Relevant bibliographies by topics / Affective turn / Journal articles
To see the other types of publications on this topic, follow the link: Affective turn.

Journal articles on the topic 'Affective turn'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 March 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Affective turn.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Aryal, Yubraj. "Affective Turn." Journal of Philosophy: A Cross-Disciplinary Inquiry 6, no. 15 (2011): 72–74. http://dx.doi.org/10.5840/jphilnepal201161531.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Anderson, Ellie. "Sartre’s Affective Turn." Philosophy Today 65, no. 3 (2021): 709–26. http://dx.doi.org/10.5840/philtoday2021524415.

Full text
Abstract:
Jean-Paul Sartre’s theory of “the look” has generally been understood as an argument for the impossibility of mutual recognition between consciousnesses. Being-looked-at reveals me as an object for the other, but I can never grasp this object that I am. I argue here that the chapter “The Look” in Being and Nothingness has been widely misunderstood, causing many to dismiss Sartre’s view unfairly. Like Hegel’s account of recognition, Sartre’s “look” is meant as a theory of successful mutual recognition that proves the existence of others. Yet Sartre claims that such an account is plausible only if recognition is affective, not cognitive. Situating Sartre’s account of the look within his technical understanding of affect’s distinctness from cognition not only enables a better understanding of Sartre’s view, but also reveals a compelling alternative to the understanding of self-other relations in contemporary affect theory.
APA, Harvard, Vancouver, ISO, and other styles
3

Lara, Alí, and Giazú Enciso. "The Affective Turn." Athenea Digital. Revista de pensamiento e investigación social 13, no. 3 (November 5, 2013): 101. http://dx.doi.org/10.5565/rev/athenead/v13n3.1060.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Larson, Michael. "Jameson’s Affective Turn." Poetics Today 38, no. 4 (December 1, 2017): 751–61. http://dx.doi.org/10.1215/03335372-4184350.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Clough, Patricia T. "The Affective Turn." Theory, Culture & Society 25, no. 1 (January 2008): 1–22. http://dx.doi.org/10.1177/0263276407085156.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Hofman, Ana. "The affective turn in ethnomusicology." Muzikologija, no. 18 (2015): 35–55. http://dx.doi.org/10.2298/muz1518035h.

Full text
Abstract:
The affective turn, which has already questioned dominant paradigms in many disciplinary fields including cultural studies, philosophy, political theory, anthropology, psychology and neuroscience, has started to attract more attention in the field of ethnomusicology, becoming a particularly vibrant stream of thought. Drawing on the voices that call for the historicisation of and critical deliberation on the field of affect studies, the article strives to show how theories of affect might expand dominant paradigms in ethnomusicology and also points to their limitations.
APA, Harvard, Vancouver, ISO, and other styles
7

Burger, Glenn. "Towards a premodern affective turn." postmedieval: a journal of medieval cultural studies 5, no. 1 (March 2014): 102–14. http://dx.doi.org/10.1057/pmed.2014.4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Smith, Rachel Greenwald. "Postmodernism and the Affective Turn." Twentieth-Century Literature 57, no. 3-4 (2011): 423–46. http://dx.doi.org/10.1215/0041462x-2011-4008.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Ilic, Vlatko. "Contemporary art, affective turn and emotions." Theoria, Beograd 65, no. 2 (2022): 133–43. http://dx.doi.org/10.2298/theo2202133i.

Full text
Abstract:
Due to the so-called Affective Turn, which is according to a number of scholars shaping present cross-disciplinary studies of various phenomena, art included, emotions are coming into focus of many different theoretical orientations. Among the authors concerned with issues of emotions, Sara Ahmed?s discourse on affective economies, and her understanding of emotions as practices that produce surfaces and borders that allow the collective and the individual to appear as objects proves to be particularly useful in the analysis of immaterial artworks. In regard to the leading poetic principles of contemporary art practices, starting from Bourriaud?s Relational aesthetics and the insights offered by Sara Ahmed, we will look more closely into emotions as key notions for understanding the aesthetics experience of art today.
APA, Harvard, Vancouver, ISO, and other styles
10

Harkness, Sarah. "The Affective Turn: Theorizing the Social." Contemporary Sociology: A Journal of Reviews 37, no. 6 (November 2008): 604–5. http://dx.doi.org/10.1177/009430610803700654.

Full text
APA, Harvard, Vancouver, ISO, and other styles
11

Chandler, Aaron D. "Introduction to Focus: The Affective Turn." American Book Review 29, no. 6 (2008): 3–4. http://dx.doi.org/10.1353/abr.2008.0119.

Full text
APA, Harvard, Vancouver, ISO, and other styles
12

Armstrong, Nancy. "The Affective Turn in Contemporary Fiction." Contemporary Literature 55, no. 3 (2014): 441–65. http://dx.doi.org/10.1353/cli.2014.0023.

Full text
APA, Harvard, Vancouver, ISO, and other styles
13

Anwaruddin, Sardar M. "Why critical literacy should turn to ‘the affective turn’: making a case for critical affective literacy." Discourse: Studies in the Cultural Politics of Education 37, no. 3 (June 19, 2015): 381–96. http://dx.doi.org/10.1080/01596306.2015.1042429.

Full text
APA, Harvard, Vancouver, ISO, and other styles
14

Schwenkel, Christina, and Charles Keith. "The Affective Turn in Ethnographies of Buddhism." Journal of Vietnamese Studies 15, no. 4 (2020): 1–3. http://dx.doi.org/10.1525/vs.2020.15.4.1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
15

Eng, Michael. "The Sonic Turn and Theory’s Affective Call." Parallax 23, no. 3 (July 3, 2017): 316–29. http://dx.doi.org/10.1080/13534645.2017.1339970.

Full text
APA, Harvard, Vancouver, ISO, and other styles
16

Cromby, John. "The affective turn and qualitative health research." International Journal of Work Organisation and Emotion 5, no. 2 (2012): 145. http://dx.doi.org/10.1504/ijwoe.2012.049518.

Full text
APA, Harvard, Vancouver, ISO, and other styles
17

Athanasiou, Athena, Pothiti Hantzaroula, and Kostas Yannakopoulos. "Towards a New Epistemology: The "Affective Turn"." Historein 8 (May 1, 2009): 5. http://dx.doi.org/10.12681/historein.33.

Full text
APA, Harvard, Vancouver, ISO, and other styles
18

Kowalik, George. "Post-Postmodernism, the “Affective Turn”, and Inauthenticity." Humanities 12, no. 1 (January 10, 2023): 7. http://dx.doi.org/10.3390/h12010007.

Full text
Abstract:
This article considers Rachel Greenwald Smith’s concept of the “Affective Turn” in contemporary fiction by looking at a constellation of novels published near the turn of the twenty-first century: David Foster Wallace’s Infinite Jest (1996), Jonathan Franzen’s The Corrections (2001), Percival Everett’s Erasure (2001), and Zadie Smith’s White Teeth (2000). As Rachel Greenwald Smith claims, this “Turn” offers a “corrective or counter to postmodernist suspicion towards subjective emotion” and has foundations of sincerity and authenticity, which align it with the premise of post-postmodernism. These novels, I argue, collectively engage with the affective turn’s inherent post-postmodern potential, as their authors respond to, challenge, and react against postmodern irony and the license of inauthenticity that comes with this.
APA, Harvard, Vancouver, ISO, and other styles
19

Monk, Gerald, and Navid Zamani. "Narrative Therapy and the Affective Turn: Part I." Journal of Systemic Therapies 38, no. 2 (June 2019): 1–19. http://dx.doi.org/10.1521/jsyt.2019.38.2.1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
20

Kilburn, Matthew. "Historical Reenactment: From Realism to the Affective Turn." Journal of Historical Geography 38, no. 1 (January 2012): 99–100. http://dx.doi.org/10.1016/j.jhg.2011.11.008.

Full text
APA, Harvard, Vancouver, ISO, and other styles
21

Whitney, Shiloh. "From the Body Schema to the Historical-Racial Schema." Chiasmi International 21 (2019): 305–20. http://dx.doi.org/10.5840/chiasmi20192129.

Full text
Abstract:
What resources does Merleau-Ponty’s account of the body schema offer to the Fanonian one? First I show that Merleau-Ponty’s theory of the body schema is already a theory of affect: one that does not oppose affects to intentionality, positioning them not only as sense but as force, cultivating affective agencies rather than constituting static sense content. Then I argue that by foregrounding the role of affect in both thinkers, we can understand the way in which the historical-racial schema innovates, anticipating and influencing feminist theories of the affective turn – especially Sara Ahmed’s theory of affective economies. The historical-racial schema posits the constitution of affective agencies on a sociogenic scale, and these affective economies in turn account for the possibility of the collapse of the body schema into a racial epidermal schema, a disjunction of affective intentionality Fanon calls “affective tetanization.” Quelles ressources l’analyse du schéma corporel faite par Merleau-Ponty fournit-elle au schéma historico-racial proposé par Fanon ? En premier lieu, je vise à montrer que la théorie du schéma corporel de Merleau-Ponty est déjà une théorie de l’affect : une théorie qui n’oppose pas les affects à l’intentionnalité, qui ne les considère pas seulement comme un sens, mais comme une force, en cultivant des agentivités affectives plutôt qu’en constituant des contenus de sens statiques. Ensuite, j’affirmerai qu’en mettant en premier plan le rôle de l’affect chez ces deux penseurs, nous pouvons comprendre les innovations qu’apporte le schéma historico-racial, en anticipant et en influençant les théories féministes du tournant affectif – surtout la théorie de Sara Ahmed au sujet des économies affectives. Le schéma historico-racial établit la constitution d’agentivités affectives sur une échelle sociogénique, et ces économies affectives expliquent à leur tour la possibilité d’une dégradation du schéma corporel en schéma épidermique racial, une disjonction de l’intentionnalité affective que Fanon appelle « tétanisation affective ».Quali risorse può offrire la nozione merleau-pontiana di schema corporeo a quella di Fanon? In primo luogo, mi propongo di mostrare che la teoria dello schema corporeo elaborata da Merleau-Ponty è allo stesso tempo una teoria dell’affetto: una teoria che non oppone la dimensione degli affetti all’intenzionalità, poiché li considera non solo come senso ma come forze, in quanto implicano delle agentività affettive piuttosto che costituire meri contenuti statici di senso. Intendo quindi sostenere che mettendo in evidenza il ruolo dell’affetto in questi due autori sia possibile comprendere il portato innovativo dello schema storico-razziale, che anticipa e influenza le teorie femministe legate all’affective turn – e in particolare la teoria delle economie affettive elaborata da Sara Ahmed. Lo schema storico-razziale afferma la costituzione di agentività affettive a un livello sociogenetico, mentre le economie affettive rendono conto della possibilità del collasso dello schema corporeo in uno schema razziale epidermico, una disgiunzione dell’intenzionalità affettiva che Fanon definisce “tetanizzazione affettiva”.
APA, Harvard, Vancouver, ISO, and other styles
22

Coulthard, Lisa. "The Listening Detective: Thinking Music, Gender, and Transnational Crime’s Affective Turn." Television & New Media 19, no. 6 (April 27, 2018): 553–68. http://dx.doi.org/10.1177/1527476418768008.

Full text
Abstract:
This essay argues that in extending the audiovisual convention of “thinking music” and focusing it on the traumatized mind of the female detective, crime series such as Top of the Lake (2013–), Marcella (2016–), and From Darkness (2015–) present female knowledge as fundamentally emotional, even irrational. In these series, the female detective is victimized, traumatized, troubled, and her thinking music is distorted, discordant, affectively charged. Arguing that the female detective’s “thinking” music moves away from the forensic mode’s “showing and telling” and toward “listening” as an investigatory model, this essay posits a sonic turn that recalibrates the genre’s engagement with the female victim along affective and emotional lines. Analyzing this trope, this essay connects the female detective’s sonically defined emotional investment to transnational crime drama’s self-reflexive strategies of affective legibility.
APA, Harvard, Vancouver, ISO, and other styles
23

Moxon, J. R. L. "Ethnic conflict – some NT insights from the ‘Affective Turn’." Practical Theology 11, no. 1 (January 2018): 42–53. http://dx.doi.org/10.1080/1756073x.2018.1426238.

Full text
APA, Harvard, Vancouver, ISO, and other styles
24

Aaron D. Chandler. "The Affective Turn: Theorizing the Social (review)." symploke 16, no. 1-2 (2009): 387–89. http://dx.doi.org/10.1353/sym.0.0064.

Full text
APA, Harvard, Vancouver, ISO, and other styles
25

Hyoejin Yoon. "The Affective Turn: Theorizing the Social (review)." College Literature 36, no. 2 (2009): 155–57. http://dx.doi.org/10.1353/lit.0.0053.

Full text
APA, Harvard, Vancouver, ISO, and other styles
26

Johnson, Travis W. "Lydgate's Affective Turn: Masculinity and Melancholy inBycorne and Chychevache." English Studies 93, no. 4 (May 2012): 427–51. http://dx.doi.org/10.1080/0013838x.2012.668311.

Full text
APA, Harvard, Vancouver, ISO, and other styles
27

Chang, Alexander Ezekiel. "Art and Negativity: Marxist Aesthetics after the Affective Turn." Culture, Theory and Critique 53, no. 3 (November 2012): 235–47. http://dx.doi.org/10.1080/14735784.2012.720438.

Full text
APA, Harvard, Vancouver, ISO, and other styles
28

Åkervall, Lisa. "A Differential Theory of Cinematic Affect." Deleuze and Guattari Studies 15, no. 4 (November 2021): 571–92. http://dx.doi.org/10.3366/dlgs.2021.0458.

Full text
Abstract:
This essay offers a critical rejoinder to affect theories prevalent in the humanities since the 1990s. In film and media studies, affect theories display an opposition to ‘screen’ and apparatus theory of the 1970s and 1980s alleged to have marginalised the spectator's body and affects and privileged cognition over affection. Yet film and media studies’ turn to affect came with its own set of problems: in emphasising the affective over the cognitive aspects of cinematic experience, theories of the affective turn invert and reproduce the dichotomies (e.g. body/mind, affect/thought) they seek to contest. Critically reconsidering the turn to affect and its place within film and media studies, this article challenges the relation of affect theories to Gilles Deleuze's concept of affect, highlighting these theories’ failure to account for Deleuze's indebtedness to Immanuel Kant's aesthetics and his theory of the faculties. Suggesting a conception of cinematic affect beyond dichotomies of body and mind, affect and thought, this essay instead shows how cinematic experience instigates transformations in spectators that are simultaneously affective and cognitive.
APA, Harvard, Vancouver, ISO, and other styles
29

Sen, Debarati. "Affective Solidarities?" Anthropology in Action 23, no. 2 (June 1, 2016): 13–18. http://dx.doi.org/10.3167/aia.2016.230203.

Full text
Abstract:
AbstractThe popularity of fair trade products has engendered new possibilities for consumer citizens in the global North to demonstrate solidarity with producers in the global South. Fair trade enthusiasts not only buy labelled products as an act of solidarity with producers in Darjeeling’s tea plantations; but also extend their affective solidarity by voluntarily visiting certified production sites to witness how fair trade affects workers’ livelihoods. Fair trade as transnational praxis has inadvertently pushed justice seeking and delivery to a non-state sphere that is not accountable to the workers in terms of citizenship rights; however, it must address the bargaining power of producers since wages and benefits are baseline determinants of quality of life. Fair trade-engendered solidarity practices erase the complex history of workers’ struggle with the state and established systems of power through collective bargaining. These acts in turn produce new kinds of transnational praxis affecting the plantation public sphere.
APA, Harvard, Vancouver, ISO, and other styles
30

Cromby, John. "Feeling the Way: Qualitative Clinical Research and the Affective Turn." Qualitative Research in Psychology 9, no. 1 (December 14, 2011): 88–98. http://dx.doi.org/10.1080/14780887.2012.630831.

Full text
APA, Harvard, Vancouver, ISO, and other styles
31

Gorton, Kristyn. "desire, Duras, and melancholia: theorizing desire after the ‘affective turn’." Feminist Review 89, no. 1 (June 2008): 16–33. http://dx.doi.org/10.1057/fr.2008.10.

Full text
APA, Harvard, Vancouver, ISO, and other styles
32

Gregg, Melissa. "Learning to (Love) Labour: Production Cultures and the Affective Turn." Communication and Critical/Cultural Studies 6, no. 2 (June 2009): 209–14. http://dx.doi.org/10.1080/14791420902868045.

Full text
APA, Harvard, Vancouver, ISO, and other styles
33

Wahl-Jorgensen, Karin, and Mervi Pantti. "Introduction: The emotional turn in journalism." Journalism 22, no. 5 (March 10, 2021): 1147–54. http://dx.doi.org/10.1177/1464884920985704.

Full text
Abstract:
In journalism studies, an interest in emotions has gathered momentum during the last decade, leading to an increasingly diverse investigation of the affective and emotional aspects of production, text and audience engagement with journalism which we describe as an “emotional turn.” The attention to emotion in journalism studies is a relatively recent development, sustained by the concurrent rise of digital information technologies that have accentuated the emotional and affective everyday use of media, as well as the increasing mobilization, exploitation and capitalization of emotions in digital media. This special issue both builds upon research on emotion in journalism studies and aims to extend it by examining new theoretical and methodological tools, and areas of empirical analysis, to engage with emotion or affect across the contexts of journalistic production, content and consumption. In proclaiming ‘an emotional turn’ in journalism studies, the intention of this special issue is not to suggest a paradigm shift or a major change in the prevailing research agenda in the field. Rather, against the backdrop of the increasingly diverse field of journalism studies, it is to point out that the relationship between journalism and emotion represents a rapidly developing area of inquiry, which opens up for new research agendas.
APA, Harvard, Vancouver, ISO, and other styles
34

Strom, Kathryn, and Tammy Mills. "Affirmative Ethics and Affective Scratchings: A Diffractive Re-View of Posthuman Knowledge and Mapping the Affective Turn." Matter: Journal of New Materialist Research 2, no. 1 (February 18, 2021): 200–223. http://dx.doi.org/10.1344/jnmr.v2i1.33382.

Full text
APA, Harvard, Vancouver, ISO, and other styles
35

Song, Haw Suk. "Narrative Possibilities through Bodyness: Aesthetic of Dance Music and Affective Turn." Korean Association for the Study of Popular Music 29 (May 31, 2022): 171–94. http://dx.doi.org/10.36775/kjpm.2022.29.171.

Full text
Abstract:
If the criteria for judging good and not good music correspond to the musical content or meaning, much popular music would not escape the judgment of yet being qualitatively low, and its representative genre is dance music. Compared with movies and dramas, pop music lacks clarity of reproduction and narrative structure. Dance music is more multi-layered and ambiguous than other pop music genres as it contains music, lyrics, and body movements as basic genre characteristics. To discuss the aesthetic aspects of dance music, focusing on the theoretical significance raised from the theory of affect, this study examines dance music (especially Korean dance music since the 2000s), the area farthest from meaning and narrative, as a process of acquiring “non-narrative narrative” based on physical sensibility and popularity.
APA, Harvard, Vancouver, ISO, and other styles
36

Liu, Wen. "Feeling Down, Backward, and Machinic: Queer Theory and the Affective Turn." Athenea Digital. Revista de pensamiento e investigación social 20, no. 2 (July 10, 2020): 2321. http://dx.doi.org/10.5565/rev/athenea.2321.

Full text
APA, Harvard, Vancouver, ISO, and other styles
37

Tumino, Stephen. "The Affective Turn in Pedagogy: The Ecstatic Teacher and Other Stories." Rethinking Marxism 23, no. 4 (October 2011): 548–56. http://dx.doi.org/10.1080/08935696.2011.605287.

Full text
APA, Harvard, Vancouver, ISO, and other styles
38

Agnew, Vanessa. "History's affective turn: Historical reenactment and its work in the present." Rethinking History 11, no. 3 (September 2007): 299–312. http://dx.doi.org/10.1080/13642520701353108.

Full text
APA, Harvard, Vancouver, ISO, and other styles
39

Gherardi, Silvia. "One turn … and now another one: Do the turn to practice and the turn to affect have something in common?" Management Learning 48, no. 3 (February 6, 2017): 345–58. http://dx.doi.org/10.1177/1350507616688591.

Full text
Abstract:
The turn to practice has been prominent in the community of Management Learning and still occupies an important place in the debate that approaches practice from the standpoint of learning and knowing. On considering how the turn to practice contributes to the ongoing conversation on post-epistemologies, one notes a convergence with another ‘turn’. The turn to affect started more or less in the same years as the turn to practice, but the conversation between the two has not yet been fully articulated. I argue that both share a concern for (1) a relational epistemology, (2) the body and (3) sociomateriality. To show how they may interact, three vignettes are presented to illustrate their commonalities and how they try to produce in the reader an affective reaction. This article is also the outcome of an experimentation conducted with a visual writer during the Organizational Learning, Knowledge and Capabilities conference in Milan, and it proposes a reflection on the limits of representationalism.
APA, Harvard, Vancouver, ISO, and other styles
40

Stazyk, Edmund C., Sanjay K. Pandey, and Bradley E. Wright. "Understanding Affective Organizational Commitment." American Review of Public Administration 41, no. 6 (March 15, 2011): 603–24. http://dx.doi.org/10.1177/0275074011398119.

Full text
Abstract:
This study proposes and tests a model of affective organizational commitment that seeks to capture aspects of the unique institutional context of public organizations. An analysis of survey data from seven public sector organizations suggests external control increases organizational goal ambiguity and two types of bureaucratic red tape, which, in turn, negatively affects affective commitment. Although personnel red tape has a direct adverse impact on affective commitment, procurement red tape is not found to have a significant effect. Organizational goal ambiguity’s influence on affective organizational commitment, however, is mediated through its effect on centralization and role ambiguity. The study concludes with a discussion of the implications of these relationships and possible explanations for instances when findings are not consistent with expectations.
APA, Harvard, Vancouver, ISO, and other styles
41

Downey, Adrian. "Book Review: Mapping the Affective Turn in Education: Theory, Research, and Pedagogies." interconnections: journal of posthumanism 1, no. 1 (June 24, 2021): 47. http://dx.doi.org/10.26522/posthumanismjournal.v1i1.2740.

Full text
APA, Harvard, Vancouver, ISO, and other styles
42

Montoya, Ainhoa. "The Turn of the Offended." Social Analysis 59, no. 4 (December 1, 2015): 101–18. http://dx.doi.org/10.3167/sa.2015.590407.

Full text
Abstract:
This article explores how the affective dynamics involved in elections and routine politics might inform us about the conditions of possibility of specific political imaginaries. It builds upon research conducted during and after El Salvador's 2009 presidential election. Passions ran high among Salvadorans on both the left and the right that electoral season, as allusions to wartime elicited unsettled divisions and offenses. For many left-wing and disaffected Salvadorans, the victory of the Farabundo Martí National Liberation Front—a former guerrilla organization—opened up a political horizon that had been closed during the post-war era. Salvadorans' post-election engagement with state officials and FMLN leaders through clientelist practices evidenced their desire for qualitative state transformation and the extent to which they conceive of themselves as citizens through the state.
APA, Harvard, Vancouver, ISO, and other styles
43

Choi, Youngkeun. "How does Leadership Motivate the Innovative Behaviors of Software Developers?" International Journal of Human Capital and Information Technology Professionals 10, no. 4 (October 2019): 41–54. http://dx.doi.org/10.4018/ijhcitp.2019100103.

Full text
Abstract:
This study examines the relationship between transformational leadership types and the motivation of software engineers. The author uses full range leadership as a major theory and investigates how transformational leadership types influences the innovative behaviors of software developers by using a mediator of affective organizational commitment. For this, this study surveys 352 software developers working in 35 companies in Korea and analyzes the data using AMOS 24. The results show that charisma, inspirational motivation, intellectual stimulation and individualized consideration increase their affective organizational commitment affecting innovative behaviors positively in turn.
APA, Harvard, Vancouver, ISO, and other styles
44

Atanasovski, Srdjan. "Consequences of the affective turn: Exploring music practices from without and within." Muzikologija, no. 18 (2015): 57–75. http://dx.doi.org/10.2298/muz1518057a.

Full text
Abstract:
In this paper I explore the challenges of the ?affective turn? and map new avenues of music research in this direction. I discuss four paths of enquiry, in deviation from the semiotic models: the discovery of the non-signified materiality and its potentiality to generate affects, the potentiality of affect to de-signify, the ability of sign machines to catalyse the production of intensities and, finally, the power of social machines to overcode the produced affect through non-discursive mechanisms. I argue that the affective turn in musicology can provide a different structuring of a view from without and a view from within, calling both for finely tuned ?close reading? and for the ability of the researcher to grasp the performative context.
APA, Harvard, Vancouver, ISO, and other styles
45

Moons, Wesley G., Jacqueline M. Chen, and Diane M. Mackie. "Stereotypes: A source of bias in affective and empathic forecasting." Group Processes & Intergroup Relations 20, no. 2 (July 27, 2016): 139–52. http://dx.doi.org/10.1177/1368430215603460.

Full text
Abstract:
People’s emotional states often depend on the emotions of others. Consequently, to predict their own responses to social interactions (i.e., affective forecasts), we contend that people predict the emotional states of others (i.e., empathic forecasts). We propose that empathic forecasts are vulnerable to stereotype biases and demonstrate that stereotypes about the different emotional experiences of race (Experiment 1) and sex groups (Experiment 2) bias empathic forecasts. Path modeling in both studies demonstrates that stereotype-biased empathic forecasts regarding how a target individual will feel during a social interaction are associated with participants’ affective forecasts of how they will feel during that interaction with the target person. These affective forecasts, in turn, predict behavioral intentions for the social interaction before it even begins. Stereotypes can therefore indirectly bias affective forecasts by first influencing the empathic forecasts that partly constitute them. In turn, these potentially biased affective forecasts determine social behaviors.
APA, Harvard, Vancouver, ISO, and other styles
46

Bargetz, Brigitte, and Birgit Sauer. "Der affective turn. Das Gefühlsdispositiv und die Trennung von öffentlich und privat." FEMINA POLITICA – Zeitschrift für feministische Politikwissenschaft 24, no. 1 (May 18, 2015): 93–102. http://dx.doi.org/10.3224/feminapolitica.v24i1.19255.

Full text
APA, Harvard, Vancouver, ISO, and other styles
47

Enciso Domínguez, Giazú, and Alí Lara. "Emotions and Social Sciences in 20th century: The Prequel of Affective Turn." Athenea Digital. Revista de pensamiento e investigación social 14, no. 1 (February 17, 2014): 263. http://dx.doi.org/10.5565/rev/athenead/v14n1.1094.

Full text
APA, Harvard, Vancouver, ISO, and other styles
48

PRIOR, MATTHEW T. "Elephants in the Room: An “Affective Turn,” Or Just Feeling Our Way?" Modern Language Journal 103, no. 2 (May 14, 2019): 516–27. http://dx.doi.org/10.1111/modl.12573.

Full text
APA, Harvard, Vancouver, ISO, and other styles
49

Carnera, Alexander. "The affective turn: The ambivalence of biopolitics within modern labour and management." Culture and Organization 18, no. 1 (January 2012): 69–84. http://dx.doi.org/10.1080/14759551.2011.631341.

Full text
APA, Harvard, Vancouver, ISO, and other styles
50

Valente, Luiz Fernando. "Post-Theory and Beyond." Revista Brasileira de Literatura Comparada 23, no. 42 (April 2021): 21–37. http://dx.doi.org/10.1590/2596-304x20212342lfv.

Full text
Abstract:
Abstract This article surveys and assesses the eclectic trends in literary theory and criticism in the post-theory age with a focus on three rubrics: the cultural turn, the historic turn, and the affective turn. It concludes with a consideration of the current debate about symptomatic reading versus surface reading.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the bibliographies on the topic 'Affective turn' for other source types:
Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography