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1

Deutsch, Lauren. Great Black music. Mosina, Poland]: Era Jazzu, 2002.

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2

Baraka, Imamu Amiri. The music: Reflections on jazz and blues. New York: Morrow, 1987.

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3

Jazz, the great American art. New York: Franklin Watts, 1995.

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4

From jazz to swing: African-American jazz musicians and their music, 1890-1935. Detroit: Wayne State University Press, 1994.

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5

Baraka, Imamu Amiri. Black music: Essays. New York: Akashic, 2010.

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6

Jazz. Detroit: Lucent Books, 2011.

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7

Jazz griots: Music as history in the 1960s African American poem. Lanham, Md: Lexington Books, 2012.

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8

America's music: Jazz in Newark. West Orange, New Jersey: Swing City Press, 2014.

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9

Negotiating temporal differences: Blues, jazz and narrativity in African American culture. Heidelberg: C.Winter, 2000.

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10

William, Gaines, ed. Jelly's blues: The life, music, and redemption of Jelly Roll Morton. Cambridge, MA: Da Capo, 2003.

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11

Black music, white business: Illuminating the history and political economy of jazz. New York: Pathfinder, 1998.

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12

Baraka, Imamu Amiri. Digging: The Afro-American soul of American classical music. Berkeley: University of California Press, 2009.

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13

Vernick, Gordon. Jazz history overview. 2nd ed. Dubuque, Iowa: Kendall/Hunt Pub. Co., 2007.

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14

Rennert, Richard Scott. Jazz stars. New York: Barnes & Noble, 1993.

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15

Swinging the vernacular: Jazz and African American modernist literature. New York: Routledge, 2006.

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16

Pöhlert, Werner. Jazz: 100 Jahre : die Geschichte des authentischen Jazz vom Blues der schwarzen Sklaven bis zum Free-Jazz der 60er Jahre. 3rd ed. Schwetzingen: K.F. Schimper, 1997.

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17

The muse is music: Jazz poetry from the Harlem Renaissance to spoken word. Urbana: University of Illinois Press, 2011.

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18

Hope, Akua Lezli. Embouchure: Poems on jazz and other musics. New York: ArtFarm Press, 1995.

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19

Martins, Miguel. Jazz e literatura. Porto: Campo das Letras, 1998.

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20

Kofsky, Frank. John Coltrane and the jazz revolution of the 1960s. New York: Pathfinder, 1998.

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21

Kofsky, Frank. John Coltrane and the jazz revolution of the 1960s. 2nd ed. New York: Pathfinder, 1998.

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22

Playing the changes: From Afro-modernism to the jazz impulse. Urbana: University of Illinois Press, 1994.

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23

Grandt, Jürgen E. Kinds of blue: The jazz aesthetic in African American narrative. Columbus: Ohio State University Press, 2004.

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24

Hester, Karlton E. Afrocentric innovations some call "jazz". [S.l.]: K.E. Hester, 1996.

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25

Vidossich, Edoardo. O jazz e seus diversos caminhos. [Blumenau, Brazil]: s.n., 1992.

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26

Henry, Crowder, ed. Listening for Henry Crowder: A monograph on his almost lost music. Lewes, East Sussex, England: Allardyce Barnett Publishers, 2007.

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27

Partridge, Kenneth. Louis Armstrong: Musician. New York: Chelsea House, 2011.

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28

David, Rosenthal. Hard bop: Jazz and Black music, 1955-1965. New York: Oxford University Press, 1992.

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29

Hard bop: Jazz and Black music, 1955-1965. New York: Oxford University Press, 1992.

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30

Darius, Gray, ed. Bound for Canaan. Salt Lake City, Utah: Bookcraft, 2002.

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31

Post-jazz poetics: A social history. New York: Palgrave Macmillan, 2010.

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32

The history of jazz. Philadelphia: Chelsea House, 2003.

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33

Spiritual, blues, and jazz people in African American fiction: Living in paradox. Knoxville: University of Tennessee Press, 2002.

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34

Riis, Thomas Laurence. Just before jazz: Black musical theater in New York, 1890-1915. Washington: Smithsonian Institution Press, 1989.

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35

Riis, Thomas Laurence. Just before jazz: Black musical theater in New York, 1890-1915. Washington: Smithsonian Institution Press, 1989.

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36

Peritti, Burton W. Creation of jazz. Urbana: University of Illinois Press, 1994.

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37

Conjugations and Reiterations. New York, USA: Pantheon Books, 2001.

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38

Strecker, James. Black: A tribute to Black jazz musicians. Hamilton, Ont: Mini Mocho Press, 1990.

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39

Le hard bop: Un style de jazz. Paris: Harmattan, 1999.

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40

Dorsey, Brian. Spirituality, sensuality, literality: Blues, jazz, and rap as music and poetry. Wien: Braumüller, 2000.

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41

Louis Armstrong. New York: Chelsea House Publishers, 1989.

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42

Louis Armstrong. Los Angeles, Calif: Melrose Square Pub. Co., 1989.

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43

The jazz trope: A theory of African American literary and vernacular culture. Lanham, Md: Scarecrow Press, 2008.

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44

Baraka, Imamu Amiri. Black music. New York: Da Capo Press, 1998.

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45

Berresford, Mark. That's got 'em!: The life and music of Wilbur C. Sweatman. Jackson: University Press of Mississippi, 2010.

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46

Secular devotion: Afro-Latin music and imperial jazz. London: Verso, 2008.

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47

Norman, Weinstein. A night in Tunisia: Imaginings of Africa in jazz. New York: Limelight, 1993.

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48

Norman, Weinstein. A night in Tunisia: Imaginings of Africa in jazz. Metuchen, N.J: Scarecrow Press, 1992.

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49

Jazz supreme: Initiés, mystiques et prophètes. Paris: Editions de l'Eclat, 2014.

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50

Dauer, A. M. Tradition afrikanischer Blasorchester und Entstehung des Jazz. Graz, Austria: Akademische Druck- u. Verlagsanstalt, 1985.

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