Relevant bibliographies by topics / African American women household employees in art

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Academic literature on the topic 'African American women household employees in art'

Author: Grafiati
Published: 28 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "African American women household employees in art"

1

Davtyan, Mariam, Deborah Kacanek, Jessica Lee, et al. "The role of internalised HIV stigma in disclosure of maternal HIV serostatus to children perinatally HIV‐exposed but uninfected: a prospective study in the United States." Journal of the International AIDS Society 26, S4 (2023). http://dx.doi.org/10.1002/jia2.26167.

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AbstractIntroductionDecisions to disclose HIV serostatus may be complicated by internalised HIV stigma. We evaluated the association of internalised HIV stigma in biological mothers living with HIV with disclosure of their serostatus to their children perinatally HIV‐exposed but uninfected (CHEU).MethodsMothers and their CHEU were enrolled in the United States (U.S.)‐based Surveillance Monitoring for Antiretroviral Therapy (ART) Toxicities (SMARTT) study of the Pediatric HIV/AIDS Cohort Study (PHACS), a longitudinal study of outcomes related to in utero exposure to HIV and ART among CHEU. Moth
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Fredericks, Bronwyn, and Abraham Bradfield. "‘I’m Not Afraid of the Dark’." M/C Journal 24, no. 2 (2021). http://dx.doi.org/10.5204/mcj.2761.

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Introduction Darkness is often characterised as something that warrants heightened caution and scrutiny – signifying increased danger and risk. Within settler-colonial settings such as Australia, cautionary and negative connotations of darkness are projected upon Black people and their bodies, forming part of continuing colonial regimes of power (Moreton-Robinson). Negative stereotypes of “dark” continues to racialise all Indigenous peoples. In Australia, Indigenous peoples are both Indigenous and Black regardless of skin colour, and this plays out in a range of ways, some of which will be hig
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Gerrand, Vivian, Kim Lam, Liam Magee, Pam Nilan, Hiruni Walimunige, and David Cao. "What Got You through Lockdown?" M/C Journal 26, no. 4 (2023). http://dx.doi.org/10.5204/mcj.2991.

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Introduction While individuals from marginalised and vulnerable communities have long been confronted with the task of developing coping strategies, COVID-19 lockdowns intensified the conditions under which resilience and wellbeing were/are negotiated, not only for marginalised communities but for people from all walks of life. In particular, the pandemic has highlighted in simple terms the stark divide between the “haves” and “have nots”, and how pre-existing physical conditions and material resources (or lack thereof), including adequate income, living circumstances, and access to digital an
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Books on the topic "African American women household employees in art"

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Childress, Alice. Like one of the family: Conversations from a domestic's life. Beacon Press, 1986.

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1950-, Tucker Susan, ed. Telling memories among southern women: Domestic workers and their employers in the segregated South. Schocken Books, 1988.

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Singletary, Elizabeth. Way back. Three Rivers Historical Society, 2002.

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Clark-Lewis, Elizabeth. Living in, living out: African American domestics and the great migration. Kodansha International, 1996.

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Wilson, Harriet E. Our Nig, or, Sketches from the life of a free Black. Penguin Books, 2005.

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Clark-Lewis, Elizabeth. Living in, living out: African American domestics in Washington, D.C., 1910-1940. Smithsonian Institution Press, 1994.

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Clark-Lewis, Elizabeth. Living in, living out: African American domestics in Washington DC, 1910-40. Smithsonian Institution Press, 1994.

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Haynes, Elizabeth Ross. Unsung heroes: The Black boy of Atlanta ; Negroes in domestic service in the United States. G.K. Hall, 1997.

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Gray, Brenda Clegg. Black female domestics during the Depression in New York City, 1930-1940. Garland, 1993.

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Godwin, Rebecca T. Keeper of the house. St. Martin's Griffin, 1995.

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Book chapters on the topic "African American women household employees in art"

1

Belle, Deborah, and Lisa Dodson. "Poor Women and Girls in a Wealthy Nation." In Handbook of Girls’ and Women’s Psychological Health. Oxford University PressNew York, NY, 2005. http://dx.doi.org/10.1093/oso/9780195162035.003.0013.

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Abstract Although corporate profits and chief executive pay have been at record levels in recent years, over 34 million Americans live below the poverty line, and a majority of these are women and children (Proctor & Dalaker, 2003). Among women who head their own households, 28.8% are poor, with even higher poverty rates among single mothers who are African American (37.4%) or Hispanic/ Latina (36.4%) (Proctor & Dalaker, 2003). The United States has the highest child poverty rate among the wealthy nations (Mishel, Bernstein, & Boushey, 2003). Economic mobility for those in poverty
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"Facing Phillis Wheatley." In The Art of Remembering. Duke University Press, 2024. http://dx.doi.org/10.1215/9781478059165-003.

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The creation of the engraved portrait of the African-born poet Phillis Wheatley (ca. 1754–84) that was first published as the frontispiece in her 1773 book, Poems on Various Subjects, Religious and Moral, when she was enslaved in the Boston household of John and Susanna Wheatley, has long been understood as the first printed portrait of a named African American in the British Americas. This essay challenges the veracity of this myth and examines the various ways that Black women were imaged during the late eighteenth century. It argues for the broader significance of this portrait for women's
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Trotter, Joe William. "Establishing a New Social Service Regime." In Pittsburgh and the Urban League Movement. University Press of Kentucky, 2020. http://dx.doi.org/10.5810/kentucky/9780813179919.003.0005.

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The Urban League's fight for worker rights, household service employees, and low-income public housing deepened its ties with grassroots social movements and the larger civil rights agenda of the African American community. The Pittsburgh branch not only facilitated the emergence of the city's “Don't Buy Where You Can't Work” campaign, spearheaded by activist black women, but also advanced movements to demolish the color line in Pittsburgh's medical, educational, and defense programs. The Urban League's energetic engagement in these diverse but overlapping movements broadened the scope of its
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