Relevant bibliographies by topics / African American art African American artists. Harlem Renaissance. Philanthropists

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books

Academic literature on the topic 'African American art African American artists. Harlem Renaissance. Philanthropists'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'African American art African American artists. Harlem Renaissance. Philanthropists.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "African American art African American artists. Harlem Renaissance. Philanthropists"

1

Perry, Robert L., and Melvin T. Peters. "The African-American Intellectual of the 1920s: Some Sociological Implications of the Harlem Renaissance." Ethnic Studies Review 19, no. 2-3 (June 1, 1996): 155–72. http://dx.doi.org/10.1525/esr.1996.19.2-3.155.

Full text
Abstract:
This paper deals with some of the sociological implications of a major cultural high-water point in the African American experience, the New Negro/Harlem Renaissance. The paper concentrates on the cultural transformations brought about through the intellectual activity of political activists, a multi-genre group of artists, cultural brokers, and businesspersons. The driving-wheel thrust of this era was the reclamation and the invigoration of the traditions of the culture with an emphasis on both the, African and the American aspects, which significantly impacted American and international culture then and throughout the 20th century. This study examines the pre-1920s background, the forms of Black activism during the Renaissance, the modern content of the writers' work, and the enthusiasm of whites for the African American art forms of the era. This essay utilizes research from a multi-disciplinary body of sources, which includes sociology, cultural history, creative literature and literary criticism, autobiography, biography, and journalism.
APA, Harvard, Vancouver, ISO, and other styles
2

Park, Marlene. "Lynching and Antilynching: Art and Politics in the 1930s." Prospects 18 (October 1993): 311–65. http://dx.doi.org/10.1017/s0361233300004944.

Full text
Abstract:
Lynching became a fact of American life after the Civil War, but it only became an important subject for writers of the Harlem Renaissance in the 1920s and a subject for visual artists in the 1930s. During the Depression, antilynching works were first a reaction to the widespread outrage over the Scottsboro case and then part of the political and legislative efforts to make lynching a federal offense. In early 1935, both the National Association for the Advancement of Colored People and the Communist Party's John Reed Club held competing art exhibitions that not only condemned lynching but also supported their legislative objectives. After World War II, when Civil Rights legislation became the main priority, images of lynching continued primarily in the works of African-American artists. But in these later works, lynching became the prime symbol of American racism, springing from a black perspective rather than from particular political campaigns or from contemporary experience.
APA, Harvard, Vancouver, ISO, and other styles
3

Wheeler, Belinda. "Gwendolyn Bennett's “The Ebony Flute”." PMLA/Publications of the Modern Language Association of America 128, no. 3 (May 2013): 744–55. http://dx.doi.org/10.1632/pmla.2013.128.3.744.

Full text
Abstract:
IntroductionGwendolyn Bennett (1902-81) is often mentioned in books that discuss the harlem renaissance, and some of her poems Occasionally appear in poetry anthologies; but much of her career has been overlooked. Along with many of her friends, including Jessie Redmond Fauset, Langston Hughes, and Countee Cullen, Bennett was featured at the National Urban League's Civic Club Dinner in March 1924, an event that would later be “widely hailed as a ‘coming out party’ for young black artists, writers, and intellectuals whose work would come to define the Harlem Renaissance” (McHenry 383n100). In the next five years Bennett published over forty poems, short stories, and reviews in leading African American magazines and anthologies, such as Cullen's Caroling Dusk (1927) and William Stanley Braithwaite's Anthology of Magazine Verse for 1927; she created magazine cover art that adorned two leading African American periodicals, the National Association for the Advancement of Colored People's Crisis: A Record of the Darker Races and the National Urban League's Opportunity: Journal of Negro Life; she worked as an editor or assistant editor of several magazines, including Opportunity, Black Opals, and Fire!; and she wrote a renowned literary column, “The Ebony Flute.” Many scholars, such as Cary Wintz, Abby Arthur Johnson and Ronald Maberry Johnson, and Elizabeth McHenry, recognized the importance of Bennett's column to the Harlem Renaissance in their respective studies, but their emphasis on a larger Harlem Renaissance discussion did not afford a detailed examination of her column.
APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "African American art African American artists. Harlem Renaissance. Philanthropists"

1

Malloy, Erma Meadows. "African-American visual artists and the Harmon Foundation /." Access Digital Full Text version, 1991. http://pocketknowledge.tc.columbia.edu/home.php/bybib/11041882.

Full text
Abstract:
Thesis (Ed. D.)--Teachers College, Columbia University, 1991.
Typescript; issued also on microfilm. Dissertation Committee: Ellen Condliffe Lagemann, Labros Comitas. Includes bibliographical references (leaves 118-123).
APA, Harvard, Vancouver, ISO, and other styles
2

Nolting, Jonathan R. "The Julius Rosenwald Fellowship Program for African American Visual Artists, 1929-1948." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1342104160.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Tillman, Gregory Anthony Young Marilyn J. "Hoopla in Harlem! The renaissance of African American art and culture a rhetorical criticism of artists as social activists during the 1920s and 30s; engaging the philosophical discourse of Kenneth Burke /." Diss., 2005. http://etd.lib.fsu.edu/theses/available/etd-11152005-095755.

Full text
Abstract:
Thesis (Ph. D.)--Florida State University, 2005.
Advisor: Marilyn J. Young, Florida State University, College of Arts & Sciences, Interdisciplinary Program in the Humanities. Title and description from dissertation home page (viewed Jan. 24, 2006). Document formatted into pages; contains v, 115 pages. Includes bibliographical references.
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "African American art African American artists. Harlem Renaissance. Philanthropists"

1

Kirschke, Amy Helene. Aaron Douglas: Art, race, and the Harlem Renaissance. Jackson: University Press of Mississippi, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Jordan, Denise. Harlem Renaissance Artists (Artists in Profile). Heinemann, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Gallery, Bucknell University Center, ed. Since the Harlem Renaissance: 50 years of Afro-American art. Lewisburg, Pa: The Gallery, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Kirschke, Amy Helene. Women Artists of the Harlem Renaissance. University Press of Mississippi, 2014.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Women artists of the Harlem Renaissance. University Press of Mississippi, 2014.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Women Artists of the Harlem Renaissance. University Press of Mississippi, 2016.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

National Black Arts Festival, Inc., ed. Selected essays: Art and artists from the Harlem renaissance to the 1980's. Atlanta, Ga: National Black Arts Festival, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

The Visual Blues. LSU Museum of Art, 2014.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Hoopla in Harlem. University Press of America, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Procession: The Art of Norman Lewis. University of California Press, 2015.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography