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Relevant bibliographies by topics / African drum

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Academic literature on the topic 'African drum'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 February 2022

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Journal articles on the topic "African drum"

1

Fleming, Tyler, and Toyin Falola. "Africa's Media Empire: Drum's Expansion to Nigeria." History in Africa 32 (2005): 133–64. http://dx.doi.org/10.1353/hia.2005.0008.

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Publishing in Africa remains so difficult an enterprise that many publishers have collapsed, their dreams disappearing with them. This is especially true of the print media, particularly newspapers and magazines. During the past century, many magazines and newspapers failed to establish a loyal readership, keep costs down, insure wide circulation, or turn a huge profit. Consequently, not many African magazines can be viewed as “successful.” Drum magazine, however, remains an exception.In 1951 Drum, a magazine written for and by Africans, was established in South Africa. Drum enjoyed a great deal of success and is now widely recognized as having been a driving force in black South African culture and life throughout the 1950s and 1960s. In the South African historiography Drum has been thoroughly researched. The magazine's impact on South African journalism, literature, gender configurations, African resistance, and urban South African culture has been documented and often lauded by various scholars. Many former members of the South African edition's payroll, both editors and staff alike, have gone on to become successes in literature, journalism, and photography. Often such staff members credit Drum for directly shaping their careers and directly state this in their writings. Consequently, Drum is often associated only with South Africa. While Drum greatly influenced South Africa, its satel¬lite projects throughout Africa were no less important. These satellite projects cemented Drum's reputation as the leading magazine newspaper in Africa and each edition became fixtures in west African and east African societies.

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Bokor, Michael J. K. "When the Drum Speaks." Rhetorica 32, no. 2 (2014): 165–94. http://dx.doi.org/10.1525/rh.2014.32.2.165.

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This article explores the instrumentality of traditional African drums in influencing human behavior, and debunks view-points held by some critics that these drums are mere instruments for entertainment, voodoo, or rituals. It argues that as cultural artifacts, the drums are a primal symbol (a speech surrogate form qualified as drum language) used for rhetorical purposes to influence social behavior, to generate awareness, and to prompt responses for the realization of personhood and the formation of group identity. This ascription of rhetorical functionality to the African drum-dance culture provides interesting insights into the nature of rhetorical performance in the non-Western world.

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Knight, Roderic, Yaya Diallo, and Mitchell Hall. "The Healing Drum: African Wisdom Teachings." Ethnomusicology 35, no. 1 (1991): 121. http://dx.doi.org/10.2307/852397.

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Shum, Terence Chun Tat. "Street-Level Multiculturalism: Cultural Integration and Identity Politics of African Migrants in Hong Kong." Cultural Diversity in China 3, no. 1 (June 26, 2018): 37–57. http://dx.doi.org/10.1515/cdc-2018-0001.

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Abstract Multiculturalism is about co-existence of diverse cultures. Current literature on multiculturalism mostly uses a top-down approach to examine how the governments adopt different policies to manage cultural diversity. However, how the migrants use their own culture including music to enhance integration is often neglected. This paper uses the experience of African migrants in Hong Kong to reveal an alternative account of multiculturalism. Based on in-depth interviews and participant observation with African drummers, this paper examines the role of African drum as a means of cultural integration. It raises the concept of “street-level multiculturalism” for analysing how African migrants experience and negotiate cultural difference on the ground. It argues that African drum music promotes intercultural contact by arousing curiosity and creating friendly atmosphere. Africans’ engagement in identity politics is based on their marginal status. Their ability to negotiate their African culture and their Hong Kong experience is a politically conscious process.

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Rabe, L. "A modern version of the African drum." Ecquid Novi: African Journalism Studies 25, no. 1 (January 1, 2004): 3. http://dx.doi.org/10.3368/ajs.25.1.3.

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Rabe, Lizette. "A modern version of the African drum." Ecquid Novi: African Journalism Studies 25, no. 1 (January 2004): 3. http://dx.doi.org/10.1080/02560054.2004.9653274.

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Knight, Roderic. "African Percussion: Mamadou Ly, Mandinka Drum Master." Ethnomusicology 40, no. 1 (1996): 145. http://dx.doi.org/10.2307/852455.

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Russell, Daniel A., and Wesley S. Haveman. "Acoustic and modal analysis of an African djembe drum." Journal of the Acoustical Society of America 108, no. 5 (November 2000): 2591. http://dx.doi.org/10.1121/1.4743633.

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Johnson, Hafiz Shabazz Farel, and John M. Chernoff. "Basic Conga Drum Rhythms in African-American Musical Styles." Black Music Research Journal 11, no. 1 (1991): 55. http://dx.doi.org/10.2307/779244.

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Silverman, Marissa. "I drum, I sing, I dance: An ethnographic study of a West African drum and dance ensemble." Research Studies in Music Education 40, no. 1 (October 28, 2017): 5–27. http://dx.doi.org/10.1177/1321103x17734972.

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The purpose of this ethnographic study was to investigate the Montclair State University’s West African drum and dance ensemble. Analyses of the data revealed three themes related to individual participants and the “lived reality” of the group as a whole, and to the social-cultural teaching–learning processes involved: spirituality, community-as-oneness, and communal joy. My motivation for undertaking this inquiry arose from the fact that, beginning in the 1960s, music education scholars in the United States have been concerned about the widespread marginalization of non-Western musics in American music teacher education programs. This situation is still a major concern because American undergraduate and graduate music teacher preparation remains overwhelmingly dominated by Western classical styles. This situation runs contrary to the massive social, cultural, situational, and musical diversity of American students’ lives. As one small effort to advance musical diversity in my own university music school context, I developed the proposal for and initiated the Montclair State University’s West African drum and dance ensemble.

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Dissertations / Theses on the topic "African drum"

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Claeys, Melissa Dawn. "Bringing African dance and drumming to rural northern Colorado." CONNECT TO THIS TITLE ONLINE, 2008. http://etd.lib.umt.edu/theses/available/etd-07162008-082516/.

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Johns, Philip Michael. "Creation of the Big Sky African ensemble." CONNECT TO THIS TITLE ONLINE, 2007. http://etd.lib.umt.edu/theses/available/etd-07302007-121609/.

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Guldimann, Colette. ""A symbol of the New African" : Drum magazine, popular culture and the formation of black urban subjectivity in 1950s South Africa." Thesis, Queen Mary, University of London, 2003. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1814.

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This thesis examines the emergence of black urban subjectivity in South Africa during the 1950s, focussing on the ways in which popular American genres were utilised in the construction of black urban identities that served as a means of resistance to apartheid. At the centre of this process was Drum magazine: founded in South Africa in 1951 , it became the largest selling magazine on the African continent in 1956. Drum's success was due to the way in which it enabled the relocation of black identity from the "traditional" towards the "modern'. The 1940s gave rise to widespread migration of black South Africans from rural to urban areas and this newly urbanised community was seeking models of black urban identity. Yet the Nationalist government was attempting to curtail the emergence of a black urban proletariat, which posed a threat to white political supremacy. Through apartheid legislation black identity was constructed as essentially tribal and rural. As a means of resisting this, urbanised black South Africans turned to, and appropriated, readily available forms of American culture. Drum published Americanised images and stories: gangsters, black detectives, black comic heroes, and pulp romances. This popular material appeared alongside some of the finest investigative journalism ever published. While Drum magazine is widely acknowledged as having provided a platform for the emergence of black South African writing in English, its popular content has been dismissed by critics as apolitical escapism, imitation and capitulation to American culture. This thesis challenges the dismissal of the popular that has dominated analyses of Drum since the 1960s, arguing that such a position denies the agency of local writers and audiences. My analysis reveals that American forms were adopted in critically discerning ways and chosen for their ability to convey local meaning and create positions from which to resist apartheid

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Nicholls, Lisa Bossert. "Celebrating African drumming and dance in a rural Montana classroom." CONNECT TO THIS TITLE ONLINE, 2007. http://etd.lib.umt.edu/theses/available/etd-07192007-140652/.

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Hardy-Berrington, Michelle. "The unattainable "betterlife" : the discourses of the homogenised South African black emerging middle-class lifestyle in Drum magazine." Thesis, Nelson Mandela Metropolitan University, 2011. http://hdl.handle.net/10948/1426.

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Drum and YOU are two general interest magazines which share the same publisher, language (English), format, and are compiled by many of the same journalists and editors. The greatest distinction between the two publications is that Drum is aimed at a specifically black readership while YOU caters for a general, cosmopolitan South African readership. With various commonalities in the production of Drum and YOU, what do the differing commodities, discourses and cultural repertoires presented in Drum in comparison to YOU communicate about the conceived black audience/s by the magazines'producers? In contrast to the dominant body of research on Drum magazine, which has been dedicated to pre-1994 editions, the investigation undertaken in this research focuses on post-apartheid editions of Drum under the commercial ownership of Media24. This also provides a unique opportunity to compare and contrast Drum and YOU which has not been extensively explored in the past. A theoretical study on some of the credible, plausible discourses circulating in Drum drew from Laden's (1997; 2003) research on black South African middle-class magazines and Steyn's (2001) studies on narratives of whiteness including colonial and apartheid policy discourses. Other theory considered to identify types of discourses included those on self-stylisation, excorporation and the historic, cultural influence of Drum in black South African identity formation. Critical discourse analysis is employed to discern the distinction and boundaries between the conceived black middle-class readerships of Drum and YOU. A multifarious content is present in Drum magazine for the diverse post-apartheid black middle-class of South Africa. Discourses of the African traditional and conservative feature side-by-side with contemporary, liberal and Western discourses; while the cultural repertoires of the bourgeois middle-class are presented beside the more modest commodities of the lower-income working class. This communicates an increasingly integrated South African consumer culture and a willing bourgeois solidarity amongst middle-class groups, creating a larger consumer class for advertisers and marketers in South Africa. In comparison to YOU, the discourses of the conservative-African-traditional provide a distinctive feature of Drum. However, this discourse is limited to realms which do not threaten the prevailing magazine culture of consumerism and the dominant global culture of Western science and reason. The other great distinction from YOU is Drum’s prominent educating and didactic function, offering an aspirant lifestyle by marketing a range of Western technologies and commodities. This is in addition to suggesting options for desirable social conduct and socially-responsible behavior.

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Clarke, Stephen John History Australian Defence Force Academy UNSW. "Marching to their own drum : British Army officers as military commandants in the Australian colonies and New Zealand 1870-1901." Awarded by:University of New South Wales - Australian Defence Force Academy. School of History, 1999. http://handle.unsw.edu.au/1959.4/38659.

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Between 1870 and 1901, seventeen officers from the British army were appointed by the governments of the Australian colonies and New Zealand as commanders of their colonial military forces. There has been considerable speculation about the roles of these officers as imperial agents, developing colonial forces as a wartime reserve to imperial forces, but little in depth research. This thesis examines the role of the imperial commandants with an embryonic system of imperial defence and their contribution to the development of the colonial military forces. It is therefore a topic in British imperial history as much as Australian and New Zealand military history. British officers were appointed by colonial governments to overcome a shortfall in professional military expertise but increasingly came to be viewed by successive British administrations as a means of fulfilling an imperial defence agenda. The commandants as ???men-on-the-spot???, however, viewed themselves as independent reformers and got offside with both the imperial and colonial governments. This fact reveals that the commandants occupied a difficult position between the aspirations of London and the reality of the colonies. They certainly brought an imperial perspective to their commands and looked forward to the colonies playing a role on the imperial stage but generally did so in terms of a personal agenda rather than one set by London. This assessment is best demonstrated in the commandants??? independent stance at the outset of the South African War. The practice of appointing British commandants in Australasia was fraught with problems because of an inherent conflict in the goals of the commandants and their colonial governments. It resembles the Canadian experience of the British officers which reveals that the system of imperials military appointments as a whole was flawed. The problem remained that until a sufficient number of colonial officers had the prerequisite professional expertise for high command there was no alternative. The commandants were therefore the beginning rather than the end of a traditional reliance upon British military expertise. The lasting legacy of the commandants for the military forces of Australia and New Zealand was the development of colonial officers, transference of British military traditions, and the encouragement of a colonial military identity premised on the expectation of future participation in defence of the empire. The study provides a major revision to the existing historiography of imperial officers in the colonies, one which concludes that far from being ???imperial agents??? they were largely marching to their own drum.

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Louw, Nicolette. "Grace and The townships h Housewife : excavating South African Black women's magazines from the 1960s." Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/4064.

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Thesis (MA (English))--University of Stellenbosch, 2009.
ENGLISH ABSTRACT: Grace and The Townships Housewife, two black women’s magazines published in South Africa between 1964 and 1969, have slipped into obscurity. This thesis aims to write them back into the history of the black press, black journalism and literature in South Africa. The study is significant in that no research has as yet been conducted on these two magazines. The first chapter excavates Grace and The Townships Housewife from obscurity by providing information on the magazines’ publication, staff, editors, content, target audience and writers. A salient characteristic of both magazines’ content that the study discusses is the ambiguous attitude of readers and writers towards modernity and tradition (and the negotiation of new identities) as they move from the country to the city. Some readers’ embrace and others’ rejection of early signs of feminism and womanism in the magazines also display this ambiguous attitude. The chapter foregrounds the various ambiguities and often colliding voices that infuse much of the magazines’ content. The absence of explicit reference to apartheid in Grace’s and The Townships Housewife’s content provides another focal point of this chapter and is discussed in relation to the concepts of ‘minstrelsy’ and ‘mimicry’. Considering specifically the position of the black woman in apartheid South Africa, the second chapter compares the representation of white women in South African white women’s magazines Die Huisgenoot, Sarie Marais and Fair Lady to the way in which black women are represented in Grace and The Townships Housewife in the 1960s. The role of the latter two magazines in positively representing black women during apartheid South Africa, and thus standing in direct opposition to the identities ascribed to black people in colonial and apartheid ideology, is a primary focus of this chapter. The representation of black women in the 1960s is elaborated on in the next chapter which explores the shift in the representation of black women from Drum magazine (during its heyday in the 1950s), with its predominantly male staff, to the representation of black women in Grace and The Townships Housewife (in the 1960s), with their predominantly female staff. I hypothesise on the possible agencies at work within this shift in women’s representation. Despite the magazines’ adherence at times to white standards of beauty (an aspect which the thesis engages with throughout), the ‘creation’ of black women within the pages of Grace and The Townships Housewife (as the previous two chapters articulate), often resonates with Black Consciousness’s philosophy of black pride. This last chapter explores the possible connection between Grace and The Townships Housewife, on the one hand, and the early beginnings of an emergent black consciousness in South Africa in the late 1960s, on the other hand. It also discusses the sexism associated with black consciousness philosophy in relation to these two magazines, but the focus falls on how black female readers of Grace and The Townships Housewife negotiate imposed ‘female identities’ (for example, mother, housewife and supporter) towards greater agency.
AFRIKAANSE OPSOMMING: Grace en The Townships Housewife, twee tydskrifte gemik op swart vroue en wat in Suid-Afrika gepubliseer is tussen 1964 en 1969, is vandag onbekend. Die doel van dié tesis is om hierdie twee tydskrifte terug te skryf in die geskiedenis van swart joernalistiek en literatuur in Suid-Afrika. Dit is ’n waardevolle studie aangesien geen navorsing oor hierdie twee tydskrifte nog gedoen is nie. Dit is ook ’n ingewikkelde proses wat gepaard gaan met baie spekulasie, aangesien dit alreeds te lank gevat het vir hierdie tydskrifte om ontdek te word – dit is nie meer moontlik om die meeste van die bydraers tot hierdie twee tydskrifte op te spoor nie. Die eerste hoofstuk ‘grawe’ Grace en The Townships Housewife as t’ ware weer ‘op’ deur inligting te voorsien oor hierdie tydskrifte se uitgewers, personeel, redaktrises, inhoud, teikengroepe en skrywers. Die dubbelsinnige houdings wat lesers in die tydskrifte toon teenoor tradisie en moderniteit soos wat hulle beweeg van plattelandse gebiede na stedelike gebiede, is kenmerkend van hierdie tydskrifte en word in hierdie hoofstuk bespreek. Hierdie dubbelsinnigheid word ook weerspieël in lesers en skrywers se ambivalente houdinge teenoor die bemagtiging van vroue. Die verskeie dubbelsinnighede en dikwels botsende stemme in meeste van die twee tydskrifte se inhoud is ’n belangrike punt wat hierdie tesis uitlig. Die afwesigheid van direkte verwysings na apartheid in beide tydskrifte is nog ’n kenmerkende eienskap van die tydskrifte wat in hierdie hoofstuk ondersoek word. Met die fokus op die posisie van die swart vrou in apartheid Suid-Afrika, vergelyk die tweede hoofstuk die voorstelling van wit vroue in Suid-Afrikaanse wit vrouetydskrifte (Die Huisgenoot, Sarie Marais en Fair Lady) met dié van swart vroue in Grace en The Townships Housewife in die 1960s. ’n Primêre fokus van hierdie hoofstuk is die rol wat Grace en The Townships Housewife speel in die positiewe voorstelling van swart vroue tydens apartheid, in direkte kontras tot die voorstellinge van swart vroue in apartheid ideologie. Die volgende hoofstuk brei verder uit op die voorstelling van die swart vrou in die 1960s: hier word gekyk na die skuif wat plaasvind in die voorstelling van swart vroue van die Drum-tydskrif in die 1950s met sy hoofsaaklik manlike personeel, na die voorstelling van swart vroue in 1960s Grace en The Townships Housewife, met hoofsaaklik vroulike personeel. Die moontlike faktore verantwoordelik vir so ’n verandering in voorstelling word oorweeg. Alhoewel die inhoud van Grace en The Townships Housewife gereeld ‘wit’ standaarde van skoonheid ondersteun, toon die voorstelling van swart vroue in hierdie twee tydskrifte ook dikwels ooreenkomste met swart bewustheid filosofie se fokus op swart trots. Hierdie laaste hoofstuk ondersoek die moontlike verbintenis tussen Grace en The Townships Housewife, aan die een kant, en die vroeë begin van swart bewustheid in Suid-Afrika in die laat sestigerjare. Die dikwels seksistiese houdinge wat met swart bewustheid filosofie geassosieer word, word in hierdie hoofstuk bespreek aan die hand van voorbeelde uit Grace en The Townships Housewife. Dit is egter nie die fokus van hierdie studie nie: die fokus val op hoe swart vroue lesers van Grace en The Townships Housewife opgelegde rolle van moederskap, huisvrou en ondersteuners stuur tot posisies van groter mag.

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Greco, Mitchell J. "THE EMIC AND ETIC TEACHING PERSPECTIVES OF TRADITIONAL GHANAIAN DANCE-DRUMMING: A COMPARATIVE STUDY OF GHANAIAN AND AMERICAN MUSIC COGNITION AND THE TRANSMISSION PROCESS." Kent State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=kent1398073851.

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Olsen, Kristofer W. "Molten Steel: The Sound Traffic of the Steelpan." Ohio University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1462448819.

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Mativandlela, Sannah Patience Nkami. "Antituberculosis activity of flavonoids Galenia africana L. var. africana." Pretoria : [s.n.], 2009. http://upetd.up.ac.za/thesis/available/etd-10172009-095531/.

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Books on the topic "African drum"

1

Lassiter, Karl. Sword and drum. New York: Kensington Pub. Corp., 2003.

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Locke, David. Drum damba: Talking drum lessons. Crown Point, Ind: White Cliffs Media Co., 1990.

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Mitchell, Hall, ed. The healing drum: African wisdom teachings. Rochester, Vt: Destiny Books, 1989.

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Lassiter, Karl. Sword and drum. New York: Pinnacle Books, 2003.

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Coleman, Evelyn. To be a drum. Morton Grove, Ill: Albert Whitman & Company, 1998.

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David, Locke. Drum gahu: An introduction to African rhythm. Tempe, AZ: White Cliffs Media, 1998.

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Sotunsa, Mobolanle Ebunoluwa. Yorùbá drum poetry. London: Stillwatersstudios, 2009.

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Dzakpasu, Conor Caesar Kofi. The message of the atumpan drum beat: The talking drums of Dzodze. Kumasi, Ghana: Dela Publication and Design Services, 1992.

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Graham, Shane, and John Walters, eds. Langston Hughes and the South African Drum Generation. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230109865.

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Lake, Mary Dixon. The royal drum: An Ashanti tale. Greenvale, NY: Mondo, 1996.

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Book chapters on the topic "African drum"

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Sotunsa, Mobolanle Ebunoluwa. "Drum Language and Literature." In The Palgrave Handbook of African Oral Traditions and Folklore, 281–95. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-55517-7_14.

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Clowes, Lindsay. "To Be a Man: Changing Constructions of Manhood in Drum Magazine, 1951–1965." In African Masculinities, 89–108. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1057/9781403979605_6.

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Meirelles, Regina. "African Manifestations in Brazil: The Crioula Drum Dance." In Popular Music Studies Today, 177–85. Wiesbaden: Springer Fachmedien Wiesbaden, 2017. http://dx.doi.org/10.1007/978-3-658-17740-9_19.

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Graham, Shane. "Introduction." In Langston Hughes and the South African Drum Generation, 1–24. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230109865_1.

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Graham, Shane, and John Walters. "Letters, 1953–1954." In Langston Hughes and the South African Drum Generation, 25–60. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230109865_2.

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Graham, Shane, and John Walters. "Letters, 1955–1959." In Langston Hughes and the South African Drum Generation, 61–102. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230109865_3.

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Graham, Shane, and John Walters. "Letters, 1960–1961." In Langston Hughes and the South African Drum Generation, 103–36. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230109865_4.

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Graham, Shane, and John Walters. "Letters, 1962." In Langston Hughes and the South African Drum Generation, 137–60. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230109865_5.

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Graham, Shane, and John Walters. "Letters, 1963–1967." In Langston Hughes and the South African Drum Generation, 161–90. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230109865_6.

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Pépin, Jacques, and Honoré Méda. "Human African Trypanosomiasis." In Antimicrobial Drug Resistance, 1113–19. Totowa, NJ: Humana Press, 2009. http://dx.doi.org/10.1007/978-1-60327-595-8_30.

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Conference papers on the topic "African drum"

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Yockey, Andrew, and Shanna Stryker. "Marijuana Use among Young Adults: Findings from the 2015-2018 National Survey on Drug Use and Health." In 2020 Virtual Scientific Meeting of the Research Society on Marijuana. Research Society on Marijuana, 2021. http://dx.doi.org/10.26828/cannabis.2021.01.000.1.

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Marijuana is the most commonly used drug for young adults. A greater understanding of risk factors associated with recent use can inform health prevention messaging. Pooled data from the 2015-2018 National Survey on Drug Use and Health were utilized among 89,446 individuals ages 18-34. Weighted logistic regression analyses, controlling for covariates, were utilized to determine conditional associations to past-30-day use. A sizeable percentage (18.5%) of individuals reported smoking marijuana in the past 30 days. Individuals who identify as African American or Multi-Racial, Gay/Lesbian, Bisexual, reported their health as poor, not covered by health insurance, reported prior drug use, or who had reported any thoughts/plans of suicide were at risk for use. Of concern, high rates of alcohol (14.7%) and cocaine (1.50%) were found among users. We believe our findings can inform harm reduction efforts and policy creation.

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Silubonde, Sunganani, Digby Warner, and Michelle Kuttel. "Effective Visualization of Tuberculosis Three-Drug Assays." In the Annual Conference of the South African Institute of Computer Scientists and Information Technologists. New York, New York, USA: ACM Press, 2016. http://dx.doi.org/10.1145/2987491.2987501.

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O'Donnell, MR, N. Padayatchi, J. Zelnick, I. Master, G. Osborn, and CR Horsburgh. "Multidrug Resistant and Extensively Drug Resistant Tuberculosis among South African Health Care Workers." In American Thoracic Society 2009 International Conference, May 15-20, 2009 • San Diego, California. American Thoracic Society, 2009. http://dx.doi.org/10.1164/ajrccm-conference.2009.179.1_meetingabstracts.a2205.

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Sharroush, Sherif M. "A Novel Charge-Sharing based DRAM Readout Scheme." In 2019 7th International Japan-Africa Conference on Electronics, Communications, and Computations, (JAC-ECC). IEEE, 2019. http://dx.doi.org/10.1109/jac-ecc48896.2019.9051179.

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Sewpersadh, Mandira, Nchinga B. Bapela, Linda Erasmus, and Martha L. van der Walt. "Phenotypic And Genotypic Discordant Drug-Resistant Mycobacterium Tuberculosis Isolates Identified From South Africa." In American Thoracic Society 2012 International Conference, May 18-23, 2012 • San Francisco, California. American Thoracic Society, 2012. http://dx.doi.org/10.1164/ajrccm-conference.2012.185.1_meetingabstracts.a3260.

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Munoz-Sagastibelza, Maria, Mohamed Alshal, Sayed Imtiaz, Jenny E. Paredes Sanchez, Mubarak Akadri, Raavi Gupta, Maksim Agaronov, Ellen Li, Jovanny Zabaleta, and Laura Martello-Rooney. "Abstract B059: African American pancreatic cancer microRNAs profile to identify links to drug resistance and tumor progression." In Abstracts: Eleventh AACR Conference on The Science of Cancer Health Disparities in Racial/Ethnic Minorities and the Medically Underserved; November 2-5, 2018; New Orleans, LA. American Association for Cancer Research, 2020. http://dx.doi.org/10.1158/1538-7755.disp18-b059.

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O'Donnell, MR, N. Padayatchi, I. Master, G. Osborn, and CR Horsburgh. "Improved Survival for Patients with Extensively Drug Resistant Tuberculosis and HIV in South Africa." In American Thoracic Society 2009 International Conference, May 15-20, 2009 • San Diego, California. American Thoracic Society, 2009. http://dx.doi.org/10.1164/ajrccm-conference.2009.179.1_meetingabstracts.a4089.

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Guo, Weisi, Zhuangkun Wei, and Bin Li. "Secure Internet-of-Nano Things for Targeted Drug Delivery: Distance-based Molecular Cipher Keys." In 2020 IEEE 5th Middle East and Africa Conference on Biomedical Engineering (MECBME). IEEE, 2020. http://dx.doi.org/10.1109/mecbme47393.2020.9265150.

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Daya, M., M. E. Wechsler, E. R. Bleecker, S. J. Szefler, V. Chinchilli, W. Phipatanakul, D. Mauger, et al. "Pharmacogenetic Determinants of Long-Acting Beta Agonist and Inhaled Corticosteroid Response in the AsthmaNet Best African Response to Drug Trial." In American Thoracic Society 2021 International Conference, May 14-19, 2021 - San Diego, CA. American Thoracic Society, 2021. http://dx.doi.org/10.1164/ajrccm-conference.2021.203.1_meetingabstracts.a1148.

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O'Donnell, Max R., Nesri Padayatchi, Jennifer Zelnick, Marian Loveday, Iqbal Master, Garth Osburn, Lise Werner, Keertan U. J. Dheda, and Charles R. Horsburgh, Jr. "Women Are At Increased Risk For Extensively Drug Resistant-tuberculosis (XDR-TB) In KwaZulu-Natal, South Africa." In American Thoracic Society 2010 International Conference, May 14-19, 2010 • New Orleans. American Thoracic Society, 2010. http://dx.doi.org/10.1164/ajrccm-conference.2010.181.1_meetingabstracts.a5378.

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Reports on the topic "African drum"

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Lampkin, Cheryl. 2019 Prescription Drug Survey: African American Likely Voters. AARP Research, March 2019. http://dx.doi.org/10.26419/res.00295.003.

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Bacchi, Cyrus J. Drug Development and Conservation of Biodiversity in West and Central Africa. Fort Belvoir, VA: Defense Technical Information Center, May 2001. http://dx.doi.org/10.21236/ada396818.

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Bacchi, Cyrus J. Drug Development and Conservation of Biodiversity in West and Central Africa. Fort Belvoir, VA: Defense Technical Information Center, May 2004. http://dx.doi.org/10.21236/ada426078.

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Iwu, Maurice M. Drug Development and Conservation of Biodiversity in West and Central Africa. Fort Belvoir, VA: Defense Technical Information Center, August 1996. http://dx.doi.org/10.21236/ada316817.

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Lucas, Adrienne, and Nicholas Wilson. Can at Scale Drug Provision Improve the Health of the Targeted in Sub-Saharan Africa? Cambridge, MA: National Bureau of Economic Research, May 2017. http://dx.doi.org/10.3386/w23403.

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Efange, Simon, and Deborah C. Mash. Drug Development and Conservation of Biodiversity in West and Central Africa: Performance of Neurochemical and Radio Receptor Assays of Plant Extracts Drug Discovery for the Central Nervous System. Fort Belvoir, VA: Defense Technical Information Center, September 2004. http://dx.doi.org/10.21236/ada474867.

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Mash, Deborah C. Drug Development and Conservation in West and Central Africa/Performance of Neurochemical and Radio Receptor Assays of Plant Extracts. Fort Belvoir, VA: Defense Technical Information Center, September 2002. http://dx.doi.org/10.21236/ada409688.

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Turpin, James A. Drug Development and Convervation of Biodiversity in West and Central Africa/in Vitro Antiviral Screening of Plant Extracts and Isolates. Fort Belvoir, VA: Defense Technical Information Center, November 2000. http://dx.doi.org/10.21236/ada383151.

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Heyns,, Christof, Rachel Jewkes,, Sandra Liebenberg,, and Christopher Mbazira,. The Hidden Crisis: Mental Health on Times of Covid-19. Academy of Science of South Africa (ASSAf), 2021. http://dx.doi.org/10.17159/assaf.2019/0066.

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[This Report links with the video "The policy & practice of drug, alcohol & tobacco use during Covid-19" http://hdl.handle.net/20.500.11911/171 ]. The COVID-19 pandemic is most notably a physical health crisis, but it strongly affects mental health as well. Social isolation, job and financial losses, uncertainty about the real impact of the crisis, and fear for physical well-being affect the mental health of many people worldwide. These stressors can increase emotional distress and lead to depression and anxiety disorders. At the same time, there are enormous challenges on the health care side. People in need of mental health support have been increasingly confronted with limitations and interruptions of mental health services in many countries. In May 2020, the United Nations already warned that the COVID-19 pandemic has the seeds of a major mental health crisis if action is not taken. The panel discussed and analysed mental health in times of the COVID-19 pandemic with reference to South Africa, Nigeria, Germany and Spain.

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