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Journal articles on the topic 'Aesthetics, Ukrainian'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Onishchenko, E. I. "POLISH AESTHETIC DISCOURSE OF THE 20TH CENTURY: INTERPRETATION OF INTERPRETATIONS." UKRAINIAN CULTURAL STUDIES, no. 1 (2) (2018): 25–29. http://dx.doi.org/10.17721/ucs.2018.1(2).05.

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The article is devoted to the analysis of the Polish aesthetic discourse of the twentieth century and the prospects for its interpretation in the Ukrainian aesthetics, particularly in the works by Kateryna Shevchuk, defended at the department of ethics, aesthetics and culture studies of Taras Shevchenko National University of Kyiv. These research greatly extend the idea of the aesthetic canon of the Polish thought, classically represented by the aesthetics R. Ingarden and W. Tatarkiewicz and reveal the names of virtually unknown in Ukraine Polish scientists, including special interest is the l

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2

Turenko, V. E., and N. V. Yarmolitska. "SPECIFICITY AND FEATURES OF THE DEVELOPMENT OF AESTHETICS IN THE UKRAINIAN SOVIET PHILOSOPHY IN THE 50-60s OF THE XX CENTURY." UKRAINIAN CULTURAL STUDIES, no. 1 (8) (2021): 24–28. http://dx.doi.org/10.17721/ucs.2021.1(8).05.

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The article highlights the specificity of research in the field of aesthetics in the context of the development of Soviet philosophy in Ukraine in the 50-60s. XX century. There are three main vectors of scientific work: ideological works, original aesthetic developments and historical and aesthetic research. It is revealed that ideological aesthetic works were based on the concept of "positive aesthetics" by A. Lunacharsky, which contributed to the development of the concept of socialist realism, nationality of art by Ukrainian Soviet thinkers, as well as criticism of Western aesthetics and th

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3

Світлана, Холодинська. "Олег Ільницький як інтерпретатор українського футуризму: «за» і «проти» теоретичної моделі". Вісник ЛНАМ. Серія: Культурологія, № 29 (16 грудня 2016): 160–74. https://doi.org/10.5281/zenodo.207399.

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Since the end of the XX century the wide circle of problems concerning history and theory of Ukrainian futurism has been in Ukrainian humanitarian scientific sphere. Due to theoretical works by A. Bila, D. Gorbachov, S. Zhadan, O. Kashuba-Vol’vach, L. Levchuk, O. Sarnavs’ka, V. Tuzov, P. Chrapko and others sustainable conception is gradually being formed. It embraces the ideas of futuristic movement periodization, its members’ staff, use of different kinds of art in futuristic experiments. Besides, focusing on Ukrainian futurism, scientists pay the special attention to European futuristic trad

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4

Viktoriya Havrylenko. "AESTHETIC IDEAS IN UKRAINIAN AND BRITISH PHILOSOPHY OF 17-18TH CENTURIES." International Journal of Innovative Technologies in Social Science, no. 1(22) (January 31, 2020): 10–15. http://dx.doi.org/10.31435/rsglobal_ijitss/31012020/6873.

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    Understanding of beauty is one of the valid exponents of the individual worldview. And aesthetics ideas express a worldview of the historical and cultural age. Why is the world beautiful? What is the beauty of the Universe, nature, and human proves? Those issues troubled both Ukrainian and British philosophers of the 17-18 centuries. In this article, I outline and compare philosophical views of aesthetics of Vitaliy from Dubno, Kyrylo Tranquilion- Stavrovetsky, Theophan Prokopovych, Heorhiyi Konysky, John Locke, George Berkeley, Francis Hutcheson, and David Hume. Th

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5

Ono, Tokiko. "The genealogy of Ukraine’s complex identity." Impact 2025, no. 2 (2025): 39–41. https://doi.org/10.21820/23987073.2025.2.39.

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In her current research, Associate Professor Tokiko Ono, Faculty of International Studies, Utsunomiya University, Japan, is investigating the genealogy of Ukraine’s complex identity. This includes representation, identity and politics. She is focusing on the aesthetics and intellectual frameworks that construct the various subjects of her studies in order to contribute to Ukrainian and Russian literary studies. Ono is interested in how Ukrainians and Ukrainian lands are depicted in representations and the contrasts between representation and true identity. She wants to extract the aesthetics a

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6

Dankowska, Joanna. "Textiles and National Identity among Ukrainians in Poland." Carl Beck Papers in Russian and East European Studies, no. 1204 (January 1, 1996): 34. http://dx.doi.org/10.5195/cbp.1996.68.

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The changesin functions of traditional folk textiles among the Ukrainians who in 1947 were resettled to northeastern Poland can be regarded as an indicator of the preservation of their Ukrainian national identity. While conducting field research amongst the Ukrainians living in Poland, the author frequently heard it said that their folk textiles (especially costumes and cross-stitched embroidery) were important symbols of their national and cultural identity. There are many functions of any national or regional textiles (Bogatyrev 1979; Bazielich 1987}, but I will focus on Ukrainian folk texti

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7

Chekal, Oleksii. "The Ukrainian Identity of the Calligraphy of Grigory Skovoroda in the Context of Multi-scriptural Writing." Demiurge: Ideas, Technologies, Perspectives of Design 6, no. 2 (2023): 228–47. http://dx.doi.org/10.31866/2617-7951.6.2.2023.292140.

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The purpose of the study: Conduct a paleographic and cultural analysis of Hryhorii Skovoroda’s manuscripts. To find and describe the most characteristic letters and calligraphic methods inherent in the philosopher, and to emphasize the features of the eighteenth-century handwriting in general. To form a paleographic database of letters that can be used to create fonts and designs for modern projects that emphasize the aesthetics of the Ukrainian Baroque. Research methods. Systematization of scientific sources, artistic analysis, synthesis and generalization of the obtained results, method of c

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8

Chekal, Oleksii. "The Ukrainian Identity of the Calligraphy of Grigory Skovoroda in the Context of Multi-scriptural Writing." Demiurge: Ideas, Technologies, Perspectives of Design 6, no. 2 (2023): 228–47. https://doi.org/10.31866/2617-7951.6.2.2023.292140.

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<strong>The purpose of the study: </strong>Conduct a paleographic and cultural analysis of Hryhorii Skovoroda’s manuscripts. To find and describe the most characteristic letters and calligraphic methods inherent in the philosopher, and to emphasize the features of the eighteenth-century handwriting in general. To form a paleographic database of letters that can be used to create fonts and designs for modern projects that emphasize the aesthetics of the Ukrainian Baroque. <strong>Research methods. </strong>Systematization of scientific sources, artistic analysis, synthesis

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9

Lychkovakh, V. A. "Aesthetics of the Ukrainian Avant-garde: Energy-information Dimension." Вісник Житомирського державного університету імені Івана Франка. Філософські науки, no. 1(85) (December 28, 2019): 103–10. http://dx.doi.org/10.35433/philosophicalsciences.1(85).2019.103-110.

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10

Berehova, Olena. "Maryna Denysenko-Sapmaz’s aesthetics in the cultural creation processes of Ukraine at the turn of the XX–XXI centuries." Culturology Ideas, no. 22 (2'2022) (2022): 92–101. http://dx.doi.org/10.37627/2311-9489-22-2022-2.92-101.

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For the first time in Ukrainian musicology, an attempt was made at a creative portrait of the composer Maryna Denysenko-Sapmaz, the main stages of formation of her creative personality were outlined, a panoramic review of significant works in her creative biography was offered. Analytical observations allowed generalizations about the orientations of her musical aesthetics, including the postmodern worldview, the tendency to combine neo-styles, openness to technological experiments and avant-garde research in various composition techniques, synthesizing the principles of European and Eastern m

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11

YERMOLENKO, Svitlana. "Word and memory of Ivan Drobnyi." Culture of the Word, no. 96 (2022): 7–26. http://dx.doi.org/10.37919/0201-419x.2022.96.1.

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The author of the article explores the individual linguistic style of Ivan Semenovych Drobnyi, a writer of the Sixties from Cherkasy region, in particular the language of his poetic texts. It is determined that the poet’s style represents the linguistic aesthetics of Ukrainian literature of the second half of the twentieth century, and the stylistic feature of I. Drobnyi’s language thinking reveals the connection of verbal associative images with realities, phenomena of Ukrainian nature, history of the native land, environmental problems and the inner world of a person in love with his land. T

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12

Bortnik, Zh. "BETWEEN DOCUMENTARY AND POST-DOCUMENTARY: SEARCH VECTORS OF CONTEMPORARY UKRAINIAN DRAMA." Brecht-Magazine: Articles, Essays, Translations, no. 9 (December 26, 2023): 57–71. http://dx.doi.org/10.35433/brecht.9.2023.57-71.

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The article discusses modern dramaturgical strategies, which consist in creating a transformative field by means of documentary/post-documentary. The purpose of the article is to demonstrate the search vectors of contemporary Ukrainian drama in the context of the connection between documentary and post-documentary aesthetics. "Post-documentary" becomes such a feature of liminal aesthetics, which manifests itself in its performative, active orientation to the understanding of reality through the document. The main features of post-documentary theater, identified by researchers, are the ability

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13

ZIBRO, Pavlo, and Vladyslav ZAITSEV. "RETRO AESTHETICS IN THE CONTEXT OF MODERN UKRAINIAN POP MUSIC." Humanities science current issues 2, no. 60 (2023): 61–66. http://dx.doi.org/10.24919/2308-4863/60-2-9.

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14

Batstone, Leah. "“Every Kind of Art Began to Flourish”: Ukrainian music in the modernist context." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 136 (March 28, 2023): 49–59. http://dx.doi.org/10.31318/2522-4190.2023.136.276554.

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Although Ukrainian musical modernism has yet to receive the scholarly attention it deserves, composers living in Lviv, Kyiv and Kharkiv between 1917 and 1937 produced an abundance of compelling music. Not only is this rich body of work relatively unexplored in terms of its individual contributions to 20th century compositional movements such as impressionism in the works of Vasyl Barvinsky and Mykola Roslavets; expressionism in the works of Borys Liatoshynsky, Jozef Koffler, Mykola Roslavets and Stefania Turkevych; folklorism in the music of Levko Revutsky, Boris Liatoshynsky, Vasyl Barvinsky

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15

Raibediuk, Halyna. "The pagan world of Ukrainians in the scientific concept of Ivan Ohiienko and in the poetry of Irina Kalinets: typological aspects." IVAN OHIIENKO AND CONTEMPORARY SCIENCE AND EDUCATION SCHOLARLY PAPERS PHILOLOGY, no. 18 (December 29, 2021): 84–96. http://dx.doi.org/10.32626/2309-7086.2021-18-2.84-96.

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The proposed article explores the ways of timeless communication of the au-thor’s consciousness of Ukrainian theologian Ivan Ohiienko and dissident writer Iryna Kalynets, clarifi es the intersections of their refl ections on the pre-Christian life of the Ukrainian people, characterizes the typology of transposition of pagan world and folklore-mythological narrative versions of the poetess. The similarity of views of both representatives of the analyzed discourse on the animistic world-view and mentality of Ukrainians is revealed, the integral meaning of their de-clared concepts of its pre-Chri

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16

Gerus, Lyudmyla. "Ukrainian Ritual Bread: Ethnocultural Specifics of the Visual Image." JOURNAL OF ETHNOLOGY AND CULTUROLOGY 31 (2022): 107–15. http://dx.doi.org/10.52603/rec.2022.31.12.

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Ritual bread baking from dough, in particular, named: «kalach», «korovai», «karachun», «paska» (Easter bread), «zhaivoronky» (literally «larks»), «khresty» (literally «crosses»), has been studied. They have specific plastic design and, compared to other types of bread dishes of Ukrainians, the most vivid signs of aesthetic thinking. The visual image of the Ukrainian ritual bread is presented in a subject embodiment in the process of working with raw materials in a three-dimensional form with its inherent size, structure and decor, justified by both the ritual context and the dependence on the

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17

Komarytsia, Mariana. "Between aesthetics and ideology: comparative studies of stefanykiana in press of writer’s lifetime." Proceedings of Vasyl Stefanyk National Scientific Library of Ukraine in Lviv, no. 13(29) (2021): 31–45. http://dx.doi.org/10.37222/2524-0315-2021-13(29)-3.

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The article focuses on the two vectors of the reception of Vasyl Stefanyk’s legacy — i. e. the aesthetic and the sociological ones — in the reports published in periodicals during the writer’s lifetime. In our opinion, the article “Old and New in Modern Ukrainian Literature” (1904) by Sofia Rusova pub¬lished in Literaturno-Naukovyi Vistnyk (Literary Scientific Herald) as translated into Ukrainian by Ivan Franko including his commentary served as a kind of a (conditional) starting point. It contrasts V. Stefanyk as a “poet of the contemporary dire plight of the people in Galicia” with his abili

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18

Boiko, Olha. "Ukrainian Folk Dance Stage Adaptation in the Context of Postmodern Culture." Bulletin of KNUKiM. Series in Arts, no. 43 (December 22, 2020): 154–59. https://doi.org/10.31866/2410-1176.43.2020.220243.

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The purpose of the article is to identify the specifics of the implementation of the primary technique and artistic-figurative features of postmodern aesthetics in the Ukrainian folk dance stage adaptation of the 21st century. Research methodology. The author applied a cultural research method, which helped to develop an appropriate view towards the folk stage choreography of the 21st century and the specifics of the implementation of the concept of postmodernism in the stage space; the method of art history analysis, which made it possible to study the direction of stylisation of folk dance s

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19

Sklyarenko, Galyna. "Ukrainian wall painting of the 1960s-1980s: the evolution of the artistic language." CONTEMPORARY ART, no. 18 (November 29, 2022): 175–88. http://dx.doi.org/10.31500/2309-8813.18.2022.269727.

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The article is devoted to the analysis of one of the most paradoxical phenomena of artistic culture of the late Soviet era - monumental and decorative art, which, despite its programmatic socio-political involvement, became part of “Soviet modernism”, combining social utopia with a variety of formal, plastic, stylistic, aesthetic directions, which reflected the search for a new national and individual author’s artistic language and imagery. Significant, that exactly murals and architecture put beginning to the processes of the aesthetic updating, that became the signs of social and political t

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20

Zaitseva, X. "ROCOCO ART AND FASHION IN UKRAINIAN CONTEMPORARY AND HISTORICAL CONTEXTS." Bulletin of Taras Shevchenko National University of Kyiv. History, no. 154-155 (2022): 24–27. https://doi.org/10.17721/1728-2640.2022.154-155.4.

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During the years of independence, Ukrainian art has experienced many transformations and influences. In search of their style the authors use various media. But, having been oversaturated with experiments, Ukrainian art is gradually returning to the traditions and cultural codes of the past. Characterized by whimsical, playful and graceful motifs, the Rococo artistic style manifested itself not only in its homeland – in France – but also became a famous trend throughout Europe. So in the 18th century, Rococo reaches Ukraine and is reflected in Ukrainian art and fashion. A few centuries later,

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21

Ponomar, Liudmyla. "Traditional Folk Clothes in the Dimension of Modern Nation Consolidation Processes." Folk art and ethnology, no. 1 (March 30, 2024): 34–41. http://dx.doi.org/10.15407/nte2024.01.034.

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The article is devoted to folk culture, in particular, clothing as a powerful factor of national consolidation and expression of the mentality of Ukrainians in the war unleashed by russia. The pseudo-scientific narratives of russian scientists with the aim of destroying the identity and changing the consciousness of modern Ukrainians in support of the modern fascist regime of russia are considered. Emphasis is placed on the social (as a basic) criterion for understanding the role of the national dress, the embroidered shirt, in uniting our people during the Orange Revolution, the Revolution of

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22

Musiał, Jan. "KAROL LIBELT’S PROPHETIC PROJECT OF “SLAVIC PHILOSOPHY” IN A HISTORICAL LITERARY MIRROR." Polish Studies of Kyiv, no. 38 (2022): 58–68. http://dx.doi.org/10.17721/psk.2022.38.58-68.

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The cultural projects currently attracting the attention of humanists, sometimes with far-reaching political consequences, such as the Three Seas Initiative project, turn out to be older. The aforementioned Three Seas Initiative appears – in its original version – in the broader draft of the Manifesto to the Slavic Nations, submitted by the Polish philosopher Karol Libelt at the Slavic Congress in Prague in 1848 as the final expression of the “Slavic philosophy” he created. The philosopher coupled its idea in a very interesting way with late-romantic Polish literature, but also with the folk l

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23

Syvak, V. "THE DEVELOPMENT OF THE EUCHARISTIC THEME IN UKRAINIAN CULTURE IN THE BAROQUE PERIOD AT THE END OF THE 17th - 18th CENTURIES: EASTERN CHRISTIAN TRADITION AND INFLUENCE OF WESTERN EUROPEAN ART." POLISH JOURNAL OF SCIENCE, no. 63 (June 16, 2023): 7–11. https://doi.org/10.5281/zenodo.8046030.

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The article highlights the influence of Western European cinema art. XVII - XVIII centuries on Ukrainian sacred art, the basis of which is icon painting. Attention is focused on Eucharistic iconography in Ukrainian church art of the given period. The complex of components of the Baroque style, which permeated Ukrainian culture and expressed its worldview basis, was considered, and what is important, the role of Eucharistic symbolism and its use in various sections of sacred art in general, as well as the role of symbolism in Ukrainian sacred art, were outlined. The figurative essence and indiv

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24

Grebeniuk, Tetiana. "SHARED PAIN, THE WAR AND IDENTITY: PECULIARITIES OF UKRAINIAN LITERARY METAMODERNISM." CONTEMPORARY LITERARY STUDIES, no. 20 (December 20, 2023): 30–58. http://dx.doi.org/10.32589/2411-3883.20.2023.293539.

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This article examines specific manifestations of the metamodern structure of feeling and features of metamodern poetics represented in contemporary Ukrainian literature, as well as the influence of the state of war, in which Ukraine has been involved since 2014, on the perception of the universal aesthetic characteristics of metamodernism in the national artistic discourse.The global phenomenon of metamodernism is considered in the article in its connections with the previous modernist and postmodern traditions and in the context of the political and cultural processes of the end of the 20th —

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25

SHVAB, Larysa, and Аnatoliy SHVAB. "UKRAINIAN-RUSSIAN MENTAL AND CULTURAL CONFLICT IN THE WORK OF LESYA UKRAINKA." From the history of Western Ukraine 18 (2022): 82–94. http://dx.doi.org/10.33402/zuz.2022-18-82-94.

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The Ukrainian-Russian conflict of cultures in the creative heritage of Lesya Ukrainka is highlighted. The poems «My Way», «Prophet», dramatic works «Autumn Tale», «Cassandra», «Boyarynia», «Three Minutes», «Orgy», prose «My Way» were analyzed. The position of Lesya Ukrainka has been interpreted as a consistent protest against the supremacy of Russian culture over Ukrainian, and one that evolved from an awareness of fatal antagonism («Over the sea») to an outright hatred of Moscow (boyar) aesthetics («Boyarian») and a prophetic warning of the threat coming from East («Cassandra»). It is noted t

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Siuta, Halyna. "Terminology of receptive stylistics: the adaptation of other-disciplinary concepts." Terminological Bulletin, no. 5 (2019): 104–11. http://dx.doi.org/10.37919/2221-8807-2019-5-13.

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Receptive stylistics is the latest trend in the stylistics of text. It studies the mechanisms of text perception, in view of the account time, socio-cultural and individual psychological factors of perception. This integrative model of textology combines the ideas of hermeneutics, phenomenology, receptive aesthetics and poetics, traditional poetics, linguоsynergetics etc. Maximum openness to the researching of the intellectual and communicative nature of the text is reflected in the terminology of receptive stylistics. One of the theoretical platforms of receptive stylistics is receptive aesth

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27

Lavrinenko, O. "ETHICAL AND AESTHETIC PRINCIPLES OF PERSONALITY DEVELOPMENT OF FUTURE TEACHERS OF UKRAINE IN THE EARLY MODERN PERIOD (XVI - XVII CENTURIES)." Aesthetics and Ethics of Pedagogical Action, no. 31 (June 3, 2025): 87–105. https://doi.org/10.33989/2226-4051.2025.31.331546.

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The article is devoted to the historical and pedagogical analysis of the essence and specifics of the ethical and aesthetic principles of the development of the personality of future teachers of Ukraine in the early modern times (XVI-XVII centuries). Based on the historiographical analysis of literature and old prints, the author proves the thesis that due to the urgent need for self-preservation and self-development of the Ukrainian nation, the need to combat Catholic expansion, Ukrainian educational institutions trained highly educated, moral, ethical, and aesthetically perfect mentors-teach

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28

Кryvoruchko, Svitlana. "Blood and Power/ Person and State: Mykola Khvylovyi "Blue November"." Balkanistic Forum 32, no. 1 (2023): 28–44. http://dx.doi.org/10.37708/bf.swu.v32i1.2.

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Throughout 2022, the war between Russia and Ukraine continues. From the 17th century Ukraine is trying to get rid of this aggression. And today, in 2022, Ukraine is also resisting and defending its right to own culture, language, traditions, and life. All this is achieved with the blood of Ukrainians. Bloody events, the conflict between the individual and the state, blood and power are depicted in the story "Blue November" by the Ukrainian writer Mykola Khvylovy (1893-1933).The scientific problem is to the interpretation of the author's signs-codes, which reflect modernist aesthetics, which pr

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Putsіata, Iryna. "AESTHETICS OF THE WORD AND IMAGE IN SOCIAL TOK SHOW: UKRAINIAN EXPERIENCE." Bulletin of Lviv Polytechnic National University. Series: Journalistic sciences 2018, no. 2 (2018): 137–42. http://dx.doi.org/10.23939/sjs2018.01.137.

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Riazanov, M. Yu, and A. V. Lysenko. "AESTHETICS OF MODERN UKRAINIAN LAW: RECONCEPTION THROUGH THE PRISM OF LEGAL HERITAGE." Juridical scientific and electronic journal, no. 1 (2024): 45–48. http://dx.doi.org/10.32782/2524-0374/2024-1/7.

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Didenko, Olena. "Aesthetics and Pragmatics of Visual Image Design in Trailers of Ukrainian Films." Bulletin of KNUKiM. Series in Arts, no. 47 (December 26, 2022): 139–47. https://doi.org/10.31866/2410-1176.47.2022.269625.

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The purpose of the article is to study and analyse the means of conveying the aesthetics and pragmatics of visual image design on the example of trailers of domestic films. The research methodology is based on the analytical and comparative aspect and combines general scientific and special methods, which provide an opportunity to characterize the trends in the development of Ukrainian cinema, and the role and importance of visual image design in film trailers. Results. Reasons for the increase in demand for audiovisual arts are determined. Some aspects of the editing director&r

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Solomakha, S. "AESTHETIC DIMENSIONS OF IVAN ZIAZIUN’S PEDAGOGICAL HERITAGE." Aesthetics and Ethics of Pedagogical Action, no. 27 (June 20, 2023): 28–37. http://dx.doi.org/10.33989/2226-4051.2023.27.282094.

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The article examines various aspects of the philosophical, pedagogical, and ethical-aesthetic ideas of academician Ivan Andriyovych Ziaziun, which occupy a significant place in his multifaceted scientific heritage. According to I. Ziaziun, the philosophical categories of “goodness”, “beauty” and “freedom” always stand for Truth, which embodies the deep meaning of human worldview and comprehension of existence, the search for the human spirit, and the creation of humanistic ideals. The categories of aesthetics, aesthetic education, pedagogical skills, pedagogical action of a teacher, and spirit

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Briukhovetska, Olga. "Queering Socialist Realism: Serhii Parajanov’s Early Ukrainian Films and his Transition to Poetic Cinema." NaUKMA Research Papers. History and Theory of Culture 8 (July 9, 2025): 104–14. https://doi.org/10.18523/2617-8907.2025.8.104-114.

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The article argues that Serhii Parajanov’s lesser-known early Ukrainian films, created within the constraints of socialist realism, subtly challenged Soviet normativity, including heteronormativity. These works are characterized as a “double failure” — both artistic and ideological — as they reveal the operations of Parajanov’s creative desires, foreshadowing the queer aesthetics that would later define his mature poetic cinema. Focusing on The Flower on the Stone (1962), Parajanov’s final film before his creative breakthrough, the article identifies two key disruptions of the heteronormative

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Kharchuk, Roxana. "ZHADAN’S EVOLUTION AS A POET: REASONS AND ESSENCE." Слово і Час, no. 4 (August 31, 2024): 54–68. http://dx.doi.org/10.33608/0236-1477.2024.04.54-68.

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Professional Ukrainian critics have traditionally focused more on Zhadan’s prose, with his poetry receiving thorough analysis mainly from Ivan Dziuba, a critic from an older generation. Given Zhadan’s prolific output — 16 collections with over 700 texts — a systematic approach to his work is essential. Currently, Zhadan’s work is either identified with the stages of the formation of Ukrainian society (Babenko), or his poetry is considered as the history of Ukrainian society after 1991 and the process of growing up (Boichenko). The paper’s author identifies two distinct periods in Zhadan’s poet

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Kasianova, Olena. "Evolutionary modifications of dance scenes in the context of the genesis of the ukrainian opera." Ukrainian musicology 46 (October 27, 2020): 58–74. http://dx.doi.org/10.31318/0130-5298.2020.46.234595.

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The relevance of the research lies in the search for a solution to the problem of the plasticchoreographic image of the work, the peculiarities of the interpretation of dance in the process of the formation of the Ukrainian national opera school, taking into account the author's intention, its rethinking in the realities of our time. Scientific novelty lies in the definition of conceptual approaches to the genre-style interpretation of dance scenes in Ukrainian opera in accordance with the theatrical aesthetics of a particular time. The purpose of the publication is to determine the evolutiona

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Atamanchuk, V. P. "TRADITIONS OF I. KARPENKO-KARYI IN M. KULISH’ DRAMA: LITERARY ASPECT." Literary Studies, no. 60 (2021): 11–20. http://dx.doi.org/10.17721/2520-6346.60.11-20.

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One of the brightest playwrights of the twentieth century, M. Kulish has synthesized significant artistic achievements of his outstanding predecessors. The Ukrainian playwright has organically combined the achievements of many artistic trends (realism, symbolism, expressionism, “theatre of the absurd”), creating an original, aesthetically and artistically perfect, stylistic system. In dramatic works by M. Kulish, the intersection of diverse semantic and artistic planes, as well as the interaction of different discourses with the involvement of the achievements of world art and philosophy, is c

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Tarnashynska, Lyudmyla. "AESTHETICS OF SHOCKS IN THE CONTEXT OF CURRENT EVERYDAY LIFE." CONTEMPORARY LITERARY STUDIES, no. 18 (December 13, 2021): 143–52. http://dx.doi.org/10.32589/2411-3883.18.2021.247020.

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Everyday life – regardless of its geographical status – has different dimensions: on the one hand, it is a routine, and on the other hand, it is an attempt to escape from it, to create at least some holiday. In the context of current everyday life, it makes sense to look at its other side: everyday life as stress, affectation of consciousness, etc. It is interesting to observe how the aesthetics of the shock, brought to Ukrainian literature, in particular, by the realities of the 1990s, is modified and filled with new meanings literally before our eyes, and how modern times deform human consci

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Berehova, Olena. "Art as a Weapon: The Works of Composer Bohdana Frolyak During the Russia–Ukraine War." ARTISTIC CULTURE. TOPICAL ISSUES, no. 20(2) (November 28, 2024): 81–87. https://doi.org/10.31500/1992-5514.20(2).2024.318254.

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The works of Bohdana Frolyak composed during 2022–2023 are introduced into the scientific circulation of Ukrainian musicology: the programmatic symphonic compositions The Way, Let There Be Light, Cello and Oboe Instrumental Concertos, music for the theatrical performance The War that Changed Rondo. It was revealed that the figurative content and themes of the composer’s wartime works are extremely broad, ranging from intimate lyrics, memories of the beautiful past and reminders of the beauty of the world to anxious moods, reflections on death, grief, mourning for the dead, and prayer. Many of

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DYN, Oksana. "TRANSLATION BRICOLAGE: THE UKRAINIAN-GEORGIAN LITERARY CONTEXT." Bulletin of Taras Shevchenko National University of Kyiv. Oriental Languages and Literatures, no. 29 (2023): 63–67. http://dx.doi.org/10.17721/1728-242x.2023.29.10.

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Background . The research of literary contacts expands the boundaries of national literature, involving it in a single historical-literary process determined by the general process of social-historical development of mankind. Translation becomes a mediator between cultures and involves equal cultural interaction of individuals of different linguistic and cultural communities, taking into account their ethno-cultural identity. Methods. The following methods were used: biographical, comparative, cultural-historical and the method of receptive aesthetics. Using the observation method, we consider

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Plachinta, Iryna, Tetiana Tsurkan, Svitlana Namestiuk, Zhanna Nykiforchuk, and Tetyana Nykyforuk. "Philosophical specificity of religious outlook and modern ukrainian culture formation." Current issues of social sciences and history of medicine, no. 1 (December 30, 2024): 67–71. https://doi.org/10.24061/2411-6181.12.024.418.

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Since 1991, Ukraine has become independent, but its identity and religious issues arising from the collapse of the Soviet Union remain understudied. However, looking at its new position as a part of modern Europe, it can be argued that studies related to Ukraine are becoming a relevant scientific topic. Thus, the presented work aims to investigate the formation of the philosophical aesthetics of the formation of Ukrainian culture. The work is aimed at studying the peculiarities of Ukraine as an independent state, which is at the crossroads of transformations and is trying to restore its cultur

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Kokhan, T. G. "CULTUROLOGICAL ORIENTATORS OF MODERN UKRAINIAN CINEMA CRITICS." UKRAINIAN CULTURAL STUDIES, no. 1 (6) (2020): 18–22. http://dx.doi.org/10.17721/ucs.2020.1(6).04.

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The article analyses the position of Ukrainian scientists, represented in their works during the first two decades of the XXI century, when the influence of the basis of the cultural analyses on the development of cinema critics has become appreciable. The accent has been made on new approaches both to the history of Ukrainian cinema in trying to understand personalized approach prevails and to the estimation of subject direction of the films shoot on the boundary of the XX – XXI centuries. It is underlined that film expert's attention was concentrated on the further improvement of notion-cate

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Аккаш, Олена. "Contemporary Ukrainian visual art in the categories of the theoretical aesthetics (phenomenological aspect)." Contemporary Art, no. 14 (December 21, 2018): 45–52. http://dx.doi.org/10.31500/2309-8813.13.2018.152198.

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Butsykina, Yevheniia. ""Beautiful" and "sublime" by І. Kant within everyday experience of the city". UKRAINIAN CULTURAL STUDIES, № 2 (15) (2024): 13–16. https://doi.org/10.17721/ucs.2024.2(15).03.

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Background. This paper explores the relevance of Kantian aesthetics, specifically his concept of the sublime, in the context of contemporary urban experience in Ukraine, particularly amidst the ongoing war. It examines how modern aesthetics engage with Kant's ideas, with some rejecting the applicability of his notions on beauty, the sublime, and aesthetic judgment, while others affirm their importance for understanding contemporary urban experiences. Methods. The study employs a comparative and analytical methodology, examining Kantian aesthetics in relation to contemporary aesthetic theories,

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Grynova, M., and L. Kravchenko. "THE SCIENTIFIC JOURNAL «UKRAINIAN PROFESSIONAL EDUCATION» CELEBRATES THE FIFTH ANNIVERSARY." Ukrainian professional education, no. 9-10 (September 7, 2021): 9–14. http://dx.doi.org/10.33989/2519-8254.2021.9-10.263515.

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Analytical materials systematized in connection with the fifth anniversary of the scientific journal «Ukrainian Professional Education» are presented. It is a professional publication for the sciences of education and pedagogy, which was founded at Poltava V. G. Korolenko National Pedagogical University in 2016. The journal accumulates more than a century of experience in training teachers and specialists in the socio-humanitarian sphere. It is based on the world-famous achievements of its graduates and teachers, namely Anton Makarenko, Vasyl Sukhomlynskyi, Hryhorii Vashchenko, Volodymyr Shche

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Shevchuk, Tetiana. "Overview of trends in design of sportswear for Ukrainian rhythmic gymnasts." Almanac "Culture and Contemporaneity" 26, no. 2 (2024): 77–88. https://doi.org/10.63009/cac/2.2024.77.

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In the growing competition in the rhythmic gymnastics industry, the issue of developing sportswear that harmoniously combines functionality, aesthetics and national identity is becoming increasingly important. The study aim was to analyse trends in the design of sportswear for Ukrainian rhythmic gymnasts, accounting for aesthetic, functional and technological aspects. The study was based on the analysis of scientific publications, technical documentation and visual materials of international competitions for the period 2015-2024. The study determined that the integration of 3D weaving technolo

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Bigun, Olga. "Taras Shevchenko’s Сhristian cordocentrism". Przegląd Wschodnioeuropejski 11, № 1 (2020): 241–50. http://dx.doi.org/10.31648/pw.5984.

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The article deals with adoption of Christian tradition in poetry of Taras Shevchenko. Theoretical basis includes methodological principles of hermeneutics, the philosophicoaesthetic approach to art, cross-cultural methods. On the one hand, the sources of the creative components by Shevchenko’s ethics and aesthetics are related in Christian tradition. On the other hand, as a result of cordocentrist intention of the Ukrainian ethnos, Christian canon was deprived of the big part of rigorism in Old-Kyiv period. Shevchenko’s aesthetic theology is insufficiently investigated but it characterizes the

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SHTEINBUK, Feliks. "QUEER-PROBLEMS AS A FACT OF AESTHETICS IN THE WORKS OF OLES ULIANENKO." INNOVATIONS IN THE SCIENTIFIC, TECHNICAL AND SOCIAL ECOSYSTEMS 84, no. 3 (2022): 56–69. http://dx.doi.org/10.56378/sjfs3008.

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The purpose of the research is to establish why the author uses images of queer identities on the example of Oles Ulianenko’s works. The research methodology is based on the hypothesis that to achieve the specified goal should be possible providing the three methods are used, namely hermeneutic, the comparative-typological, and the corporal- mimetic method to analyse fiction. The scientific novelty of the research is that queer issues are represented as an aesthetic phenomenon in Ukrainian literary studies for the first time. The Conclusions. First, the queer content depicted in the works unde

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Halitsan, Olha, Tetyana Koycheva, and Tetiana Osypova. "Methodological resource for the development of the aesthetic competence of the future teachers specialised in the Humanities." Scientific bulletin of South Ukrainian National Pedagogical University named after K. D. Ushynsky 2020, no. 1 (130) (2020): 7–13. http://dx.doi.org/10.24195/2617-6688-2020-1-1.

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The methodological resource aimed at aesthetisation of the educational environment of a higher pedagogical education institution under conditions of reforming the Ukraine’s education system is highlighted in the study. The purpose of the study is to present the content of special methodological work on the development of the aesthetic competence of the future teachers specialised in the Humanities. The research methods are as follows: theoretical – analysis of scientific sources on the problem related to the development of the aesthetic competence of the future specialists in the field of educ

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Dukhniak, Iryna. "ANALYSIS OF THE ELEMENTS OF ARCHITECTURAL LANDSCAPE OF THE RIVER VALLEY SPACES IN UKRAINIAN CARPATHIANS." Current problems of architecture and urban planning, no. 60 (April 26, 2021): 117–27. http://dx.doi.org/10.32347/2077-3455.2021.60.117-127.

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The results of the analysis of architectural and landscape interactions in the valley spaces of the rivers in Ukrainian Carpathians are presented in the article. The analysis was made at the scale level of elements of the architectural landscape. It was the next step after preliminary studies at the two highest scale levels - the level of settlement systems and at the level of settlements. The goal is to create a scientific basis for the methodical bases of the architectural and landscape arrangement of river valley spaces in Ukrainian Carpathians. Architectural and landscape interaction

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Kachak, Tetiana, and Tetyana Blyznyuk. "Contemporary Ukrainian Literature for Children and Youth in the Context of Multiculturalism as an Educational Practice." Journal of Vasyl Stefanyk Precarpathian National University 5, no. 1 (2018): 128–35. http://dx.doi.org/10.15330/jpnu.5.1.128-135.

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The article outlines the problem of relevance of multiculturalism in Ukrainian society and educational practice of the modern Ukrainian school. The authors analyze the artistic works by Oksana Lushchevska, addressed to young readers, representing the coexistence of various forms of cultural life, highlighting the problem of preserving one's own and perceiving another cultural identity, tolerant interaction of representatives of various ethnic groups. Simultaneously, the novel by American writer Rainbow Rowell focused on negative phenomena of interethnic interaction, but offered readers an inte

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