Relevant bibliographies by topics / African film

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'African film'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "African film"

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Dovey. "African Film Festivals in Africa: Curating “African Audiences” for “African Films”." Black Camera 12, no. 1 (2020): 13. http://dx.doi.org/10.2979/blackcamera.12.1.03.

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Tomaselli, Keyan G. "Africa, film theory and globalization: Reflections on the first ten years of the Journal of African Cinemas." Journal of African Cinemas 13, no. 1 (2021): 3–28. http://dx.doi.org/10.1386/jac_00041_1.

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Achievements marked by the tenth anniversary of the Journal of African Cinemas is the focus of this retrospective on the origins and development of the publication. The key question addressed is how to ensure that the inclusion of films and film theory by resident Africans can be made integral to the re-envisioning of the whole field. In answering this question, the overview examines the journal’s initial objectives and how they have been met. Editorial board members and guest editors were canvassed for their impressions, and a numerical analysis of author locations is plotted. The findings re
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Hershey, Megan, and Michael Artime. "Narratives of Africa in a Digital World: Kony 2012 and Student Perceptions of Conflict and Agency in Sub-Saharan Africa." PS: Political Science & Politics 47, no. 03 (2014): 636–41. http://dx.doi.org/10.1017/s1049096514000778.

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ABSTRACTKony 2012, a film released by the nonprofit Invisible Children in the spring of 2012, drew a flurry of Facebook “shares” and “likes.” However, critics expressed a concern that the film offered a distorted portrayal of Africans and African politics. In this article, we test these criticisms by asking what effects the film had on college students’ perceptions of Africa and Africans. To address this question, we draw on a survey and an experiment conducted at a small liberal arts college whereKony 2012enjoyed popularity. The results show that the film did affect students’ perceptions of A
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Convents, Guido. "Current issues in African Moving Images and their Preservation." African Research & Documentation 110 (2009): 5–16. http://dx.doi.org/10.1017/s0305862x00017672.

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Preservation policies for moving images made in Africa by Africans was, for a long time, not an issue for most librarians and archivists in Europe with an interest in Africa. They thought of ‘African moving images’ as moving images made on that continent (mostly by non Africans). But in recent years they have become aware that there is a (huge) amount of audiovisual production by Africans, and that makes a difference. For studying and understanding Africa, these are important sources. But it is not easy to find them, or to get to them and to know where and how they are preserved. This issue is
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Convents, Guido. "Current issues in African Moving Images and their Preservation." African Research & Documentation 110 (2009): 5–16. http://dx.doi.org/10.1017/s0305862x00017672.

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Preservation policies for moving images made in Africa by Africans was, for a long time, not an issue for most librarians and archivists in Europe with an interest in Africa. They thought of ‘African moving images’ as moving images made on that continent (mostly by non Africans). But in recent years they have become aware that there is a (huge) amount of audiovisual production by Africans, and that makes a difference. For studying and understanding Africa, these are important sources. But it is not easy to find them, or to get to them and to know where and how they are preserved. This issue is
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Kilian, Cassis. "Glimmering Utopias: 50 Years of African Film." Africa Spectrum 45, no. 3 (2010): 147–59. http://dx.doi.org/10.1177/000203971004500308.

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The history of African film began in the 1960s with the independence of the colonies. Despite all kinds of political and economic difficulties, numerous films have been made since then, featuring wide-ranging processes of consolidation, differentiation and transformation which were characteristic of post-colonial sub-Saharan Africa. However, these feature films should not merely be viewed as back references to specifically African problems. The glimmering fictions are imagination spaces. They preserve ideas about how the post-colonial circumstances should be approached. Seen from this perspect
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Jimeno Aranda, Ricardo. "African film studies: an introduction." Comunicación Revista Internacional de Comunicación Audiovisual Publicidad y Literatura 2, no. 21 (2023): 176–91. http://dx.doi.org/10.12795/comunicacion.2023.v21.i02.09.

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Arthur, Tori. "Nollywood Afrogeeks." International Journal of E-Politics 7, no. 3 (2016): 49–64. http://dx.doi.org/10.4018/ijep.2016070104.

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Viewing Nigerian film, known as Nollywood, in online platforms provides African immigrants living in the United States with digital spaces to engage with the African continent through films with relatable Pan-African themes. Nollywood on social media sites (YouTube and subscription services IrokoTV, Amazon, and Netflix) marks the Nigerian film industry as a transnational participatory movement that enables immigrants to use the technology at their disposal to watch and comment on films, connect with their cultural values, and become a part of a global digital community of dispersed Africans an
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Tafor, Ateh. "Tafor Ateh." International Journal of Trend in Scientific Research and Development 4, no. 2 (2020): 1035–41. https://doi.org/10.5281/zenodo.3854955.

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Modern African film cultures are receiving a new form of acceptability and audiences beyond the borders of Africa. This is illustrated by the growth, development and spread of the Nigerian and Ghanian film industries. While African audiences perceive them as 'Pan African', the development of film culture in Cameroon follows a different trajectory, with audience critiques of non representativeness of Cameroonian films. It is in this context that a Burkinabe film, Julie et Romeo, by Boubacar Diallo, itself an African adaptation of Shakespeare's play, became one of the most well recei
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Petty, Sheila. "African Cinema and (Re)Education: Using Recent African Feature Films." Issue: A Journal of Opinion 20, no. 2 (1992): 26–30. http://dx.doi.org/10.1017/s0047160700501516.

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Over the past few years the Montreal World Film Festival has continued to increase its programming of films by African directors. The 1991 edition, which ran from August 22-September 2, was certainly no exception. I happened to turn on the television to the French station and caught Société Radio Canada’s “official” review of Laafi by Pierre Yameogo of Burkina Faso. The reviewers, Chantal Jolis and René Homier-Roy, dismissed Yameogo’s portrayal of a current African problem—braindrain—as weak in terms of artistic production. For example, they both agreed that Laafi had too many “monotonous mome
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Dissertations / Theses on the topic "African film"

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Inocencio, Jessica Lynn. "The hybridization of African identities in African film." Thesis, Nelson Mandela Metropolitan University, 2007. http://hdl.handle.net/10948/828.

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This paper traces the construction of African identities in A Reasonable Man (South Africa 1999), Chikin Biznis: The Whole Story (South Africa 1998), Fools (South Africa/France 1997), Hyènes (1992), Le cri du coeur (Burkina Faso/France 1994), Pièces d'Identités (France/Congo/Belgium 1998), Une couleur café (France 1997), and Xala (Senegal 1975) based on an analysis of race, ethnicity, tradition, modernization, Westernization, and cultural hybridity theories; as a way of contextualizing African history in general, this paper also explores the significance of colonialism, postcolonialism, and fo
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Berman, Julia E. "African American tropes in popular film /." free to MU campus, to others for purchase, 2003. http://wwwlib.umi.com/cr/mo/fullcit?p3091899.

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Paleker, Gairoonisa. "Creating a 'black film industry' : state intervention and films for African audiences in South Africa, 1956-1990." Doctoral thesis, University of Cape Town, 2009. http://hdl.handle.net/11427/8259.

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Includes abstract.<br>Includes bibliographical references (leaves 217-239).<br>This thesis examines one aspect of cinema in South Africa, namely, the historical construction of a 'black film industry' and the development of a 'black' cinema viewing audience. It does so by focusing on films produced specifically for an African audience using a state subsidy. This subsidy was introduced in 1972 and was separate from the general or A-Scheme subsidy that was introduced in 1956 for the production of English- and Afrikaans-language or 'white' films. This thesis is a critical assessment of the actual
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Prah, Tuleka. "“You Must Be African!” A Heuristic Deconstruction of Black Identity Production Through the Use of African Elements in African American Film." Doctoral thesis, Humboldt-Universität zu Berlin, 2020. http://dx.doi.org/10.18452/21354.

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In dieser Arbeit werden sowohl afrikanische Charaktere als auch Repräsentationen von Kleidung, Musik, Zeichen oder Symbolen, deren Ästhetik als afrozentrisch beschrieben werden kann, identifiziert und kritisch betrachtet. Zusammenfassend als „afrikanische Elemente“ bezeichnet, dient ihre Präsenz oft der Kontrastierung der in den Vordergrund gestellten afroamerikanischen Charaktere und Geschichten und operiert in dieser Kapazität zwischen der gleichzeitigen Sehnsucht nach und der Ablehnung Afrikas, die sich in den afroamerikanischen Identitäten ablesen lassen. Obwohl in anderen Teildisz
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Mututa, Addamms Songe [Verfasser], and Kai [Akademischer Betreuer] Wiegandt. "Contemporary African Cities in Postmillenial African Films / Addamms Songe Mututa ; Betreuer: Kai Wiegandt." Tübingen : Universitätsbibliothek Tübingen, 2019. http://d-nb.info/1204880522/34.

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McGuffie, Allison Doris. "African educational film and video: industry, ideology, and the regulation of Sub-Saharan sexuality." Diss., University of Iowa, 2013. https://ir.uiowa.edu/etd/1695.

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This thesis examines the industry of non-profit educational filmmaking in Sub-Saharan Africa, from the 1930's to the present, with particular attention on the contemporary period of video production from the late 1980's to approximately 2010. This thesis, first, identifies that there is a consistent industrial infrastructure around non-profit educational filmmaking in Sub-Saharan Africa, which has not previously been articulated. Second, it describes the industry's historical origins and contemporary manifestation, delineating the pathways for funding, systems for production, and avenues of di
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Le, Roux Anli. "Screening African Conflicts : the different faces of Africa's child soldiers - Afro-pessimistic / Afro-optimistic portrayals on screen." Master's thesis, University of Cape Town, 2013. http://hdl.handle.net/11427/11715.

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Includes abstract.<br>Includes bibliographical references.<br>When discussing and addressing child soldiering in Africa, both in print or in film, there are a number of key factors that need to be considered. For example, taking into account the root causes for both recruitment and voluntary enlistment - which include the changed nature of weapons and warfare, the breakdown of law and order, and intolerable levels of poverty, unemployment and also the social pressures on children to engage in armed conflicts. By bearing these factors in mind when delving into this complex subject matter, helpe
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Prah, Tuleka [Verfasser], Flora [Gutachter] Veit-Wild, and Eva [Gutachter] Boesenberg. "“You Must Be African!” A Heuristic Deconstruction of Black Identity Production Through the Use of African Elements in African American Film / Tuleka Prah ; Gutachter: Flora Veit-Wild, Eva Boesenberg." Berlin : Humboldt-Universität zu Berlin, 2020. http://d-nb.info/1210485125/34.

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Mbenga, Chilombo. "Exploring South African youths' on/offline political participation." Master's thesis, University of Cape Town, 2012. http://hdl.handle.net/11427/12353.

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Includes bibliographical references.<br>This study is located between the contradiction that youth is politically disinterested and that youth is very much politically engaged. Some scholars have argued that youth political disinterest is a threat to the life of the traditional public sphere and democracy. Against the notion of the youth's disinterest and disaffection from politics, this study points out the deficit in exploratory studies that examine and explore the relationship between young people and their political participation both in the on/offline context. In light of the contradictio
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Phetlhe, Keith. "Decolonizing Translation Practice as Culture in Postcolonial African Literature and Film in Setswana Language." Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1585864989276825.

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Books on the topic "African film"

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Sawadogo, Boukary. African Film Studies. 2nd ed. Routledge, 2022. http://dx.doi.org/10.4324/9781003246763.

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Boukary, Sawadogo. African Film Studies. Routledge, 2018. http://dx.doi.org/10.4324/9780429508066.

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Shiri, Keith. Directory of African film-makers and films. Greenwood Press, 1992.

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Keith, Shiri, ed. Directory of African film-makers and films. Flicks Books, 1992.

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Parker, Janice. Great African Americans in film. Crabtree Pub. Co., 1997.

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Parker, Janice. Great African Americans in film. Crabtree Pub. Co., 1997.

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Roy, Armes, ed. Arab and African film making. Zed Books, 1991.

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Armes, Roy. Dictionary of North African film makers. Association des trois mondes, 1996.

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Armes, Roy. Postcolonial images: Studies in North African film. Indiana University Pres, 2004.

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1947-, Azodo Ada Uzoamaka, and Eke Maureen N, eds. Gender and sexuality in African literature and film. Africa World Press, 2007.

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Book chapters on the topic "African film"

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Dovey, Lindiwe. "African Film Festivals in Africa: Curating “African Audiences” for “African Films”." In Curating Africa in the Age of Film Festivals. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137404145_5.

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Sawadogo, Boukary. "The African Animated Film." In African Film Studies, 2nd ed. Routledge, 2022. http://dx.doi.org/10.4324/9781003246763-8.

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Boukary, Sawadogo. "The African animated film." In African Film Studies. Routledge, 2018. http://dx.doi.org/10.4324/9780429508066-6.

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Sendra, Estrella, and Robin Steedman. "From Africa to London to the World: Film Africa’s Leading Role in the Circulation of African Cinemas." In Framing Film Festivals. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-88590-7_6.

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Abstract Film Africa is currently the largest festival and meeting point in the UK celebrating the best of African cinema. This chapter probes the festival’s goals and how its practices shape the circulation of African cinema in London and beyond. We begin with an exploration of the festival’s understanding of “Africa” in dialogue with the festival location. We suggest that the festival adopts an expansive definition, encompassing the continent, diaspora, and those of African heritage. We show that curating Africa in this way serves as a way of acknowledging, embracing, and celebrating the ric
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Sawadogo, Boukary. "What Is African Cinema?" In African Film Studies, 2nd ed. Routledge, 2022. http://dx.doi.org/10.4324/9781003246763-2.

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Sawadogo, Boukary. "History of African Cinemas." In African Film Studies, 2nd ed. Routledge, 2022. http://dx.doi.org/10.4324/9781003246763-4.

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Boukary, Sawadogo. "What is African cinema?" In African Film Studies. Routledge, 2018. http://dx.doi.org/10.4324/9780429508066-2.

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Thomas, Steven W. "Ethiopian Cinema." In African Film Studies, 2nd ed. Routledge, 2022. http://dx.doi.org/10.4324/9781003246763-13.

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Sawadogo, Boukary. "Introduction." In African Film Studies, 2nd ed. Routledge, 2022. http://dx.doi.org/10.4324/9781003246763-1.

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Sawadogo, Boukary. "The Rise of Local African TV Serials." In African Film Studies, 2nd ed. Routledge, 2022. http://dx.doi.org/10.4324/9781003246763-15.

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Conference papers on the topic "African film"

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Igwe, Chijindu Ikechukwu, Paschal Chizuruoke Eze, and Miracle Izuchukwu Eze. "Design and Analysis of a Supercritical Metal-Water Reactor for Hydrogen Gas Production." In Africa International Conference on Clean Energy and Energy Storage. Trans Tech Publications Ltd, 2025. https://doi.org/10.4028/p-bitq6w.

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In this study, a supercritical metal-water reactor for hydrogen production was designed, simulated, and analysed. As the world urgently seeks to transition towards sustainable energy, hydrogen stands out as a pivotal solution in this shift. This project aims to fill knowledge gaps related to the transition to supercritical conditions through comprehensive analysis, thereby contributing to the advancement of clean energy technologies. Mechanical and thermal properties suitable for a supercritical metal-water reactor were modelled and simulated in SolidWorks 2022, utilizing plots and mesh result
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Beiyi, Sun. "Research on African American Vernacular English --in the film “Crash”." In 6th Annual International Conference on Language, Literature and Linguistics (L3 2017). Global Science & Technology Forum (GSTF), 2017. http://dx.doi.org/10.5176/2251-3566_l317.72.

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Benabbas, S., H. Heriche, Z. Rouabah, and N. Chelali. "Enhancing the efficiency of CIGS thin film solar cells by inserting novel back surface field (SnS) layer." In 2014 North African Workshop on Dielectric Materials for Photovoltaic Systems (NAWDMPV). IEEE, 2014. http://dx.doi.org/10.1109/nawdmpv.2014.6997611.

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Streete, Annicia. "The Design Student as Storyteller: An Afro- Futuristic Perspective of Storytelling." In 2023 ACSA/EAAE Teachers Conference. ACSA Press, 2023. http://dx.doi.org/10.35483/acsa.teach.2023.1.

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A futuristic perspective of “storytelling” as an educating design tool in an architecture elective course that explores Afrofuturism within Architecture. Afrofuturism offers a critical approach to thinking about future built environments of African and African Diasporic communities throughout the world. The course is rooted in a method that introduces Afrofuturism, a school of thought addressing intersections of afro-culture, the use of science and technology to project futures of liberation and in¬novation, using imagination.1 A study of Ten Principles of Black Space Design, authored by Ameri
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Bollen, PDJ, A. Turkova, E. Kaudha, et al. "NP-003 Steady-state pharmacokinetics and early safety data in HIV-infected african children weighing ≥25 kg after switching to 50 mg film-coated dolutegravir tablets in the ODYSSEY trial." In 25th EAHP Congress, 25th–27th March 2020, Gothenburg, Sweden. British Medical Journal Publishing Group, 2020. http://dx.doi.org/10.1136/ejhpharm-2020-eahpconf.461.

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Papaioannou, George, John Papapolymerou, Patrick Pons, and Robert Plana. "RF-MEMS Dielectric Charging: Dependence on Dielectric Film Polarization Procedures." In AFRICON 2007. IEEE, 2007. http://dx.doi.org/10.1109/afrcon.2007.4401447.

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Vrtacnik, D., D. Resnik, U. Aljancic, M. Mozek, S. Penic, and S. Amon. "Thin FC film for sidewall passivation in SCREAM process for MEMS." In AFRICON 2007. IEEE, 2007. http://dx.doi.org/10.1109/afrcon.2007.4401632.

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Reker, Julia, Thorsten Meyers, Fabio F. Vidor, Trudi-Heleen Joubert, and Ulrich Hilleringmann. "Influence of electrode metallization on thin-film transistor performance." In 2021 IEEE AFRICON. IEEE, 2021. http://dx.doi.org/10.1109/africon51333.2021.9570953.

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Reker, J., T. Meyers, F. F. Vidor, and U. Hilleringmann. "Deposition of ZnO nanoparticles for thin-film transistors by doctor blade process." In 2017 IEEE AFRICON. IEEE, 2017. http://dx.doi.org/10.1109/afrcon.2017.8095556.

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Dehbi, Abdelkader, Khaled Djakhdane, and Abdel-Hamid I. Mourad. "Impact of Degradation of Polyethylene Films Under Simulated Climatic Conditions on Their Mechanical Behaviour and Thermal Stability and Lifetime." In ASME 2012 Pressure Vessels and Piping Conference. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/pvp2012-78796.

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Studying the impact of degradation of polyethylene tri-layer films under simulated climatic conditions, of North Africa, on their mechanical behaviour and thermal stability and lifetime is the main objective of this work. The films are produced by the co-extrusion technique which is used in several industrial applications such as the nuclear related applications. The climatic conditions such as temperature, solar radiation, wind, sand and humidity are crucial factors in the ageing process, degradation and lifetime of polymeric materials. At the molecular level, these conditions have severe str
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Reports on the topic "African film"

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Raji, Rafiq. Africa Current Issues - Online Disinformation and the African Firm. Nanyang Business School, 2020. http://dx.doi.org/10.32655/africacurrentissues.2020.17.

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Foster, Shakeba. Wage inequality, firm characteristics, and firm wage premia in South Africa. UNU-WIDER, 2023. http://dx.doi.org/10.35188/unu-wider/2023/439-7.

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Malcolm, Gerard. Modeling Country Risk and Capital Flows in GTAP. GTAP Technical Paper, 2000. http://dx.doi.org/10.21642/gtap.tp13.

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This paper describes how the standard GTAP framework may be used to assess the short-run impacts of changes in international capital market conditions. It describes a technique that can be used to examine the short-run effects of changes in country risk. In the standard GTAP model investment demand is spread across regions according to a simple rate-of-return-equalizing rule. By making the risk premium in this rule explicit, we are able to examine the effects of changes in these risk premium. This work was originally developed as part of the course material for the South African GTAP short cou
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Wu, Jiarui. Summary and Collection of Review Essay Writing. Core Academy, 2024. http://dx.doi.org/10.61362/r2124279.

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This File Includes recent review essays composed by Jiarui Wu. These essays appears in Journal of Chinese Political Sciences, The Chinese Historical Review, China Report, African and Asian Studies, Politics, Religion &amp; Ideology, African Affairs, Journal of Global South Studies, Technology and Culture, Asian Studies Review, and International Studies Review. Readers can access these essays by themselves to study academic writing skills and How to compose book review essays for journals.
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Gallé, Johannes, Rodrigo Oliveira, Daniel Overbeck, Nadine Riedel, and Edson Severnini. Carbon taxation and firm behaviour in emerging economies: Evidence from South Africa. UNU-WIDER, 2025. https://doi.org/10.35188/unu-wider/2025/590-5.

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Djidonou, Gbenoukpo Robert, Neil Foster-McGregor, and Nanditha Mathew. Formal-Informal Supply Chain Linkages and Firm Productivity in Sub-Saharan Africa: The Role of Human Capital. UNU-MERIT, 2025. https://doi.org/10.53330/jner2108.

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Micro, Small, and Medium Enterprises (MSMEs) play a crucial role in reducing poverty and inequality by generating the majority of jobs, income, and pathways to better employment opportunities. However, informal enterprises are often characterized by low productivity and significant decent work deficits. In Sub-Saharan Africa, where a large share of the workforce is engaged in informal enterprises, transitioning to formality is essential for enhancing productivity, fostering economic growth, and ensuring decent work for all. A critical pathway for informal firms to formalize is through producti
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Tadesse, G., F. Gachango, and T. Gwatidzo. Firm-Level Innovation and Business Obstacles in Sub-Saharan Africa: A cross-country analysis. AKADEMIYA2063, 2022. http://dx.doi.org/10.54067/awps.003.

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Lazonick, William, Philip Moss, and Joshua Weitz. Equality Denied: Tech and African Americans. Institute for New Economic Thinking, 2022. http://dx.doi.org/10.36687/inetwp177.

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Thus far in reporting the findings of our project “Fifty Years After: Black Employment in the United States Under the Equal Employment Opportunity Commission,” our analysis of what has happened to African American employment over the past half century has documented the importance of manufacturing employment to the upward socioeconomic mobility of Blacks in the 1960s and 1970s and the devastating impact of rationalization—the permanent elimination of blue-collar employment—on their socioeconomic mobility in the 1980s and beyond. The upward mobility of Blacks in the earlier decades was based on
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Vega, Rafael de la. Economic structure and top earnings inequality in South Africa: A firm-level and sectoral perspective. UNU-WIDER, 2025. https://doi.org/10.35188/unu-wider/2025/598-1.

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Mulumba, Sanduku, Lawrence Edwards, and David Fadiran. Economic geography determinants of spatial wage disparities in South Africa: Evidence from a firm-level panel. UNU-WIDER, 2024. http://dx.doi.org/10.35188/unu-wider/2024/514-1.

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