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Journal articles on the topic 'Affective turn'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Aryal, Yubraj. "Affective Turn." Journal of Philosophy: A Cross-Disciplinary Inquiry 6, no. 15 (2011): 72–74. http://dx.doi.org/10.5840/jphilnepal201161531.

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2

Anderson, Ellie. "Sartre’s Affective Turn." Philosophy Today 65, no. 3 (2021): 709–26. http://dx.doi.org/10.5840/philtoday2021524415.

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Jean-Paul Sartre’s theory of “the look” has generally been understood as an argument for the impossibility of mutual recognition between consciousnesses. Being-looked-at reveals me as an object for the other, but I can never grasp this object that I am. I argue here that the chapter “The Look” in Being and Nothingness has been widely misunderstood, causing many to dismiss Sartre’s view unfairly. Like Hegel’s account of recognition, Sartre’s “look” is meant as a theory of successful mutual recognition that proves the existence of others. Yet Sartre claims that such an account is plausible only

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3

Lara, Alí, and Giazú Enciso. "The Affective Turn." Athenea Digital. Revista de pensamiento e investigación social 13, no. 3 (2013): 101. http://dx.doi.org/10.5565/rev/athenead/v13n3.1060.

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4

Larson, Michael. "Jameson’s Affective Turn." Poetics Today 38, no. 4 (2017): 751–61. http://dx.doi.org/10.1215/03335372-4184350.

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5

Clough, Patricia T. "The Affective Turn." Theory, Culture & Society 25, no. 1 (2008): 1–22. http://dx.doi.org/10.1177/0263276407085156.

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6

Klette-Bøhler, Kjetil, Lorena Avellar De Muniagurria, Bjørn Schiermer, and Chris Stover. "Affective Turn, or Return?" Journal of Extreme Anthropology 7, no. 1 (2024): 143–73. http://dx.doi.org/10.5617/jea.11550.

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The ‘affective turn’ suggests that we pay attention to how affects create subjectivities, build communities, and shape new forms of politics in the making. It invites us to move beyond established humanities and social science paradigms and toward richer forms of contextual analysis by studying how bodies – human and otherwise – ‘act and are acted upon’ (Gregg and Seigworth 2010, 1). The ‘affective turn’ requires sensitive attention to a host of cognate terms and concepts – sentiment, emotion, reverberation, resonance, atmosphere, and far beyond, including the more specific trans-category of ‘

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7

Hofman, Ana. "The affective turn in ethnomusicology." Muzikologija, no. 18 (2015): 35–55. http://dx.doi.org/10.2298/muz1518035h.

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The affective turn, which has already questioned dominant paradigms in many disciplinary fields including cultural studies, philosophy, political theory, anthropology, psychology and neuroscience, has started to attract more attention in the field of ethnomusicology, becoming a particularly vibrant stream of thought. Drawing on the voices that call for the historicisation of and critical deliberation on the field of affect studies, the article strives to show how theories of affect might expand dominant paradigms in ethnomusicology and also points to their limitations.

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8

Burger, Glenn. "Towards a premodern affective turn." postmedieval: a journal of medieval cultural studies 5, no. 1 (2014): 102–14. http://dx.doi.org/10.1057/pmed.2014.4.

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9

Smith, Rachel Greenwald. "Postmodernism and the Affective Turn." Twentieth-Century Literature 57, no. 3-4 (2011): 423–46. http://dx.doi.org/10.1215/0041462x-2011-4008.

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10

Ilic, Vlatko. "Contemporary art, affective turn and emotions." Theoria, Beograd 65, no. 2 (2022): 133–43. http://dx.doi.org/10.2298/theo2202133i.

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Due to the so-called Affective Turn, which is according to a number of scholars shaping present cross-disciplinary studies of various phenomena, art included, emotions are coming into focus of many different theoretical orientations. Among the authors concerned with issues of emotions, Sara Ahmed?s discourse on affective economies, and her understanding of emotions as practices that produce surfaces and borders that allow the collective and the individual to appear as objects proves to be particularly useful in the analysis of immaterial artworks. In regard to the leading poetic principles of

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11

Harkness, Sarah. "The Affective Turn: Theorizing the Social." Contemporary Sociology: A Journal of Reviews 37, no. 6 (2008): 604–5. http://dx.doi.org/10.1177/009430610803700654.

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12

Chandler, Aaron D. "Introduction to Focus: The Affective Turn." American Book Review 29, no. 6 (2008): 3–4. http://dx.doi.org/10.1353/abr.2008.0119.

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13

Armstrong, Nancy. "The Affective Turn in Contemporary Fiction." Contemporary Literature 55, no. 3 (2014): 441–65. http://dx.doi.org/10.1353/cli.2014.0023.

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14

Anwaruddin, Sardar M. "Why critical literacy should turn to ‘the affective turn’: making a case for critical affective literacy." Discourse: Studies in the Cultural Politics of Education 37, no. 3 (2015): 381–96. http://dx.doi.org/10.1080/01596306.2015.1042429.

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15

Schwenkel, Christina, and Charles Keith. "The Affective Turn in Ethnographies of Buddhism." Journal of Vietnamese Studies 15, no. 4 (2020): 1–3. http://dx.doi.org/10.1525/vs.2020.15.4.1.

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16

Eng, Michael. "The Sonic Turn and Theory’s Affective Call." Parallax 23, no. 3 (2017): 316–29. http://dx.doi.org/10.1080/13534645.2017.1339970.

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17

Cromby, John. "The affective turn and qualitative health research." International Journal of Work Organisation and Emotion 5, no. 2 (2012): 145. http://dx.doi.org/10.1504/ijwoe.2012.049518.

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18

Athanasiou, Athena, Pothiti Hantzaroula, and Kostas Yannakopoulos. "Towards a New Epistemology: The "Affective Turn"." Historein 8 (May 1, 2009): 5. http://dx.doi.org/10.12681/historein.33.

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19

Kowalik, George. "Post-Postmodernism, the “Affective Turn”, and Inauthenticity." Humanities 12, no. 1 (2023): 7. http://dx.doi.org/10.3390/h12010007.

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This article considers Rachel Greenwald Smith’s concept of the “Affective Turn” in contemporary fiction by looking at a constellation of novels published near the turn of the twenty-first century: David Foster Wallace’s Infinite Jest (1996), Jonathan Franzen’s The Corrections (2001), Percival Everett’s Erasure (2001), and Zadie Smith’s White Teeth (2000). As Rachel Greenwald Smith claims, this “Turn” offers a “corrective or counter to postmodernist suspicion towards subjective emotion” and has foundations of sincerity and authenticity, which align it with the premise of post-postmodernism. The

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20

Corner, John. "The ‘Narrative Turn’ Revisited." Media Theory 8, no. 2 (2024): 147–56. https://doi.org/10.70064/mt.v8i2.1122.

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This note reviews, through examples, how narrative remains a powerful and changing element in public communication, refreshed not only by shifts in technologies and modes but also by the tonalities and affective character of contemporary political exchange.

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21

Monk, Gerald, and Navid Zamani. "Narrative Therapy and the Affective Turn: Part I." Journal of Systemic Therapies 38, no. 2 (2019): 1–19. http://dx.doi.org/10.1521/jsyt.2019.38.2.1.

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22

Kilburn, Matthew. "Historical Reenactment: From Realism to the Affective Turn." Journal of Historical Geography 38, no. 1 (2012): 99–100. http://dx.doi.org/10.1016/j.jhg.2011.11.008.

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23

Whitney, Shiloh. "From the Body Schema to the Historical-Racial Schema." Chiasmi International 21 (2019): 305–20. http://dx.doi.org/10.5840/chiasmi20192129.

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What resources does Merleau-Ponty’s account of the body schema offer to the Fanonian one? First I show that Merleau-Ponty’s theory of the body schema is already a theory of affect: one that does not oppose affects to intentionality, positioning them not only as sense but as force, cultivating affective agencies rather than constituting static sense content. Then I argue that by foregrounding the role of affect in both thinkers, we can understand the way in which the historical-racial schema innovates, anticipating and influencing feminist theories of the affective turn – especially Sara Ahmed’

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24

Coulthard, Lisa. "The Listening Detective: Thinking Music, Gender, and Transnational Crime’s Affective Turn." Television & New Media 19, no. 6 (2018): 553–68. http://dx.doi.org/10.1177/1527476418768008.

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This essay argues that in extending the audiovisual convention of “thinking music” and focusing it on the traumatized mind of the female detective, crime series such as Top of the Lake (2013–), Marcella (2016–), and From Darkness (2015–) present female knowledge as fundamentally emotional, even irrational. In these series, the female detective is victimized, traumatized, troubled, and her thinking music is distorted, discordant, affectively charged. Arguing that the female detective’s “thinking” music moves away from the forensic mode’s “showing and telling” and toward “listening” as an invest

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25

Moxon, J. R. L. "Ethnic conflict – some NT insights from the ‘Affective Turn’." Practical Theology 11, no. 1 (2018): 42–53. http://dx.doi.org/10.1080/1756073x.2018.1426238.

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26

Aaron D. Chandler. "The Affective Turn: Theorizing the Social (review)." symploke 16, no. 1-2 (2009): 387–89. http://dx.doi.org/10.1353/sym.0.0064.

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27

Chemodurova, Zinaida. "The Affective Turn in Metamodernist Fiction and “New Sincerity”." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 2. Jazykoznanije 23, no. 2 (2024): 84–97. http://dx.doi.org/10.15688/jvolsu2.2024.2.7.

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The aim of the article is to analyze pragmatic strategies and mechanisms to enhance narrative empathy, the key notion of metamodernist fiction that distinguishes it from postmodernist and modernist literary texts. The article postulates foregrounding of emotivity markers in metamodernist texts as a linguistic manifestation of the cultural logic of “new sincerity” in the contemporary fiction that is characterized by the lack of an explicit ludic modality of postmodernist fiction and by stressing means of producing emotional resonance on the part of the reader and their active perspective-taking

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28

Hyoejin Yoon. "The Affective Turn: Theorizing the Social (review)." College Literature 36, no. 2 (2009): 155–57. http://dx.doi.org/10.1353/lit.0.0053.

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29

Johnson, Travis W. "Lydgate's Affective Turn: Masculinity and Melancholy inBycorne and Chychevache." English Studies 93, no. 4 (2012): 427–51. http://dx.doi.org/10.1080/0013838x.2012.668311.

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30

Chang, Alexander Ezekiel. "Art and Negativity: Marxist Aesthetics after the Affective Turn." Culture, Theory and Critique 53, no. 3 (2012): 235–47. http://dx.doi.org/10.1080/14735784.2012.720438.

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31

GIORGESCU, Lari-Cosmin. "Affective Memory in Artistic Creation: Tool or Trap?" Theatrical Colloquia 14, no. 2 (2024): 182–204. https://doi.org/10.35218/tco.2024.14.2.15.

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The article discusses affective memory and its implications for the art of acting. More specifically, the article analyses two cases where affective memory, a potentially important tool for artists, can actually turn into a trap at times. The first case is that of Andrei Mavrodin, a character in a Mircea Eliade novel, who fails both in art and in love because, while he turns to his affective memory as a tool for building his fictional characters, he does not manage to do the same in his romantic relationship. In Andrei Mavrodin’s mind there is a preconstructed image of what an artist should be

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32

Sokolovskiy, Sergei V. "On Atmospheric Turn in Social Sciences." Ètnografičeskoe obozrenie, no. 4 (November 25, 2024): 5–21. http://dx.doi.org/10.31857/s0869541524040018.

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The article introduces a special theme of the issue onthe “Anthropology of Affective Atmospheres”, featuring contributions by S.V. Sokolovskiy,D.A. Radchenko, S. Runkel, and an interview withT. Griffero.Readers of this thematic issue are acquainted with the new area of philosophical and socialresearch, which until now has practically not attracted the attentionof Russian anthropologists, despite the fact that the so-called “atmosphericturn” has deeply influenced quite a wide range of socialsciences and humanities, including anthropology. The main goal of thisissue of the journal is to familiar

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33

Åkervall, Lisa. "A Differential Theory of Cinematic Affect." Deleuze and Guattari Studies 15, no. 4 (2021): 571–92. http://dx.doi.org/10.3366/dlgs.2021.0458.

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This essay offers a critical rejoinder to affect theories prevalent in the humanities since the 1990s. In film and media studies, affect theories display an opposition to ‘screen’ and apparatus theory of the 1970s and 1980s alleged to have marginalised the spectator's body and affects and privileged cognition over affection. Yet film and media studies’ turn to affect came with its own set of problems: in emphasising the affective over the cognitive aspects of cinematic experience, theories of the affective turn invert and reproduce the dichotomies (e.g. body/mind, affect/thought) they seek to

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34

Sen, Debarati. "Affective Solidarities?" Anthropology in Action 23, no. 2 (2016): 13–18. http://dx.doi.org/10.3167/aia.2016.230203.

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AbstractThe popularity of fair trade products has engendered new possibilities for consumer citizens in the global North to demonstrate solidarity with producers in the global South. Fair trade enthusiasts not only buy labelled products as an act of solidarity with producers in Darjeeling’s tea plantations; but also extend their affective solidarity by voluntarily visiting certified production sites to witness how fair trade affects workers’ livelihoods. Fair trade as transnational praxis has inadvertently pushed justice seeking and delivery to a non-state sphere that is not accountable to the

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35

Cromby, John. "Feeling the Way: Qualitative Clinical Research and the Affective Turn." Qualitative Research in Psychology 9, no. 1 (2011): 88–98. http://dx.doi.org/10.1080/14780887.2012.630831.

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36

Gorton, Kristyn. "desire, Duras, and melancholia: theorizing desire after the ‘affective turn’." Feminist Review 89, no. 1 (2008): 16–33. http://dx.doi.org/10.1057/fr.2008.10.

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37

Gregg, Melissa. "Learning to (Love) Labour: Production Cultures and the Affective Turn." Communication and Critical/Cultural Studies 6, no. 2 (2009): 209–14. http://dx.doi.org/10.1080/14791420902868045.

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38

Wahl-Jorgensen, Karin, and Mervi Pantti. "Introduction: The emotional turn in journalism." Journalism 22, no. 5 (2021): 1147–54. http://dx.doi.org/10.1177/1464884920985704.

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In journalism studies, an interest in emotions has gathered momentum during the last decade, leading to an increasingly diverse investigation of the affective and emotional aspects of production, text and audience engagement with journalism which we describe as an “emotional turn.” The attention to emotion in journalism studies is a relatively recent development, sustained by the concurrent rise of digital information technologies that have accentuated the emotional and affective everyday use of media, as well as the increasing mobilization, exploitation and capitalization of emotions in digit

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39

Downey, Adrian. "Book Review: Mapping the Affective Turn in Education: Theory, Research, and Pedagogies." interconnections: journal of posthumanism 1, no. 1 (2021): 47. http://dx.doi.org/10.26522/posthumanismjournal.v1i1.2740.

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40

Strom, Kathryn, and Tammy Mills. "Affirmative Ethics and Affective Scratchings: A Diffractive Re-View of Posthuman Knowledge and Mapping the Affective Turn." Matter: Journal of New Materialist Research 2, no. 1 (2021): 200–223. http://dx.doi.org/10.1344/jnmr.v2i1.33382.

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41

Gherardi, Silvia. "One turn … and now another one: Do the turn to practice and the turn to affect have something in common?" Management Learning 48, no. 3 (2017): 345–58. http://dx.doi.org/10.1177/1350507616688591.

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The turn to practice has been prominent in the community of Management Learning and still occupies an important place in the debate that approaches practice from the standpoint of learning and knowing. On considering how the turn to practice contributes to the ongoing conversation on post-epistemologies, one notes a convergence with another ‘turn’. The turn to affect started more or less in the same years as the turn to practice, but the conversation between the two has not yet been fully articulated. I argue that both share a concern for (1) a relational epistemology, (2) the body and (3) soc

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42

Choi, Youngkeun. "How does Leadership Motivate the Innovative Behaviors of Software Developers?" International Journal of Human Capital and Information Technology Professionals 10, no. 4 (2019): 41–54. http://dx.doi.org/10.4018/ijhcitp.2019100103.

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This study examines the relationship between transformational leadership types and the motivation of software engineers. The author uses full range leadership as a major theory and investigates how transformational leadership types influences the innovative behaviors of software developers by using a mediator of affective organizational commitment. For this, this study surveys 352 software developers working in 35 companies in Korea and analyzes the data using AMOS 24. The results show that charisma, inspirational motivation, intellectual stimulation and individualized consideration increase t

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43

Song, Haw Suk. "Narrative Possibilities through Bodyness: Aesthetic of Dance Music and Affective Turn." Korean Association for the Study of Popular Music 29 (May 31, 2022): 171–94. http://dx.doi.org/10.36775/kjpm.2022.29.171.

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If the criteria for judging good and not good music correspond to the musical content or meaning, much popular music would not escape the judgment of yet being qualitatively low, and its representative genre is dance music. Compared with movies and dramas, pop music lacks clarity of reproduction and narrative structure. Dance music is more multi-layered and ambiguous than other pop music genres as it contains music, lyrics, and body movements as basic genre characteristics. To discuss the aesthetic aspects of dance music, focusing on the theoretical significance raised from the theory of affec

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44

Liu, Wen. "Feeling Down, Backward, and Machinic: Queer Theory and the Affective Turn." Athenea Digital. Revista de pensamiento e investigación social 20, no. 2 (2020): 2321. http://dx.doi.org/10.5565/rev/athenea.2321.

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45

Tumino, Stephen. "The Affective Turn in Pedagogy: The Ecstatic Teacher and Other Stories." Rethinking Marxism 23, no. 4 (2011): 548–56. http://dx.doi.org/10.1080/08935696.2011.605287.

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46

Agnew, Vanessa. "History's affective turn: Historical reenactment and its work in the present." Rethinking History 11, no. 3 (2007): 299–312. http://dx.doi.org/10.1080/13642520701353108.

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47

Stazyk, Edmund C., Sanjay K. Pandey, and Bradley E. Wright. "Understanding Affective Organizational Commitment." American Review of Public Administration 41, no. 6 (2011): 603–24. http://dx.doi.org/10.1177/0275074011398119.

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This study proposes and tests a model of affective organizational commitment that seeks to capture aspects of the unique institutional context of public organizations. An analysis of survey data from seven public sector organizations suggests external control increases organizational goal ambiguity and two types of bureaucratic red tape, which, in turn, negatively affects affective commitment. Although personnel red tape has a direct adverse impact on affective commitment, procurement red tape is not found to have a significant effect. Organizational goal ambiguity’s influence on affective org

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48

Moons, Wesley G., Jacqueline M. Chen, and Diane M. Mackie. "Stereotypes: A source of bias in affective and empathic forecasting." Group Processes & Intergroup Relations 20, no. 2 (2016): 139–52. http://dx.doi.org/10.1177/1368430215603460.

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People’s emotional states often depend on the emotions of others. Consequently, to predict their own responses to social interactions (i.e., affective forecasts), we contend that people predict the emotional states of others (i.e., empathic forecasts). We propose that empathic forecasts are vulnerable to stereotype biases and demonstrate that stereotypes about the different emotional experiences of race (Experiment 1) and sex groups (Experiment 2) bias empathic forecasts. Path modeling in both studies demonstrates that stereotype-biased empathic forecasts regarding how a target individual will

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49

Atanasovski, Srdjan. "Consequences of the affective turn: Exploring music practices from without and within." Muzikologija, no. 18 (2015): 57–75. http://dx.doi.org/10.2298/muz1518057a.

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In this paper I explore the challenges of the ?affective turn? and map new avenues of music research in this direction. I discuss four paths of enquiry, in deviation from the semiotic models: the discovery of the non-signified materiality and its potentiality to generate affects, the potentiality of affect to de-signify, the ability of sign machines to catalyse the production of intensities and, finally, the power of social machines to overcode the produced affect through non-discursive mechanisms. I argue that the affective turn in musicology can provide a different structuring of a view from

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50

Montoya, Ainhoa. "The Turn of the Offended." Social Analysis 59, no. 4 (2015): 101–18. http://dx.doi.org/10.3167/sa.2015.590407.

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This article explores how the affective dynamics involved in elections and routine politics might inform us about the conditions of possibility of specific political imaginaries. It builds upon research conducted during and after El Salvador's 2009 presidential election. Passions ran high among Salvadorans on both the left and the right that electoral season, as allusions to wartime elicited unsettled divisions and offenses. For many left-wing and disaffected Salvadorans, the victory of the Farabundo Martí National Liberation Front—a former guerrilla organization—opened up a political horizon

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