Academic literature on the topic 'African American authors – Juvenile literature'

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Journal articles on the topic "African American authors – Juvenile literature"

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Kasule, Sabirah N., Michael Apolinario, Christopher Saling, Janis E. Blair, Lisa Speiser, and Holenarasipur R. Vikram. "692. Coccidioides sp. Infective Endocarditis: A Review of the Literature." Open Forum Infectious Diseases 8, Supplement_1 (2021): S448. http://dx.doi.org/10.1093/ofid/ofab466.889.

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Abstract Background Despite the endemic nature of Coccidioides sp. to the American Southwest, the incidence Coccidioides sp. infective endocarditis (CIE) is rare. Following successful treatment of a patient with CIE at our institution, we reviewed the literature to identify trends in disease presentation, patient characteristics, and outcomes. Methods We reviewed all cases of CIE reported since 1938. Details including patient demographics, underlying immunodeficiency, time to diagnosis, treatment, and outcome were collected for analysis of diagnostic challenges and survival. Results Including
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Cruz, MaryCarmen, and Ogle Burks Duff. "RainbowTeachers/Rainbow Students: Celebrating Heritage through Literature." English Journal 86, no. 5 (1997): 78–79. http://dx.doi.org/10.58680/ej19973417.

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Describes ways to promote literacy and appreciation for heritage by celebrating the literacy contributions of authors of color, such as Heritage Readings and African American Read–Ins. Offers suggestions of favorite selections by Hispanic, African American, Native American, and Asian American authors.
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Marinšek, Darja. "Female genital mutilation in African and African American women's literature." Acta Neophilologica 40, no. 1-2 (2007): 129–46. http://dx.doi.org/10.4312/an.40.1-2.129-146.

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The article builds on the existing dispute between African and African American women writers on the competence of writing about female genital mutilation (FGM), and tries to determine the existence and nature of the differences between the writings of these two groups. The author uses comparative analysis of two popular African and African American novels, comparing their ways of describing FGM, its causes and consequences, the level ob objectivity and the style of the narrations.This is followed by a discussion on the reasons for such differences, incorporating a larger circle of both Africa
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Shikha Sharma and Dr. Neetu Tyagi. "The Reflection of African American History and Culture in African American Literature." Innovative Research Thoughts 10, no. 3 (2024): 216–23. http://dx.doi.org/10.36676/irt.v10.i3.1528.

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This paper explores the intricate relationship between African American history, culture, and literature, highlighting how African American literary works serve as a profound reflection of the community's historical and cultural journey. By examining significant historical periods such as slavery, Reconstruction, the Civil Rights Movement, and contemporary issues, the paper delves into the impact of these events on African American identity and cultural expression. Additionally, it analyzes the representation of African American cultural elements like music, oral traditions, and religious prac
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Bowman, Lisa. "Juvenile Delinquencyamong African-American Males: Implications for Special Education." Multiple Voices for Ethnically Diverse Exceptional Learners 4, no. 1 (2000): 62–72. http://dx.doi.org/10.56829/muvo.4.1.ph3t453174541283.

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Juvenile delinquency is a pervasive and costly problem. As a society, we are losing too many youth to substance abuse, gang involvement, and criminal activity. The toll delinquency places on families, educational systems, and social welfare systems costs monetarily and socially. In this article, I review the research literature on juvenile delinquency among African-American males to determine (a) the quantity of research on this topic, (b) the quality of research, and (c) topics that have been investigated in this area. In particular, I sought to determine the degree to which researchers have
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King, William R., Stephen T. Holmes, Martha L. Henderson, and Edward J. Latessa. "The Community Corrections Partnership: Examining the Long-Term Effects of Youth Participation in an Afrocentric Diversion Program." Crime & Delinquency 47, no. 4 (2001): 558–72. http://dx.doi.org/10.1177/0011128701047004004.

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Using Afrocentric techniques has recently emerged as a promising way of delivering services to African Americans. Briefly, a number of authors have argued that African Americans are better served, especially by substance abuse services, when service delivery utilizes Afrocentric techniques. This study reports an evaluation of an Afrocentric treatment program for male, juvenile, felony offenders in one city. The evaluation uses a two-group, quasi-experimental design to compare the 281 African American youths in the Afrocentric treatment program (called the Community Corrections Partnership) wit
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Neupane, Khagendra. "Africa's Portrayal in African-American Writing." Patan Gyansagar 6, no. 1 (2024): 64–72. http://dx.doi.org/10.3126/pg.v6i1.67409.

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The depiction of Africa in African-American literature constitutes a nuanced and dynamic exploration, unveiling the intricate rapport between African-American writers and the African continent. Over centuries, Africa's portrayal has assumed myriad forms, serving as a symbolic homeland, a locus of struggle, and a wellspring of cultural inspiration. Imbued within these representations is a profound quest for identity and a yearning for belonging. Prestigious African-American authors, including Langston Hughes, Zora Neale Hurston, and Maya Angelou, adeptly interlace African culture, folklore, and
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Nishikawa, Kinohi. "Driven by the Market: African American Literature after Urban Fiction." American Literary History 33, no. 2 (2021): 320–49. http://dx.doi.org/10.1093/alh/ajab008.

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Abstract Kenneth W. Warren’s What Was African American Literature? (2011) compelled literary historians to question deeply held assumptions about periodization and racial authorship. While critics have taken issue with Warren aligning African American literature with Jim Crow segregation, none has examined his account of what came after this conjuncture: namely, the market’s wholesale cooptation of Black writing. By following the career of African American popular novelist Omar Tyree, this essay shows how corporate publishers in the 1990s and 2000s redefined African American literature as a sa
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Stulov, Yuri V. "Contemporary African American Historical Novel." Literature of the Americas, no. 14 (2023): 75–99. http://dx.doi.org/10.22455/2541-7894-2023-14-75-99.

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The paper discusses the works of African American writers of the end of the 1960s — the end of the 2010s that address the historical past of African Americans and explores the traumatic experience of slavery and its consequences. The tragedy of people subjected to slavery as well as their masters who challenged the moral and ethical norms has remained the topical issue of contemporary African American historical novel. Pivotal for the development of the genre of African American historical novel were Jubilee by the outstanding writer and poet Margaret Walker and the non-fiction novel Roots by
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Leviton, Susan, Marc A. Schindler, and Renee S. Orleans. "African-American Youth: Drug Trafficking and the Justice System." Pediatrics 93, no. 6 (1994): 1078–84. http://dx.doi.org/10.1542/peds.93.6.1078.

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Objective. To examine the role of the legal system in adolescent drug trafficking. Methods. Descriptive and analytic review of the literature and relevant legislation. Findings. Utilization of young adolescents by drug "kingpins" in drug trafficking is a new practice that is highly advantageous to the employer for several legal and economic reasons. From the perspective of the drug kingpins, juveniles are particularly useful in drug trafficking because they work for lower wages. Further, even if the youth are arrested, the juvenile justice system enables their rapid return for continued servic
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Dissertations / Theses on the topic "African American authors – Juvenile literature"

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Eley, Dikeita N. "Color (Sub)Conscious: African American Women, Authors, and the Color Line in Their Literature." VCU Scholars Compass, 2004. http://scholarscompass.vcu.edu/etd/1486.

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Color (sub)Conscious explores the African American female's experience with colorism. Divided into three distinct sections. The first section is a literary analysis of such works as Toni Morrison's The Bluest Eye, Gloria Naylor's The Women of Brewster Place, Maya Angelou's I Know Why the Caged Bird Sings and Alice Walker's "If the Present Looks Like the Past, What Does the Future Look Like?" an essay from her collection In Search of Our Mothers' Gardens. The second section is a research project based on data gathered from 12 African American females willing to share their own experiences and i
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Raines-Sapp, Carol Lynn. "Using author studies to incorporate multicultural literature across the New Jersey core curriculum /." Full text available online, 2009. http://www.lib.rowan.edu/find/theses.

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Taylor, Juko Tana. "Misrecognized and Misplaced: Race Performed in African American Literature, 1900-2015." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc984162/.

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In my dissertation, I explore the ways in which racial identity is made complex through various onlookers' misrecognition of race. This issue is particularly important considering the current state of race relations in the United States, as my project offers a literary perspective and account of the way black authors have discussed racial identity formation from the turn of the century through the start of the twenty-first century. I highlight many variations of misrecognition and racial performance as a response to America's obsession with race.
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Sarnosky, Yolonda P. "Black female authors document a loss of sexual identity Jacobs, Morrison, Walker, Naylor, and Moody /." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1999. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.A.)--Kutztown University of Pennsylvania, 1999.<br>Source: Masters Abstracts International, Volume: 45-06, page: 2836. Typescript. Abstract appears on leaf [ii]. Includes bibliographical references (leaves 65-67).
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Potter, Lawrence T. "Harlem's forgotten genius : the life and works of Wallace Henry Thurman /." free to MU campus, to others for purchase, 1999. http://wwwlib.umi.com/cr/mo/fullcit?p9946287.

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Walker, Natasha Nicole. "An erratic performance constructing racial identity and James Baldwin /." unrestricted, 2007. http://etd.gsu.edu/theses/available/etd-04202007-170016/.

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Thesis (M.A.)--Georgia State University, 2007.<br>Title from title page. Margaret Harper, committee chair; Christopher Kocela, Daniel Black, committee members. Electronic text (63 p.) : digital, PDF file. Description based on contents viewed Oct. 11, 2007. Includes bibliographical references (p. 61-63).
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Adams, Brenda Byrne. "Patterns of healing and wholeness in characterizations of women by selected black women writers." Virtual Press, 1989. http://liblink.bsu.edu/uhtbin/catkey/720157.

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Some Black women writers--Zora Neale Hurston, Toni Cade Bambara, Paule Marshall, Gloria Naylor, and Alice Walker--of American fiction have written characterizations of winning women. Their characterizations include women who are capable of taking risks, making choices, and taking responsiblity for their choices. These winning women are capable of accepting their own successes and failures by the conclusions of the novels. They are characterized as dealing with devastating and traumatic personal histories in a growth-enhancing manner. Characterizations of winning women by these authors are co
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Robinson, Heather Lindsey. "Ours is the Kingdom of Heaven: Racial Construction of Early American Christian Identities." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849673/.

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This project interrogates how religious performance, either authentic or contrived, aids in the quest for freedom for oppressed peoples; how the rhetoric of the Enlightenment era pervades literatures delivered or written by Native Americans and African Americans; and how religious modes, such as evoking scripture, performing sacrifices, or relying upon providence, assist oppressed populations in their roles as early American authors and speakers. Even though the African American and Native American populations of early America before the eighteenth century were denied access to rights and free
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Campbell, Andrea Kate. "Narrating other natures a third wave ecocritical approach to Toni Morrison, Ruth Ozeki, and Octavia Butler /." Pullman, Wash. : Washington State University, 2010. http://www.dissertations.wsu.edu/Dissertations/Spring2010/a_campbell_042110.pdf.

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Sy, Kadidia. "Women's relationships female friendship in Toni Morrison's Sula and Love, Mariama Bâ's So long a letter and Sefi Atta's Everything good will come /." unrestricted, 2008. http://etd.gsu.edu/theses/available/etd-04212008-135356/.

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Thesis (Ph. D.)--Georgia State University, 2008.<br>Title from file title page. Renee Schatteman, committee chair; Chris Kocela, Margaret Harper, committee members. Electronic text (158 [i.e. 156] p.) : digital, PDF file. Description based on contents viewed 23 June 2008. Includes bibliographical references (p. 146-156).
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Books on the topic "African American authors – Juvenile literature"

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Rediger, Pat. Great African Americans in literature. Crabtree Pub. Co, 1996.

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Rediger, Pat. Great African Americans in literature. Crabtree Pub. Co., 1996.

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Raatma, Lucia. Alice Walker: African-American author and activist. Child's World, 2004.

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Parker-Rock, Michelle. Patricia and Fredrick McKissack: Authors kids love. Enslow Publishers, 2008.

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Sickels, Amy. African-American writers. Chelsea House Publishers, 2010.

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Sickels, Amy. African-American writers. Chelsea House, 2010.

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Shirley, David. Alex Haley: Author. Chelsea House, 2005.

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Wilkinson, Brenda Scott. African American women writers. Wiley, 2000.

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Hajdusiewicz, Babs Bell. Mary Carter Smith, African-American storyteller. Enslow Publishers, 1995.

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Cannarella, Deborah. James Baldwin : African-American writer and activist. Child's World, 2004.

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Book chapters on the topic "African American authors – Juvenile literature"

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Carretta, Vincent. "Back to the Future: Eighteenth-Century Transatlantic Black Authors." In A Companion to African American Literature. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444323474.ch1.

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Hanley, Ryan. "Black Authors and British National Identity, 1763–1791." In African American Literature in Transition, 1750–1800. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781108860864.017.

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Plasa, Carl. "African-American Ekphrasis and the ‘Peculiar Institution’." In Literature, Art and Slavery. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9780748683543.003.0006.

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In this chapter, the emphasis falls squarely upon the ways in which African American writers have turned the ekphrastic gaze towards images that either represent the peculiar institution of American slavery directly or are closely related to it and that were all created by white Americans between 1805 and c. 1900. Examples of such a turn are certainly infrequent, if all the more important for that reason and provided here in an ekphrastic gallery of six short texts by four authors: John Edgar Wideman, Yusef Komunyakaa, Natasha Trethewey and Terrance Hayes. Despite the different perspectives fr
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Noll, Mark A. "The African American Bible." In America's Book. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197623466.003.0010.

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A great proportion of the literature produced by African Americans in this era, 1790–1860, dealt with religious themes; the great majority of those themes resonated with the Scriptures. Black Americans appropriated Scripture in somewhat different ways, from the first authors in the 1760s, through the expansion of literacy that followed, and with the publication of many memoirs and antislavery advocacy in the era of Frederick Douglass. Most Black deployment of Scripture had a Methodist character in foregrounding the need for individual repentance and exalting the possibility of divine redemptio
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"Introduction." In The Earliest African American Literatures, edited by Zachary McLeod Hutchins and Cassander L. Smith. University of North Carolina Press, 2021. http://dx.doi.org/10.5149/northcarolina/9781469665603.003.0001.

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The introduction analyzes how, when, and in what forms those of African descent intervened in early American literature and initiated an African American literary tradition. The lens of mediation obscures, or refracts, the presence of Black Africans in early American literature, but this reader emphasizes their roles as literary figures and human agents whose actions in the material world shaped their textual presence. Recognizing seventeenth- and eighteenth-century Black Africans as authors requires recognizing that authorship was and is a collaborative social process of textual production. T
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Bellows, Amanda Brickell. "Radical Literature on the Eve of Emancipations." In American Slavery and Russian Serfdom in the Post-Emancipation Imagination. University of North Carolina Press, 2020. http://dx.doi.org/10.5149/northcarolina/9781469655543.003.0002.

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This chapter compares antiserfdom and antislavery literature produced on the eve of the abolition of Russian serfdom and American slavery. It studies Nikolai Nekrasov’s poetry, Aleksei Pisemskii’s A Bitter Fate, Martha Griffith Browne’s fictional Autobiography of a Female Slave, and Louisa May Alcott’s short stories. With different degrees of success, these authors used similar strategies to transform public opinion toward Russian serfs and enslaved African Americans.
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Leslie, Annie Ruth, Kim Brittingham Barnett, Matasha L. Harris, and Charles Adams. "Advancing the Demarginalization of African American Students." In The Black Experience and Navigating Higher Education Through a Virtual World. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-7537-6.ch005.

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This chapter presents theoretical discussions about advancing the demarginalization of African American students at Historically Black Colleges and Universities (HBCUs) by bringing in insights from Afrocentric and symbolic-interaction perspectives. Here, the authors discuss demarginalization related to certain intra-racial and intersecting class, gender, and mental health issues emerging since COVID-19 and online learning. The ideas presented here are equally viable in student face-to-face and virtual learning environments. It begins with discussing marginalization and Afrocentric and symbolic
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Shonekan, Stephanie, and Adam Seagrave. "Two Experiences, One Nation." In Race and the American Story. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197767689.003.0003.

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Abstract In this chapter, the authors reflect on the ways in which various institutional and social contexts, such as schools, neighborhoods, legal frameworks, and political systems, contribute to shape very different experiences for white and Black Americans. They connect this phenomenon to the global history of European colonialism and its effects in Nigeria, Trinidad, and elsewhere. Shonekan draws on her experience studying African and African American literature and music, particularly the music of Fela Anikulapo-Kuti and his analysis of the psychological impact of colonialism. Seagrave pr
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Luis, William. "The Afro-Latin American Novel and the Novel about Afro-Latin Americans." In The Oxford Handbook of the Latin American Novel. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780197541852.013.17.

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Abstract This chapter discusses authors who write about Afro-Latin Americans and Afro-Latin Americans who write about people of African descent. The title reflects a cultural norm that groups all writers under a national category and considers a contemporary trend to support authors of African descent to tell their own stories. The essay beings with the Cuban antislavery narrative; it situates the enslaved poet Juan Francisco Manzano, the first and only enslaved in Latin America to write his Autobiografía, as a central pillar. It continues with an analysis of the most important white and black
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Wester, Maisha. "‘Nightmares of the Normative’: African American Gothic and the Rejection of the American Ideal." In Twentieth-Century Gothic. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474490122.003.0018.

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This chapter explores the ways in which African American Gothic fiction began to reject notions of the idyllic heteronormative American existence, showing that it is a simplification requiring allegiance to alienating notions of race, gender, and socioeconomic class. It begins by situating the ‘Red Summer of 1919’ (during which white Americans waged open warfare on Black citizens), as a key turning point in Black Gothic literature. Nineteenth and early twentieth-century writers such as slave narrative authors wrote literature testifying to the horrors of being denied humanity and citizenship w
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Conference papers on the topic "African American authors – Juvenile literature"

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Hossain, Elham. "Dialogic Reading of African Literature in Bengali: A Study from Bangladeshi." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. http://dx.doi.org/10.62119/icla.1.8189.

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Translation is always dialogic as it requires dialogues between two different languages, cultures, texts and authors and literature is usually defined by its content and its attachment with the realities out of which it emerges, not by its language. Modern African litera-ture has reached the international readership mostly in the English language even though French and Portuguese languages have become a very considerable media of it. Africa, with its more than two thousand languages, can be comprehensible to a huge number of monolingual, bi-lingual and multilingual readers of the world through
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