindred spirit, and continuing throughout the remainder of his life with the periodic loss of close friends, companions and fellow-artists, Poulenc’s life was marked by a succession of bereavements. Significantly, many of the dedications that head up his compositions are ‘to the memory of’ the individual named. As Poulenc grew older, and the list of those whom he had outlived lengthened inexorably, his natural tendency towards the nostalgic and the elegiac fused with a growing sense of what might be termed a ‘survivor’s anguish’, part of which he sublimated into his musical works. It should therefore come as no surprise that, during the 1940s, and in fulfilment of a desire that he had felt since the poet’s death, he should turn to Lorca for inspiration and, in the process, attempt his own act of homage in two separate works: the Violin Sonata and the ‘Trois Chansons de Federico García Lorca’. This exposition attempts to unfold aspects of the two men’s aesthetic pre-occupations and to show how the parallels uncovered cast reciprocal light upon their respective approaches to the creative process. It also examines the network of enfolded associations, musical and autobiographical, which link Poulenc’s two compositions commemorating Lorca, not only to one another but also to a wider circle of the composer’s works, especially his cycle setting poems of Guillaume Apollinaire: ‘Calligrammes’. Composed a year after the ‘Trois Chansons de Federico García Lorca’, this intricately wrought collection of seven mélodies, which Poulenc saw as the culmination of an intensive phase in his activity in this genre, revisits some of ‘unheard voices’ and ‘unseen shadows’ enfolded in its predecessor. It may be viewed, in part, as an attempt to bring to fuller resolution the veiled but keenly-felt anguish invoked by these paradoxical properties.
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