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Makoba, Lerato Theodora. "The experiences of infertile married African women in South Africa a feminist narrative inquiry /." Pretoria : [s.n.], 2005. http://upetd.up.ac.za/thesis/available/etd-05282008-123151.
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Meoto, Elvira N. Huff Cynthia Anne. "The evolution and formation of identity a case study of West African women's fiction from 1960s to 1990s /." Normal, Ill. : Illinois State University, 2007. http://proquest.umi.com/pqdweb?index=0&did=1432770681&SrchMode=2&sid=2&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1216232418&clientId=43838.
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Thesis (Ph. D.)--Illinois State University, 2007.<br>Title from title page screen, viewed on July 16, 2008. Dissertation Committee: Cynthia A. Huff (chair), Ronald L. Strickland, Paula Ressler. Includes bibliographical references (leaves 270-282) and abstract. Also available in print.
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Rich, Lisa D. "Feminism in developing countries : the question of the South African Indian." Virtual Press, 1996. http://liblink.bsu.edu/uhtbin/catkey/1014822.
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The study-consisted of a survey questioning the respondents perceived social problems and issues facing women. The questionnaire was given to both Indian and African college students in Durban, South Africa. It was hypothesized that the Indian women would fit Rossi's Assimilationist Model of feminism. This was supported. It was also predicted that Assimilationist feminists would be more likely to name a women's issue when questioned about social problems. The opposite was found to be true. A much stronger relationship was found when race was used instead of the feminist model. Africans were much more likely to name women's issues with regard to family interpersonal relationships when questioned about social problems than were the Indian women. The latter listed structural issues such as poverty and race relations. One explanation could be that family issues are much more salient for Africans and structural issues are important to Indian women.<br>Department of Sociology
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Bisschoff, Lizelle. "Women in African cinema : an aesthetic and thematic analysis of filmmaking by women in Francophone West Africa and Lusophone and Anglophone Southern Africa." Thesis, University of Stirling, 2009. http://hdl.handle.net/1893/2337.
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This study focuses on the role of women in African cinema – in terms of female directors working in the African film industries as well as the representation of women in African film. My research specifically focuses on francophone West African and lusophone and anglophone Southern African cinemas (in particular post-apartheid South African cinema). This research is necessary and significant because African women are underrepresented in theoretical work as well as in the practice of African cinema. The small corpus of existing theoretical and critical studies on the work of female African filmmakers clearly shows that African women succeed in producing films against tremendous odds. The emergence of female directors in Africa is an important but neglected trend which requires more dedicated research. The pioneering research of African-American film scholar Beti Ellerson is exemplary in this regard, as she has, since the early 2000s, initiated a new field of academic study entitled African Women Cinema Studies. My own research is situated within this emerging field and aims to make a contribution to it. The absence of women in public societal spheres is often regarded as an indicator of areas where societies need to change. In the same sense the socio-political and cultural advancements of women are indicators of how societies have progressed towards improved living conditions for all. Because the African woman can be viewed as doubly oppressed, firstly by Black patriarchal culture and secondly by Western colonising forces, it is essential that the liberation of African women includes an opportunity for women to verbalise and demonstrate their own vision of women’s roles for the future. The study analyses a large corpus of films through exploring notions of nationalism and post/neo-colonialism in African societies; issues related to the female body such as health, beauty and sexuality; female identity, emancipation and African feminism in the past and present; the significance of traditional cultural practices versus the consequences and effects of modernity; and the interplay between the individual and the community in urban as well as rural African societies. Female filmmakers in Africa are increasingly claiming the right to represent these issues in their own ways and to tell their own stories. The methods they choose to do this and the products of their labours are the focus of this study. Ultimately, the study attempts to formulate more complex models for the analysis of African women’s filmmaking practices, in tracing the plurality of a female aesthetics and the multiplicity of thematic approaches in African women’s filmmaking.
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Klokow, Nicole Ann. "Hijacking feminism: representations of the new woman in South African television advertising practice." Thesis, Nelson Mandela Metropolitan University, 2005. http://hdl.handle.net/10948/381.
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This study examines the extent to which feminism has been appropriated by the consumer culture. As the relationship between consumerism and patriarchy continues to dominate global economic and social practices, this appropriation points to a denial of the social and political importance of the feminist movement. An acknowledgement of our own complicity in the perpetuation of a sexist, racist and classist ideology – along with an understanding of the complicity of the media – is crucial in explaining relations of domination within our society (Thompson 1990). A study of television advertising practice allows us to “explore meaning as a social product, enmeshed in webs of power” (Jordan and Wheedon 1995:543). Consumer ‘freedom’ is the compulsory freedom (Slater 1997), as we buy as many symbols as products. This study shows that for all the ‘strides’ feminism has made, media images of women are largely traditional, prescriptive (although an ironic distance is often implied) or overtly sexualised. Feminism is never mentioned, as women’s gains are presented as ahistorical in a ‘post-feminist’ world. Third wave feminism is an attempt to embrace all feminisms and feminists, working to inject some substance and truth behind advertising’s feminist veneer.
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Oldfield, Elizabeth F. "Transgressing boundaries : gender, identity, culture, and 'other' in postcolonial women's narratives in Africa." Thesis, University of Derby, 2010. http://hdl.handle.net/10545/231353.
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Fictions written between 1939 and 2005 by indigenous and white (post)colonial women writers who emerge from an African/European cultural experience form the focus of this study. Their voyages into the European diasporic space in Africa within the context of their texts are important since they speak of how African women's literature develops from, and is situated in relation to colonialism. African literature constitutes one facet of the new literatures in English from formerly colonised countries. However, the accomplishments of indigenous writer Grace Ogot are eclipsed by the critical acclaim received by her male counterparts, whilst Elspeth Huxley, Barbara Kimenye and Marjorie Oludhe Macgoye, who emanate from Western culture but adopt an African perspective, are not accommodated by the `expatriate literature' genre. Hence, indigenous and white (post)colonial women's narratives by authors issuing from an African/European cultural experience are brought together to foreground European influence as an apparent phenomenon common to both categorieso f writers, with consequencesfo r the representation of gender, identity, culture and the `Other'. The selected texts are set in Kenya and Uganda, and a main concern is with the extent to which the works are impacted upon by setting and intercultural influences. However, this thesis argues that the `African' woman's creation of textuality is at once the formulation and expression of female individualities and a transgression of boundaries. Furthermore, Kimenye and Macgoye's children's literature illustrates the representation and configuration of a voice and identity for the female `Other' and writer, which enables a re-negotiation of identity and subsequently a crossing of borders. No critical study combines indigenous and white settler women's fiction written from an African perspective and therefore this study extends current scholarly knowledge. Whilst the combination of texts together with the disparate (post)colonial backgrounds is unique, the study of Kimenye and Macgoye's African children's narratives in particular breaks new ground since there is currently no critical comparative study pertaining to indigenous and white postcolonial women's children's literature with an African perspective
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DONKOR, DORCAS A. "The Rise of Cyberfeminism in Africa: Pepper Dem Ministries’ Take on Ghana." Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1597260157867617.
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Jackson, Carey-Ann. "An anti-racist feminist analysis of power: a case study of a group of African women in an Eastern Cape township." Thesis, Rhodes University, 1995. http://hdl.handle.net/10962/d1002505.
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It is argued that South African feminism in the 1990's risks sabotaging itself as a movement and as a form of social critique because it has (1) not completely eradicated key positivist elements from its ontology and epistemology; (2) inadequately examined a crucial issue in an emancipatory social science, namely power; (3) increasingly opted for relativist and pragmatist perspectives in theorising women's oppression and social transformation. It is further argued that the over-reliance on relativism, standpoint theory and pragmatism is problematic for contemporary feminism. As an alternative, Bhaskar's transformational analysis of power in combination with an anti-racist feminism and social psychology is used to provide a robust framework within which complex social issues may be addressed. In this study, 16 female participants were interviewed about their experiences of living in an impoverished township. Themes identified in the data suggested that the theoretical perspectives used in the study provided insights into the subtleties and complexities of the operation of power in society. These insights enabled productive understanding of the strengths and weaknesses of development initiatives and political decision-making processes in the community, and the survival strategies of its women. It is hoped that research work of this sort could make a real contribution to the ongoing women's emancipation struggle in Port Alfred and similar communities.
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Silva, Meyre Ivone Santana da. "Reinventando identidades: gênero, raça e nação na literatura de A.A.Aidoo." Pontifícia Universidade Católica de São Paulo, 2007. https://tede2.pucsp.br/handle/handle/13034.
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Previous issue date: 2007-12-13<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This paper intends to analyse the African female literary expression as
a significant contribution to an alteration in the literary scenario of the Anglophone
African countries. African female writers works contribute to the
process of history rewriting and the reconstruction of female images in the
African societies. Ama ata Aidoo is one these women writers that contribute
to the development of an african feminist theory. African feminists fight
against neocolonial powers and tradional structures that constitute some
mountains to women lives<br>Este trabalho pretende analisar a expressão literária feminina africana
como contribuição significativa para uma alteração no panorama da literatura
dos países africanos de expressão inglesa. As obras destas escritoras
contribuem para o processo de reescritura da história e reconstrução da imagem
das mulheres nas sociedades africanas. Ama Ata Aidoo é uma destas
mulheres que contribuem para a formulação de uma teoria feminista africana.
As femininstas africanas lutam contra os poderes neocoloniais e as estruturas
tradicionais que funcionam como montanhas na vida das mulheres
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Rapoo, Connie. "Figures of sacrifice Africa in the transnational imaginary /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1610482411&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
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Slamat, Anastasia Nicole. "NGOs as linkages between grassroots women and the state : prospects for state feminism in South Africa." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/80228.
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Thesis (MA)--Stellenbosch University, 2013.<br>ENGLISH ABSTRACT: The core question that is addressed by this research is whether, and to what extent South African women’s NGOs contribute to enhancing state feminism through their ability to articulate and mobilise the strategic interests of women at grassroots level to appear on the national agenda, through the channels provided by the National Gender Machinery (structures of the state).
A literature review was conducted that draws on the work of predominantly feminist authors in order to locate this research in previous scholarly knowledge that is relevant to the purpose of this study. The literature review includes elaboration of concepts like state feminism, women’s interests, agenda setting, civil society, and linkages between the women’s movement and the National Gender Machinery (NGM).
A theoretical framework developed by Stetson and Mazur (1995), which aims at measuring whether gender machineries facilitate an increase in gender equality within the state, is used. The framework utilises two dimensions in order to investigate the level of state feminism within a country, i.e. state capacity, which investigates to what extent gender machineries influence and inform policy that is feminist and gender friendly; and state-society relations, which investigates the extent to which gender machineries provide opportunities for organised civil society actors (women’s organisations) to engage and access policy making and contribute to policy influence. In order to examine the levels of state capacity present in South Africa with regard to gender equality, current patterns of politics (a concept used by Stetson and Mazur) are considered. This is done in order to evaluate whether the political context is conducive to the passing and implementation of policy that is of a feminist nature. A qualitative study of the experience of four South African women’s NGOs, using face-to-face interviews specially designed for this purpose, was undertaken. The NGOs were interviewed in order to ascertain the status of state-society linkages, and whether the state provides access to civil society actors to inform policy making and implementation from a gender-friendly perspective that is reflective of grassroots women’s interests. The NGOs interviewed are the New Women’s Movement (NWM), the Women’s Legal Centre, the Black Sash and the International Labour Research and Information Group (ILRIG).
The findings of the fieldwork are analysed according to the framework of Stetson and Mazur (1995) in order to formulate a response to the research question. Findings include the presence of state capacity that is hostile to gender issues, with minimal (unreceptive) efforts to engage society actors in a flourishing state-society relationship. The provision of unreceptive and inconsistent space provided by the state, the lack of commitment to gender by women working within the state, and the state of “decline” that many South African NGOs are facing, have led to a “blockage” in the articulation of gender issues by NGOs that emanates from grassroots level to inform policy making, and contributes to the institutionalisation of state feminism. The national levels have therefore been largely out of touch with the interests of women at grassroots level as a result of minimal engagement and communication through the (dysfunctional) NGM. The state has spoken on behalf of, and decided on behalf of, women what is best for them and their livelihoods. Instead of being a gateway to the institutionalisation of state feminism, the state has acted as a patriarchal entity and has, to a very large extent, further entrenched gender inequality and the hardships faced by ordinary South African women at grassroots level.<br>AFRIKAANSE OPSOMMING: Die kernvraag wat deur hierdie navorsing aangespreek word is of, en tot watter mate, Suid-Afrikaanse vroue se nie-regeringsorganisasies (NRO’s) bydra tot die verbreding van staatsfeminisme deur hul vermoë om die strategiese belange van vroue op voetsoolvlak te artikuleer sodat dit op die nasionale agenda deur die kanale wat deur die Nasionale Gender Masjinerie (NGM) (strukture in die staat) verskaf word, verskyn.
’n Literatuurstudie, wat die werk van hoofsaaklik feministiese outeurs aanhaal, is onderneem om hierdie navorsing binne vorige akademiese kennis wat relevant is tot die doel van hierdie studie, te plaas. Dit sluit bespreking van konsepte soos staatsfeminisme, vrouebelange, agenda-skepping, burgerlike samelewing, en verhoudings tussen die vrouebeweging en die NGM in.
’n Teoretiese raamwerk wat deur Stetson en Mazur (1995) ontwikkel is, wat ten doel het om vas te stel of gendermasjinerie ’n toename in geslagsgelykheid binne die staat fasiliteer, word gebruik. Die raamwerk gebruik twee dimensies om die vlak van staatsfeminisme in ’n land te ondersoek, naamlik staatskapsiteit, wat ondersoek tot watter mate gendermasjinerie beleid wat feministies en gender-vriendelik is, beïnvloed en inlig; en staat-samelewing verhoudinge, wat ondersoek instel na die mate waartoe gendermasjinerie geleenthede bied vir akteurs vanuit die georganiseerde burgerlike samelewing om toegang te kry tot en deel te neem aan die beleidmakings- en -implementeringsproses. Om die vlakke van staatskapasiteit t.o.v. geslagsgelykheid in Suid-Afrika te ontleed, word kontemporêre politieke patrone (’n konsep wat deur Stetson en Mazur gebruik word) gebruik. Dit word gedoen om vas te stel of die politieke konteks gunstig is vir die goedkeuring en implementering van beleid van ’n feministiese aard. ’n Kwalitatiewe studie van die ervaring van vier Suid-Afrikaanse NRO’s met behulp van aangesig-tot-aangesig onderhoude wat spesiaal vir hierdie doel ontwerp is, is onderneem. Die onderhoude is met die NRO’s gevoer om die status van staat-samelewing verhoudings vas te stel, en om te bepaal of die staat toegang verleen aan akteurs vanuit die burgerlike samelewing om beleidmakings- en -implementeringsprosesse vanuit ’n gender-vriendelike perspektief, wat die belange van vroue op voetsoolvlak reflekteer, te informeer. Die NRO’s waarmee onderhoude gevoer is, is die New Women’s Movement (NWM), die Women’s Legal Centre, die Black Sash en die International Labour Research and Information Group (ILRIG). Die bevindinge is volgens die raamwerk van Stetson en Mazur (1995) geanaliseer ten einde ’n antwoord op die navorsingsvraag te bied. Die bevindinge sluit in die aanwesigheid van staatskapasiteit wat vyandig gesind is teenoor gendersake, met minimale (nie-ontvanklike) pogings om akteurs vanuit die samelewing betrokke te kry in ’n florerende staat-samelewing verhouding. Die voorsiening van ’n nie-ontvanklike en nie-konsekwente ruimte deur die staat, die gebrek aan toewyding tot gendersake deur vroue wat binne die staat werk, en die toestand van agteruitgang wat baie Suid-Afrikaanse NRO’s in die gesig staar, het gelei tot ’n “blokkasie” in die artikulering van gendersake deur NRO’s, wat hul oorsprong het vanaf die voetsoolvlak om beleidmaking te informeer, en by te dra tot die institusionalisering van staatsfeminisme. Die nasionale vlak is dus baie uit voeling met die belange van vroue op voetsoolvlak a.g.v. minimale betrokkenheid en kommunikasie deur die (disfunksionele) NGM. Die staat praat en besluit namens vroue oor wat die beste vir hulle en hul bestaanswyses is. In stede van ’n poort te wees tot die institusionalisering van staatsfeminisme, tree die staat op as ’n patriargale entiteit en dra dit grootliks daartoe by om gender-ongelykheid en die swaarkry van gewone Suid-Afrikaanse vroue op voetsoolvlak verder te verskans.
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Idahosa, Grace Ese-Osa. "Losing, using, refusing, cruising : first-generation South African women academics narrate the complexity of marginality." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1013148.
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While existing literature shows a considerable increase in the numbers of women in academia research on the experiences of women in universities has noted their continued occupation of lower status academic positions in relation to their male counterparts. As the ladder gets higher, the number of women seems to drop. These studies indicate the marginalization of women in academic settings, highlighting the various forms of subtle and overt discrimination and exclusion women face in academic work environments. In this study I ask how academic women in South Africa narrate their experience of being ‘outside in’ the teaching machine. It has been argued that intertwined sexist, patriarchal and phallocentric knowledges and practices in academic institutions produce various forms of discrimination, inequality, oppression and marginalization. Academic women report feeling invisible and retreating to the margins so as to avoid victimization and discrimination. Others have pointed to the tension between the ‘tenure clock’ and the ‘biological clock’ as a source of anxiety among academic women. Where a masculinised presentation of the self is adopted as a solution to this dilemma, the devaluation of the feminine in the academic space is confirmed. However, experiences of academic women are not identical. In the context of studies showing the importance of existing personal and social resources, prior experience and having mentors and role models in the negotiation of inequality and discrimination, I document the narratives of women academics who are the first in their families to graduate with a university degree. These first-generation academic women are therefore least likely to have access to social and cultural resources and prior experiences that can render the academic space more hospitable for the marginalised. Employing Spivak’s deconstruction of the concept of marginalisation as my primary interpretive lens, I explore the way in which, in their narratives, first-generation academic women negotiate marginality. These narratives depict a marginality that might be described, following Spivak, as ‘outside/in’, that is, as complex and involving moments of accommodation and resistance, losses and gains, pain and pride.
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Haaker, Malin. "La femme africaine dans Une si longue lettre de Mariama Bâ et Assèze l'africaine de Calixthe Beyala." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-33929.
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This study is based on the main female African characters in Une si longue lettre written in 1979 by Mariama Bâ and Assèze l’Africaine written in 1994 by Calixthe Beyala. Both novels describe the African society and the obstacles that exist for women in this society where men dominate. This study presents the transformation of Ramatoulaye that is a traditional and passive woman but she becomes modern. In addition, it presents the transformation of young Aïssatou that becomes an independent and strong woman, in these two novels. These two women are facing similar forms of discriminations and oppression in the African society and they are struggling against injustice in various ways. The aim of this analysis is to investigate how the image of the African women and the feminism in Africa show and develop through the main characters, Ramatoulaye and Aïssatou. The conclusion reveal that the image of the African women has considerably changed over the years in a positive way and that Femininity is a cultural construction and not a natural construction. The conclusion further reveal that even today a woman is not independent, but is still considered "the Other" in relation to the man.
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Maurtin-Cairncross, Anita. "Creating 'space' for publication: challenges faced by women academic staff members at historically Black South African universities." Thesis, University of the Western Cape, 2003. http://etd.uwc.ac.za/index.php?module=etd&.
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In this study an attempt was made to explore the challenges with regard to publications experienced by academic women at three selected Historically Black Universities (HBUs). Although based predominantly within a feminist qualitative metholodogical framework, both qualitative and quantitative research methods were used in this study. Based on the findings of the study, the recommendations illustrated participants' responses. Some of the recommendations illustrated participants' expressed need of staff development with a specific focus on training in publication skills<br>mentoring and support networks<br>assistance and support for their publishing venture at both institutional and departmental level and the development of strategies that would assist academic women in 'juggling' their personal and academic roles.
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Holmlind, Ann-Louise. "The Adopted Daughter of Africa : A Close Reading of Joyce in Crossing the River from Postcolonial and Feminist Perspectives." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-35935.
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Abstract The aim of this essay is to explain why Caryl Phillips presents Joyce as "the adopted daughter of Africa" at the end of Crossing the River (1993). This will be done by performing a close reading. This essay will focus on Joyce’s actions and behaviour. Aspects of feminism and postcolonial theory will act as the theoretic basis for the analysis. The analysis of Joyce’s character will be put in relation to the whole of Phillips’ “Black Atlantic” narrative and to gender and third wave feminist theories. The analysis will show that Joyce, by breaking racial norms, renouncing her faith, defying her mother, divorcing her husband, and falling in love with Travis, is the person who defines hope in the novel. Her character, together with her son Greer, shows a path to reconciliation between races in the aftermath of colonialism.
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Robert, Badou Koffi. "A consciência da subalternidade: trajetória da personagem Rami em Niketche de Paulina Chiziane." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-08022011-100027/.
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O nosso projeto de Mestrado em Estudos Comparados de Literaturas de Língua Portuguesa, com ênfase na literatura moçambicana, surgiu de uma constatação do quotidiano de mulheres africanas em geral. Decidimos trabalhar, no caso da nossa dissertação, a questão da trajetória da personagem Rami no romance Niketche: uma história de poligamia, para encarar o feminismo fora das bandeiras ocidentais tal como o conhecemos e dar ao termo uma conotação africana, destacando de fato certa singularidade na(s) ideologia(s) feminista(s): a consciência da subalternidade. Esta singularidade naquela(s) ideologia(s) vem se afastando da política que radicaliza o debate e o orienta na direção da negação do homem. O nosso crescente interesse pela escrita feminina nasceu do fato de, em quase todos os romances africanos, de autoria feminina, lidos, termos descoberto uma certa convergência na abordagem relativa à questão do estatuto das mulheres dentro das sociedades africanas. Neste contexto, a autora Paulina Chiziane, de Moçambique, evidencia bem, com o seu romance Niketche, uma história de poligamia, esse questionamento ao estatuto das mulheres, construindo personagens que vão, no decorrer da narrativa, realçar o contexto ideológico do feminismo africano. Três críticos nos ajudarão, com suas reflexões, para a aproximação da trajetória da personagem com a ideologia feminista africana. São eles: Pierrette Herzberger-Fofana (2000) para a questão do feminismo africano, Antonio Candido (1963) e Roland Bourneuf (1976) para tratar das personagens.<br>Our Project for a Masters Degree in Comparative Studies of Portuguese Language Literatures, emphasizing on Mozambican literature, arose from findings about African womens general everyday lives. We decided to work on the case of our dissertation, the question of the Rami characters trajectory in the romance Niketche: uma história de poligamia (Niketche: a story of polygamy) to confront feminism away from occidental standards such as we know it and give an African connotation to the term, outlining in fact a certain singularity in feminist ideology(ies): the cognizance of the inferiority. This singularity in that(those) ideology(ies) has been moving away from the policy that radicalizes the debate and orientates to the direction of mans denial. Our growing interest in the feminine writing was born from the fact of the discovery in nearly all African romances, of feminine authoring, read, a certain converging in the approach related to the question of the womens statute within the African societies. In this context the authoress Paulina Chiziane of Mozambique shows, well as her romance Niketche, uma história de poligamia, this questioning of the womens statute by building characters that will, during the unrolling of the story, highlight the ideological context of the African feminism. Thus, three critics will help us with their reflections to enable the approach of the trajectory of the character to the African feminist ideology. They are Pierrette Herzberger-Fofana (2000) for the African feminist ideology, Antonio Candido (1963) and Roland Bourneuf (1976) to deal with the characters.
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Langeveldt, Veleska. "(De)legitimizing rape as a weapon of war: patriarchy, narratives and the African Union." Thesis, University of the Western Cape, 2014. http://hdl.handle.net/11394/4068.
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Magister Administrationis - MAdmin<br>The African continent has over the past 40 years witnessed a continued scourge of violent conflict and human rights abuses. These conflicts have significantly undermined the social, political, and economic prosperity of African citizens. Additionally, women and children are particularly affected by these conflicts. Women and children are regarded as ‘the most vulnerable’ as they often become the targets of sexual abuse by the enemy. The African Union (AU) is primarily responsible for the resolution of conflicts on the continent. It professes to be committed to the prevention of human rights abuses and the protection of African women (and children) during armed conflicts. It has thus developed an array of mechanisms, protocols, and instruments to address the exploitation and sexual abuse of women during conflict periods. These instruments include: The Constitutive Act of the AU (2000); The Solemn Declaration of Gender Equality in Africa (2003); the Protocol to the African Charter on Human and People’s Rights on the Rights of Women in Africa- ACHPRWA (2004); and the Protocol relating to the Peace and Security Council. In this research project, I consider whether the narratives used in these AU documents sufficiently and explicitly address the use of rape as a strategic weapon during armed conflicts; or whether these narratives inadvertently contribute to a culture that perpetuates war-time rape. My analysis shows that these AU documents deal with war-time rape in very vague and euphemistic terms. Although gender discrimination, sexual violence, exploitation, discrimination, and harmful practices against women are condemned, the delegitimization of rape as a weapon of war is not specifically discussed. This allows for varying interpretations of AU protocols, including interpretations which may diminish the severity of strategic rape. This has lead me to propose that the narratives used in these AU protocols and related documents draw on patriarchy, perpetuate patriarchy, and thus inadvertently perpetuates a culture that perpetuates the use of rape as a weapon of war
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Mangwiro, Heather K. "A critical investigation of the relevance of theories of feminist jurisprudence to African women in South Africa." Thesis, Rhodes University, 2005. http://hdl.handle.net/10962/d1007328.
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Feminist theories emerged out of the revolutionary enthusiasm that swept the Western world during the late eighteenth and nineteenth century Europe. Based on the assumption that all persons have "inalienable or natural" rights upon which governments may not intrude, feminists in Europe and America advocated that equal rights should be extended to women who up to this point were not considered legal beings separate and deserving of these rights. Most African writers and feminists have argued that since most of the theories of feminist jurisprudence have their roots in this Euro-centric context, they cannot be applicable to African women and should therefore be discarded. The thesis acknowledges that to a certain extent their assertions are true. For years feminist jurisprudence has been restricted to an academic engagement with the law failing to take into account the practices and customs of different communities. It has largely been the realm of the middle class bourgeois white female and therefore has been inaccessible to the African woman. The thesis aims, however, to prove that these theories of feminist jurisprudence although Euro-centric have a place in the understanding and advancement of African women's rights in South Africa. In Chapter One the writer traces the history of South African women's rights and the laws that affect African women. Chapter Two presents the emergence of feminist theories and categories of feminism. The writer then seeks to identify the misunderstandings and tensions that exist between the two. The narrow conception of Euro-centric feminism has been that its sole purpose has been the eradication of gender discrimination, however, for African women in South Africa they have had to deal with a multiplicity of oppressions that include but are not restricted to gender, race, economic and social disempowerment. This is dealt with in Chapter Three. It is the opinion of the writer that despite these differences feminism does play a critical role in the advancement of women's rights in South Africa. Taking the South African governments commitment to the advancement of universal rights, the writer is of the opinion that African women can look to the example set by Western feminists, and broaden these theories to suit and be adaptable to the South African context. The answer is not to totally discard feminist theories but to extract commonalities that exist between African and European women, by so doing acknowledging that women's oppression is a global phenomenon. This is the focus of Chapter Four. To avoid making this work a mere academic endeavour, the writer in Chapter Five also aims, through interviews, to include the voices of African women and to indicate areas that still need attention from both the lawmakers and women's rights movements (Feminists). Finally, the writer aims to present a way forward, one that is not merely formal but also substantively attainable.
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April, Thozama. "Theorising women: the intellectual contributions of Charlotte Maxeke to the struggle for liberation in South Africa." Thesis, University of the Western Cape, 2012. http://etd.uwc.ac.za/index.php?module=etd&action=viewtitle&id=gen8Srv25Nme4_3847_1360849448.
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<p>The study outlines five areas of intervention in the development of women&rsquo<br>s studies and politics on the continent. Firstly, it examines the problematic construction and the inclusion of women in the narratives of the liberation struggle in South Africa. Secondly, the study identifies the sphere of intellectual debates as one of the crucial sites in the production of historical knowledge about the legacies of liberation struggles on the continent. Thirdly, it traces the intellectual trajectory of Charlotte Maxeke as an embodiment of the intellectual contributions of women in the struggle for liberation in South Africa. In this regard, the study traces Charlotte Maxeke as she deliberated and engaged on matters pertaining to the welfare of the Africans alongside the prominent intellectuals of the twentieth century. Fourthly, the study inaugurates a theoretical departure from the documentary trends that define contemporary studies on women and liberation movements on the continent. Fifthly, the study examines the incorporation of Maxeke&rsquo<br>s legacy of active intellectual engagement as an integral part of gender politics in the activities of the Women&rsquo<br>s Section of the African National Congress. In the areas identified, the study engages with the significance of the intellectual inputs of Charlotte Maxeke in South African history.</p>
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Azanu, Benedine. "Transnational Media Articulations of Ghanaian Women: Mapping Shifting Returnee Identities in an Online Web Series." Ohio University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1490962935074027.
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Ogwude, Haadiza N. "Popular Nigerian Women's Magazines and Discourses of Femininity: A Textual Analysis of Today's Woman, Genevieve, and Exquisite." Ohio University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou161643816575918.
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Silva, Sheila Dias da. "Resistência feminina e feminismo africano em Without a Name de Yvonne Vera." Universidade Federal de Mato Grosso, 2014. http://ri.ufmt.br/handle/1/378.
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Previous issue date: 2014-07-18<br>Yvonne Vera é uma das romancistas africanas que mais se destacaram no cenário internacional da literatura de língua inglesa. A ficção é o veículo utilizado por ela para articular a experiência feminina reprimida e silenciada em seu país. Vera nos apresenta a sociedade zimbabuense, sob o olhar das mulheres, ou seja, é através de personagens femininas, acompanhadas por narradores provavelmente do mesmo sexo, que vivenciamos seus enredos e tramas. A escrita de Vera surge da necessidade de inverter as estruturas da opressão e dos estereótipos coloniais impostos às mulheres negras, o que reforça seu papel como uma escritora com ideais feministas. Em Without a name (1994), romance que analisamos nesta pesquisa, ela narra a trajetória de Mazvita, uma mulher que resiste a diversos tipos de violência, como, por exemplo, o estupro. Mazvita tenta superar o trauma e buscar um futuro melhor para si, mas é possível perceber a impossibilidade de esperança num cenário repleto de desolação causado pela guerra de libertação e pela opressão patriarcal africana. O objetivo deste trabalho é analisar a construção da resistência feminina nesse romance por meio da investigação da fragmentação corporal da personagem. Pretendemos estabelecer relações entre suas possibilidades de reação e agência e o estado alquebrado de seu corpo, ao mesmo tempo em que buscamos tecer considerações a respeito de suas conexões com o corpo social de sua coletividade. Também examinamos os modos como o feminismo africano é articulado nessa obra. Ao final de nossa análise, concluímos que, nesse romance, Vera elabora uma narrativa de aniquilação, retratando as tentativas de resistência e de superação da personagem como arruinadas em paralelismo com a debilitação de seu corpo e a desesperança do cenário em que está inserida.<br>Yvonne Vera is one of Africa’s most outstanding novelists in the international scene of the English language literature. Fiction is the vehicle used by her to articulate female experience repressed and silenced in her country. Vera portrays Zimbabwean society through women’s perspective, usually employing female narrators to tell her female characters’ stories. Vera’s writing arises from the need to reverse the structures of oppression and colonial stereotypes imposed on black women, reinforcing her role as a writer with feminist ideals. In Without a name (1994), the novel that is analyzed in this study, Vera brings the story of Mazvita, a woman who resists many types of violence, such as rape. Mazvita tries to overcome the trauma and seek a better future for her, but it is possible to realize the impossibility of hope in a world full of desolation caused by the war of liberation and African patriarchal oppression. The objective of this paper is to analyze the construction of female resistance in the novel through the investigation of the character’s body fragmentation. Some relationships between her possibilities of agency and reaction and the broken state of her body are also established in the current analysis. Similarly her connections with the social body of her community, as well as the ways in which African feminism is portrayed in this novel, also come under scrutiny. At the end of the analysis, it is possible to imply that Vera elaborates a narrative of annihilation in this novel, depicting the character’s attempts of resistance and overcoming as ruined in parallel with the weakening of her body and the hopelessness of her setting.
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Adebayo, Adebanke. "West African Feminism| Maneuvering the Reality of Feminism Using Osun." Thesis, Southern Illinois University at Edwardsville, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10682016.
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<p> West African Women writers are constantly looking for ways to maneuver the patriarchal system within their indigenous cultures. To say maneuvering implies the dilemma in consciously navigating patriarchal epistemology as West African women, which in reality is not exotic to other feminist struggles outside the continent. To deal with the dilemma of constantly maneuvering, this thesis suggest for an indigenous framework. It suggests <i>Osun </i>–a Nigerian goddess– as a response to the theoretical problems and as a methodology to navigating a postcolonial patriarchal worldview in order to express West African feminist discourse. The specificity of <i>Osun</i> is essential, but the fluidity of <i>Osun</i> across borders cannot be undermined as it paves the way for flexibility within feminist and gender discourse and draws upon various gender oppressed experiences. The idea of specificity and fluidity is fundamental to developing <i> Osun</i> as West African feminist discourse because of her ability to transcend space. The combination of specificity and fluidity are necessary within any feminist discourse as it allows for women from different regions to relate and align the tenets to their specific struggles found in the diversity of <i>Osun</i>.</p><p>
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Snyman, Vicki. "Unfallen women : negotiations of alternative feminine identities in selected writings by Olive Schreiner." Thesis, Rhodes University, 2010. http://hdl.handle.net/10962/d1002257.
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This study constitutes an inquiry into how Olive Schreiner‟s peripheral position as a colonial woman writer enabled her rewriting of feminine identity, specifically her subversion of Victorian feminine stereotypes. I focus particular attention on three novels: The Story of an African Farm (1890), and the posthumously published From Man to Man (1926) and Undine (1929). I employ a feminist literary approach to examine how Schreiner‟s hybrid identity as a British South African enabled her revisioning of femininity. If Schreiner is situated within the context of her time, it can be demonstrated that her negotiations of feminine identity are influenced by her dual intellectual and cultural heritage. On the one hand, she can be situated within a British tradition of women‟s writing – in particular, the New Woman fiction which emerged in the late nineteenth century. On the other hand, she can be situated within a nascent South African literary tradition – and demonstrates prototypically post-colonial concerns. Schreiner‟s writing style develops out of her colonial heritage and her experiences as a woman living in a patriarchal society. The resultant voice subverts the narrative traditions of the metropolitan novel in an attempt to articulate an alternative view of femininity. I examine in detail how Schreiner undermines and subverts Victorian stereotypes, and focus particular attention on the „fallen woman‟ and the „mother-figure‟. She attempts to challenge conventional Victorian conceptions of femininity by erasing the binary between the „angel‟ and the „whore‟ in order to create a New Woman. In Undine and The Story of an African Farm the full realisation of this New Woman is deferred, since both protagonists die, but From Man to Man is more nuanced, particularly in its emphasis on economic empowerment for women. Schreiner also destabilises traditional notions of motherhood, in order to offer glimpses of an alternative maternal role. It is my contention that, in her depiction of mother-figures and (un)fallen women, Schreiner challenges stock Victorian notions of femininity and, in the process, creates a space in which new possibilities for women can be imagined and negotiated.
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Muthee, Martin Kimathi Muthee. "An Echo to a People's Culture: Ken Walibora's Kidagaa Kimemwozea as a Representation of the Kenyan Socio-Political Environment." Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1494864795378801.
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CARR, THEMBI RASHIDA. "TELLING OF THE UNTOLD: AFRICAN AMERICAN FEMINIST COUNTERSTORYTELLING." University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1069079276.
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Oloruntoba, Albert Olatunde. "The Negotiation of Gender and Patriarchy in Selected Nigerian and South African Plays." Diss., University of Pretoria, 2019. http://hdl.handle.net/2263/81371.
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Of all human identity categories such as race, religion, culture, class and gender that a person might belong to, race and gender are arguably two of the most contentious in the world. This study takes gender as its main focus, exploring how gender, gender oppression, patriarchy and resistance are negotiated in selected dramatic literary works emanating from Africa’s two literary giants, Nigeria and South Africa. It thus aims to bring two distinct literary traditions into dialogue with one another in order to clarify our understanding of how gender is articulated and inscribed across different contexts. Selected works from Nigeria include Aetu (2006), Little Drops (2011), Abobaku (2015) all by a single playwright, Ahmed Yerima, who has been described as one of the most outspoken feminist playwrights in the country. Other plays from South African context include So What’s New? (1993) by Fatima Dike, Weemen (1996) by Mthali Thulani, Flight from the Mahabarath (1998) by Muthal Naidoo and At Her Feet by Nadia Davids (2006). Of particular interest in this study is the question of how these plays explore the specific forms of gender discrimination which arise in the context of religious, traditional and cultural practices such as domestic violence against women, child marriage, wife inheritance, polygamy and property-sharing after the death of a husband or father. These texts, all written from a feminist perspective, foreground different understandings of what a woman and a mother is in the African context. They also offer differing articulations of gender-based resistance. The study employs an eclectic blend of western and African feminist/womanist frameworks in order to decipher how these plays comment, and reflect, on the issue of gender inequality. In so doing, the aim is to bring these distinct theoretical and ideological traditions into dialogue with one another. A further aim is to assess to what extent these plays draw on, or are aligned with, various strands of western and African feminist theorizing whilst also offering an understanding of literary texts as sites of theory-making in their own right. The study further explores the echoes, conjunctions, entanglements and disparities that are revealed by bringing these texts from different contexts into dialogue with one another. In this process, the chapter also explores the extent to which these plays can be aligned with the often polarized discourses of western and African feminist theories, thus contributing to a broader understanding of gender, gendered societies and gender-based oppression in African contexts. Finally, this study seeks to arrive at a new theoretical feminist framework for reading these texts: what I have called ‘Consequentialist feminism’ is an approach which seeks to transcend the binaries between western and African feminist theorizing by focusing on the consequences of women’s choices in particular contexts of engagement and response.<br>Thesis (DLitt (English))--University of Pretoria, 2019.<br>English<br>DLitt (English)<br>Unrestricted
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Brum, Gabriela Eltz. "Sexual blinging of women : Alice Walker's african character tashi and issue of female genital cutting." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2005. http://hdl.handle.net/10183/4506.
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Este trabalho consiste em uma leitura das diferentes formas de representação que podem ser atribuídas à personagem Tashi, protagonista do romance Possessing the Secret of Joy (1992), da escritora negra estadunidense Alice Walker. Antes desta obra, Tashi já havia aparecido em dois romances de Walker, primeiro em The Color Purple (1982), como personagem periférica, e depois como menção em The Temple of my Familiar (1989). Com Tashi, surge a temática da prática da circuncisão feminina, ritual ao qual a personagem se submete no início da idade adulta. O foco de observação do trabalho se volta para a maneira na qual a revolta da autora é transformada em um meio de representação criativa. Walker utiliza sua obra abertamente como instrumento ideológico para que o tema da “mutilação genital” (termo utilizado pela autora) receba ampla atenção da mídia e da crítica em geral. O propósito da investigação é avaliar até que ponto o engajamento social da autora contribui de uma forma positiva em seu trabalho e até que ponto o mesmo engajamento o atrapalha. Para a análise das diferentes questões relacionadas ao tema de “female genital cutting” (FGC), termo que eu utilizo no decorrer da pesquisa, os trabalhos de críticas e escritoras feministas como Ellen Gruenbaum, Lightfoot-Klein, Nancy Hartsock, Linda Nicholson, Efrat Tseëlon e a egípcia Nawal El Saadawi serão consultados. Espero que esta dissertação possa contribuir como uma observação sobre como Alice Walker usa seu engajamento social na criação de seu mundo fictício.<br>This thesis provides a reading of the different forms of representation that can be attributed to the character Tashi, the protagonist of the novel Possessing the Secret of Joy (1992), written by the African American writer Alice Walker. Before this work Tashi had already appeared in two previous novels by Walker, first, in The Color Purple (1982) and then, as a mention, in The Temple of My Familiar (1989). With Tashi, the author introduces the issue of female circumcision, a ritual Tashi submits herself to at the beginning of her adult life. The focus of observation lies in the ways in which the author’s anger is transformed into a means of creative representation. Walker uses her novel Possessing the Secret of Joy openly as a political instrument so that the expression “female mutilation” (term used by the author) receives ample attention from the media and critics in general. The aim of this investigation is to evaluate to what extent Walker’s social engagement contributes to the development of her work and to what extent it undermines it. For the analysis of the different issues related to “female genital cutting”, the term I use in this thesis, the works of feminist critics and writers such as Ellen Gruenbaum, Lightfoot-Klein, Nancy Hartsock, Linda Nicholson, Efrat Tseëlon and the Egyptian writer and doctor Nawal El Saadawi will be consulted. I hope that this thesis can contribute as an observation about Alice Walker’s use of her social engagement in the creation of her fictional world.<br>Este trabajo consiste en una lectura de las diferentes formas de representación que pueden ser atribuidas al personaje Tashi, protagonista de la novela Possessing the Secret of Joy (1992), de la escritora negra norte-americana Alice Walker. Antes de esta obra, Tashi ya había aparecido en dos romances de Walker, primero en The Color Purple (1982), como personaje periferica y después como mención en The Temple of My Familiar (1989). Con Tashi, surge la temática de la circuncisión femenina, ritual al cual Tashi se somete en el principio de la edad adulta. El foco de observación del trabajo se vuelca sobre las maneras en las cuales la revuelta de la autora se tranforma en un medio de creación creativa. Walker utiliza su obra abiertamente como instrumento político para que el tema de la “mutilación genital” (termino utilizado por la autora) reciba amplia atención de los medios y crítica en general. El propósito de la investigación es evaluar hasta que punto el envolvimiento social de la autora contribuye positivamente o interfiere en el desarrollo de su trabajo. Para el análisis de las diferentes cuestiones relacionadas al tema de “female genital cutting” (FGC), termino utilizado por mi en el decorrer del trabajo, las obras de las críticas y escritoras feministas como Ellen Gruenbaum, Lightfoot-Klein, Nancy Hartsock, Linda Nicholson, Efrat Tseëlon y la egipcia Nawal El Saadawi serán consultadas. Deseo que el trabajo realizado pueda contribuir como una observación sobre como Alice Walker utiliza su envolvimiento social en la creación de su mundo fictício.
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Camara, Samba. "Recording Postcolonial Nationhood: Islam and Popular Music in Senegal." Ohio University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1510780384221502.
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Kaloga, Marissa Elaine Prinz. "The Role of Social Capital in Cooperative Groups: A Mixed-Methods Study of Women’s Collective Savings Groups in Conakry, Guinea." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1492716052272483.
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Swart, Marthane. "Piecing the puzzle : the development of feminist identity." Thesis, Link to the online version, 2005. http://hdl.handle.net/10019/1345.
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Carr, Thembi R. "Telling of the untold African American feminist counterstorytelling /." Cincinnati, Ohio : University of Cincinnati, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=ucin.
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Rodriguez, Ivette. "Reimagining African Authenticity Through Adichie's Imitation Motif." FIU Digital Commons, 2017. http://digitalcommons.fiu.edu/etd/3351.
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In An Image of Africa, Chinua Achebe indicts Conrad’s Heart of Darkness for exemplifying the kind of purist rhetoric that has long benefited Western ontology while propagating reductive renderings of African experience. Edward Said refers to this dynamic as the way in which societies define themselves contextually against an imagined Other. Chimamanda Ngozi Adichie’s fiction exposes how, by occupying cultural dominance, Western, white male values are normalized as universal. Nevertheless, these values are de-naturalized by their inconsistencies in the lived experiences of Adichie’s black, African women. Women who are at once aware of and participant in, the pretentions that underlie social interaction—pointing to the inevitability of performativity and disrupting the illusion of pure identity. These realizations interrupt Conrad’s essentialist conception of identity and reclaim diverse ontological possibilities for the Other.
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Goredema, Ruvimbo Nyaradzo. "Women and Rhetoric In South Africa: Understanding Feminism and Militarism." Master's thesis, University of Cape Town, 2009. http://hdl.handle.net/11427/3772.
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Taqi, Fatmatta B. "Breaking barriers : women in transition : an investigation into the new emerging social sub-group of professional Muslim women in Sierra Leone." Thesis, Anglia Ruskin University, 2010. http://arro.anglia.ac.uk/266832/.
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Sierra Leone is in transition to peace and development, from a previous decade long civil war. Educated Muslim women appear to have a great deal of expression, interest and passion to offer the process. The study investigates the new emerging social sub group of professional Muslim women in Sierra Leone society and explores their views and experiences of identifying and attempting to overcome the burdens of patriarchy, oppression and exploitation perpetrated by religious, social and cultural beliefs. The research and thesis consider in what ways these women and their views ‘fit’ in or challenge society and their perceptions of the potential they have as models to impact on the lives of Sierra Leonean Muslim women nationwide. Using feminist influenced research practices in order to focus on the stories and voices of these women, the study contributes to the growth of knowledge related to the emergent changing roles and perceptions of Muslim women in present day Sierra Leone. This qualitative and interdisciplinary research develops a critical focus and deliberately combines literary sources in an informative context, with feminist research methods of interviews and focus groups on issues of gender equality and empowerment. Through the interviews and focus group discussions conducted, the research portrays the perceptions of the emerging social sub group of professional Muslim women, a cross section of grass-root Muslim women and a selection of male Muslims regarding empowerment, knowledge, culture, independence and oppression. These are also illustrated as the ways the participants embrace the concept of feminism and adapt it by drawing on their Sierra Leonean, Islamic, cultural and social traditions. The research examines the various ideologies that stifle the growth of Sierra Leonean Muslim women from their perspective and it analyses the strategies used by the professional women to tackle the oppressive and repressive customs and stand up against patriarchy. It was discovered through the findings that the research gives an insight into the determination and the conviction of professional Muslim women in advocating for social change and in making their voices heard. As an outcome, it is evidenced that this emerging social sub group of Muslim women appear to be inspiring self-development moves and changes not only among the uneducated grass-root majority, but in the fold of their Muslim men-folk, resulting in a visible impact of self development and self empowerment among Sierra Leonean Muslim women.
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Mihindou, Piekielele Eugenia Tankiso. "The African Renaissance and gender : finding the feminist voice /." Thesis, Link to the online version, 2006. http://hdl.handle.net/10019/1113.
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Bonthuys, Elsje. "A feminist analysis of custody in South African law." Thesis, University of Cambridge, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.621564.
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Koziatek, Zuzanna Ewelina. " Formal Affective Strategies in Contemporary African Diasporic Feminist Texts ." Cleveland State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=csu1621007445234777.
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Hood, Yolanda. "African American quilt culture : an afrocentric feminist analysis of African American art quilts in the Midwest /." free to MU campus, to others for purchase, 2000. http://wwwlib.umi.com/cr/mo/fullcit?p9974639.
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Corneilse, Carol E. "Living feminism in the academy South African women tell their stories /." College Park, Md.: University of Maryland, 2009. http://hdl.handle.net/1903/9203.
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Thesis (Ph. D.) -- University of Maryland, College Park, 2009.<br>Thesis research directed by: Dept. of Education Leadership, Higher Education, and International Education. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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Pemberton, Carrie M. "Feminism, inculturation and the search for a global Christianity : an African example : the Circle of Concerned African Women Theologians." Thesis, University of Cambridge, 1998. https://www.repository.cam.ac.uk/handle/1810/272488.
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Rydhagen, Birgitta. "Feminist sanitary engineering in rural South Africa : a theoretical framework." Licentiate thesis, Luleå tekniska universitet, 1999. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-18021.
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This licentiate thesis is a compilation of three papers with an introductory chapter. The papers cover the theory used in the doctoral research project 'Gender and technology. A Comparative study of Water Supply and Sanitation Technologies in India and South Africa'. The introductory chapter describes the motives for the study; a need to connect feminist theory and practical development work within the water and sanitation sector in the Third World. In the introduction, different views on knowledge, and science in relation to other knowledges, are discussed. The first and second paper discuss feminist theory and ecofeminism developed in the Third World or with relevance to Third World contexts. The need to address multiple hierarchies, including gender, class, race and human/nature is evident from this discussion. The third paper describes how participatory methods and the principles behind PRA (participatory rural appraisal) can be used together with feminist theory in research.<br><p>Godkänd; 1999; 20070320 (ysko)</p>
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Rustin, Carmine Jianni. "Gender equality and happiness among South African women." University of the Western Cape, 2018. http://hdl.handle.net/11394/6511.
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Philosophiae Doctor - PhD<br>Have South African women's lives become happier since the transition to
democracy? If they are, could this be linked to gender equality? This is the
central question of this study. This study explored a group of women’s
subjective experiences of gender equality, by which I mean equality on the
basis of gender; and happiness, which refers to women’s life satisfaction and
their affective state. It further explores whether gender equality and happiness
are linked. The study assumed that everything being equal, endeavours to
liberate women from patriarchy and towards gender equality enhance
women’s happiness. 1994 ushered in a democratic South Africa and
numerous legislative and policy changes were introduced that affect women.
Considerable gains have been made at the constitutional and political levels
for women’s equality and gender justice. This is reflected in the rankings of
South Africa on many different indices. Yet, we see numerous challenges
facing women including poverty and gender-based violence. This study
examined whether the presence of a range of policies as well as affirmative
and protective measures for women have impacted on how they experience
their lives. In particular, do they feel that they are happy and do they see
happiness as linked to gender equality efforts? Given the research question,
this study was grounded within a feminist framework. A mixed methods
approach utilising both qualitative and quantitative methods was employed.
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Aboderin, Olutoyosi Abigail. "More Than a Hashtag: An Examination of the #BlackGirlMagic Phenomenon." Master's thesis, Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/592065.
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African American Studies<br>M.L.A.<br>Cashawn Thompson, who is credited for coining the phrase “Black girls are magic” which was later shortened to Black Girl Magic, says in an interview with the Los Angeles Times that “at its core, the purpose of this movement is to create a platform where women of color can stand together against “the stereotyping, colorism, misogynoir and racism that is often their lived experience.” Julee Wilson, Fashion Senior Editor at Essence Magazine, reflects Thompson in her article written for HuffPost saying, “Black Girl Magic is a term used to illustrate the universal awesomeness of black women. It’s about celebrating anything we deem particularly dope, inspiring, or mind-blowing about ourselves.” (Wilson, 2016) Nielsen Media Research similarly defines #BlackGirlMagic as “a cross-platform gathering of empowered Black women who uplift each other and shine a light on the impressive accomplishments of Black women throughout the world, a hashtag which uncovers and addresses the daily racism that so<br>Temple University--Theses
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Oshindoro, Michael Eniola. "Myth Is Its Own Undoing: Approaching Gender Equity Through Gender Dialogue In Ayọbami Adebayọ’s Stay With Me (2017) And Lọla Shonẹyin’s The Secret Lives Of Baba Sẹgi’s Wives (2010)". Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1586457496960154.
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Carastathis, Anna. "Feminism and the political economy of representation : intersectionality, invisibility and embodiment." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=105369.
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It has become commonplace within feminist theory to claim that women's lives are constructed by multiple, intersecting systems of oppression. In this thesis, l challenge the consensus that oppression is aptly captured by the theoretical model of "intersectionality." While intersectionality originates in Black feminist thought as a purposive intervention into US antidiscrimination law, it has been detached from that context and harnessed to different representational aims. For instance, it is often asserted that intersectionality enables a representational politics that overcomes legacies of exclusion within hegemonic Anglo-American feminism. largue that intersectionality reinscribes the political exclusion of racialized women as a feature of their embodied identities. That is, it locates the failure of political representation in the "complex" identities of "intersectional" subjects, who are constructed as unrepresentable in terms of "race" or "gender" alone. Further, largue that intersectionality fails to supplant race- and class-privileged women as the normative subjects of feminist theory and politics. [...]<br>Dans la théorie féministe, l'énoncé selon lequel la vie des femmes est structurée par de multiples systèmes d'oppression qui se croisent est devenu un lieu commun. La présente thèse conteste l'accord général que le modèle théorique connu comme « l'intersectionalité » explique adéquatement l'oppression. Alors que l'intersectionalité a ses origines dans le féminisme noir comme intervention spécifique dans la loi antidiscriminatoire des États-Unis, elle a depuis été arrachée à ce contexte et consacrée à d'autres buts. Par exemple, on affirme souvent que l'intersectionalité permettrait une politique de représentation qui surmonte l'héritage d'exclusion du féminisme hégémonique anglo-américain. Je soutiens que l'intersectionalité réinscrit l'exclusion politique des femmes racialisées, cette fois comme caractéristique de leurs identités incarnés.[...]
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Andipatin, Michelle. "Understanding HELLP Syndrome in the South African context: a feminist study." Thesis, University of the Western Cape, 2012. http://etd.uwc.ac.za/index.php?module=etd&action=viewtitle&id=gen8Srv25Nme4_4918_1365770471.
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<p>This thesis is about HELLP Syndrome (hemolysis, elevated liver enzymes, low platelet count in pregnancy): a devastating maternal hypertensive complication that results in multi-system changes that can rapidly deteriorate into organ failure and death. Despite rapid advancesin medical technology and medical science this disease continues to take <br>the lives of women and their infants. The only effective intervention for this disorder is immediate termination irrespective of the gestational stage of the pregnancy. The primary objective of this thesis was to explore the subjective experiences and meaningmaking processes of women in and through their high-risk pregnancies. This objective crystallised into the following aims: to facilitate and listen to the voices of women who were HELLP Syndrome survivors<br>to explore the reported bodily, psychological and <br>emotional experiences of HELLP Syndrome survivors<br>to understand the role medical intervention and biomedical discourses play in these women&rsquo<br>s experiences and finally to explore the subjective experiences of HELLP Syndrome in the context of traditionallyheld notions of motherhood. The study was couched in a feminist poststructuralist <br>epistemology. A material-discursive framework which comprised phenomenological and poststructuralist theorising was usedin an attempt to understand both the lived experiences as well as the discursively constructed nature of those subjective experiences. Thus the analysis encompassed both a broadly phenomenological framework to understand the lived experiences of HELLP Syndrome, and a discourse analysis to explore the meaning-making processes of participants in relation to larger social <br>discourses, in particular the dominant biomedical and motherhood discourses. A qualitative approach using in depth semi-structured interviews was utilisedto gather data. Eleven participants from very diverse backgrounds consented to be part of thisstudy. The findings of the study highlighted the immense trauma, difficulties and challenges participants faced in these high-risk situations. What was evident from the analysis was that their experiences were so diverse and werecompletely shaped by the severity of the disorder and the gestational stage of the pregnancy. Some women ended up in the Intensive Care Units (ICU) and had near-death experiences, some had very premature babies, while some of the participants lost their babies during the process. With regards to the emotional, psychological and corporeal aspects of the disorder,participants described their situations as a disaster, painful and difficult. Due to the rapid deterioration of symptoms, they described the tempo of these events as a whirlwind in which they felt they had no control. Emotions ranged from shock, total disbelief and surprise to anger, helplessness and powerlessness. Lacking knowledge and access to appropriate <br>information further compounded the situation for participants. Theparticipants who had premature babies found the Neonatal Intensive Care Unit experience (NICU) extremely challenging and stressful. A discourse analysis revealed that women&rsquo<br>s talk was shaped by the disciplinary frameworks oftechnocratic medicine and patriarchal notions of <br>gender. Participants&rsquo<br>discourses about their encounters inthe medical context werelocated in, and shaped by, the structure of health care in our country. In this regard binaries <br>(like private versus public health care, women versus men and nurses versus doctors) were evident. Furthermore their hospital stay reflected their experiences in the Intensive <br>Care (ICU) and the Neonatal Intensive Care Units (NICU) both of which are highly technologically orientated and managed. Biomedical discourses that filtered through the <br>participants&rsquo<br>talk were: medicine as indisputable truth<br>mechanistic model of the body as machine<br>medical doctors as gods and the foetus as &lsquo<br>super subject&rsquo<br>. Discourses of risk <br>were inevitably taken up as participants tried to make sense of both their current pregnancies and the potential ones to follow. The passage into motherhood for these <br>participants was dependent on whether they had live babies or not. For those who had live babies it was a difficult time as they had to contend with their own recovery as well as the prematurity of their infants. The NICU experience was described as tiring, trying and cumbersome. For mothers who lost their babies it was a time of profound sadness and <br>loss coupled to the notion that motherhood itself was lost. This loss of their children symbolised broken dreams, severed connections and a powerful taboo. In addition, discourses in which motherhood was naturalised and normalised saturated their talk and framed their experience in a narrative of deficit and failure. The ideologies of mother <br>blame and the &lsquo<br>all responsible&rsquo<br>mother were pervasive in their discussions. In conclusion, this high-risk situation represented a time of tremendous uncertainty and unpredictability for all participants and was powerfully shaped by dominant discourses about motherhood and the biomedical discursive and institutional framework in which <br>participants were subjugated. The study thus highlights how the HELLP syndrome experience illuminates the erasure of women&rsquo<br>s subjectivities while the foetus/infants&rsquo<br>life <br>takes precedence. This has significant implications for scholarship in general and feminist scholarship in particular and highlights the need for this type of engagement in an area that has remained on the periphery of feminist research.</p>
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Bryson, Brenda J. "The experiences of African American women in feminist domestic violence organizations /." Thesis, Connect to this title online; UW restricted, 1998. http://hdl.handle.net/1773/11183.
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Macleod, Catriona. "Radical plural feminisms and emancipatory practice in post-Apartheid South Africa." SAGE Publications Ltd, 2006. http://hdl.handle.net/10962/d1014711.
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Despite ten years of democracy, gross inequities continue to permeate South African society, implying the need for emancipatory theory and practice. Furthermore, despite a minority critical voice, South African psychology, as elsewhere, has been a generally conservative discipline. In this paper I explore how a radical plural feminism provides a resource for liberatory theory/practice. Drawing on Foucauldian discourse and postcolonial insights, this framework performs a ‘both/and’ (rather than an ‘either/or’) function in the theorizing and practice of diversity/unity and micro/macro-level politics. This theory is installed in practice through intellectual activism. Intellectual activism implies in this context: refusing abstractions that pre-define who one is, while at the same time strategically deploying plural identities around contingent issues; working in the bordersites of dominant understandings; identifying, communicating and acting upon transversal relations of commonality; identifying and inhabiting the contradictions and disparities contained in dominant and oppressive discourses; and being constantly vigilant and reflective in terms of self, other, context, process, assumptions and theory.<br>This article was written by Catriona Macleod in affiliation with the University of Fort Hare
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Hitchcott, Nicola Marie. "The unspoken self : feminism and cultural identity in African women's writing in French." Thesis, University College London (University of London), 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.321098.
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