Relevant bibliographies by topics / Affaire des caricatures

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  2. Dissertations / Theses
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Academic literature on the topic 'Affaire des caricatures'

Author: Grafiati
Published: 7 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Affaire des caricatures"

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Strzelczyk, Agata. "Dyplomata, Polak, minister spraw zagranicznych. Agenor Gołuchowski młodszy w karykaturze wiedeńskich pism satyrycznych." Galicja. Studia i materiały 7 (2021): 238–64. http://dx.doi.org/10.15584/galisim.2021.7.12.

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The aim of the article is to analyze the image of Agenor Gołuchowski in the light of caricatures published in Viennese satirical magazines (1895–1906). Agenor Gołuchowski the younger (1849–1921) was the only Pole in the position of the Minister of Foreign Affairs of Austria- Hungary (1895–1906). More than once, he became the object of mockery in newspapers such as “Kikeriki!”, “Wiener Caricaturen”, or “Der Floh”. The article focuses on how Gołuchowski was portrayed in caricatures and on what aspects of his identity they were focused. Caricatures are a contribution to reflection on racial and n
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Hoffman, Zachary. "Stepan Sokolovskii, Novoe vremia, and the Cartoons of Empire." Experiment 28, no. 1 (2022): 71–89. http://dx.doi.org/10.30965/2211730x-12340025.

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Abstract Stepan Fedorovich Sokolovskii (pen name Coré) served as the primary caricaturist for the prominent St. Petersburg newspaper Novoe vremia (New Times, 1868–1917) in the late 1890s and early 1900s. While his vibrant style and prolific output have led his cartoons to appear frequently in scholarship, few studies examine his work specifically. Interestingly, his illustrations for Novoe vremia focus almost exclusively on international politics, and thus, prominently engage in national and ethnic stereotypes. These caricatures not only offered eye-catching and amusing visual depictions of fo
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Plantureux, Jean (Plantu). "'I Must Not Draw . . .'." European Comic Art 2, no. 1 (2009): 1–19. http://dx.doi.org/10.3828/eca.2.1.2.

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The publication of some caricatures of the prophet Mohammed by the Jyllands-Posten, a Danish newspaper, and their distribution around the globe provoked a tremendous outcry and debate, which even led to physical destruction and death. This raises fundamental questions about the nature of blasphemy, (self-)censorship and the freedom of expression, the responsibility of cartoonists, trans-cultural communication, and the power of caricature. The author, who played a direct role in the French part of this affair, reflects on the questions it raises and on his own practice of editorial cartooning.
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Göktürk, Deniz. "Jokes and Butts: Can We Imagine Humor in a Global Public Sphere?" PMLA/Publications of the Modern Language Association of America 123, no. 5 (2008): 1707–11. http://dx.doi.org/10.1632/pmla.2008.123.5.1707.

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In his essay titled “Drawing Blood” for Harper's magazine in June 2006, written as a response to the Muhammad cartoon affair, Art Spiegelman argued convincingly that a cartoon is, first and foremost, a cartoon. It sounds straightforward, but is it really? Following Spiegelman, we can define caricatures as charged or loaded images that compress ideas into memorable icons, namely clichés. A cartoon must have a point, and a good cartoon can change our perspective on the ruling order. Spiegelman opens his discussion with classical caricatures such as Honoré Daumier's 1831 depiction of King Louis-P
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Devlin, Morgana A. "Ribbentrop: First Non-Caricature Portrait." Almanac “Essays on Conservatism” 65 (March 1, 2020): 483–86. http://dx.doi.org/10.24030/24092517-2020-0-4-483-486.

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The article presents the review of the book of Russian historian and political scientist Vasili Molodiakov about one of the major figures of Nazi Germany – Reich minister of Foreign Affairs Joachim von Ribbentrop. This book is the first Russian-language biography of Ribbentrop as well as the first scientific biography of the minister. Molodiakov’s book serves as a perfect illustration of the event time and gives a very good idea of the diplomatic realia of the epoch.
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Weston, Jane. "Bête et méchant." European Comic Art 2, no. 1 (2009): 109–29. http://dx.doi.org/10.3828/eca.2.1.7.

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The weekly French satirical newspaper, Charlie hebdo, which originally ran from 1969 to 1982, pending a revival in 1992, distinguishes itself through its bête et méchant ['stupid and nasty'] humorous heritage, defined in its parent publication, Hara-Kiri, as the freedom to make jokes on potentially any subject, however taboo. Whilst this satirical ethos predominated in Charlie hebdo up to 1982, its enduring place in the publication has become more ambiguous since 1992, with the abrupt sacking of Siné in July 2008 seemingly belying its vigorous defence of provocative humour in the context of th
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Steen, Olaf, and Kirsti Gulowsen. "A caricature seal, a papal portrait, and a bronze bust of Bjørnstjerne Bjørnson. Three key works by Hans Stoltenberg Lerche in Bjørnson's home at Aulestad." Acta ad archaeologiam et artium historiam pertinentia 36, no. 23 N.S. (2023): 39–57. https://doi.org/10.5617/acta.10494.

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At Aulestad in Norway, in the home of the Norwegian poet, writer and public debater Bjørnstjerne Bjørnson (1832-1910) our attention is drawn to three works by the Norwegian artist Hans Stoltenberg Lerche (1867-1920). Lerche lived his professional life established between Rome and Paris, from 1901 to his death he stayed in Rome where he was also a door opener for Norwegian artists to Italy. The three works at Aulestad are a caricature seal, mocking Rodin’s famous Balzac monument, an innovative statuette portraying Pope Leo XIII (1878-1903), and a portrait bust of Bjørnstjerne Bjørnson himself.
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Bellin, Eva. "Faith in Politics. New Trends in the Study of Religion and Politics." World Politics 60, no. 2 (2008): 315–47. http://dx.doi.org/10.1353/wp.0.0007.

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Studies of religion and politics have begun to force their way into the mainstream of the discipline thanks to their increasing methodological sophistication and theoretical ambition in addition to the push of real-world events. In comparative politics, puzzle-driven structured comparison has yielded new insights into the rationality of religious behavior, the weight of path dependence in shaping religious values, and the play of socioeconomic factors in shaping religion's vitality. In international relations, recognition of the importance of religious identities and values in the play of inte
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Thuynsma, Peter N. "Esk'ia Mphahlele remembered." Tydskrif vir Letterkunde 46, no. 1 (2018): 213–16. http://dx.doi.org/10.17159/2309-9070/tvl.v.46i1.4298.

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The phrase ‘affable to a fault’ could well be the severest understatement to characterise Esk’ia Mphahlele. He related warmly to everyone and did so with a natural and consummate ease. People meant everything to him and life was forever ripe with metaphor and analogy. He would cradle experiences, mull them over, toss them about, prod here and tickle there to extract and savour. All this coupled with a comical gait of flaying arms and a thunderous laughter made of him both a delightful caricature and a sage!
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Lotherington, John. "Caricatures and Political Purposes: A Comment on Robert Kagan's Of Paradise and Power." German Law Journal 4, no. 9 (2003): 977–84. http://dx.doi.org/10.1017/s2071832200016576.

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Robert Kagan's Of Paradise and Power is the latest attempt, following Francis Fukuyama's The End of History and Samuel Huntington's The Clash of Civilizations, to provide us with “The Answer,” an analysis of the way the world works to take away some of the pain of the uncertainties which have dogged us since the end of the Cold War. The pattern has been the same: first an article in a journal, striking a chord with a wider than usual readership and then the press in general, aided by an arresting sound-bite –(the titles in the case of Fukuyama and Huntington, the tag from the first page of Kag
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Dissertations / Theses on the topic "Affaire des caricatures"

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Jarnier, Jean-Luc. "L’affaire Dreyfus et l’imagerie de presse en France (1894-1908)." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040023.

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L’intensité de la crise nouée autour de l’affaire Dreyfus n’est plus à démontrer. La presse y joue un rôle majeur. Les caricaturistes, en particulier, alimentent de leurs images les quotidiens et périodiques, des ouvrages, cartes postales et affiches. La palette des styles est large. Lorsqu’ils vont au-delà de l’hésitation – moment très court pour certains –, ils placent souvent leurs contributions dans un engagement construit, entre attaques et ripostes. Quand certains restent indécis ou indifférents, d’autres prennent le parti d’en rire. On constate aussi des pratiques de duplicité. À une ép
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Anderson, Pauline Tee. "L' intégration de dessins humoristiques dans la didactique de l'anglais des affaires et du commerce : le cas d'un enseignement en langues étrangères appliquées." Montpellier 3, 1999. http://www.theses.fr/1999MON30026.

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Bazin, Maëlle. "Dessiner la liberté d'expression face au terrorisme : sémiotique et sociologie des pratiques graphiques en hommage aux victimes des attentats de « Charlie Hebdo » (France, janvier 2015)." Electronic Thesis or Diss., Université Paris-Panthéon-Assas, 2023. http://www.theses.fr/2023ASSA0078.

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Croisant les apports de la sémiotique des images, de l'anthropologie de l'écrit et des sciences de l'information et de la communication, cette recherche procède à l'analyse d'un corpus de plusieurs centaines de dessins produits en réaction aux attaques terroristes islamistes de janvier 2015 en région Île-de-France. Elle établit dans quelle mesure le dessin, en tant qu'auxiliaire et sujet de discours des mobilisations populaires, constitue un vecteur de cohésion entre les Français ·es. La première partie de la thèse montre en quoi les attentats de janvier 2015 constituent un moment charnière da
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NIELSEN, Anne Mark. "Blasphemy, secularisation and multiculturalism : a study of the Rushdie affair, the Theo van Gogh affair and the Mohammad caricature crisis." Doctoral thesis, 2010. http://hdl.handle.net/1814/15398.

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Defence date: 18 November 2010<br>Examining Board: Prof. Bo Stråth (EUI, Supervisor); Prof. Kiran K. Patel (EUI); Prof. Lisbet Christoffersen (Roskilde University); Prof. Willfried Spohn (Georg-August-Universität)<br>PDF of thesis uploaded from the Library digital archive of EUI PhD theses<br>This thesis examines secularisation theories and explores the question of their capability to capture and explain contemporary conflicts in Europe centred on the space and role for, primarily Muslims, religion in the public sphere. From the 1980s onwards, the "resurrection of religion” has reigned as the
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Books on the topic "Affaire des caricatures"

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Laurent, Gervereau, and Prochasson Christophe, eds. L' affaire Dreyfus et le tournant du siècle (1894-1910). Bibliothèque de documentation internationale contemporaine, 1994.

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Wright, Patrick. Affairs of the heart. Heinemann, 1985.

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Gorilla Collective (Group of artists). Gorilla for president: The 100 best visual columns on current affairs by the Gorilla Collective, 2006-2017. Lecturis, 2017.

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Patterson, Kevin B., and Belinda Meares. The Rainbow Warrior collection: French and New Zealand cartoon comments on the "Greenpeace Affair". Ponga Tree Press, 1986.

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University of Pennsylvania. Department of the History of Art, University of Pennsylvania. Library. Kislak Center for Special Collections, Rare Books and Manuscripts, and Kamin Gallery, eds. The image affair: Dreyfus in the media, 1894-1906. University of Pennsylvania, Department of the History of Art, 2015.

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6

John, Clarke. The catastrophe continues: Twenty-one years of interviews. Text Publishing, 2008.

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Moore, Michael (director). Stupid white men-- and other sorry excuses for the state of the nation! ReganBooks, 2001.

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Moore, Michael (director). Mike contre-attaque! et s'en prend aux escrocs qui ont fait main basse sur la Maison-Blanche. Éditions du Boréal, 2003.

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Moore, Michael (director). Stupid white men ... and other sorry excuses for the state of the nation! ReganBooks [u.a.], 2003.

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Moore, Michael (director). Stupid White Men. Francis, 2003.

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Book chapters on the topic "Affaire des caricatures"

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Eko, Lyombe. "Charlie Hebdo and French Collective Memory: Origins of the Right to Caricature." In The Charlie Hebdo Affair and Comparative Journalistic Cultures. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-18079-9_3.

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Jomier, Augustin. "Loin des caricatures. Les échos de l’« Affaire » en Algérie." In La caricature au risque des autorités politiques et religieuses. Presses universitaires de Rennes, 2010. http://dx.doi.org/10.4000/books.pur.102885.

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"8. John Grand-Carteret, a Historian of the Dreyfus Affair through Caricature?" In Revising Dreyfus. BRILL, 2013. http://dx.doi.org/10.1163/9789004256958_010.

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Ansell, Joseph P. "An Ambassador for Co-operation." In Arthur Szyk. Liverpool University Press, 2004. http://dx.doi.org/10.3828/liverpool/9781874774945.003.0006.

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This chapter follows Arthur Szyk's career toward the outbreak of the Second World War. This period marked a period of increased political activism on his part. Supported by the highest levels of the Polish government, Szyk's work continued to spread the message of mutual co-operation and freedom, meeting with positive responses during his exhibits. He once again took up the pen as a political caricaturist during this period, adding contemporary images to the message he believed was already embodied in the statute, to help alert people to the worsening situation in Germany. He contributed drawi
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Stańczyk, Ewa. "Local Struggles." In Cartoons and Antisemitism. University Press of Mississippi, 2024. https://doi.org/10.14325/mississippi/9781496851499.003.0003.

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This chapter takes us to the geographical stronghold of right-wing satire that is the region of Greater Poland. Using the case study of the Pokrzywy (Nettles) magazine, the chapter discusses how provincial print media strove to effect change from the bottom by mobilizing the local people to boycott Jewish economy and shaming those ethnic Poles who patronized Jewish businesses. The chapter contends that the magazine disseminated some of the most venomous antisemitic caricature of the day, combining ad hominem attacks on local citizens with global tropes of Jews as dangerous exploiters, conspire
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Sommerville, C. John. "The Club Image and Vicarious Community." In The News Revolution in England. Oxford University PressNew York, NY, 1996. http://dx.doi.org/10.1093/oso/9780195106671.003.0012.

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Abstract The defining moment in the life of the English reading public came at around the tum of the eighteenth century, shortly after the press found itself free. That was when local affairs became part of the world of news, when the image of the club became symbolic of the informed public, and when caricature began to replace civil discourse. Together, these changes would tend to reduce periodical publication from a medium to a mechanism. That is, they reduced the effort needed to participate in public opinion, by marketing news and discussion as a product. No longer did readers need to sear
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Llewellyn, Karl N. "This Case System: What to Do with the Cases." In The Bramble Bush. Oxford University PressNew York, NY, 2008. http://dx.doi.org/10.1093/oso/9780195368451.003.0003.

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Abstract I have now sketched for you in charcoal outline—an unkind critic might remark, in bastard caricature—the part that law and law’s minions play in our society, and the general history of a case at law. All this, for your ordained affairs, is background; you will be getting restive. Indeed, in delivering these lectures orally, I have felt the need, before the second hour, of setting to work to dynamite the foreground stumps: cases in casebooks have been assigned to you; what, then, are you to do with them? Now the first thing you are to do with an opinion is to read it. Does this sound c
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