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1

Gubert, Betty Kaplan. "Research Resources for the Study of African-American and Jewish Relations." Judaica Librarianship 8, no. 1 (1994): 162–64. http://dx.doi.org/10.14263/2330-2976.1262.

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Several libraries in New York City have exceptionally rich resources for the study of relations between African Americans and Jewish Americans. The holdings of and access to these collections are discussed; some sources in other parts of the U.S. are mentioned as well. The most important collection is in the Schomburg Center for Research in Black Culture, The New York Public Library. Besides books, there is a vast Clipping File, the unique Kaiser Index, manuscript collections, and some audio and visual materials. The Jewish Division of The New York Public Library has unparalleled holdings of Jewish newspapers from around the world, from which relevant articles can be derived. The libraries of the Jewish Theological Seminary and the VIVO Institute ,are also both fine sources. Their book holdings are up-to-date, and YIVO's clipping file is also, including such items as publicity releases from Mayors Koch and Dinkins. YIVO's archives have such important historical holdings as the American Jewish Committee Records (1930s to the 1970s), and some NAACP materials from the thirties and forties. Children's books on this top ic and ways of acquiring information are noted. A list of the major libraries, with addresses, telephone numbers, and hours is in an appendix.
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2

Elam, Harry. "A History of African American Theatre. By Errol G. Hill and James V. Hatch. Cambridge Studies in American Theatre and Drama. Cambridge: Cambridge University Press, 2003; pp. 608. $130 cloth." Theatre Survey 46, no. 1 (2005): 127–29. http://dx.doi.org/10.1017/s0040557405220094.

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Over the more than twenty years since the publication of two profoundly influential collections—Errol Hill's two-volume anthology of critical essays The Theatre of Black Americans (1980) and James V. Hatch's first edition of the play anthology Black Theatre USA (1974)—there has been considerable activity in African American theatre scholarship. Yet even as scholars have produced new collections of historical and critical essays that cover a wide range of African American theatre history, book-length studies that document particular moments in the historical continuum such as the Harlem Renaissance, and Samuel Hay's broader study African American Theatre: An Historical and Critical Analysis (1994), no one until now has written a comprehensive study of African American theatre history. Into this void have stepped two of the aforementioned distinguished scholars of African American theatre, Errol G. Hill and James V. Hatch. To be certain, writing a comprehensive history of African American theatre poses a daunting challenge for anyone hearty enough to undertake it. Where to begin? What to include and exclude? With their study, A History of African American Theatre, Hill and Hatch show themselves indeed worthy of the challenge. They explore the evolution of African American theatre across time and space, documenting the particular efforts of artists, writers, scholars, and practitioners, from inside as well as outside the United States, that have had an impact on our understanding of African American theatre. The authors make clear that the definition of African American theatre from the beginning has been in constant flux and that it has been affected by the changing social times in American as much as it has influenced those times.
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3

Yakovenko, Iryna. "African American history in Natasha Trethewey’s “Native Guard”." Synopsis: Text Context Media 27, no. 4 (2021): 224–30. http://dx.doi.org/10.28925/2311-259x.2021.4.4.

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The article presents interpretations of the poetry collection “Native Guard” of the American writer Natasha Trethewey — the Pulitzer Prize winner (2007), and Poet Laureate (2012–2014). Through the lens of African American and Critical Race studies, Trethewey’s “Native Guard” is analyzed as the artistic Civil War reconstruction which writes the Louisiana Native Guard regiments into national history. Utilizing the wide range of poetic forms in the collections “Domestic Work” (2000), “Bellocq’s Ophelia” (2002), “Thrall” (2012), — ekphrastic poetry, verse-novellas, epistolary poems, rhymed and free verse sonnets, dramatic monologues, in “Native Guard” (2006) Natasha Trethewey experiments with the classical genres of villanelle (“Scenes from a Documentary History of Mississippi”), ghazal (“Miscegenation”), pantoum (“Incident”), elegy (“Elegy for the Native Guard”), linear palindrome (“Myth”), pastoral (“Pastoral”), sonnet (the ten poems of the crown sonnet sequence “Native Guard”). Following the African American modernist literary canon, Trethewey transforms the traditional forms, infusing blues into sonnets (“Graveyard Blues”), and experimenting with into blank verse sonnets (“What the Body Can Tell”). In the first part of “Native Guard”, the poet pays homage to her African American mother who was married to a white man in the 1960s when interracial marriage was illegal. The book demonstrates the intersections of private memories of Trethewey’s mother, her childhood and personal encounters with the racial oppression in the American South, and the “poeticized” episodes from the Civil War history presented from the perspective of the freed slave and the soldier of the Native Guard, Nathan Daniels. The core poems devoted to the 1st, 2nd and 3rd Louisiana regiments in the Union Army formed in 1862, are the crown sonnet sequence which variably combine the formal features of the European classical sonnet and the African American blues poetics. The ten poems are composed as unrhymed journal entries, dated from 1862 to 1865, and they foreground the reflections of the African American warrior on historical episodes of the Civil War focusing on the Native Guard’s involvement in the military duty. In formal aspects, Trethewey achieves the effect of continuity by “binding” together each sonnet and repeating the final line of the poem at the beginning of the following one in the sequence. Though, the “Native Guard” crown sonnet sequence does not fully comply with the rigid structure of the classical European form, Trethewey’s poetic narrative aims at restoring the role of the African American soldiers in the Civil War and commemorating the Native Guard. The final part of the collection synthesizes the two strains – the personal and the historical, accentuating the racial issues in the American South. Through the experience of a biracial Southerner, and via the polemics with the Fugitives, in her poems Natasha Trethewey displays that the Civil Rights Act has not eliminated racial inequality and racism. Trethewey’s extensive experimentation with literary forms and style opens up the prospects for further investigation of the writer’s artistic methods in her poetry collections, autobiographical prose, and nonfiction.
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4

Khalidi, Omar. "Ethnic Groups and U.S. Foreign Policy." American Journal of Islam and Society 6, no. 1 (1989): 161. http://dx.doi.org/10.35632/ajis.v6i1.2700.

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Collections of essays or articles do not often get reviewed in scholarlyjournals. One reason why these books are bypassed by reviewers is the absenceof a running theme in the volumes. The book under review fortunately doeshave a connecting theme: the efforts of various ethnic Americans to influenceforeign policy on behalf of countries or commuruties. The examples mostfamiliar to political scientists are those of Jewish Americans for Israel andAfro-Americans for South African Blacks. Three contributors focus on theMiddle East, two on central America, and one each on South Africa, PoJand,and Ireland. The major conclusion of the book seems to be that cohesiveethnic groups canvassing on behalf of single countries (Jews for Israel) arelikely to be most successful, whereas Arab Americans or Blacks trying toinfluence U.S. foreign policy on a whole block of countries in the MiddleEast or Africa are less likely to be successful. The editor, Mohammad Ahrari,has written a very insightful conclusion, and. as with his other books (OPEC,the Failing Giant, and The Dynamics of Oil Diplomacy) has broken new groundin the emerging field of ethnic influences on foreign policies. One hopesthat he will be able to give attention to the cases of lobbies like those ofthe Greeks, Armenians, Sikhs and Asian Indian Muslims settled in America ...
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5

Fetter, Bruce. "Pease Porridge in a Pot: The Social Basis of Health and Healing in Africa." History in Africa 20 (1993): 43–51. http://dx.doi.org/10.2307/3171963.

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Pease porridge hot, pease porridge coldPease porridge in the pot nine days oldSome like it hot, some like it coldBut none like it in the pot nine days old.The recent flurry of monographs and collections relating to the social aspects of medicine and disease in Africa and elsewhere ensures that collections of essays on this topic will receive much attention and will be concomitantly influential. Under the circumstances it is particularly regretable that the volume under review has been published so many years after most of the essays in it were written, precluding their referring to the many recent advances in the field. Of the 21 articles and introductory essays in Steven Feierman and John Janzen, eds., The Social Basis of Health and Healing in Africa (Berkeley: University of California Press, 1992), six (amounting to 24% of the text) are reprints, seven (35%) are revisions whose originals date from 1979 and 1981, and eight (41%) are originals. Of these latter, two chapters date from 1983, and two of the reprints have been supplanted by book-length monographs. One must therefore ask of the editors, the press, and the Joint Committee on African Studies of the American Council of Learned Societies and the Social Science Research Council whether such unusually delayed publication is justified.
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6

Neavill, Gordon B. "Dictionary of American Book Collectors. Donald C. Dickinson." Library Quarterly 57, no. 1 (1987): 125–26. http://dx.doi.org/10.1086/601856.

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7

BYNG, JAMES W. "Review of East African Plant Collectors." Phytotaxa 234, no. 1 (2015): 100. http://dx.doi.org/10.11646/phytotaxa.234.1.10.

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The Flora of Tropical East Africa, covering Uganda, Kenya and Tanzania, was one of the largest regional floras ever compiled, with over 12,000 wild plant species and taking 64 years to complete. The East African Plant Collectors is the perfect supplement to this great flora and is a wonderful compendium of botanists, collectors and authors showing the human element of the flora - the people behind the herbarium specimens, the new species and combinations and the flora treatments. This book includes around 2,700 collectors that have collected herbarium specimens in the region arranged alphabetically. Each individual entry includes biographical data, including nationality, dates of birth and death, travels, publications, eponymy, publications and it lists the herbaria where specimens were deposited. The level of detail varies considerably from collector to collector with some briefly treated, whilst others are very detailed. For example, Bernard Verdcourt’s entry is lengthy and includes location details of his 30 years of fieldwork, publication details of the flora treatments he compiled (a remarkable one-fifth of the flora...) and even an anecdote about meeting a lion on Ndi Hill!
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8

Woodfield, Denis. "Marks of Ownership of British and American Book Collectors." Papers of the Bibliographical Society of America 91, no. 4 (1997): 579–81. http://dx.doi.org/10.1086/pbsa.91.4.24304796.

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9

Holmes, Marcelle Christian. "Book Review: African American Psychology." Journal of Black Psychology 32, no. 4 (2006): 501–5. http://dx.doi.org/10.1177/0095798406292474.

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10

Gillispie, Jesse A. "Book Review: African American Literacies." Discourse & Society 17, no. 4 (2006): 549–50. http://dx.doi.org/10.1177/0957926506063151.

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11

Thompson, Sheila D. "Book reviews of The African American Education Data Book volume I / The African American Education Data Book volume II / The African American Data Book volume III." Journal of Education for Students Placed at Risk (JESPAR) 3, no. 4 (1998): 421–25. http://dx.doi.org/10.1207/s15327671espr0304_7.

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12

Handler, Richard. "Book review: Stamping American Memory: Collectors, Citizens, and the Post." Memory Studies 13, no. 1 (2020): 127–28. http://dx.doi.org/10.1177/1750698019888699a.

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13

Olson, Richard P. "Book Review: African American Christian Ethics." Review & Expositor 98, no. 1 (2001): 137–38. http://dx.doi.org/10.1177/003463730109800115.

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14

McClain, William B. "Book Review: African American Christian Worship." Interpretation: A Journal of Bible and Theology 50, no. 1 (1996): 110–11. http://dx.doi.org/10.1177/002096439605000136.

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15

Reddie, Anthony G. "Book Review: African American Biblical Scholarship." Expository Times 121, no. 7 (2010): 365. http://dx.doi.org/10.1177/0014524610358335.

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16

Sobande, Francesca. "Book Review: Distributed blackness: African American cybercultures." Convergence: The International Journal of Research into New Media Technologies 27, no. 6 (2021): 1833–35. http://dx.doi.org/10.1177/13548565211042228.

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17

Culverson, Donald R. "Book reviews : Culture and African American Politics." Race & Class 33, no. 4 (1992): 107–8. http://dx.doi.org/10.1177/030639689203300414.

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18

Balisky, E. Paul. "Book Review: Profiles of African-American Missionaries." Missiology: An International Review 42, no. 2 (2014): 207–8. http://dx.doi.org/10.1177/0091829613518718.

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19

Peelle, Carolyn C. "Book Review: Encyclopedia of African‐American Education." Equity & Excellence in Education 30, no. 1 (1997): 87–90. http://dx.doi.org/10.1080/1066568970300113.

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20

Vandiver, Dale Campbell. "Book Review: African American Music: An Introduction." Journal of Historical Research in Music Education 21, no. 2 (2000): 185–88. http://dx.doi.org/10.1177/153660060002100208.

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21

Harris, Paul. "Book Review: Profiles of African-American Missionaries." International Bulletin of Missionary Research 37, no. 2 (2013): 122. http://dx.doi.org/10.1177/239693931303700226.

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22

Arrington, Michael Irvin. "Book Review: African American English: A Linguistic Introduction; African American Communication: Exploring Identity and Culture." Journal of Language and Social Psychology 24, no. 1 (2005): 93–97. http://dx.doi.org/10.1177/0261927x04273038.

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23

Dapena-Tretter, Antonia, and Eloise Pelton. "African Art at the Kreeger Museum: Validating a Collection and Its Historic Stakeholders." Collections: A Journal for Museum and Archives Professionals 14, no. 1 (2018): 63–93. http://dx.doi.org/10.1177/155019061801400104.

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Written by The Kreeger Museum's former head of education and its founding archivist, this article looks closely at provenance and makes use of primary source documents and photographs to relive the rich story of how The Kreeger Museum's African art collection came to be. A detailed account of the negotiations, communications, transactions, and circulations of people, objects, and ideas—the following narrative offers an interesting case study into the early European and American art collectors' circuit.
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24

Stoner, Joyce Hill. "Connecting to the World's Collections: Making the Case for the Conservation and Preservation of Our Cultural Heritage." International Journal of Cultural Property 17, no. 4 (2010): 653–54. http://dx.doi.org/10.1017/s0940739110000378.

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Sixty cultural heritage leaders from 32 countries, including representatives from Africa, Asia, the Middle East, South America, Australia, Europe, and North America, gathered in October 2009 in Salzburg, Austria, to develop a series of practical recommendations to ensure optimal collections conservation worldwide. Convened at Schloss Leopoldskron, the gathering was conducted in partnership by the Salzburg Global Seminar (SGS) and the Institute for Museum and Library Services (IMLS). The participants were conservation specialists from libraries and museums, as well as leaders of major conservation centers and cultural heritage programs from around the world. As cochair Vinod Daniel noted, no previous meeting of conservation professionals has been “as diverse as this, with people from as many parts of the world, as cross-disciplinary as this.” The group addressed central issues in the care and preservation of the world's cultural heritage, including moveable objects (library materials, books, archives, paintings, sculpture, decorative arts, photographic collections, art on paper, and archaeological and ethnographic objects) and immoveable heritage (buildings and archaeological sites).
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25

Wyburn, John, and Paul Alun Roach. "A System Dynamics Model of the American Collectable Comic Book Market." International Journal of System Dynamics Applications 2, no. 1 (2013): 37–58. http://dx.doi.org/10.4018/ijsda.2013010103.

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The American collectable comic book is an unconventional investment of growing importance and cultural significance. Here the price history of the comic book is analysed into three markets, that of the new, the collectors’ market, and the investors’. System dynamics is employed to model these markets, and different dynamic hypotheses are employed to distinguish between them in structural, as well as historical, terms. The model is tested against real-world data, and used to identify factors other than supply and demand that are important determinants of goods value. Conclusions are drawn with respect to the more general market for collectables.
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26

Brevard, Lisa Pertillar. "“I LEAVE YOU LOVE”: African American Women as Collectors in, of, and through, the Arts." Collections: A Journal for Museum and Archives Professionals 15, no. 2-3 (2019): 113–66. http://dx.doi.org/10.1177/1550190619866183.

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In her last will and testament, educator-activist Mary McLeod Bethune (1875–1955) declared, “I LEAVE YOU LOVE. Love builds.” A direct descendant of former chattel slaves, Bethune believed in building from the bottom up: beginning with love, or positive thoughts, and manifesting those thoughts. By accretion of goods and goodwill, she built not only a physical school which fostered the arts as a bridge toward world citizenship for disenfranchised black people but also a school of thought, extending to encompass purposeful government service at local and federal levels, toward achieving a just society. Bethune’s determined example of building by accretion informs and helps us to better understand and articulate a wide variety of African American women’s collecting in, of, and through, the arts. This article explores and defines—according to philosophy, purpose, practice, type, scope, and audience—various examples of collecting and collections among selected African American women in the arts, many of whom became contributors to, and subjects of, various collections.
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27

Hamilton, David. "On "The Vintage Book of African American Poetry"." Iowa Review 30, no. 2 (2000): 176–80. http://dx.doi.org/10.17077/0021-065x.5302.

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28

Clark, Edgar “Trey.” "Book Review: Soul Care in African American Practice." Journal of Spiritual Formation and Soul Care 13, no. 2 (2020): 319–21. http://dx.doi.org/10.1177/1939790920963484.

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29

Morton, Dawn R. "Book Review: Strategies for Educating African American Children." Christian Education Journal: Research on Educational Ministry 6, no. 1 (2009): 145–48. http://dx.doi.org/10.1177/073989130900600117.

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30

Haney, Marsha Snulligan. "Book Review: William Sheppard: Congo's African American Livingston." Missiology: An International Review 32, no. 2 (2004): 251–52. http://dx.doi.org/10.1177/009182960403200222.

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31

Jennings, Willie James. "Book Review: Varieties of African American Religious Experience." Interpretation: A Journal of Bible and Theology 53, no. 4 (1999): 436–38. http://dx.doi.org/10.1177/002096439905300432.

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32

Akinade, Akintunde E. "Book Review: William Sheppard: Congo's African American Livingstone." International Bulletin of Missionary Research 27, no. 2 (2003): 91. http://dx.doi.org/10.1177/239693930302700221.

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33

Banks, James A. "Book review of Encyclopedia of African-American Education." Journal of Education for Students Placed at Risk (JESPAR) 2, no. 3 (1997): 309–15. http://dx.doi.org/10.1207/s15327671espr0203_6.

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34

Goatley, David Emmanuel. "Book Review: Soul Stories: African American Christian Education." Review & Expositor 92, no. 4 (1995): 538–39. http://dx.doi.org/10.1177/003463739509200421.

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35

Kuzon, William M., Jeffrey R. Marcus, Leslie D. Kerluke, and John H. Phillips. "African Spitting Cobra (Naja Nigricollis) Bite of the Hand." Canadian Journal of Plastic Surgery 2, no. 2 (1994): 90–92. http://dx.doi.org/10.1177/229255039400200201.

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WM Kuzon, JR Marcus, LD Kerluke, JH Phillips. African spitting cobra (Naja nigricollis) bite of the hand. Can J Plast Surg 1994;2(2):90-92. Fifty thousand snakebites occur annually in North America. of these, about 8000 result in envenomation by poisonous species. In North America, 98% of poisonous snakebites are caused by pit vipers (Crotilidae). This report describes a Naja nigricollis (family Elapidae, the African spitting cobra) bite of the hand that occurred in Ontario. This species is common in West Africa and is popular with North American collectors. Its venom is quite different from the venoms of pit vipers and results in significant tissue necrosis. The management of a bite by N nigricollis requires aggressive medical and surgical treatment.
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36

Kimbrough, Walter M. "Book Review: Helping African American Men Succeed in College." Journal of Student Affairs Research and Practice 37, no. 2 (2000): 471–75. http://dx.doi.org/10.2202/1949-6605.1103.

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37

Nensia, Nensia. "Racism Towards African-American in Peter Farelly's Green Book." Rainbow: Journal of Literature, Linguistics and Cultural Studies 9, no. 2 (2020): 196–204. http://dx.doi.org/10.15294/rainbow.v9i2.39756.

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The aim of the research was to describe the racial discrimination towards African-American in Green Book, a movie by Peter Farelly. The movie was based on a true story of social life in America during the reign of Jim Crow Laws in 1962. Therefore, the writer used descriptive qualitative method with sociological approach in order to describe the racism act towards colored people in America at that periodical time as depicted in the movie. The research indicated that the historical context of Jim Crow Laws, racial discrimination, the distinction of White and Colored people were reflected in the movie as it is in history. The racial injustice plot was climb up in every states where the concert was held. They went to one region to another further into Deep South. From the first region to the last one, the discrimination kept on increasing from bad to the worst form of racism.
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38

Gabbidon, Shaun L. "Book Review: Disproportionate Confinement of African-American Juvenile Delinquents." Criminal Justice Review 30, no. 2 (2005): 253–55. http://dx.doi.org/10.1177/0734016805284506.

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39

Calder, James D. "Book Review: African-American Organized Crime: A Social History." Criminal Justice Review 22, no. 2 (1997): 245–46. http://dx.doi.org/10.1177/073401689702200217.

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Hogue, W. Lawrence. "Book Review: Black Chant: Languages of African-American Postmodernism." MFS Modern Fiction Studies 44, no. 2 (1998): 398–402. http://dx.doi.org/10.1353/mfs.1998.0036.

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41

Banks, Taunya Lovell. "Book Review: African-American Women's Health and Social Issues." Journal of Law, Medicine & Ethics 25, no. 1 (1997): 62–64. http://dx.doi.org/10.1111/j.1748-720x.1997.tb01398.x.

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42

Ernest, John. "The Strangers Book: The Human of African American Literature." Journal of American History 103, no. 4 (2017): 1039–40. http://dx.doi.org/10.1093/jahist/jaw537.

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43

Williams, Karen Jaynes, Martha A. Hargraves, and Keith C. Norris. "Book Reviews: African American Health in the United States." Journal of Immigrant and Minority Health 11, no. 2 (2008): 143–47. http://dx.doi.org/10.1007/s10903-008-9168-9.

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44

Henson, Kristin K. "Book Review: Reclaiming Community in Contemporary African American Fiction." Christianity & Literature 49, no. 2 (2000): 269–72. http://dx.doi.org/10.1177/014833310004900220.

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45

Elfman, Lois. "New Book Places African‐American Midwives in U.S. History." Women in Higher Education 28, no. 4 (2019): 1–2. http://dx.doi.org/10.1002/whe.20688.

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46

Nadir, Aneesah. "Islam in the African-American Experience." American Journal of Islam and Society 22, no. 2 (2005): 111–13. http://dx.doi.org/10.35632/ajis.v22i2.1714.

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Islam in the African-American Experience is a historical account of Islamin the African-American community. Written by a scholar of African-American world studies and religious studies, this book focuses on theinterconnection between African Americans’ experiences with Islam as itdeveloped in the United States. While this scholarly work is invaluable forstudents and professors in academia, it is also a very important contributionfor anyone seriously interested in Islam’s development in this country.Moreover, it serves as a central piece in the puzzle for Muslims anxious tounderstand Islam’s history in the United States and the relationship betweenAfrican-American and immigrant Muslims. The use of narrative biographiesthroughout the book adds to its personal relevance, for they relate thepersonal history of ancestors, known and unknown, to Islam’s history inthis country. Turner’s work furthers African-American Muslims’ journeytoward unlocking their history.The main concept expressed in Turner’s book is that of signification, theissue of naming and identity among African Americans. Turner argues thatsignification runs throughout the history of Islam among African Americans,dating back to the west coast of Africa, through the Nation of Islam, to manyof its members’ conversion to orthodox Sunni Islam, and through Islamicmessages disseminated via contemporary hip-hop culture. According toTurner, Charles Long refers to signification as “a process by which names,signs and stereotypes were given to non-European realities and peoples duringthe western conquest and exploration of the world” (p. 2). The renamingof Africans by their oppressors was a method of dehumanization andsubjugation.The author argues that throughout the history of African-AmericanMuslims, Islam served to “undercut signification by offering AfricanAmericans a chance to signify themselves” (p. 3). Self-signification is anantithesis to the oppressive use of signification, for it facilitates empowermentand growing independence from the dominant group. In addition,“signification involved double meanings. It was both a potent form ofoppression and a potent form of resistance to oppression” (p. 3). By choosingMuslim names, whether they were Muslim or not, Turner claims that ...
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47

Hendrix, Melvin K. "Africana Resources in the National Maritime Museum, Greenwich, England." History in Africa 14 (1987): 389–97. http://dx.doi.org/10.2307/3171852.

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Beginning in the latter part of the sixteenth century British naval and shipping interests gradually emerged as one of the major maritime forces operating in African waters and, by the end of the eighteenth century, British shipping dominated the export slave trade. The establishment of colonial plantation economies in the Americas, the global expansion of British political and commercial interests resulting from the Napoleonic Wars, and the anti-slave trade suppression campaign in the first three-quarters of the nineteenth century all brought British seafarers into intimate association with African peoples. This relationship became more intense with the scramble for colonial territories throughout the continent in the late nineteenth century.As a direct consequence of this extensive political and economic relationship a voluminous amount of documentary material exists. One of the principal depositories of this material is the National Maritime Museum (NMM) of Great Britain located in Greenwich, southeast of Central London. This essay reviews some of the documentary holdings found in the Library of the NMM, resources that scholars might find useful in reconstructing British maritime activities in relation to peoples of African descent. Located within the Museum its holdings include printed books and other printed materials, maps and atlases, rare and original manuscripts, ship's plans and drawings, collections on shipwrecks, piracy, and boats, together with various photographic and art collections. While the Library is free and open to the public, it is helpful to contact the Secretary of the NMM with a letter of introduction prior to a first visit.
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48

Hesford, Walter A. "Book Review: American Lazarus: Religion and the Rise of African-American and Native American Literatures." Christianity & Literature 53, no. 3 (2004): 411–14. http://dx.doi.org/10.1177/014833310405300315.

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49

LYNN OSBORN, EMILY. "‘RUBBER FEVER’, COMMERCE AND FRENCH COLONIAL RULE IN UPPER GUINÉE, 1890–1913." Journal of African History 45, no. 3 (2004): 445–65. http://dx.doi.org/10.1017/s0021853704009867.

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This article examines the trade in wild rubber that emerged in Upper Guinée, in the colony of Guinée Française, at the end of the nineteenth century. Guinée's rubber boom went through two phases. The first, from the 1880s to 1901, was dominated by local collectors and Muslim traders who directed the trade to the British port of Freetown, Sierra Leone. In the second phase, 1901–13, expatriate merchant houses entered the long-distance trade and, with the help of the colonial state, reoriented the commerce to Conakry, port city and capital of Guinée. The Guinée case offers an alternative perspective to that provided by the better studied rubber markets of Central Africa and South America, and contributes to scholarly debates about export economies, colonial rule and social change. In Guinée, local production and commercial networks maintained significant influence in the market throughout the rubber boom, thwarting colonial efforts to control the trade. The colonial state proved particularly challenged by the practice of rubber adulteration, whereby local collectors and traders corrupted rubber with foreign objects to increase its weight. While the trade exposes the limits of colonial power, rubber also played a largely overlooked role in the social and economic transformations of the period. Evidence suggests that profits from the rubber trade enabled peasants, escaped slaves and former masters to alter their circumstances, accumulate wealth and rebuild homes and communities destroyed during the preceding era of warfare and upheaval.
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50

Rosario, Carrie, and Keia E. Harris. "Tobacco Advertisements: What Messages Are They Sending in African American Communities?" Health Promotion Practice 21, no. 1_suppl (2020): 54S—60S. http://dx.doi.org/10.1177/1524839919882390.

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Racial disparities in tobacco-related death and disease persist. Despite evidence of disparities in exposure to tobacco retailers and point-of-sale advertising, little is known about the extent to which tobacco advertisements within African American communities use three prominent messaging strategies: reassure use is safe despite health risks, redirect attention from health risks to other product features, or incite bravery to use despite health risks. Using a multistage design, we examined tobacco advertisements at 24 retail stores listed on Countertools.org StoreMapper within 15 census tracts where roughly 74% of the population was African American. After confirming interrater reliability, trained data collectors assessed messaging strategy (reassurance, misdirection of attention, or inducement to bravery) usage in ads (n = 165) for various brands (e.g., Newport, Swisher Sweets, Blu) and whether strategies varied by product type (e.g., cigarettes, nonlarge cigar, e-cigarettes). Chi-square analysis of 165 advertisements revealed that the misdirection of attention strategy was used more often than reassurance or inducement to bravery. Tobacco advertisement messaging strategies also varied by product type, with misdirection of attention used more frequently in cigarette and nonlarge cigar advertisements and reassurance used more frequently in e-cigarette advertisements. Cigarette and nonlarge cigar advertisement messages prey on African American communities by redirecting their focus from consequences toward favorable product attributes. Additionally, reassurance messaging may misconstrue risks associated with e-cigarettes; therefore, we should vigilantly monitor e-cigarette trends among this population. Countering misleading messages and advocating policies regarding advertisement content and density within African American communities could help reduce health disparities.
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