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Books on the topic 'African American spirituals'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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1

The teachings: Drawn from African-American spirituals. New York: Harcourt Brace Jovanovich, 1992.

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2

African American music, spirituals: The fundamental communal music of Black Americans. 3rd ed. Culver City, Calif: Ikoro Communications, 2003.

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3

Taylor, Vivian. Art songs and spirituals by African-American women composers. Edited by King Betty Jackson 1928-1994, Moore Undine S, Perry Julia 1924-1979, Perry Julia 1924-1979, Bonds Margaret, and Price Florence 1887-1953. Bryn Mawr, PA: Hildegard Pub. Co., 1995.

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4

Abromeit, Kathleen A. An index to African-American spirituals for the solo voice. Westport, Conn: Greenwood Press, 1999.

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5

Slave spirituals and the Jubilee Singers. New York: Clarion Books, 2001.

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6

Walker-Hill, Helen. From spirituals to symphonies: African-American women composers and their music. Urbana [Ill.]: University of Illinois Press, 2007.

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7

Walker-Hill, Helen. From spirituals to symphonies: African-American women composers and their music. Westport, CT: Greenwood Press, 2003.

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8

Richard, Newman. Go down Moses: A celebration of the African-American spiritual. New York: Clarkson Potter, 1998.

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9

Lewis, Tamara E. Plenty good room: A Bible study based on African American spirituals : leader. Nashville, TN: Abingdon Press, 2002.

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10

Lewis, Tamara E. Plenty good room: A Bible study based on African American spirituals : leader. Nashville, TN: Abingdon Press, 2002.

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11

Choral arrangements of the African-American spirituals: Historical overview and annotated listings. Westport, Conn: Greenwood Press, 1998.

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12

Patricia, Raybon, ed. Bound for glory: Celebrating the gift of African American spirituals through expressive calligraphy. Carol Stream, Ill: Tyndale House Publishers, Inc., 2011.

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13

Spencer, Jon Michael. Sacred symphony: The chanted sermon of the Black preacher. New York: Greenwood Press, 1988.

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14

Culture on the margins: The Black spiritual and the rise of American cultural interpretation. Princeton, N.J: Princeton University Press, 1999.

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15

Marsh, J. B. T. The Jubilee Singers and Their Songs. Mineola, NY: Dover Publications, 2003.

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16

Spiritual, blues, and jazz people in African American fiction: Living in paradox. Knoxville: University of Tennessee Press, 2002.

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17

Spiritual interrogations: Culture, gender, and community in early African American women's writing. Princeton, N.J: Princeton University Press, 1999.

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18

Abbington, James. Let the church sing on!: Reflections on Black sacred music. Chicago: GIA Publications Inc., 2009.

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19

Black song: The forge and the flame : the story of how the Afro-American spiritual was hammered out. New York: Paragon House, 1986.

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20

Ev'ry time I feel the spirit: 101 best-loved psalms, gospel hymns, and spiritual songs of the African-American church. New York: Henry Holt, 1997.

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21

Marsh, J. B. T. The story of the Jubilee Singers: With their songs. Boston: Houghton, Mifflin, 1987.

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22

All night, all day: A child's first book of African-American spirituals / selected and illustrated by Ashley Bryan ; musical arrangements by David Manning Thomas. New York: Atheneum, 1991.

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23

Caldwell, Hansonia. African American Music Spirituals. 3rd ed. Ikoro Communications, 2003.

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24

Brendlinger, Shirley. SpiritSong: Piano Arrangements of African-American Spirituals. Glorysound, 2005.

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25

Brenda, Lynn, and Aminah Brenda Lynn Robinson. The Teachings: Drawn from African-American Spirituals. Harcourt, 1993.

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26

Robinson, Aminah Brenda Lynn. The Teachings: Drawn from African-American Spirituals. Harcourt, 1993.

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27

Sprott, Horace. Classic African American gospel. 2008.

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28

Henderson, Judy. African American Music in Minnesota from Spirituals to Rap. Minnesota Historical Society Press, 1994.

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29

Art Songs and Spirituals by Contemporary African American Composers. Personal Best Ministries Press, 2011.

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30

Keveren, Phillip. African-American Spirituals: The Phillip Keveren Series (Phillip Keveren). Hal Leonard Corporation, 2000.

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31

John, Langstaff, ed. Climbing jacob's ladder: Heroes of the bible in African- American spirituals. New york: Margaret McElderry books, 1991.

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32

Reclaiming the Spirituals: New Possiblities for African-American Christian Education. Pilgrim Press, 2004.

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33

Rene, Boyer-Alexander. Expressions of Freedom Volume I (Anthology of African-American Spirituals). Hal Leonard Publishing Corporation, 2001.

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34

Rene, Boyer-Alexander. Expressions of Freedom Complete Edition (Anthology of African-American Spirituals). Hal Leonard Publishing Corporation, 2001.

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35

Rev. Dr. Delores Carpenter (Editor) and Jr., Rev. Nolan E. Williams (Editor), eds. African American Heritage Hymnal: 575 Hymns, Spirituals, and Gospel Songs. Chicago, IL: Gia Publications, 2001.

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36

They Bear Acquaintance: African American Spirituals and the Camp Meetings. Lang AG International Academic Publishers, Peter, 2016.

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37

Ride On Jesus: Bible Study Based On African American Spirituals. Abingdon Press, 2005.

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38

Rene, Boyer-Alexander. Expressions of Freedom Volume II (Anthology of African-American Spirituals). Hal Leonard Publishing Corporation, 2001.

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39

Rene, Boyer-Alexander. Expressions of Freedom Volume III (Anthology of African-American Spirituals). Hal Leonard Publishing Corporation, 2001.

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40

Snyder, Jean E. Bringing Spirituals to the Concert Stage. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039942.003.0016.

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Abstract:

This chapter focuses on the popularity of Harry T. Burleigh's spirituals in recitals and other concerts. Burleigh published his first solo arrangement of spirituals from 1911 to 1916, at a time when the tide of interest in African American folk music, especially spirituals, was gathering momentum. At least nineteen white American composers joined the stream. Black composers also produced compositions reflecting their folk heritage during these years. From the 1916–1917 concert season, when his solo arrangement of “Deep River” became the hit of the recital season, Burleigh's role as pioneer arranger and interpreter of spirituals began to eclipse his role as recital singer and art song composer. This chapter explores how the recurring controversy over the origins of African American music made Burleigh a spokesman for the uniquely expressive gifts of African Americans who, he argued, had created America's first genuine folk music. In particular, it considers Burleigh's view that the spirituals were the primary artistic contribution of African Americans. It also discusses the influence of Edward MacDowell on Burleigh's movement toward arranging spirituals as art songs.

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41

Langstaff, John M. Climbing Jacob's Ladder: Heroes of the Bible in African-American Spirituals. Margaret K. McElderry, 1991.

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42

Walker-Hill, Helen. From Spirituals to Symphonies: African-American Women Composers and Their Music. University of Illinois Press, 2007.

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43

From Spirituals to Symphonies: African-American Women Composers and Their Music. Greenwood Press, 2002.

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44

Beaulieu, Herder Nicole, and Herder Ronald, eds. Best-loved Negro spirituals: Complete lyrics to 178 songs of faith. Mineola, N.Y: Dover Publications, 2001.

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45

Best-Loved Negro Spirituals: Complete Lyrics to 178 Songs of Faith. Dover Publications, 2001.

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46

Caldwell, Hansonia L. African American music, spirituals: An introduction to the fundamental folk music of Black Americans. Ikoro Communications, 2000.

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47

Caldwell, Hansonia L. African American music, spirituals: An introduction to the fundamental folk music of Black Americans. 2nd ed. Ikoro Communications, 2001.

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48

African American Music in Minnesota from Spirituals to Rap/Book and Cd. Minnesota Historical Society, 1994.

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49

Come Out De Wilderness: A Bible Study Based on African American Spirituals. Abingdon Press, 2006.

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50

Bryan, Ashley. All Night, All Day: A Child's First Book of African-American Spirituals. Aladdin, 2003.

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