Relevant bibliographies by topics / African American Historical Fiction

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'African American Historical Fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "African American Historical Fiction"

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Stulov, Yuri V. "Contemporary African American Historical Novel." Literature of the Americas, no. 14 (2023): 75–99. http://dx.doi.org/10.22455/2541-7894-2023-14-75-99.

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The paper discusses the works of African American writers of the end of the 1960s — the end of the 2010s that address the historical past of African Americans and explores the traumatic experience of slavery and its consequences. The tragedy of people subjected to slavery as well as their masters who challenged the moral and ethical norms has remained the topical issue of contemporary African American historical novel. Pivotal for the development of the genre of African American historical novel were Jubilee by the outstanding writer and poet Margaret Walker and the non-fiction novel Roots by
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Roelofse-Campbell, Z. "Enlightened state versus millenarian vision: A comparison between two historical novels." Literator 18, no. 1 (1997): 83–92. http://dx.doi.org/10.4102/lit.v18i1.531.

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Two millenarian events, one in Brazil (Canudos Rebellion, 1897) and the other in South Africa (Bulhoek Massacre, 1921) have inspired two works of narrative fiction: Mario Vargas Llosa's The War of the End of the World (1981) and Mike Nicol’s This Day and Age (1992). In both novels the events are presented from the perspectives of both the oppressed landless peasants and the oppressors, who were the ruling élites. In both instances, governments which purported to be models of enlightenment and modernity resorted to violence and repression in order to uphold their authority. Vargas Llosa's novel
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Docherty, Michael. "Then, Now, Later, Always." American Literary History 37, no. 1 (2025): 185–95. https://doi.org/10.1093/alh/ajae132.

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Abstract Considered here are two recent monographs and an essay collection that constitute evidence of a contemporary boom in both historical fiction and critical consideration thereof. In response to Alexander Manshel’s Writing Backwards, Alexandra Lawrie’s Writing the Past in Twenty-First Century American Fiction, and Historical Fiction Now, edited by Mark Eaton and Bruce Holsinger, this essay mediates between competing definitions of the historical and the contemporary proffered by the three works examined, before taking up Manshel’s argument that the ascendancy of historical fiction and th
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AFILAL, Malika. "Re-Writing Her Story: Identity in Toni Morrison's Beloved and Assia Djebar's Fantasia between the Interplay of Historical Legacy and Textual Representation." International Journal of Language and Literary Studies 7, no. 2 (2025): 238–59. https://doi.org/10.36892/ijlls.v7i2.2056.

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The present paper discusses how Assia Djebar's Fantasia: An Algerian Cavalcade and Toni Morrison's Beloved make testimony to historical truth in their representation of feminine identity in two historical contexts: colonialism in Algeria and Racism in America. In the postmodern, postcolonial novels, the African American Morrison and the Algerian Francophone Djebar rewrite two phases of human history, aiming to form, transmit and represent a true historical reality and consciousness through blurring fact and fiction. Djebar revisits the official history of colonialism and the Algerian War of de
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Lawend Ikram Mohammed. "The Role of Ghosts in August Wilson’s the Piano Lesson." Zanco Journal of Humanity Sciences 28, no. 6 (2024): 334–42. https://doi.org/10.21271/zjhs.28.6.18.

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This study explores the role of ghosts in August Wilson’s The Piano Lesson, concentrating on how these supernatural elements symbolize the traumatic legacy of slavery and reflect African American heritage. The main problem indicated is the symbolic function of ghosts in the play and their connection to the African American experience, notably in how they represent the ongoing consequence of slavery on familial and cultural identity. Utilizing the close reading approach, the analysis examines the text through the lens of Gothic fiction and African American folklore, unfolding the ghosts as symb
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Łobodziec, Agnieszka. "Intersections of African-American Womanist Literary Approaches and Paradigms of Ethical Literary Criticism." Interlitteraria 22, no. 2 (2018): 297. http://dx.doi.org/10.12697/il.2017.22.2.8.

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Although black American womanist literary perspectives and ethical literary criticism theory emerged from different socio-cultural contexts, a number of intersections between the two can be discerned. One of the objectives of this paper is to analyze the reasons for which some Chinese scholars and African-American women literary theoreticians are skeptical of mainstream Western literary criticism schools, which they view as insufficient for exploring works of literature derived from fusions of non-Western and Western cultural contexts. Secondly, the paper elucidates the particular value system
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Schneiderman, Leo. "Toni Morrison: Mothers and Daughters." Imagination, Cognition and Personality 14, no. 4 (1995): 273–90. http://dx.doi.org/10.2190/wb6p-hcbn-03yy-lpbr.

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The present article analyzes Morrison's novels with emphasis on the conflicted emotions of fictional African-American mothers in relation to their children. Of special interest is Morrison's depiction of the mother's role in shaping the individuation process of her daughters in a matriarchal, father-absent context. Also examined is Morrison's treatment of intergenerational continuity and the unique role of the grandmother against a background of social change. Such change is interpreted by Morrison as involving conflict between the norms of traditional, rural, folkloric black culture, and the
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Troike, R. C. "CREOLE /l/ -> /r/ IN AFRICAN AMERICAN ENGLISH/GULLAH: HISTORICAL FACT AND FICTION." American Speech 90, no. 1 (2015): 6–83. http://dx.doi.org/10.1215/00031283-2914692.

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Haddox, Thomas F. (Thomas Fredrick). "Alice Randall's The Wind Done Gone and the Ludic in African American Historical Fiction." MFS Modern Fiction Studies 53, no. 1 (2007): 120–39. http://dx.doi.org/10.1353/mfs.2007.0025.

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Klestil, Matthias. "Blackness and the Anthropocene Sublime in Jesmyn Ward’s Fiction." Ecozon@: European Journal of Literature, Culture and Environment 16, no. 1 (2025): 37–55. https://doi.org/10.37536/ecozona.2025.16.1.5571.

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This article focuses on the potentials of African American literature to analyze and rethink interlinkages of race, the sublime, and the Anthropocene. Specifically, it discusses two of Jesmyn Ward’s novels, Salvage the Bones (2011) and Let Us Descend (2023), through a focus on Blackness and the notion of the Anthropocene sublime. My readings show that Ward mobilizes traditions of the sublime through an African American environmental perspective, thus highlighting the racial dimensions of the Anthropocene sublime and often suggesting alternative forms of thinking about the human. After introduc
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Dissertations / Theses on the topic "African American Historical Fiction"

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Gillespie, Robert Arthur. "Shades of an urban frontier : historical resonances in the cities of Black and Anglophone SF." Diss., University of Iowa, 2015. https://ir.uiowa.edu/etd/1609.

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Cities have a paradoxical relationship with science fiction literature. On the one hand, critics like Brian Aldiss have called sf a `literature of cities', citing them as the dominant context for speculative fiction. On the other, critics like Gary Wolfe have noted how sf has an "anti-urban frontier mentality" and how sf narratives involving cities often tend to view them as a trap from which the protagonist must escape. This relationship is even more complex in sf works by African American authors, as contemporary African American fiction in general takes the city as the dominant context for
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Foster, Benjamin Thomas. "HISTORICAL INTIMACY: CONTEMPORARY RECLAMATIONS OF AFRICAN AMERICAN HISTORY IN THE DRAMA, POETRY, AND FICTION OF SUZAN-LORI PARKS, NATASHA TRETHEWAY, AND COLSON WHITEHEAD." OpenSIUC, 2015. https://opensiuc.lib.siu.edu/dissertations/1066.

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Three contemporary authors – Suzan-Lori Parks, Natasha Trethewey, and Colson Whitehead – within the African American Literary Tradition explore relationships to history in light of a dominant rhetoric that represents African American history through a white, hegemonic lens. In Parks’ The America Play, Trethewey’s Bellocq’s Ophelia, and Whitehead’s The Intuitionist, these authors comment on historical representation through such symbols as iconic figures like Abraham Lincoln, photographs, and elevators as starting points to explore the possibility of an independent space for African American hi
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Hall, Julie. "Representations of the civil rights movement and African American childhood in children's literature 1960-2008 an exploration and analysis of how civil rights movement is told to children through historical fiction." Thesis, University of London, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.537502.

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Kent, Alicia Adele. "Migrant modernities : historical and generic movement in fiction by African Americans and Native Americans in the early twentieth century (Charles Waddell Chesnutt, Zora Neale Hurston, Mourning Dove, D'Arcy McNickle)." Ann Arbor, Mich. : ProQuest Information and Learning, 2005. http://gateway.proquest.com/openurl?res_dat=xri:ssbe&url_ver=Z39.88-2004&rft_dat=xri:ssbe:ft:keyresource:Kra_Diss_02.

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Piep, Karsten H. "Embattled Homefronts: Politics and Representation in American World War I Novels." Miami University / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=miami1109634736.

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Piep, Karsten H. "Embattled homefronts politics and representation in American World War I novels /." Oxford, Ohio : Miami University, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1109634736.

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Kocela, Christopher. "Fetishism as historical practice in postmodern American fiction." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38213.

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This study contends that postmodern American fiction dramatizes an important shift of philosophical perspective on the fetish in keeping with recent theories of fetishism as a cultural practice. This shift is defined by the refusal to accept the traditional Western condemnation of the fetishist as primitive or perverse, and by the effort to affirm more productive uses for fetishism as a theoretical concept spanning the disciplines of psychoanalysis, Marxian social theory, and anthropology. Analyzing the depiction of fetishistic practices in selected contemporary American novels, the dissertati
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Davies, Richard Blaine Davies Richard Blaine. "Historical fiction makes American history come to life!" [Boise, Idaho : Boise State University, 2002. http://education.boisestate.edu/bdavies.

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Thesis (M.A.)--Boise State University, 2002.<br>Web site. Master's project includes an explanatory text and CD-ROM entitled: Historical fiction : a web site supporting secondary U.S. history courses of study-Idaho Department of Education. Includes bibliographical references.
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Ashe, Bertram Duane. "From within the frame: Storytelling in African-American fiction." W&M ScholarWorks, 1998. https://scholarworks.wm.edu/etd/1539623921.

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The purpose of this study is to explore the written representation of African-American spoken-voice storytelling in five fictional narratives published between the late nineteenth century and the late twentieth century: Charles W. Chesnutt's "Hot-Foot Hannibal," Zora Neale Hurston's their Eyes Were Watching God, Ralph Ellison's Invisible Man, Toni Cade Bambara's "My Man Bovanne," and John Edgar Wideman's "Doc's Story.".;Using Walter Ong's suggestion that the relationship between storyteller and inside-the-text listener mirrors the hoped-for relationship between writer and readership, this stud
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Martin, Patricia L. "Minority protagonists in the young adult historical fiction novel." [Denver, Colo.] : Regis University, 2007. http://165.236.235.140/lib/PMartin2007.pdf.

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Books on the topic "African American Historical Fiction"

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Nunes, Ana. African American Women Writers’ Historical Fiction. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118850.

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Byerman, Keith Eldon. Remembering the past in contemporary African American fiction. University of North Carolina Press, 2004.

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Lewis, Ora M. Seeds in the wind: A historical novel, Louisiana (1565-1865). Maranatha Press, 2000.

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Courlander, Harold. The African. H. Holt, 1993.

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Edgar, Wideman John, Wideman John Edgar, and Wideman John Edgar, eds. The homewood books. University of Pittsburgh Press, 1992.

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Alers, Rochelle. Secret Agenda. Kimani Press, 2009.

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Alers, Rochelle. Secret agenda. Arabesque/Kimani Press, 2009.

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Colter, Cyrus. A chocolate soldier: A novel. TriQuarterly Books, 1995.

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Colter, Cyrus. A chocolate soldier: A novel. Thunder's Mouth Press, 1988.

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Tademy, Lalita. Red River. Warner Books, 2007.

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Book chapters on the topic "African American Historical Fiction"

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Nunes, Ana. "Introduction." In African American Women Writers’ Historical Fiction. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118850_1.

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Nunes, Ana. "Contexts." In African American Women Writers’ Historical Fiction. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118850_2.

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Nunes, Ana. "Setting the Record Straight." In African American Women Writers’ Historical Fiction. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118850_3.

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Nunes, Ana. "History as Birthmark." In African American Women Writers’ Historical Fiction. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118850_4.

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Nunes, Ana. "“The Undocumentable Inside of History”." In African American Women Writers’ Historical Fiction. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118850_5.

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Nunes, Ana. "“Her Best Thing, Her Beautiful, Magical Best Thing”." In African American Women Writers’ Historical Fiction. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118850_6.

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Nunes, Ana. "Conclusion." In African American Women Writers’ Historical Fiction. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118850_7.

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Bertens, Hans, and Theo D’haen. "Historical Mysteries." In Contemporary American Crime Fiction. Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230508316_9.

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Tucker, Jeffrey Allen. "African American Science Fiction." In A Companion to African American Literature. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444323474.ch24.

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Singler, John Victor. "An African-American Linguistic Enclave." In Historical Linguistics 1989. John Benjamins Publishing Company, 1993. http://dx.doi.org/10.1075/cilt.106.32sin.

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Conference papers on the topic "African American Historical Fiction"

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Ojars, Lams. "REFUGEES-IMMIGRANTS-INTEGRANTS: NARRATIVES ABOUT FORCED DISPLACEMENT IN BALTIC REGION AT THE END OF WW2." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/s10.26.

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The process of displacement and the large numbers of Baltic refugees due to the return of Soviet occupation at the end of World War II is important theme in literature. In the literatures of Latvia, Lithuania and Estonia after war a new and long-lasting phenomenon appeared � literature of exile. This paper will turn to three texts that are from different decades and are written in different styles about displacement. The research focus will be on the novel �After Doomesday� (1968, English translation 2017) [3] by Latvian author Gunars Janovskis (1916�2000) who started his career as a writer in
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Streete, Annicia. "The Design Student as Storyteller: An Afro- Futuristic Perspective of Storytelling." In 2023 ACSA/EAAE Teachers Conference. ACSA Press, 2023. http://dx.doi.org/10.35483/acsa.teach.2023.1.

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A futuristic perspective of “storytelling” as an educating design tool in an architecture elective course that explores Afrofuturism within Architecture. Afrofuturism offers a critical approach to thinking about future built environments of African and African Diasporic communities throughout the world. The course is rooted in a method that introduces Afrofuturism, a school of thought addressing intersections of afro-culture, the use of science and technology to project futures of liberation and in¬novation, using imagination.1 A study of Ten Principles of Black Space Design, authored by Ameri
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Ellis, Antonio. "African American Male K–12 Teachers: Exploring Historical Relationships Between Hip-Hop Music and Classroom Culture." In 2020 AERA Annual Meeting. AERA, 2020. http://dx.doi.org/10.3102/1579812.

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Streete, Annicia, Brendan Harmon, and Nicholas Serrano. "Endangered African American Burial Grounds of the Lower Mississippi: Acts of Reparation and Preservation." In 113th Annual Meeting Paper Proceedings. ACSA Press, 2025. https://doi.org/10.35483/acsa.am.113.81.

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African American cemeteries and burial grounds are an invaluable part of the historical geography of the Louisiana River Parishes. Originally built peripheral to plantations along the Mississippi River, today these sites occupy remnant parcels of isolated land surrounded by corporate agricultural and industrial facilities. Climate change, industrial development, precarious land-tenure records, and a dwindling population of descendants continually threaten these cultural landscapes, and allowing these sites to succumb to time and land development would perpetuate the centuries-long process of s
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Leonard, Dr Doug. "Shifting Imaginations: The Implications of Non-Linear West African Time." In 6th World Conference on Arts, Humanities, Social Sciences and Education. Eurasia Conferences, 2024. https://doi.org/10.62422/978-81-970328-4-4-030.

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The recent “temporal turn” in historical study has opened an important and powerful avenue for further exploration. Following on to that recent emphasis, this study examines the implications of a non-linear understanding of time held by West African intellectuals in the mid-to-late 20th century as they proposed alternatives to the dominant, state-based socio-political organization demanded by European and North American powers. The resultant “sea of time” allowed them to propose forms that engaged myths and stories and both forerunners and outcomes of uniquely West African understandings of a
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Choudhary, Fazal, and Suraj Pothineni. "Breaking Down Barriers: Investigating Structural and Systemic Factors that Contribute to COVID-19 Disparities in African American Communities in New Jersey." In 27th Annual Rowan-Virtua Research Day. Rowan University Libraries, 2023. https://doi.org/10.31986/issn.2689-0690_rdw.stratford_research_day.58_2023.

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Background: The COVID-19 pandemic has affected the lives of millions of Americans; however, minority communities have been hit the hardest as infection rates continue to sky rocket and new variants arise. As of October 5, 2021, the CDC reports that African Americans make up a similar share of cases relative to the overall population, at about 12%, but have a significantly higher rate of deaths compared to the population, at approximately14%. African American communities are being disproportionately affected because of higher incidence of chronic diseases, inadequate access to health care, and
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O'Connor, Kate, and Michelle Pannone. "Using Socio Spatial Practices to Create the Citizen Architect." In 2023 ACSA/EAAE Teachers Conference. ACSA Press, 2023. http://dx.doi.org/10.35483/acsa.teach.2023.35.

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The community of Idlewild, located in Yates Township, Michigan, United States, possesses a significant history as the largest historic African American resort community created during the Jim Crow Era. Established in 1912, it thrived for more than fifty years but declined in 1964, with the passing of the Civil Rights Act. Listed in the Green Book, the historical impor¬tance of Idlewild was recognized at the time as a safe space for African Americans to vacation during the segregation era. At a time when African Americans were systematically pushed to the margins of society, Idlewild was viewed
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Milheiro, Ana Vaz. "Narratives on women architects in former Africa colonised by Portuguese rule: professional profiles based on training practices." In ICAG 2023 - VI INTERNATIONAL CONFERENCE ON ARCHITECTURE AND GENDER. Universitat Politècnica de València, 2023. http://dx.doi.org/10.4995/icag2023.2023.16718.

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In “The Canon and the Void,” Meltem Gürel and Kathryn Anthony highlight the persistent absence of women architects in the historiography of North American architecture schools, a gap first identified by Karen Kingsley in the 1980s. This lack of representation extends beyond education into professional inequality, rooted in the historical neglect of female contributions to architecture. In response, recent Portuguese-speaking scholarship has begun addressing the roles of women architects in former Portuguese colonial territories in Africa. This presentation focuses on five women—Carlota Quintan
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O'Connor, Kate, and Makenna Karst. "Innovation through Investigation: Creating a Cooperative Social Community." In 112th ACSA Annual Meeting. ACSA Press, 2024. http://dx.doi.org/10.35483/acsa.am.112.91.

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The community of Idlewild, located in Yates Township, Michigan, possesses a significant history as the largest historic African American resort community established during the Jim Crow Era. Established in 1912, it thrived for more than fifty years but declined with the passing of the Civil Rights Act in 1964. However, Idlewild has begun to revitalize, with new full-time residents seeking work-life balance in a rural context and, most importantly, residency in a safe community. However, Idlewild was originally designated for seasonal residents, resulting in a new set of needs for community sus
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Ross, John, Silvina Lopez Barrera, and Simon Powney. "Emmett Till Memorial: A Community Engaged Studio Project." In 109th ACSA Annual Meeting Proceedings. ACSA Press, 2021. http://dx.doi.org/10.35483/acsa.am.109.83.

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In 1955, Emmett Till was 14-year-old when he was kidnaped and brutally murdered by two white men in the Mississippi Delta. This racist incident was one of the key events that galvanized the Civil Rights Movement’s work. Through a com¬munity engagement project to design a memorial dedicated to Emmett Till, this essay explores a studio pedagogy that aimed to introduce social justice in architecture studios. The “Emmett Till Memorial” community engaged project took place in Spring 2020 in the first-year architecture studio of the School of Architecture at Mississippi State University. In this pro
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Reports on the topic "African American Historical Fiction"

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Gonzales, Jackie, Kayla Blackman, and Courtney Hobson. Advancing African American Scholarship A Report for the US National Park Service Interior Region 2 (legacy Southeast Region). National Park Service, 2023. https://doi.org/10.36967/2309452.

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The AAAS was a comprehensive look at the treatment and depiction of African American history in IR2 Park History documents, websites, and some interpretive materials. It was developed by the Park History program through an interdisciplinary team that worked closely with the parks, the CRPS division, the WASO Park History program, and the consultant, Historical Research Associates, Inc. (HRA). The HRA team analyzed over 300 reports, and over 1,300 web pages, and surveyed over 120 employees or partners of the SER and IR2 parks. The study offers a frank assessment and recommendations for future r
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Lischer-Katz, Zack, Rashida Braggs, and Bryan Carter. Investigating Volumetric Video Creation and Curation for the Digital Humanities: a White Paper Describing Findings from the Project: Preserving BIPOC Expatriates’ Memories During Wartime and Beyond. The University of Arizona Libraries, 2024. http://dx.doi.org/10.2458/10150.674673.

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Volumetric video capture technologies offer humanities scholars and other researchers new, immersive ways of engaging with historical and cultural knowledge for research and pedagogical purposes; however, the high cost of this technology and a paucity of expert knowledge in the field have limited its adoption. In particular, volumetric video offers rich new possibilities for recording, preserving, and re-experiencing BIPOC (Black, indigenous, and other people of color) stories in immersive detail, which have been underrepresented in the historical record. This technology is still experimental
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