Academic literature on the topic 'Aesthetics, Ukrainian'

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Journal articles on the topic "Aesthetics, Ukrainian"

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Onishchenko, E. I. "POLISH AESTHETIC DISCOURSE OF THE 20TH CENTURY: INTERPRETATION OF INTERPRETATIONS." UKRAINIAN CULTURAL STUDIES, no. 1 (2) (2018): 25–29. http://dx.doi.org/10.17721/ucs.2018.1(2).05.

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The article is devoted to the analysis of the Polish aesthetic discourse of the twentieth century and the prospects for its interpretation in the Ukrainian aesthetics, particularly in the works by Kateryna Shevchuk, defended at the department of ethics, aesthetics and culture studies of Taras Shevchenko National University of Kyiv. These research greatly extend the idea of the aesthetic canon of the Polish thought, classically represented by the aesthetics R. Ingarden and W. Tatarkiewicz and reveal the names of virtually unknown in Ukraine Polish scientists, including special interest is the l
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Turenko, V. E., and N. V. Yarmolitska. "SPECIFICITY AND FEATURES OF THE DEVELOPMENT OF AESTHETICS IN THE UKRAINIAN SOVIET PHILOSOPHY IN THE 50-60s OF THE XX CENTURY." UKRAINIAN CULTURAL STUDIES, no. 1 (8) (2021): 24–28. http://dx.doi.org/10.17721/ucs.2021.1(8).05.

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The article highlights the specificity of research in the field of aesthetics in the context of the development of Soviet philosophy in Ukraine in the 50-60s. XX century. There are three main vectors of scientific work: ideological works, original aesthetic developments and historical and aesthetic research. It is revealed that ideological aesthetic works were based on the concept of "positive aesthetics" by A. Lunacharsky, which contributed to the development of the concept of socialist realism, nationality of art by Ukrainian Soviet thinkers, as well as criticism of Western aesthetics and th
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Світлана, Холодинська. "Олег Ільницький як інтерпретатор українського футуризму: «за» і «проти» теоретичної моделі". Вісник ЛНАМ. Серія: Культурологія, № 29 (16 грудня 2016): 160–74. https://doi.org/10.5281/zenodo.207399.

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Since the end of the XX century the wide circle of problems concerning history and theory of Ukrainian futurism has been in Ukrainian humanitarian scientific sphere. Due to theoretical works by A. Bila, D. Gorbachov, S. Zhadan, O. Kashuba-Vol’vach, L. Levchuk, O. Sarnavs’ka, V. Tuzov, P. Chrapko and others sustainable conception is gradually being formed. It embraces the ideas of futuristic movement periodization, its members’ staff, use of different kinds of art in futuristic experiments. Besides, focusing on Ukrainian futurism, scientists pay the special attention to European futuristic trad
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Viktoriya Havrylenko. "AESTHETIC IDEAS IN UKRAINIAN AND BRITISH PHILOSOPHY OF 17-18TH CENTURIES." International Journal of Innovative Technologies in Social Science, no. 1(22) (January 31, 2020): 10–15. http://dx.doi.org/10.31435/rsglobal_ijitss/31012020/6873.

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 Understanding of beauty is one of the valid exponents of the individual worldview. And aesthetics ideas express a worldview of the historical and cultural age. Why is the world beautiful? What is the beauty of the Universe, nature, and human proves? Those issues troubled both Ukrainian and British philosophers of the 17-18 centuries. In this article, I outline and compare philosophical views of aesthetics of Vitaliy from Dubno, Kyrylo Tranquilion- Stavrovetsky, Theophan Prokopovych, Heorhiyi Konysky, John Locke, George Berkeley, Francis Hutcheson, and David Hume. Th
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Ono, Tokiko. "The genealogy of Ukraine’s complex identity." Impact 2025, no. 2 (2025): 39–41. https://doi.org/10.21820/23987073.2025.2.39.

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In her current research, Associate Professor Tokiko Ono, Faculty of International Studies, Utsunomiya University, Japan, is investigating the genealogy of Ukraine’s complex identity. This includes representation, identity and politics. She is focusing on the aesthetics and intellectual frameworks that construct the various subjects of her studies in order to contribute to Ukrainian and Russian literary studies. Ono is interested in how Ukrainians and Ukrainian lands are depicted in representations and the contrasts between representation and true identity. She wants to extract the aesthetics a
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Dankowska, Joanna. "Textiles and National Identity among Ukrainians in Poland." Carl Beck Papers in Russian and East European Studies, no. 1204 (January 1, 1996): 34. http://dx.doi.org/10.5195/cbp.1996.68.

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The changesin functions of traditional folk textiles among the Ukrainians who in 1947 were resettled to northeastern Poland can be regarded as an indicator of the preservation of their Ukrainian national identity. While conducting field research amongst the Ukrainians living in Poland, the author frequently heard it said that their folk textiles (especially costumes and cross-stitched embroidery) were important symbols of their national and cultural identity. There are many functions of any national or regional textiles (Bogatyrev 1979; Bazielich 1987}, but I will focus on Ukrainian folk texti
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Chekal, Oleksii. "The Ukrainian Identity of the Calligraphy of Grigory Skovoroda in the Context of Multi-scriptural Writing." Demiurge: Ideas, Technologies, Perspectives of Design 6, no. 2 (2023): 228–47. http://dx.doi.org/10.31866/2617-7951.6.2.2023.292140.

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The purpose of the study: Conduct a paleographic and cultural analysis of Hryhorii Skovoroda’s manuscripts. To find and describe the most characteristic letters and calligraphic methods inherent in the philosopher, and to emphasize the features of the eighteenth-century handwriting in general. To form a paleographic database of letters that can be used to create fonts and designs for modern projects that emphasize the aesthetics of the Ukrainian Baroque. Research methods. Systematization of scientific sources, artistic analysis, synthesis and generalization of the obtained results, method of c
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Chekal, Oleksii. "The Ukrainian Identity of the Calligraphy of Grigory Skovoroda in the Context of Multi-scriptural Writing." Demiurge: Ideas, Technologies, Perspectives of Design 6, no. 2 (2023): 228–47. https://doi.org/10.31866/2617-7951.6.2.2023.292140.

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<strong>The purpose of the study:&nbsp;</strong>Conduct a paleographic and cultural analysis of Hryhorii Skovoroda&rsquo;s manuscripts. To find and describe the most characteristic letters and calligraphic methods inherent in the philosopher, and to emphasize the features of the eighteenth-century handwriting in general. To form a paleographic database of letters that can be used to create fonts and designs for modern projects that emphasize the aesthetics of the Ukrainian Baroque.&nbsp;<strong>Research methods.&nbsp;</strong>Systematization of scientific sources, artistic analysis, synthesis
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Lychkovakh, V. A. "Aesthetics of the Ukrainian Avant-garde: Energy-information Dimension." Вісник Житомирського державного університету імені Івана Франка. Філософські науки, no. 1(85) (December 28, 2019): 103–10. http://dx.doi.org/10.35433/philosophicalsciences.1(85).2019.103-110.

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Berehova, Olena. "Maryna Denysenko-Sapmaz’s aesthetics in the cultural creation processes of Ukraine at the turn of the XX–XXI centuries." Culturology Ideas, no. 22 (2'2022) (2022): 92–101. http://dx.doi.org/10.37627/2311-9489-22-2022-2.92-101.

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For the first time in Ukrainian musicology, an attempt was made at a creative portrait of the composer Maryna Denysenko-Sapmaz, the main stages of formation of her creative personality were outlined, a panoramic review of significant works in her creative biography was offered. Analytical observations allowed generalizations about the orientations of her musical aesthetics, including the postmodern worldview, the tendency to combine neo-styles, openness to technological experiments and avant-garde research in various composition techniques, synthesizing the principles of European and Eastern m
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Dissertations / Theses on the topic "Aesthetics, Ukrainian"

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Calhoun, Robert D. "Dynamism, Creativeness, and Evolutionary Progress in the work of Alexander Archipenko." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1460755467.

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Кротевич, Олександр. "Національні та патріотичні особливості образів сучасного українського тату". Thesis, Київський національний університет технологій та дизайну, 2018. https://er.knutd.edu.ua/handle/123456789/9988.

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Сформульовані результати дослідження національних та патріотичних особливостей образів сучасного українського тату. Визначено особливості візуальних композицій та образних рішень художніх татуювань в сенсі патріотичних настроїв суспільства.<br>The results of research of national and patriotic peculiarities of images of modern Ukrainian tattoos are formulated. Definition different from the traditional factors of style and visual compositions, figurative solutions when performing high-quality and highly artistic forms of tattoos in the sense of patriotic sentiment of society.
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Сидоренко, Андрій. "Актуальні проблеми українського дизайну та їх зв'язок із культурно-історичним контекстом XX – початку XXI ст". Thesis, Київський національний університет технологій та дизайну, 2018. https://er.knutd.edu.ua/handle/123456789/10068.

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Надано аналіз актуальних проблем українського дизайну та їх зв'язку із культурно-історичним контекстом ХХ – початку ХХІ ст. Метою стало виявлення зв'язків між державною політикою, економічним менеджментом та тенденціями в сфері дизайну. В ході дослідження проводиться порівняльний аналіз суспільно-політичних особливостей країн Заходу, СРСР, незалежної України та стан сфери дизайну в їх економіках. Охарактеризовано еволюцію політичних, економічних та культурних умов існування українського дизайну ХХ – початку ХХІ ст.<br>These theses give an analysis of the current problems of Ukrainian design an
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Міронова, Наталія Миколаївна. "Поетика романів І. Роздобудько "Ранковий прибиральник" та "Амулет Паскаля"". Магістерська робота, 2022. https://dspace.znu.edu.ua/jspui/handle/12345/6511.

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Міронова Н. М. Поетика романів І. Роздобудько «Ранковий прибиральник» та «Амулет Паскаля» : кваліфікаційна робота магістра спеціальності 035 «Філологія» / наук. керівник І. М. Бакаленко. Запоріжжя : ЗНУ, 2022. 81 с.<br>UA : Кваліфікаційна робота магістра «Поетика романів І. Роздобудько «Ранковий прибиральник» та «Амулет Паскаля»» містить 81 сторінка. Для виконання роботи опрацьовано 88 джерел. Мета дослідження: виявлення специфіки і особливостей поетики романів Ірен Роздобудько «Амулет Паскаля» та «Ранковий прибиральник» у контексті її світогляду, відображеного в документальних творах, та інш
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Books on the topic "Aesthetics, Ukrainian"

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Andrushchenko, Teti︠a︡na. Fenomen estetychnoho: (filosofsʹko-istorychnyĭ analiz). Znanni︠a︡ Ukraïny, 2007.

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Andrushchenko, Teti︠a︡na. Fenomen estetychnoho: (filosofsʹko-istorychnyĭ analiz). Znanni︠a︡ Ukraïny, 2007.

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Kuzʹmichev, I. K. Lada, ili, Povestʹ o tom, kak rodilasʹ idei︠a︡ prekrasnogo i otkuda Russkai︠a︡ krasota stala estʹ: (ėstetika Kievskoĭ Rusi). "Molodai︠a︡ gvardii︠a︡", 1990.

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Lychkovakh, V. A. Chernihovo-Siversʹka kulʹturolohichna rehionika. Vydavet︠s︡ʹ, Lozovyĭ V. M., 2011.

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Kalashnyk, N. Estetychni smaky: Ïkh vytoky i formuvanni͡a︡ : monohrafii͡a︡. "Prosvita", 2001.

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D, Horbachov, ред. Ukraïnsʹkyĭ avanhard 1910-1930 rokiv: Alʹbom = Ukrainian avant-garde art. "Mystet︠s︡tvo", 1996.

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Hanzenko, L. Ukraïnsʹke mystet︠s︡tvo na perelomakh epokh: Obraz, transformat︠s︡iï, stylʹ = Ukrainian art at the juncture of epochs : images, transformations, styles. Naukova dumka, 2021.

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Klymenko, Valentyna. Lyt︠s︡ar, dama, avanhard. Rodovid, 2019.

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Mudrak, Myroslava, and Teti︠a︡na Rudenko. Staging the Ukrainian avant-garde of the 1910s and 1920s. Edited by Ukrainian Museum (New York, N.Y.) and Muzeĭ teatralʹnoho, muzychnoho ta kinomystet︠s︡tva Ukraïny (Kiev, Ukraine). The Ukrainian Museum in cooperation with the Museum of Theater, Music and Cinema Arts of Ukraine in Kyiv, 2015.

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compiler, Sinchenko Oleksiĭ, ed. Lyt︠s︡ari holodnoho Renesansu. Dukh i Litera, 2020.

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Book chapters on the topic "Aesthetics, Ukrainian"

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Hundorova, Tamara. "The Ukrainian Underground." In The Oxford Handbook of Soviet Underground Culture. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780197508213.013.49.

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Abstract This chapter presents a broad panorama of Ukrainian underground culture from the 1960s to the Perestroika period (late 1980s–early 1990s), focusing predominantly on literature but also including visual art and music. Several generations of Ukrainian nonconformists (the Sixtiers, the generation of the Seventies) and diverse cultural locales (Kyiv, Lviv, Kharkiv) overlap with the spectrum of artistic strategies shaping a multi-dimensional typology of Ukrainian catacomb culture. This chapter highlights such trends/circles as the dissident underground of the Sixtiers, with its focus on na
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Semak, Ludmila. "THE LINGUISTIC AND STYLISTIC ASPECT OF THE LEXICAL SYNONYMICS (ON THE MATERIAL OF MODERN UKRAINIAN FEMALE PROSE)." In Factors of cross- and intercultural communication in the higher educational process of Ukraine. Publishing House “Baltija Publishing”, 2021. http://dx.doi.org/10.30525/978-9934-26-051-3-7.

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This paper is the first complex research of lexical synonyms as components of the artistic discourse of modern Ukrainian female prose introduced into the field of semantic, linguistic and stylistic analysis. The scientific novelty of the paper is that for the first time in linguistic and Ukrainian studies the lexical synonymy in modern Ukrainian female prose is comprehensively explored, as a result of which the semantic, linguistic and stylistic features of synonyms are clarified. The study proves that in the analyzed works lexical synonyms, which express the idiolects of modern Ukrainian fema
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Kozinchuk, Vitalii. "PRESERVATION OF THE ICONOGRAPHIC CANON AMONG UKRAINIAN DIASPORA." In Art Spiritual Dimensions of Ukrainian Diaspora. Primedia eLaunch LLC, 2020. http://dx.doi.org/10.36074/art-sdoud.2020.chapter-4.

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Iconography of the Ukrainian diaspora is an important component of Ukrainian (Western Ukrainian) canonical sacred art. Genetically, the iconography of the Ukrainian diaspora is based on the principles of Byzantine iconography, which included the color canon, the compositional canon and the canon of proportions, which performed important functions in Byzantine art. Ukrainian artists of the diaspora, adhering to the Byzantine iconographic canon, believed that it brings to the art information of utilitarian, historical and narrative plan. Scientific intelligence is devoted to these issues. The pu
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Toichkina, Alexandra V. "P.A. Kulish-farmer and his “farm philosophy” in the historiosophical perspective of the 21st century." In Estate real — estate literary: vectors of creative transformation. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/978-5-9208-0676-5-267-284.

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The article examines the “farm philosophy” of the Ukrainian writer and scientist P.A. Kulish (1819–1897) as a complex synthesis of Rousseau`s ideas, romantic aesthetics, populist ideology and Christian views. In a number of features, it is a kind of analogue of the Great Russian “estate culture” of the late 18th — early 20th centuries. “Farm philosophy” is ambiguously related to the life of the writer on his own farm Zarog in the Luben region on the territory of Malorossia in the 1850s. The reality of everyday life and relations with the serfs are, on the one hand, in contradiction with the pr
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TARASENKO, Halyna. "ECOLOGICAL AESTHETICS: IMPLEMENTATION IN THE CONDITIONS OF HIGHER PEDAGOGICAL EDUCATION IN UKRAINE." In Ukrainian science and education in the conditions of European integration. GS Publishing Services, 2024. http://dx.doi.org/10.51587/9798-9895-14670-2024-020-111-119.

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Shevel, Tamara, and Natalia Shevel. "DOLORIC POETICS OF M. VORONYI'S AND G. CHUPRYNKA'S LYRICS." In Traditional and innovative scientific research: domestic and foreign experience. Publishing House “Baltija Publishing”, 2024. http://dx.doi.org/10.30525/978-9934-26-436-8-16.

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A new philosophical system of thinking and modern original poetics and aesthetics at the turn of the century was marked by the appearance of poets such as S. Baudelaire or P. Verlaine, who formed the theoretical platform of symbolism with a breakthrough into the mysterious subconscious. The modern cultural-psychological type of sensuality, which was formed at the end of the 19th century, is marked by mystical apocalyptic experiences and melancholy, the search for God and the aesthetics of suffering. M. Voronyi and G. Chuprynka were bright representatives of their time, so we find a lot in comm
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Timofiuk, Inna. "Embodiment of the Sacred-Mythological in a Universal Work of Art." In Enhancing Music Education With Innovative Tools and Techniques. IGI Global, 2025. https://doi.org/10.4018/979-8-3693-8432-9.ch007.

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The purpose of this chapter is to describe the embodiment of the sacred and mythological in a universal work of art. The object of the study is the sacred and mythological universalism of R. Wagner's work. The subject of the chapter is the aesthetics of the tetralogy “The Ring of the Nibelung” and the problematics of the images of “Tristan and Isolde.” The scientific novelty of the study is that the materials of this chapter can be used as lecture material, in preparation for seminar classes, in independent work of students when creating projects, by colleagues from other countries who are int
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Karas, Hanna. "PARALITURGICAL WORKS AS A SACRED-AESTHETIC ELEMENT OF UKRAINIAN MUSICAL CULTURE." In Art Spiritual Dimensions of Ukrainian Diaspora. Primedia eLaunch LLC, 2020. http://dx.doi.org/10.36074/art-sdoud.2020.chapter-2.

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The purpose of the section is to clarify the place of Ukrainian diaspora composers’ paraliturgical works of the XXth century and, in particular, the works of Mykhailo Hayvoronsky (1892–1949) in the spiritual musical culture of Ukrainians. Paraliturgical works include spiritual songs and chants performed outside the church’s Christian canonical rite. In the works of composers it is: a series of chants from Pochaiv’s «Bogohlasnyk», arrangements of koliadkas, songs of the Virgin and Resurrection, prayers to the King of Heaven, communions. Paraliturgical music of diaspora composers testifies to a
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Maiovets, Andriy, and Roman Yatsiv. "MODERN UKRAINIAN CHILDREN’S EDITIONS 2000–2010: IN GRAPHIC, ILLUSTRATIVE DESIGN OF GRADUATES LVIV NATIONAL ACADEMY OF ARTS." In Theoretical and practical aspects of the development of modern scientific research. Publishing House “Baltija Publishing”, 2022. http://dx.doi.org/10.30525/978-9934-26-195-4-27.

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The article analyzes the experience of some illustrators, graduates of the Lviv National Academy of Arts, whose creative program has developed since the beginning of the XXI century. There are common features of professional criteria of artists working on publishing projects for children: general approaches to solving the system «author – text – vision», stylistics, metaphorical and plastic imagery, interpretation of elements of ethnic tradition and modern design technologies. The aim of the article is to analyze the conceptual approaches of a group of modern illustrators of children’s publica
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Humeniuk, Tetiana. "THE CULTURE AT THE BEGINNING OF THE NEW MILLENNIUM FROM THE PERSPECTIVE OF „THE SURVIVOR”: A FUNDAMENTAL BREAK IN THE SECRET CODE OF AESTHETICS. UKRAINIAN EXPERIENCE." In ARTS AND CULTURE AS PARTS OF THE CIVILIZING PROCESSES AT THE TURN OF MILLENNIUM. Liha-Pres, 2020. http://dx.doi.org/10.36059/978-966-397-197-1/24-48.

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Conference papers on the topic "Aesthetics, Ukrainian"

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Safronova, Anna. "FEATURES OF THE VISUAL LANGUAGE OF DOCUMENTARY PHOTOGRAPHY IN UKRAINIAN PHOTO BOOKS DEDICATED TO REVOLUTIONARY EVENTS IN UKRAINE." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s08.09.

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The purpose of the article is to analyze the features of the visual language of documentary photography and the actual ways of its presentation in the media space on the example of Ukrainian photo books dedicated to revolutionary events in Ukraine. The main problems of modern photojournalism connected with the development of digital technologies are presented, the value of a photo book as an independent project of a photographer is argued, since commercial photojournalism is largely determined by the narratives of its customer. The issues of the transformation of the language of photography bo
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SMORZHEVSKA, Oksana. "NAIVE HAPPINESS OF MARIA PRIMACHENKO." In Proceedings of The Third International Scientific Conference “Happiness and Contemporary Society”. SPOLOM, 2022. http://dx.doi.org/10.31108/7.2022.42.

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Writer Irina Matsko calls art, faith and positive one of the Ukrainian values that influence the feeling of happiness. It is on these "three pillars" – art, faith and positive, that, in my opinion, the happiness of Maria Primachenko is formed. The aesthetics of naive art conveys the "spirit of the people", its attitude and it is a part of the national identity. Despite the worldwide fame, Maria Primachenko lived very modestly in the small village of Bolotnya, having experienced many hardships and losses. But at the same time, she always noted that she was a happy person. Her work amazed not on
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Leshchyshyn, Maryna, Antonina Babych, Victoria Kernesh, and Polina Bilous. "Use of Creative Methods and Untypical Materials in the Design of Fashion Industry Products." In The 9th International Conference on Advanced Materials and Systems. INCDTP - Leather and Footwear Research Institute (ICPI), Bucharest, Romania, 2022. http://dx.doi.org/10.24264/icams-2022.v.3.

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The article is to highlight and substantiate the results of scientific practical research, to prove in a theoretical and practical way the possibility of using upcycling technologies and non-typical used materials for the manufacture of modern designer functional and decorative and decorative (interior) products for the production of products of this segment, increasing the demand for products of Ukrainian designers. Innovative types of materials, manufacturing technologies and decoration of products of the fashion industry have been studied and analyzed. The question of the possibility of usi
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Kulish, Yuliia. "The 1960s as a Landmark of Ukrainian Literary Emancipation (American and French Comparative Aspects)." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.3.8956.

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The term “global sixtieth” has persisted in historiography since the 2000s denoting the revolutionary movements united by common discontent with the political, socioeconomic, and cultural status quo. Although their national literary manifestations differed, they appear to be interconnected regarding the attempts to establish other political and aesthetical orders, hence counterculture. This comparative article explores the liberation effect of the counterculture of the 1960s manifested in Ukrainian literature contrasted to American and French. It is stated the former pursued double emancipatio
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Zelinska, N. V. "Artistic themes and aesthetic design: the experience of manifestation of a Ukrainian scientific book during the period of Independence." In CULTURE AND ART: DEVELOPMENT TENDENCIES OF SCIENTIFIC TRENDS. Baltija Publishing, 2025. https://doi.org/10.30525/978-9934-26-545-7-21.

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ZHOROVA, Iryna, Serhiy DANYLYUK, and Olha KHUDENKO. "Civic education of students by means of literature: european experience." In Învățământul superior: tradiţii, valori, perspective. "Ion Creanga" State Pedagogical University, 2023. http://dx.doi.org/10.46727/c.29-30-09-2023.p108-122.

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The article reveals the theoretical and methodical aspects of students’ civic education by means of literature. Emphasis is placed on the fact that in the conditions of unstable development of society, escalation of conflicts both between states and between fellow citizens, the issue of students’ civic education is actualized. The authors understand this concept as a form of social education, the formation of a citizen of a specific state, capable of successfully acting for the sake of preserving democracy and peace. Currently, informal education, in addition to the content of “social and civi
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Reports on the topic "Aesthetics, Ukrainian"

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Lyzanchuk, Vasyl. THE CHARITABLE ENERGY OF THE JOURNALISTIC WORD. Ivan Franko National University of Lviv, 2022. http://dx.doi.org/10.30970/vjo.2022.51.11415.

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The article investigates the immortality of books, collections, including those, translated into foreign languages, composed of the publications of publications of worldview journalism. It deals with top analytics on simulated training of journalists, the study of events and phenomena at the macro level, which enables the qualitative forecast of world development trends in the appropriate contexts for a long time. Key words: top, analytics, book, worldview journalism, culture, arguments, forecast.The article is characterized intellectual-spiritual, moral-aesthetic and information-educational v
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Ripey, Mariya. NORMATIVE ASPECT OF USE OF NOUNS IN NEWSPAPER PUPLICATIONS. Ivan Franko National University of Lviv, 2022. http://dx.doi.org/10.30970/vjo.2022.51.11410.

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The article provides a study of the standard aspect of vocabulary usage in Ukrainian newspaper publications. The language quality in newspaper publications is an important and topical problem. The paper puts special emphasis on the language of the media which needs to be normative. The research is predetermined by the need to establish word meanings (based on the editorial practice), which is not specifically delineated in the reference literature, and to give variants of their proper usage. It is emphasized that the accuracy of word usage depends on the availability, aesthetic impact and effe
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Ripey, Mariya. Сполучуваність іменника кількість із дієсловами у газетних публікаціях (на матеріалі всеукраїнської газети «День»). Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11741.

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The article a study of the standard aspect of vocabulary usage in modern Ukrainian newspaper publications. Based on the analysis of the reference literature, the article examines the cases of conjugation of the noun quantity with the verbs to increase and to grow, as well as to decrease, to lower, to shrink, to fall in the publications of the newspaper «Den’». This newspaper is one of the most popular publications in the rating of national media. There are a lot of doubts about the proper usage of these linguistic expressions in the editorial work. The research is predetermined by the need to
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