Dissertations / Theses on the topic 'African-American history and culture'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 50 dissertations / theses for your research on the topic 'African-American history and culture.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.
Mayo-Bobee, Dinah. "African American Experiences." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/730.
Full textCarroll, Nicole. "African American History at Colonial Williamsburg." W&M ScholarWorks, 1999. https://scholarworks.wm.edu/etd/1539626197.
Full textWhitaker, Jamie L. ""Hark from the tomb" : the culture history and archaeology of African-American cemeteries." Virtual Press, 2007. http://liblink.bsu.edu/uhtbin/catkey/1371679.
Full textDepartment of Anthropology
Gainer, David J. "Hollywood, African Consolidated Films, and "bioskoopbeskawing," or bioscope culture : aspects of American culture in Cape Town, 1945-1960." Master's thesis, University of Cape Town, 2000. http://hdl.handle.net/11427/12743.
Full textThis thesis examines the deep-rooted history and structure of American culture in South Africa during the twentieth century. It examines one aspect of that cultural penetration in particular, the cinema industry, in Cape Town, a region ofpredominantIy British influence, in order to illustrate a process in which America displaced Great Britain as South Africa's political, economic, and cultural centre. Based on a wide range of unpublished government documents, oral interviews, periodicals, and a survey of motion pictures in Cape Town between 1946 and 1960, this thesis illustrates that not only did American images and products dominate the South African market, but American methods of mass marketing and advertising intensified South Africa's development of a consumer culture.
Boroughs, Jason. ""I Looked to the East---": Material Culture, Conversion, and acquired Meaning in Early African America." W&M ScholarWorks, 2004. https://scholarworks.wm.edu/etd/1539626444.
Full textBlanck, Emily V. "Reaching for Freedom: Black Resistance and the Roots of a Gendered African-American Culture in Late Eighteenth Century Massachusetts." W&M ScholarWorks, 1998. https://scholarworks.wm.edu/etd/1539626189.
Full textCoil, William Russell. "Mayoral politics and new deal political culture: James Rhodes and the African-American voting bloc in Columbus, Ohio, 1943-1951." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1399627321.
Full textJessen, Julie K. "African-American culture and history : northwestern Indiana, 1850-1940 : a context statement for the Indiana State Historic Preservation Office." Virtual Press, 1996. http://liblink.bsu.edu/uhtbin/catkey/1027112.
Full textDepartment of Architecture
Royles, Dan. ""DON'T WE DIE TOO?": THE POLITICAL CULTURE OF AFRICAN AMERICAN AIDS ACTIVISM." Diss., Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/247947.
Full textPh.D.
This project reveals the untold story of African Americans AIDS activists' fight against HIV and AIDS in black communities. I describe the ways that, from 1985 to 2003, the both challenged public and private granting agencies to provide funds for HIV prevention efforts aimed specifically at black communities, and challenged homophobic attitudes among African Americans that, they believed, perpetuated the spread of the disease through stigma and silence. At the same time, they connected the epidemic among African Americans to racism and inequality within the United States, as well as to the pandemic raging throughout the African Diaspora and in the developing world. In this way, I argue, they contested and renegotiated the social and spatial boundaries of black community in the context of a devastating epidemic. At the same time, I also argue, they borrowed political strategies from earlier moments of black political organizing, as they brought key questions of diversity, equality, and public welfare to bear on HIV and AIDS. As they fought for resources with which to stop HIV and AIDS from spreading within their communities, they struggled over the place of blackness amid the shifting politics of race, class, and health in post-Civil Rights America. Adding their story to the emerging narrative of the history of the epidemic thus yields a more expansive and radical picture of AIDS activism in the United States.
Temple University--Theses
Johnson, Deanda Marie. "Thoroughly Modern: African American Women's Dress and the Culture of Consumption in Cleveland, Ohio 1890-1940." W&M ScholarWorks, 2014. https://scholarworks.wm.edu/etd/1539623636.
Full textMcClure, Daniel N. "A woman of action Elma Lewis, the arts, and the politics of culture in Boston, 1950-1986 /." Amherst, Mass. : University of Massachusetts Amherst, 2009. http://scholarworks.umass.edu/dissertations/AAI3359905/.
Full textWheeler, Durene Imani. "Sisters in the movement: an analysis of schooling, culture, and education from 1940-1970 in three black women’s autobiographies." The Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=osu1086187325.
Full textTeresa, Carrie. "Looking at the Stars: The Black Press, African American Celebrity Culture, and Critical Citizenship in Early Twentieth Century America, 1895-1935." Diss., Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/279172.
Full textPh.D.
Through the development of entertainment culture, African American actors, athletes and musicians increasingly were publicly recognized. In the mainstream press, Black celebrities were often faced with the same snubs and prejudices as ordinary Black citizens, who suffered persecution under Jim Crow legislation that denied African Americans their basic civil rights. In the Black press, however, these celebrities received great attention, and as visible and popular members of the Black community they played a decisive yet often unwitting and tenuous role in representing African American identity collectively. Charles M. Payne and Adam Green use the term "critical citizenship" to describe the way in which African Americans during this period conceptualized their identities as American citizens. Though Payne and Green discussed critical citizenship in terms of activism, this project broadens the term to include considerations of community-building and race pride as well. Conceptualizing critical citizenship for the black community was an important part of the overall mission of the Black press. Black press entertainment journalism, which used celebrities as both "constellations" and companions in the fight for civil rights, emerged against the battle against Jim Crowism and came to embody the spirit of the Harlem Renaissance. The purpose of this project is to trace how celebrity reporting in the black press developed over time, distinct from yet contemporaneous with the development of yellow journalism in the mainstream press, and to understand how black journalists and editors conceptualized the idea of "celebrity" as it related to their overall construction of critical citizenship. The evidence in support of this project was collected from an inductive reading of the entertainment-related content of the following black press newspapers over the time period 1895-1935: Baltimore Afro-American, Chicago Defender, New York Age, New York Amsterdam News, Philadelphia Tribune, Pittsburgh Courier, Cleveland Gazette, Kansas City/Topeka Plaindealer, Savannah Tribune, and Atlanta Daily World. In addition, the entertainment content of Black press magazines The Crisis, The Messenger, The Opportunity and The Negro World was included.
Temple University--Theses
Lower, Jonathan Scott. "The American Blues: Men, Myths, and Motifs." Kent State University Honors College / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1340154289.
Full textDoyle, Larry O. Sr. "Oral History of School and Community Culture of African American Students in the Segregated South, Class of 1956: A Case Study of a Successful Racially Segregated High School Before Brown Versus Board of Education." University of Toledo / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1587045920719023.
Full textWilliams, Carol Thomas. "Paradigm shift in African American funeral customs looking through the lens of oral history and consumer culture /." Click here to access dissertation, 2008. http://www.georgiasouthern.edu/etd/archive/fall2008/carol_t_williams/Williams_Carol_T_200808_Edd.pdf.
Full text"A dissertation submitted to the Graduate Faculty of Georgia Southern University in partial fulfillment of the requirements for the degree Doctor of Education." Directed by John Weaver. ETD. Includes bibliographical references (p. 208-218) and appendices.
Brooks, Zachary D. "Optimizing the Functional Utility of Afrocentric Intellectual Production: The Significance of Systemic Race Consciousness & Necessity of a Separatist Epistemological Standpoint." Master's thesis, Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/500843.
Full textM.A.
This research aims to reinforce the functional aspect of the Afrocentric paradigm by coupling the development of Afrocentric consciousness with a systemic race consciousness so that the intellectual production coming out of the discipline of Africology can more practically address the needs of Afrikan people under the contemporary system of white supremacy. By examining strengths and limitations of some existing theories and concepts within Black Studies, the goal of this examination becomes to more effectively address the problems of the epistemic convergence Eurocentrism structurally imposes on Afrikan people seeking liberation. Through an examination of how the cultural logic of racism/white supremacy has determined the shape and character of institutions within the United States, this work will argue that the most constructive political disposition for an Afrocentrist to take is one of separatist nationalism. The argument being made is that this ideological component is a necessary catalyst to produce Afrocentric scholarship that has optimal functional utility toward the goal of achieving sustainable liberation for Afrikan people from the Maafa.
Temple University--Theses
Perchard, Tom. "Lee Morgan (1938-72) : the life of one jazz trumpeter in African American culture, music and history." Thesis, Goldsmiths College (University of London), 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.424374.
Full textZheng, Juan. "African American Cultural Products and Social Uplift, the End of the 19th Century - the Early of the 20th Century." W&M ScholarWorks, 2004. https://scholarworks.wm.edu/etd/1539626432.
Full textWatkins, Trinae. "Panther Power: A Look Inside the Political Hip Hop Music of Tupac Amaru Shakur." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 2018. http://digitalcommons.auctr.edu/cauetds/165.
Full textGooch, Catherine. "“I’VE KNOWN RIVERS:” REPRESENTATIONS OF THE MISSISSIPPI RIVER IN AFRICAN AMERICAN LITERATURE AND CULTURE." UKnowledge, 2019. https://uknowledge.uky.edu/english_etds/97.
Full textDunn, Isaac Wharton. "The Myth of African Culture in Islam." Master's thesis, Temple University Libraries, 2013. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/216535.
Full textM.A.
The point of my research is to reassess themes and notions of cultural imperialism and African perceptions and responses to foreign influences, while at the same time explore traditional cultural patterns, cultural identity, and continuity within the context of an ethno-history. It further brings together and subsumes scholars and Muslim intellectuals of nineteenth and twentieth-century African history from a variety of backgrounds and their learned and unique perspectives on the self-perceptions of African Muslims in the Senegambia. My initial project is to construct a historical and cultural account regarding how Murids in the Senegambia distinguish themselves as a particular group of African Muslims in West Africa based on identity and religious practices. It is significant because it attempts to examine the cultural and traditional identities of Wolof and Murid communities in the Diaspora within the social collective, while at the same time examine the interplay between the Arab cultural influences of Islam in conjunction with African religious customs and practices through the historical experiences of Cheikh Amadu Bamba Mbeke 1853-1927. By combining archival and oral testimonies with historical research, this paper will shed light on the initiatives and creativities of Amadu Bamaba, and how he shaped Wolof culture and continuities that distinctively characterizes the Senegambia. Further, it investigates how the continuity of Wolof history, culture, and identity is directly linked to Cheikh Amadu Bamba himself who is a central figure to Wolof collective identities. Moreover, it reveals how Amadu Bamba's tariqa served as an instrument for Wolof in the Senegambia to not only share essential attributes that constitute their identities as distinct Muslims, but also manifests how their practice of Islam sets them apart from the broader world of the religion itself. Although much of the scholarship of Africa pays particular attention to the legacy of imperialism and how it shaped post- colonial policies, there has been very little research regarding the idiosyncrasies and the ontological nature of conquered people, and how they have shaped alien influences to be compatible with their cultures.
Temple University--Theses
Crowder, Alexandra. "Community through Consumption| The Role of Food in African American Cultural Formation in the 18th Century Chesapeake." Thesis, University of Massachusetts Boston, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10788842.
Full textStratford Hall Plantation’s Oval Site was once a dynamic 18th-century farm quarter that was home to an enslaved community and overseer charged with growing Virginia’s cash crop: tobacco. No documentary evidence references the site, leaving archaeology as the only means to reconstruct the lives of the site’s inhabitants. This research uses the results of a macrobotanical analysis conducted on soil samples taken from an overseer’s basement and a dual purpose slave quarter/kitchen cellar at the Oval Site to understand what the site’s residents were eating and how the acquisition, production, processing, provisioning, and consumption of food impacted their daily lives. The interactive nature of the overseer, enslaved community, and their respective botanical assemblages suggests that food was not only used as sustenance, it was also a medium for social interaction and mutual dependence between the two groups.
The botanical assemblage is also utilized to discuss how the consumption of provisioned, gathered, and produced foods illustrate the ways that Stratford’s enslaved inhabitants formed communities and exerted agency through food choice. A mixture of traditional African, European, and native/wild taxa were recovered from the site, revealing the varied cultural influences that affected the resident’s cuisine. The assemblage provides evidence for ways that the site’s enslaved Africans and African Americans adapted to the local environment, asserted individual and group food preferences, and created creolized African American identities as they sought to survive and persist in the oppressive plantation landscape.
The results from the Oval Site are compared to nine other 18th- and 19th-century plantation sites in Virginia to demonstrate how food was part of the cultural creolization process undergone by enslaved Africans and African Americans across the region. The comparison further shows that diverse, creolized food preferences developed by enslaved communities can be placed into a regional framework of foodways patterns. Analyzing the results on a regional scale acknowledges the influence of individual preferences and identities of different communities on their food choices, while still demonstrating how food was consistently both a mechanism and a product of African American community formation.
Abdu, Brook. "Revisiting Aksumite culture." Thesis, Boston University, 2007. https://hdl.handle.net/2144/30660.
Full textThe main objective of this study is to reexamine and evaluate current cultural frameworks employed in the discourse on Aksumite culture. The critical study of these frameworks (involving the scrutiny of radiometric, numismatic, historical and archaeological evidence) reveals that only a few are reliable. A revised cultural framework constructed from reliable sources shows that Aksumite culture has undergone an unbroken sequence of social development from the late second millennium BC to the late first millennium AD, with manifestations of the culture appealing several centuries earlier than previously thought. Moreover, models of Aksumite state formation are examined in light of this new framework, and reveal the importance of local processes in the rise of the Aksumite state.
Devlin, Erin Krutko. "Colonial Williamsburg's Slave Auction Re-Enactment: Controversy, African American History and Public Memory." W&M ScholarWorks, 2003. https://scholarworks.wm.edu/etd/1539626387.
Full textLong, Jessica X. "She Inked! Women in American Tattoo Culture." Ohio University Honors Tutorial College / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1588796599281498.
Full textMassee, Sara Marie. "The American Historical Imaginary| Memory, Wealth, and Privilege in American Mass Culture." Thesis, George Mason University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10823611.
Full textThis dissertation seeks to make sense of historicist media in America and the ideological work that they do. It examines a variety of discourses that inflect the texts examined. It focuses on representations of the Anglo-American past since this history, more than any other, is selling to American media consumers and has been for the last thirty years. Consequently, media about Anglo-American history provides vital clues as to what motivates the dominant culture’s invocation of the past.
In order to gain the broadest perspective possible on how historicist media function in America, the texts this dissertation examines come from a variety of media, including television, film, a Renaissance festival, and an experiential history museum. For a similar reason, this dissertation explores three distinct historical locales that have been especially marketable in the United States: the English country house of the nineteenth and early twentieth centuries, Renaissance England, and the American Revolution.
This dissertation argues that the media studied is structured by a contradictory desire for the sense of stability promised by notions of pastness and the sense of freedom, flexibility, and novelty promised by notions of modernity and mass production. As a result of these conflicting desires, historicist media in America can best be characterized as contemporary versions of what Elizabeth Outka described as the nineteenth-century aesthetic of the “commodified authentic.” Like the “commodified authentic,” contemporary historicist media offer to help consumers negotiate anxieties caused by rapid social, technological, and economic change by holding history and modernity in productive tension with one another. Whereas the anxieties addressed in the nineteenth century stemmed largely from the Industrial Revolution though, the anxieties negotiated in contemporary media about the past have to do with digitization, neoliberalization, and the global economic crisis of 2007–2008. However, nineteenth century and current examples of the “commodified authentic” are similar in that by turning to history as a source of stability, they tend to reinforce conservative values, even when they incorporate various forms of liberal social critique. As a result, this dissertation pays special attention to the discourses of class-, gender-, and racial privilege that inflect the media texts examined, particularly when considering what kind of communal American identity (a la Benedict Anderson) my sample texts imagine or imply.
Sunami, April J. "Transforming "blackness" "post-black" and contemporary hip-hop in visual culture /." Ohio : Ohio University, 2008. http://www.ohiolink.edu/etd/view.cgi?ohiou1219161375.
Full textMcCammack, Brian James. "Recovering Green in Bronzeville: An Environmental and Cultural History of the African American Great Migration to Chicago, 1915-1940." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10330.
Full textGeider, Thomas. "A bibliography of Swahili literature, culture and history." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-91490.
Full textNorman, Lisanne. ""I Worship Black Gods": Formation of an African American Lucumi Religious Subjectivity." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467218.
Full textAfrican and African American Studies
Meadows, Bethany. "We came 2 get down| A history of pop locking in Los Angeles." Thesis, California State University, Long Beach, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1527017.
Full textThis study draws a rich, vivid portrait of a marginalized and hidden dance community and how it made a visible impact on the mainstream and in countries around the world. In the 1980s black and Latino teens in Los Angeles performed a street dance called pop locking. During this time dancing helped keep urban teens out of gangs and create positive identities. In the 1990s pop locking went underground, but less than ten years later returned in areas outside of Los Angeles. This allowed 1980s dancers to serve as teachers and mentors to new dancers.
Twenty-seven pop lockers who danced from the 1980s to the 2000s were interviewed from June 2010 to July 2013. These interviews capture the history of the dance that started on the streets of California. Participant observation was conducted at Homeland Cultural Center in Long Beach, which is a hub for pop locking in Southern California.
Goldberg, Adam M. "Jewish culture and the American military." Thesis, Monterey, California. Naval Postgraduate School, 2006. http://hdl.handle.net/10945/2581.
Full textAmemate, Amelia AmeDela. "Black Bodies, White Masks?: Straight Hair Culture and Natural Hair Politics Among Ghanaian Women." Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu157797167417396.
Full textWebb, Brittany. "Materializing Blackness: The Politics and Production of African Diasporic Heritage." Diss., Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/504409.
Full textPh.D.
"Materializing Blackness: The Politics and Production of African Diasporic Heritage” examines how intellectual and civic histories collide with the larger trends in the arts and culture sector and the local political economy to produce exhibitions at the African American Museum in Philadelphia (AAMP) and structure the work that museum exhibitions do to produce race visually for various audiences. Black museums are engaged in the social construction of race through their exhibitions and programs: selecting historical facts, objects and practices, and designating them as heritage for and to their audiences. In tracking this work, I am interested in 1) the assemblages of exhibits that are produced, as a function of 2) the internal logics of the producing institutions and 3) larger forces that structure the field as a whole. Looking at exhibits that engage Blackness, I examine how heritage institutions use art and artifacts to visually produce race, how their audiences consume it, and how the industry itself is produced as a viable consumptive market. Undergirded by the ways anthropologists of race and ethnicity have been explored and historicized race as a social construction I focus on an instantiation of the ways race is constructed in real time in the museum. This project engages deeply with inquiries about the social construction of race and Blackness, such as: how is Blackness rendered coherent by the art and artifacts in exhibitions? How are these visual displays of race a function of the museums that produce them and political economy of the field of arts and culture? Attending to the visual, intellectual, and political economic histories of networks of exhibiting institutions and based on ethnographic fieldwork in and on museums and other exhibiting institutions, this dissertation contextualizes and traces the production and circulation of the art and artifacts that produce the exhibitions and the museum itself as a way to provide a contemporary concrete answer. Overall “Materializing Blackness” makes the case for history and political economy as ghosts of production that have an outsized impact on what we see on exhibition walls, and are as important to the visual work as a result. Further it takes the Black museum as a site of anthropological engagement as a way to see the conjuncture of the aesthetic and the political, the historical and the material in one complicated node of institution building and racecraft in the neoliberal city.
Temple University--Theses
David, James Corbett. "Dunmore's new world: Political culture in the British Empire, 1745--1796." W&M ScholarWorks, 2010. https://scholarworks.wm.edu/etd/1539623561.
Full textWaits, Sarah A. ""Listen to the Wild Discord": Jazz in the Chicago Defender and the Louisiana Weekly, 1925-1929." ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/td/1676.
Full textHumphrey, Ashley Renee. "Where's the Roda?: Understanding Capoeira Culture in an American Context." Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1543574890650575.
Full textDonofrio, Nicholas Easley. "The Vanishing Freelancer: A Literary History of the Postwar Culture Industries." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11532.
Full textJenkins, Rebecca D. "Forgotten: Scioto County's Lost Black History." Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1429214056.
Full textMcDonald, Bradley Michael. "African-American Family and Society on the Lands of the Yorktown Naval Weapons Station, 1862-1880." W&M ScholarWorks, 1994. https://scholarworks.wm.edu/etd/1539625861.
Full textReid, Katie. "Restless collection : Ivan Vladislavić and South African literary culture." Thesis, University of Sussex, 2017. http://sro.sussex.ac.uk/id/eprint/71746/.
Full textRamos, Toni-Ann 1964. "Maintenance of Taino traditions within Puerto Rican culture." Thesis, The University of Arizona, 1995. http://hdl.handle.net/10150/278503.
Full textKertesz, Judy. "Skeletons in the American Attic: Curiosity, Science, and the Appropriation of the American Indian Past." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10499.
Full textMcQueeney, Kevin G. "Playing With Jim Crow: African American Private Parks in Early Twentieth Century New Orleans." ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/1989.
Full textShiflett, Lisa R. "West African Food Traditions in Virginia Foodways: A Historical Analysis of Origins and Survivals." [Johnson City, Tenn. : East Tennessee State University], 2004. http://etd-submit.etsu.edu/etd/theses/available/etd-0719104-105438/unrestricted/ShifletL080904f.pdf.
Full textTitle from electronic submission form. ETSU ETD database URN: etd-0719104-105438 Includes bibliographical references. Also available via Internet at the UMI web site.
Alcorn, Aaron L. "Modeling Behavior: Boyhood, Engineering, and the Model Airplane in American Culture." Case Western Reserve University School of Graduate Studies / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=case1220640446.
Full textSmith, Frederick H. "Social Equalization and Social Resistance: A Symbolic Interactional Approach to Strategies of African American Slave Populations." W&M ScholarWorks, 1994. https://scholarworks.wm.edu/etd/1539720316.
Full textEdwards-Ingram, Ywone. "Medicating slavery: Motherhood, health care, and cultural practices in the African diaspora." W&M ScholarWorks, 2005. https://scholarworks.wm.edu/etd/1539623482.
Full textBarbosa, Francisco J. "Insurgent youth culture and memory in the Sandinista student movement /." [Bloomington, Ind.] : Indiana University, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3215180.
Full textSource: Dissertation Abstracts International, Volume: 67-04, Section: A, page: 1490. Adviser: Jeffrey L. Gould. "Title from dissertation home page (viewed May 7, 2007)."