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Journal articles on the topic 'African American teenagers in fiction'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Brooks, Wanda, Lorraine Savage, Ellyn Waller, and Iresha Picot. "Narrative Significations of Contemporary Black Girlhood." Research in the Teaching of English 45, no. 1 (2010): 7–35. http://dx.doi.org/10.58680/rte201011646.

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This article examines how Black girlhood is constructed through fiction. The following research question guided this study: How do writers represent the heterogeneity of urban teenage girls in school-sanctioned African American young adult literature? Five popular narratives that exemplify the contemporary lives of urban African American female pre/teenage protagonists represent the data. Utilizing a Black feminist epistemological framework coupled with a complementary theory of adolescent identity development, we analyze the symbolic textual representations along with the protagonists’ decisi

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2

Zaborowska, Magdalena J., Nicholas F. Radel, Nigel Hatton, and Ernest L. Gibson. "Rebranding James Baldwin and His Queer Others." James Baldwin Review 6, no. 1 (2020): 199–229. http://dx.doi.org/10.7227/jbr.6.13.

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“Rebranding James Baldwin and His Queer Others” was a session held at the annual meeting of the American Studies Association in November 2019 in Honolulu, Hawaii. The papers gathered here show how Baldwin’s writings and life story participate in dialogues with other authors and artists who probe issues of identity and identification, as well as with other types of texts and non-American stories, boldly addressing theoretical and political perspectives different from his own. Nick Radel’s temporal challenge to reading novels on homoerotic male desire asks of us a leap of faith, one that makes i

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3

Thornton, Jerome E. "The Paradoxical Journey of the African American in African American Fiction." New Literary History 21, no. 3 (1990): 733. http://dx.doi.org/10.2307/469136.

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4

Boudreau, Kristin, and Maxine Lavon Montgomery. "The Apocalypse in African-American Fiction." American Literature 69, no. 1 (1997): 223. http://dx.doi.org/10.2307/2928187.

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5

Griffin, Barbara L. J., and Maxine Lavon Montgomery. "The Apocalypse in African-American Fiction." MELUS 24, no. 1 (1999): 249. http://dx.doi.org/10.2307/467919.

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6

Macleod, Christine, and Robert Butler. "Contemporary African American Fiction: The Open Journey." Modern Language Review 95, no. 3 (2000): 821. http://dx.doi.org/10.2307/3735528.

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7

Butler, Robert, and Phillip Page. "Reclaiming Community in Contemporary African American Fiction." African American Review 34, no. 3 (2000): 533. http://dx.doi.org/10.2307/2901398.

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8

Reilly, John M., and Robert Butler. "Contemporary African American Fiction: The Open Journey." African American Review 34, no. 4 (2000): 722. http://dx.doi.org/10.2307/2901443.

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9

House, E. B. "Reclaiming Community in Contemporary African American Fiction." American Literature 72, no. 2 (2000): 441. http://dx.doi.org/10.1215/00029831-72-2-441.

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10

Lock, Helen, and Philip Page. "Reclaiming Community in Contemporary African American Fiction." South Atlantic Review 65, no. 2 (2000): 190. http://dx.doi.org/10.2307/3201826.

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11

Johnson, Sherry. "The Geographies of African American Short Fiction." Resources for American Literary Study 44, no. 1-2 (2022): 379–85. http://dx.doi.org/10.5325/resoamerlitestud.44.1-2.0379.

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12

Lee, E. Bun, and Louis A. Browne. "Effects of Television Advertising On African American Teenagers." Journal of Black Studies 25, no. 5 (1995): 523–36. http://dx.doi.org/10.1177/002193479502500501.

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13

Barlow, Daniel. "Blues Narrative Form, African American Fiction, and the African Diaspora." Narrative 24, no. 2 (2016): 134–55. http://dx.doi.org/10.1353/nar.2016.0012.

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14

Kumar, Fayaz Ahmad, and Colette Morrow. "Theorizing Black Power Movement in African American Literature: An Analysis of Morrison's Fiction." Global Language Review V, no. IV (2020): 45–53. http://dx.doi.org/10.31703/glr.2020(v-iv).06.

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This paper analyzes the influence of the Black Power movement on the AfricanAmerican literary productions; especially in the fictional works of Toni Morrison. As an African-American author, Toni Morrison presents the idea of 'Africanness' in her novels. Morrison's fiction comments on the fluid bond amongst the African-American community, the Black Power and Black Aesthetics. The works of Morrison focus on various critical points in the history of African-Americans, her fiction recalls not only the memory of Africa but also contemplates the contemporary issues. Morrison situates the power polit

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15

Gibson, Simone. "Critical Readings: African American Girls and Urban Fiction." Journal of Adolescent & Adult Literacy 53, no. 7 (2010): 565–74. http://dx.doi.org/10.1598/jaal.53.7.4.

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16

Baillie, Justine. "Contesting Ideologies: Deconstructing Racism in African-American Fiction." Women: A Cultural Review 14, no. 1 (2003): 20–37. http://dx.doi.org/10.1080/0957404032000081683.

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17

Koro-Ljungberg, Mirka, Regina Bussing, Pamela Williamson, JeffriAnne Wilder, and Terry Mills. "African-American Teenagers’ Stories of Attention Deficit/Hyperactivity Disorder." Journal of Child and Family Studies 17, no. 4 (2007): 467–85. http://dx.doi.org/10.1007/s10826-007-9168-8.

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18

Nishikawa, Kinohi. "Driven by the Market: African American Literature after Urban Fiction." American Literary History 33, no. 2 (2021): 320–49. http://dx.doi.org/10.1093/alh/ajab008.

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Abstract Kenneth W. Warren’s What Was African American Literature? (2011) compelled literary historians to question deeply held assumptions about periodization and racial authorship. While critics have taken issue with Warren aligning African American literature with Jim Crow segregation, none has examined his account of what came after this conjuncture: namely, the market’s wholesale cooptation of Black writing. By following the career of African American popular novelist Omar Tyree, this essay shows how corporate publishers in the 1990s and 2000s redefined African American literature as a sa

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19

Ngom, Ousmane. "Conjuring Trauma with (Self)Derision: The African and African-American Epistolary Fiction." European Scientific Journal, ESJ 14, no. 2 (2018): 1. http://dx.doi.org/10.19044/esj.2018.v14n2p1.

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All the female narrators of the three stories examined here – So Long a Letter, The Color Purple, and Letters from France – suffer serious traumas attributable to their male counterparts. Thus as a healing process, letter-writing is an exercise in trust that traverses the distances between the addresser and the addressee. Blurring the lines in such a way results in an intimate narration of trauma that reads as a stream of consciousness, devoid of fear of judgment or retribution. This paper studies the literary device of derision coupled with a psycho-feminist analysis to retrace the thorny, ca

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20

Gilyard, Keith. "Genopsycholinguisticide and the Language Theme in African-American Fiction." College English 52, no. 7 (1990): 776. http://dx.doi.org/10.2307/377632.

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21

Dubey, Madhu. "Contemporary African American Fiction and the Politics of Postmodernism." NOVEL: A Forum on Fiction 35, no. 2/3 (2002): 151. http://dx.doi.org/10.2307/1346181.

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22

Payne, James Robert, and Terry McMillan. "Breaking Ice: An Anthology of Contemporary African-American Fiction." World Literature Today 66, no. 1 (1992): 136. http://dx.doi.org/10.2307/40147970.

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23

Gilyard, Keith. "Genopsycholinguisticide and the Language Theme in African-American Fiction." College English 52, no. 7 (1990): 776–86. http://dx.doi.org/10.58680/ce19909624.

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24

Bacharach, Nancy, and Terry Miller. "Integrating African American Fiction into the Middle School Curriculum." Middle School Journal 27, no. 4 (1996): 36–40. http://dx.doi.org/10.1080/00940771.1996.11495907.

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25

Henson, Kristin K. "Book Review: Reclaiming Community in Contemporary African American Fiction." Christianity & Literature 49, no. 2 (2000): 269–72. http://dx.doi.org/10.1177/014833310004900220.

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26

Cicholewski, Alena. "Empathy as an Answer to Challenges of the Anthropocene in Asian American Young Adult Science Fiction." Exchanges: The Interdisciplinary Research Journal 10, no. 2 (2023): 5–25. http://dx.doi.org/10.31273/eirj.v10i2.958.

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This article suggests that Malinda Lo’s Adaptation duology (2012-2013) and Cindy Pon’s Want duology (2017-2019) represent empathy as a desirable answer to challenges of the Anthropocene. Set in near-future Taipei, Want follows a group of teenagers who eventually become militant environmental activists. The teenage protagonists’ capacity for empathy distinguishes them from the villainous antagonist and makes them likeable for the readers despite their violent tactics. Lo’s duology features two teenagers who are turned into human/alien hybrids by extra-terrestrial scientists after a nearly fatal

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27

Spann, Marisa, Sherry Davis Molock, Crystal Barksdale, Samantha Matlin, and Rupa Puri. "Suicide and African American Teenagers: Risk Factors and Coping Mechanisms." Suicide and Life-Threatening Behavior 36, no. 5 (2006): 553–68. http://dx.doi.org/10.1521/suli.2006.36.5.553.

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28

Lee, E. Bun. "Facebook Use and Texting Among African American and Hispanic Teenagers." Journal of Black Studies 45, no. 2 (2014): 83–101. http://dx.doi.org/10.1177/0021934713519819.

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29

Ding, Kele, and Manuella Barbosa Crawley. "Drug Use Among African American Teenagers and Their Mental Health." Home Health Care Management & Practice 22, no. 7 (2010): 492–98. http://dx.doi.org/10.1177/1084822310370944.

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30

Marshall, Ian. "Constructions of Race and Revolution in Ernest Hemingway’s “The Porter”." Hemingway Review 43, no. 1 (2023): 110–24. http://dx.doi.org/10.1353/hem.2023.a913500.

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Abstract: In this essay, Ian Marshall analyzes Ernest Hemingway’s writing methodology in his short fiction, paying particular attention to constructions of labor, landscape, and African American male identity. Marshall argues that Hemingway was incapable of imagining a black working-class revolution, or a racially unified working-class revolution in the United States. This inability shapes his characters actions, particularly George, the main African American character in “The Porter,” and contributes to our understanding of revolutionary and social class consciousness in the U.S. as presented

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31

Akinsete, Charles Tolulope. "Faction, kitsch and seditious sexuality as strategic motifs in Nelson George’s <i>Night Work</i>." International Journal of Current Research in the Humanities 28, no. 1 (2025): 365–78. https://doi.org/10.4314/ijcrh.v28i1.26.

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This paper critiqued the nascent interface between postmodernist literary dispositions and African American fiction by exploring certain postmodern techniques as strategic motifs in Nelson George’s Night Work. Some contemporary literary scholarships have described African American fiction as monotonous, and not experimental enough in the postmodern sense. Other positions designate postmodernism as an ideology completely incompatible with postcolonial black experience. Although these have continued to generate polemics, scholars are yet to thoroughly evaluate counterperspectives of postmodern t

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32

Mehla, Anjila Singh. "The Self in Society: Exploring Cultural Embeddedness in Gloria Naylor’s Fiction." IRA-International Journal of Management & Social Sciences (ISSN 2455-2267) 7, no. 2 (2017): 329. http://dx.doi.org/10.21013/jmss.v7.n2.p24.

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<div><p><em>A most significant development that has taken place on the global literary scene during the last few decades or so is the dramatic emergence of African-American voices as a distinct and dominant force. Along with Toni Morrison scores of African American Fiction writers, poets, playwrights, autobiographers, and essayists have mapped bold new territories; they have firmly entrenched themselves in the forefront of contemporary American Literature. This article retraces this exciting literary phenomenon in the context of the lives, works, and achievements of Gloria Na

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33

Gifford, James, Margaret Konkol, James M. Clawson, et al. "XVI American Literature: The Twentieth Century." Year's Work in English Studies 98, no. 1 (2019): 1047–128. http://dx.doi.org/10.1093/ywes/maz017.

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Abstract This chapter has eight sections: 1. Poetry; 2. Fiction 1900–1945; 3. Fiction since 1945; 4. Drama; 5. Comics; 6. African American Writing; 7. Native Writing; 8. Latino/a, Asian American, and General Ethnic Writing. Section 1 is by James Gifford and Margaret Konkol; section 2 is by James M. Clawson; section 3 is by Mary Foltz; section 4 is by Sophie Maruéjouls-Koch; section 5 is by Orion Ussner Kidder; section 6 will resume next year; section 7 is by James Gifford and Lindsay Parker; section 8 will resume next year.

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34

Djeddai, Imen, and Fella Benabed. "The Strong Binti in Nnedi Okorafor’s African American Science Fiction." Traduction et Langues 19, no. 2 (2020): 210–20. http://dx.doi.org/10.52919/translang.v19i2.374.

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By looking carefully at the history of science fiction, we can notice that African American authors have been excluded from the scene for a long time due to the “whiteness” of the genre in terms of writing and publication. In addition to racism, sexism persists in the science fiction community. Hence, marginalized black women writers of science fiction try to include more black women characters in their literary works. Through Binti, Binti: Home, and Binti: The Night Masquerade, Nnedi Okorafor focuses on the experience of being black and woman in a technological society of the future. This stu

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35

Friedman, Philip, Karen A. Friedman, and Virginia Weaver. "Strength-Based Assessment of African-American Adolescents with Behavioral Disorders." Perceptual and Motor Skills 96, no. 2 (2003): 667–73. http://dx.doi.org/10.2466/pms.2003.96.2.667.

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The study examined consistencies and differences between 60 parents and their adolescent children with behavioral problems when rating the adolescents' strengths. The parents and teenagers agreed on most of the strength categories of the Behavior and Emotional Rating Scale. However, caretakers rated the adolescents as more involved in family life, while the adolescents rated themselves as more involved in school activities.

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36

Yerman, Forrest Gray. "Blue Ridge Mountain Gumbo: Toni Morrison’s Song of Solomon and Appalachian Literature." Callaloo 42, no. 2 (2024): 106–18. http://dx.doi.org/10.1353/cal.2024.a939153.

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Abstract: Toni Morrison’s novel Song of Solomon (1977) reveals relations between African American literature and Appalachian literature that have hitherto been ignored. Analyzing scholarship on Appalachian literature alongside Morrison’s novel highlights similarities between African American literature and Appalachian literature, such as connections to oral folklore, discussions of who constitutes a representative author of the canon, and sense of place. However, by placing Morrison’s novel against a rubric of traditional/scholarly conceptions of Appalachian literature, we find an absence in t

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37

Klaw, Elena L., and Jean E. Rhodes. "Mentor Relationships And The Career Development Of Pregnant And Parenting African-American Teenagers." Psychology of Women Quarterly 19, no. 4 (1995): 551–62. http://dx.doi.org/10.1111/j.1471-6402.1995.tb00092.x.

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The influence of natural mentor relationships on the career outlook of African-American pregnant and parenting teenagers was examined. More than half of the participants nominated adults they considered to be mentors. A path model indicated that mentor support was associated with increased life optimism, beyond its indirect effects on career activities and beliefs about the opportunity structure. These findings suggest that natural mentors are an important resource in the career development of pregnant and parenting African-American adolescents.

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38

Fernandes, Lilly. "A Survey of Contemporary African American Poetry, Drama, & Fiction." International Journal of Applied Linguistics & English Literature 2, no. 3 (2013): 134–37. http://dx.doi.org/10.7575/aiac.ijalel.v.2n.3p.134.

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39

Dillender, Kirsten. "Land and Pessimistic Futures in Contemporary African American Speculative Fiction." Extrapolation 61, no. 1-2 (2020): 131–50. http://dx.doi.org/10.3828/extr.2020.9.

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40

Brown, Kimberly Nichele, and Stephen F. Soitos. "The Blues Detective: A Study of African American Detective Fiction." South Central Review 18, no. 3/4 (2001): 129. http://dx.doi.org/10.2307/3190363.

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41

Storhoff, Gary, and Stephen F. Soitos. "The Blues Detective: A Study of African American Detective Fiction." American Literature 68, no. 4 (1996): 873. http://dx.doi.org/10.2307/2928159.

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42

Terrence T. Tucker. "Contemporary African American Fiction: New Critical Essays (review)." Callaloo 33, no. 2 (2010): 561–64. http://dx.doi.org/10.1353/cal.0.0652.

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43

Grant, Leslie Campbell. "Keith Byerman, Remembering the Past in Contemporary African American Fiction." Journal of African American History 93, no. 2 (2008): 305–7. http://dx.doi.org/10.1086/jaahv93n2p305.

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44

Sherman, S. W. "Crossing Borders through Folklore: African American Women's Fiction and Art." American Literature 72, no. 3 (2000): 655–56. http://dx.doi.org/10.1215/00029831-72-3-655.

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45

Capers, Bennett. "Afrofuturism and the Law." Critical Analysis of Law 9, no. 1 (2022): 1–7. http://dx.doi.org/10.33137/cal.v9i1.38262.

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Long before the film Black Panther captured the public’s imagination, the cultural critic Mark Dery coined the term “Afrofuturism” to describe “speculative fiction that treats African-American themes and addresses African-American concerns in the context of twentieth-century technoculture.” Since then, the term has been applied to speculative creatives as diverse as the pop artist Janelle Monae, the science fiction writer Octavia Butler, and the visual artist Nick Cave. But only recently have thinkers turned to how Afrofuturism might guide, and shape, law. This special issue, “Afrofuturism and

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46

Cucarella-Ramon, Vicent. "The black female slave takes literary revenge: Female gothic motifs against slavery in Hannah Crafts’s "The Bondwoman’s Narrative"." Journal of English Studies 13 (December 15, 2015): 19. http://dx.doi.org/10.18172/jes.2786.

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The Bondwoman’s Narrative is a novel that functions as a story made up from Hannah Crafts’s experiences as a bondwoman and thus merges fact and fiction giving a thoroughly new account of slavery both committed to reality and fiction. Following and taking over the Gothic literary genre that spread in Europe as a reaction toward the Romantic spirit, Crafts uses it to denounce the degrading slavery system and, mainly, to scathingly attack the patriarchal roots that stigmatize black women as the ultimate victims. It is my contention that Hannah Crafts uses the female Gothic literary devices both t

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47

LEE, KUN JONG. "Towards Interracial Understanding and Identification: Spike Lee's Do the Right Thing and Chang-rae Lee's Native Speaker." Journal of American Studies 44, no. 4 (2010): 741–57. http://dx.doi.org/10.1017/s0021875810000022.

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African Americans and Korean Americans have addressed Black–Korean encounters and responded to each other predominantly in their favorite genres: in films and rap music for African Americans and in novels and poems for Korean Americans. A case in point is the intertextuality between Spike Lee's Do the Right Thing and Chang-rae Lee's Native Speaker. A comparative study of the two demonstrates that they are seminal texts of African American–Korean American dialogue and discourse for mutual understanding and harmonious relationships between the two races in the USA. This paper reads the African A

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48

Orrù, Marica, and Michael Howarth. "Children’s Gothic: An Interview with Michael Howarth." REDEN. Revista Española de Estudios Norteamericanos 3, no. 2 (2022): 69–79. http://dx.doi.org/10.37536/reden.2022.3.1817.

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 Michael Howarth is a Professor of English at Missouri Southern States University and his main teaching areas are creative writing, film studies, American literature to the 1900s, British literature of the 19th century and children’s and young adult literature. He is also an author of both fiction and critical texts such as Under the Bed, Creeping: Psychoanalyzing the Gothic in Children’s Literature (2014) and Movies to See Before You Graduate from High School (2019), which is an analysis of 60 movies that he considers essential viewing for teenagers. He is also an author of fiction: in

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49

Stulov, Yuri. "The Cityscape in the Contemporary African-American Urban Novel." Respectus Philologicus 24, no. 29 (2013): 65–71. http://dx.doi.org/10.15388/respectus.2013.24.29.5.

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This paper discusses the cityscape as an essential element of African American fiction. Since the time of Romanticism, the city has been regarded as the embodiment of evil forces which are alien to human nature and radiate fear and death. For decades, African-Americans have been isolated in the black ghettos of major American cities which were in many ways responsible for their personal growth or their failure. Often this failure is determined by their inability to find their bearings in a strange and alien world, which the city symbolizes. The world beyond the black ghetto is shown as brutal

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50

Odo, Chinenye C., Mesoma A. Igbokwe, Ikenna S. Odoh, et al. "Provider facility type and HPV vaccination rate among African American teenagers in the United States." International Journal Of Community Medicine And Public Health 10, no. 10 (2023): 3406–13. http://dx.doi.org/10.18203/2394-6040.ijcmph20233071.

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Background: The Human Papilloma Virus vaccine is one of the most efficient preventive vaccinations on the market to prevent HPV infection and has made significant advances in human vaccination. This study aimed to examine the relationship between the provider facility type and HPV vaccination rates, among African American teenagers. By exploring the potential relation of the two, we hope to inform programs and further studies into boosting HPV vaccination rates by targeted provider-based interventions. Methods: This cross-sectional study was conducted using data from the National Immunization

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