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Journal articles on the topic 'African American orators – History'

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1

Smith, C. Calvin, Philip S. Foner, and Robert James Branham. "Lift Every Voice: African American Oratory, 1787-1900." Arkansas Historical Quarterly 58, no. 1 (1999): 116. http://dx.doi.org/10.2307/40026283.

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2

Mcclish, Glen. "Frederick Douglass and the Consequences of Rhetoric: The Interpretive Framing and Publication History of the 2 January 1893 Haiti Speeches." Rhetorica 30, no. 1 (2012): 37–73. http://dx.doi.org/10.1525/rh.2012.30.1.37.

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This study features the interpretative framing and publication history of Frederick Douglass's 2 January 1893 Haiti orations. Beginning with the initial accounts and discussions of the speeches carried in white and African American newspapers, then moving to their publication in pamphlet form, I explore the rhetorical consequences of authors' and editors' efforts to reproduce, interpret, praise, criticize, frame, and reframe Douglass's words in the months following the delivery of the speeches. To conclude, I consider twentieth- and twenty-first-century efforts to edit and publish Douglass's Haiti speeches.
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3

Keppel, Ben, and Richard W. Leeman. "African-American Orators: A Bio-Critical Sourcebook." Journal of American History 84, no. 4 (March 1998): 1471. http://dx.doi.org/10.2307/2568102.

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4

Cohen, Charles L., and David A. McCants. "Patrick Henry, the Orator. Great American Orators." Journal of Southern History 58, no. 4 (November 1992): 698. http://dx.doi.org/10.2307/2210794.

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5

Harris, R. L. "African American History Reconsidered." Journal of American History 98, no. 1 (June 1, 2011): 175–76. http://dx.doi.org/10.1093/jahist/jar041.

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6

King, Richard H. "Recasting African American history." Slavery & Abolition 27, no. 1 (April 2006): 133–38. http://dx.doi.org/10.1080/01440390500500054.

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7

Egya, Sule E. "The Minstrel as Social Critic: A Reading of Ezenwa–Ohaeto's." Matatu 33, no. 1 (June 1, 2006): 179–92. http://dx.doi.org/10.1163/18757421-033001028.

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Ezenwa–Ohaeto is one of the modern Nigerian poets who, in their creative endeavours, have continued to tap the rich sources of orature in their culture, in what is now known as 'the minstrelsy tradition'. The maturity of his explorations of the minstrelsy tradition comes through in the last volume of poetry he published before his death, (2003). In a close reading of some selected poems from this volume, this contribution not only looks at the minstrelsy tradition so central to Ezenwa–Ohaeto's poetry, but, more broadly, explores the social vision of Ezenwa–Ohaeto as an African poet. Unlike his earlier volumes of poetry, takes a critical swipe at the inadequacies of advanced countries in Europe and America in what we may call the poet's transnational imagination. In his chants across the world (the volume is an outcome of his many travels), Ezenwa–Ohaeto examines the issues of racism, equity in international relationships and, as is characteristic of his oeuvre, the moral and ethical failures of leaders in Africa.
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8

Spivey, James R. "Teaching American History to African-American Students." NASSP Bulletin 79, no. 570 (April 1995): 109–15. http://dx.doi.org/10.1177/019263659507957020.

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9

Hodges. "Kościuszko and African-American History." Polish Review 59, no. 3 (2014): 41. http://dx.doi.org/10.5406/polishreview.59.3.0041.

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10

King, Richard H. "What is African American history?" Ethnic and Racial Studies 40, no. 13 (April 28, 2017): 2388–90. http://dx.doi.org/10.1080/01419870.2017.1305118.

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11

Bowie, Chas. "Working History: African American Objects." TEXTILE 7, no. 1 (March 2009): 128–35. http://dx.doi.org/10.2752/175183509x411816.

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12

Canton, David A., and Betty M. Kuyk. "African Voices in the African American Heritage." Journal of Southern History 70, no. 4 (November 1, 2004): 905. http://dx.doi.org/10.2307/27648579.

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13

V.C.P. "African-American Diaspora." Americas 52, no. 2 (October 1995): 228. http://dx.doi.org/10.1017/s0003161500023889.

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14

Blocker, Jack S. "Writing African American Migrations." Journal of the Gilded Age and Progressive Era 10, no. 1 (January 2011): 3–22. http://dx.doi.org/10.1017/s1537781410000150.

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Efforts to write the history of the African American migrations of the Civil War era, the Gilded Age, and the Progressive Era began soon after the start of these historically significant movements. Early scholarship labored to surmount the same methodological obstacles faced by modern scholars, notably scarce documentation, but still produced pathbreaking studies such as W. E. B. Du Bois'sThe Philadelphia Negro, Carter Woodson'sA Century of Negro Migration, and Clyde Kiser'sSea Island to City. Modern scholarship since the 1950s falls into eight distinct genres. An assessment of representative works in each genre reveals a variety of configurations of strengths and weaknesses, while offering guidelines for future research.
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15

Fleming, John E. "African-American Museums, History, and the American Ideal." Journal of American History 81, no. 3 (December 1994): 1020. http://dx.doi.org/10.2307/2081442.

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16

Williams, Chad L., Alton Hornsby, Delores P. Aldridge, and Angela M. Hornsby. "A Companion to African American History." Journal of Southern History 72, no. 3 (August 1, 2006): 636. http://dx.doi.org/10.2307/27649152.

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17

Bemis, Michael F. "Sources: Encyclopedia of African American History." Reference & User Services Quarterly 50, no. 1 (September 1, 2010): 76–77. http://dx.doi.org/10.5860/rusq.50n1.76.

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18

Miller, Henry, Errol G. Hill, and James V. Hatch. "A History of African American Theatre." African American Review 38, no. 2 (2004): 335. http://dx.doi.org/10.2307/1512295.

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19

Brown, Pamela A. "African American Foreign Correspondents: A History." American Journalism 31, no. 1 (January 2, 2014): 127–29. http://dx.doi.org/10.1080/08821127.2014.875370.

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20

Suggs, Jon-Christian. "African American Literature and Legal History." Law and Literature 22, no. 2 (July 2010): 325–37. http://dx.doi.org/10.1525/lal.2010.22.2.325.

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21

Sturkey, William. "A Companion to African American History." Journal of Ethnic and Migration Studies 36, no. 1 (October 20, 2009): 164–65. http://dx.doi.org/10.1080/13691830903189550.

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22

Cutler, Jody B., Richard J. Powell, Jock Reynolds, Juanita M. Holland, and Adrienne L. Childs. "African Americans and American Art History." Art Journal 59, no. 1 (2000): 101. http://dx.doi.org/10.2307/778087.

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23

Junger, R. "African American Foreign Correspondents: A History." Journal of American History 101, no. 1 (May 22, 2014): 333–34. http://dx.doi.org/10.1093/jahist/jau247.

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24

Vinson, Ben. "Introduction: African (Black) Diaspora History, Latin American History." Americas 63, no. 1 (July 2006): 1–18. http://dx.doi.org/10.1017/s0003161500062507.

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Inspired in part by Paul Gilroy’s Black Atlantic paradigm, the past several years have witnessed a reinvigoration of Black Studies, with careful attention being paid to the approaches and methods of writing black history. The terms “African Diaspora” and “Black Diaspora” have become almost commonplace in scholarly discourse, emerging out of relative obscurity from their roots in the politically inspired Pan-Africanist and Civil Rights discourses of the 1950s and ’60s. Critiques of the Black Atlantic model and its overly narrow concentration on the English-speaking world have fueled new and important discussions that have touched fields and subfields well beyond the traditional boundaries of Black Studies.
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25

Vinson, Ben. "Introduction: African (Black) Diaspora History, Latin American History." Americas 63, no. 1 (2006): 1–18. http://dx.doi.org/10.1353/tam.2006.0139.

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26

Chireau, Yvonne P., and Jeffrey E. Anderson. "Conjure in African American Society." Journal of Southern History 73, no. 2 (May 1, 2007): 453. http://dx.doi.org/10.2307/27649425.

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27

Maddox, Gregory H., and Kimberly K. Smith. "African American Environmental Thought: Foundations." Journal of Southern History 74, no. 4 (November 1, 2008): 990. http://dx.doi.org/10.2307/27650361.

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28

McBroome, Delores Nason. "Imagining the African American West." Western Historical Quarterly 38, no. 2 (May 2007): 216. http://dx.doi.org/10.1093/whq/38.2.216.

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29

McClish, Glen. "William G. Allen's “orators and oratory”: Inventional amalgamation, pathos, and the characterization of violence in African‐American abolitionist rhetoric." Rhetoric Society Quarterly 35, no. 1 (January 2005): 47–72. http://dx.doi.org/10.1080/02773940509391303.

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30

Trotter, Joe W. "African American Fraternal Associations in American History: An Introduction." Social Science History 28, no. 3 (2004): 355–66. http://dx.doi.org/10.1017/s0145553200012797.

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The growth of black fraternal associations is closely intertwined with the larger history of voluntary associations in American society. In the aftermath of the American Revolution, compared to its European counterparts, the United States soon gained a reputation as “a nation of joiners.” As early as the 1830s, the Frenchman Alexis de Tocqueville described the proliferation of voluntary associations as a hallmark of American democracy. In his view, such associations distinguished America from the more hierarchically organized societies of Western Europe. “The citizen of the United States,” Tocqueville (1947 [1835]: 109) declared, “is taught from his earliest infancy to rely upon his own exertions in order to resist the evils and the difficulties of life; he looks upon social authority with an eye of mistrust and anxiety, and he only claims its assistance when he is quite unable to shift without it.” Near the turn of the twentieth century, a writer for theNorth American Reviewdescribed the final decades of the nineteenth century as the “Golden Age of Fraternity” (Harwood 1897).
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31

Trotter, J. W. "African American Fraternal Associations in American History: An Introduction." Social Science History 28, no. 3 (September 1, 2004): 355–66. http://dx.doi.org/10.1215/01455532-28-3-355.

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32

Thornton, John. "Central African Names and African-American Naming Patterns." William and Mary Quarterly 50, no. 4 (October 1993): 727. http://dx.doi.org/10.2307/2947473.

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33

Cooper, Tyron, and Langston Wilkins. "African-American Music: An Introduction." African and Asian Studies 6, no. 3 (2007): 354–55. http://dx.doi.org/10.1163/156921007x214480.

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34

Butters, G. R. "Imagining the African American West." Journal of American History 93, no. 3 (December 1, 2006): 920–21. http://dx.doi.org/10.2307/4486524.

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35

Walton, Hanes, and Charles P. Henry. "Culture and African American Politics." Journal of American History 78, no. 1 (June 1991): 360. http://dx.doi.org/10.2307/2078201.

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36

Fandrich, I. "Conjure in African American Society." Journal of American History 93, no. 4 (March 1, 2007): 1249. http://dx.doi.org/10.2307/25094666.

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37

Roth, S. N. "Early African American Print Culture." Journal of American History 100, no. 1 (June 1, 2013): 198–99. http://dx.doi.org/10.1093/jahist/jat165.

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38

Shaffer, Donald R. "African American Civil War Soldiers." Journal of American History 105, no. 4 (March 1, 2019): 1101–3. http://dx.doi.org/10.1093/jahist/jaz160.

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39

Dorsey, A. "Black History Is American History: Teaching African American History in the Twenty-first Century." Journal of American History 93, no. 4 (March 1, 2007): 1171–77. http://dx.doi.org/10.2307/25094607.

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40

Peabody, Rebecca. "African American Visual Arts." Slavery & Abolition 30, no. 4 (December 2009): 569–71. http://dx.doi.org/10.1080/01440390903245018.

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41

Piecuch, Jim. "The African American Experience in the American Revolution." Reviews in American History 47, no. 3 (2019): 349–55. http://dx.doi.org/10.1353/rah.2019.0049.

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42

Harvey, Paul, David R. Colburn, and Jane L. Landers. "The African American Heritage of Florida." Journal of Southern History 62, no. 3 (August 1996): 629. http://dx.doi.org/10.2307/2211564.

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43

Harrison, B. C. "African-American Pioneers in Anthropology (review)." Biography 23, no. 2 (2000): 407–14. http://dx.doi.org/10.1353/bio.2000.0008.

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44

Arsenault, Raymond, David R. Colburn, and Jane L. Landers. "The African-American Heritage of Florida." Arkansas Historical Quarterly 55, no. 3 (1996): 337. http://dx.doi.org/10.2307/40030990.

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45

Bartlett, Andrew, Genevieve Fabre, and Robert O'Meally. "History and Memory in African-American Culture." MELUS 22, no. 4 (1997): 188. http://dx.doi.org/10.2307/468000.

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46

Griffin, Farah Jasmine, Genevieve Fabre, and Robert O'Meally. "History & Memory in African-American Culture." African American Review 30, no. 3 (1996): 461. http://dx.doi.org/10.2307/3042537.

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47

Wald, Priscilla, Genevieve Fabre, and Robert O'Meally. "History and Memory in African-American Culture." American Literature 68, no. 1 (March 1996): 269. http://dx.doi.org/10.2307/2927584.

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48

Werner, Craig, Genevieve Fabre, and Robert O'Meally. "History and Memory in African-American Culture." Journal of American History 82, no. 3 (December 1995): 1174. http://dx.doi.org/10.2307/2945132.

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49

Stovel, John E., and Society for Visual Education. "African-American History: Heroism, Hope and Struggle." History Teacher 30, no. 2 (February 1997): 224. http://dx.doi.org/10.2307/494578.

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50

Simonelli, Frederick J., Genevieve Fabre, and Robert O'Meally. "History and Memory in African-American Culture." History Teacher 29, no. 4 (August 1996): 537. http://dx.doi.org/10.2307/494803.

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