Relevant bibliographies by topics / African literature American literature Feminist literature

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
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  6. Reports

Academic literature on the topic 'African literature American literature Feminist literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "African literature American literature Feminist literature"

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Du Plessis, J. W., and D. H. Steenberg. "Uit die oogpunt van ’n vrou? Perspektief op feministiese literêre kritiek in die kader van die Airikaanse prosa." Literator 12, no. 3 (1991): 71–88. http://dx.doi.org/10.4102/lit.v12i3.781.

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Feminists feel that in literary criticism not enough consideration is given to feminism as an ideology in the production of texts. According to them, existing literary criticism is strongly man-centred. This is especially true of the practice of South African literary criticism. Although feminism does not have at its disposal a formulated feminist literary criticism, a great deal of research has been done in this direction abroad. This is especially the case in Europe and America. Feminist literary critics apply themselves to the representation of the woman in works by male authors and an analysis of feminine experience in the production of texts by women. This article is an exploration of the Anglo-American and French approaches in feminist literary criticism. An attempt is made to formulate the aims of a possible South African feminist literary criticism in order that not only the general norms, but also the feminist codes in the production of a text, speak towards the final interpretation of a work.
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Andrews, William L., and Hazel V. Carby. "Pioneers of the African-American Feminist Tradition." Callaloo, no. 39 (1989): 423. http://dx.doi.org/10.2307/2931584.

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Cox, Lara. "Decolonial Queer Feminism in Donna Haraway's ‘A Cyborg Manifesto’ (1985)." Paragraph 41, no. 3 (2018): 317–32. http://dx.doi.org/10.3366/para.2018.0274.

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This article explores the queer qualities of feminist scientist Donna Haraway's ‘A Cyborg Manifesto’ (1985). In the first part, the article investigates the similarities between ‘A Cyborg Manifesto’ and the ideas circulating in queer theory, including the hybridity of identity, and the disruption of totalizing social categories such as ‘Gay man’ and ‘Woman’. In the second part, it is argued that ‘A Cyborg Manifesto’ evinced a decolonial feminist form of queerness. The article references the African-American, Chicana and Asian-American feminist sociology, theory, literature and history that ‘A Cyborg Manifesto’ takes up. The article does not wish to position Haraway's white-authored text as an authoritative voice on decolonial feminist queerness, instead arguing for the role of ‘A Cyborg Manifesto’ as a bibliographical work that readers may reference in their exploration of decolonial feminist beginnings of queer theory.
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Drwal, Malgorzata. "Discourses of transnational feminism in Marie du Toit’s Vrou en feminist (1921)." Tydskrif vir Letterkunde 57, no. 2 (2020): 14–25. http://dx.doi.org/10.17159/tl.v57i2.7765.

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In this article I investigate transtextuality in Vrou en feminist (Woman and Feminist, 1921) by Marie du Toit in order to demonstrate how she grafted first-wave transnational feminism onto the Afrikaans context. Du Toit’s book is approached as a space of contact between progressive European and North American thought and a South African, particularly Afrikaner, mindset. Du Toit relied on a multiplicity of late nineteenth and early twentieth centuries discourses to support her argument that Afrikaner women become part of the feminist movement. Due to the numerous quotations from scientific papers and literary fiction, mostly English but also Dutch, her book can be described as a heteroglot text. Utilizing the histoire croisée approach, I discuss Du Toit’s text on the macro and micro scale: I locate it in a historical perspective as a literary document and focus on the ways in which diverse voices intersect and converse with one another. I argue that the book was an unsuccessful attempt at inviting the Afrikaans reader into a transnational imagined community of suffragettes because of prejudice against the English language and culture. English sources, which Du Toit extensively quoted, deterred potential Afrikaans supporters, and consequently prevented transfer of feminist thought. Even though she also supported her views with some texts in Dutch in wanting to appeal to her reader’s associations with a more familiar Dutch culture, this tactic was insufficient to tip the balance.
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Nelms,, Tommie P., and Celestia Bazen,. "Early Experiences of Being Cared-For and Capacity for Care: Some Black Nurses’ Stories." International Journal of Human Caring 6, no. 3 (2002): 30–36. http://dx.doi.org/10.20467/1091-5710.6.3.30.

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The origin(s) of caring capacity is poorly understood socioculturally and in nursing. While nursing literature assumes caring capacity is culturally derived and results from having been cared for, feminist literature proposes that female caring capacity comes from curbing girls’ interests and instilling guilt and deep concern about others. The purpose of this qualitative study was to understand the meaning of early experiences of being cared for in the lives of black nurses. Five African-American and two Jamaican-born nurses were interviewed. Findings reveal influences of gender, race, and class and suggest that being cared for, along with having to care for others and/or witnessing the care of others, contributed to caring capacity.
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Mehla, Anjila Singh. "The Self in Society: Exploring Cultural Embeddedness in Gloria Naylor’s Fiction." IRA-International Journal of Management & Social Sciences (ISSN 2455-2267) 7, no. 2 (2017): 329. http://dx.doi.org/10.21013/jmss.v7.n2.p24.

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<div><p><em>A most significant development that has taken place on the global literary scene during the last few decades or so is the dramatic emergence of African-American voices as a distinct and dominant force. Along with Toni Morrison scores of African American Fiction writers, poets, playwrights, autobiographers, and essayists have mapped bold new territories; they have firmly entrenched themselves in the forefront of contemporary American Literature. This article retraces this exciting literary phenomenon in the context of the lives, works, and achievements of Gloria Naylor and her contemporaries. Naylor discovered feminism and African American Literature, which revitalized her and gave her new ways to think about and define herself as a black woman.</em></p></div>
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Power-Carter, Stephanie. "RE-THEORIZING SILENCE(S)." Trabalhos em Linguística Aplicada 59, no. 1 (2020): 99–128. http://dx.doi.org/10.1590/010318136742415912020.

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ABSTRACT This paper describes a telling case account that occurred during an ethnographic study in the United States in a secondary school senior British Literature class with only two African American young women, Pam and Natonya. The telling case complicated silence and also made visible other reflexive processes that provided opportunities to unpack and theorize silence, which led to the articulation of the silence trilogy. Further, it also made visible how the African American woman scholar’s own lived experiences informed her attempt to make sense of how Pam and Natonya navigated the silence(s). This paper will primarily foreground the works of Scholars of Color and use Black feminist and sociolinguistic theory to explore the following question: How did two African-American females in a predominately white educational space negotiate the silence(s) (e.g., silence, silencing, and silenced)? How did the African American woman researchers of color make sense of their negotiation?
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Henry, Alvin. "Jesmyn Ward’s Post-Katrina Black Feminism." English Language Notes 57, no. 2 (2019): 71–85. http://dx.doi.org/10.1215/00138282-7716158.

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Abstract This article intervenes in the debates on African American memory. After Hurricane Katrina, African Americans had to flee the Gulf, and this created a contemporary new diaspora, which shattered the traditional means of transmitting memories—extended families’ stories—as communities separated. The article analyzes Jesmyn Ward’s response to this evisceration and dispersion of Black memory in Salvage the Bones. She develops “salvaging,” which is a new form of memory and which this article juxtaposes to Toni Morrison’s concept of “rememory.” Instead of rememory’s traumas, Ward suggests that southern Blacks capture the everyday to mitigate the uncertainty of their lives. Salvaging entails scavenging old memories and rememories to forge an amalgamation of overlapping, colliding, and repurposed memories. Salvaging forges independent memory bubbles that can be reentered by descendants to celebrate the periodic losses. This article illuminates a revolutionary system of Black memory making and transmission.
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Awuzie, Solomon. "GOOD WIVES AND BAD WIVES: IBEZUTE’S VICTIMS OF BETRAYAL, THE TEMPORAL GODS AND DANCE OF HORROR." Imbizo 6, no. 2 (2017): 1–11. http://dx.doi.org/10.25159/2078-9785/2799.

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This article is a ‘masculinist’ reading of Chukwuma Ibezute’s Victims of Betrayal, The Temporal Gods and Dance of Horror.The article contends that African literature has always focused on Africa’s socio-political situation until a group of “activists in feminist movement” started agitating for a proper representation of women in literature. Unlike in Europe and America where the ideology is not challenged, in Africa it was challenged by a group of scholars who called themselves ‘masculinists’. Using Ibezute’s three novels, the ‘masculinist’ ideology is demonstrated. While in Ibezute’s Victims of Betrayal it is revealed that men are play-things in the hands of their bad wives, in The Temporal Gods it is depicted that bad wives can go extra miles to impose their decisions on their husbands. In Dance of Horror, it is shown that the kind of woman that is married into a family determines the fate of that family. The article concludes that the implications of these situations as represented in the novels are that while the roles of some husbands in African homes are becoming more and more passive, the fate of some African homes and families are in the hands of wives.
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Mafe, Diana Adesola. "Phoenix Rising: The Book of Phoenix and Black Feminist Resistance." MELUS 46, no. 2 (2021): 43–63. http://dx.doi.org/10.1093/melus/mlab021.

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Abstract This essay focuses on Nnedi Okorafor’s 2015 novel The Book of Phoenix and reads the black female protagonist and narrator, Phoenix Okore, as a powerful metaphor for a radical twenty-first-century black feminist politics and a signifier of the contemporary social movement Say Her Name. Phoenix is the product of experimentation, “a slurry of African DNA and cells” (146) who is birthed by an African American surrogate mother and then raised in a laboratory prison. She herself identifies as “SpeciMen, Beacon, Slave, Rogue, Fugitive, Rebel, Saeed’s Love, Mmuo’s Sister, Villain” (224). Okorafor thus imagines a multilayered metaphor that speaks to the complexities of black female identities in the new millennium. True to her name, Phoenix is repeatedly reborn from her own ashes after dying at the hands of a white supremacist organization called the Big Eye. Hers is, by turns, neo-slave narrative, cautionary tale, and social critique. As a revolutionary black woman who is never meant to be a simplistic paragon, Phoenix ultimately uses her superhuman abilities and her rage to change the world, albeit in a cataclysmic way. Although the novel predates our current historical moment—namely, international protests, calls for police reform in the wake of George Floyd’s murder, and the dismantling of racist iconography—it serves as an uncanny reflection, if not a harbinger, of this moment. Furthermore, it models the ways in which fiction channels our most desperate desires, especially the need for justice.
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Dissertations / Theses on the topic "African literature American literature Feminist literature"

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Hinton-Johnson, KaaVonia Mechelle. "Expanding the power of literature African American literary theory & young adult literature /." Columbus, OH : Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1054833658.

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Thesis (Ph. D.)--Ohio State University, 2003.<br>Title from first page of PDF file. Document formatted into pages; contains vii, 175 p. Includes abstract and vita. Advisor: Caroline Clark, College of Education. Includes bibliographical references (p. 160-175).
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Spriggs, Bianca L. "Women of the Apocalypse: Afrospeculative Feminist Novelists." UKnowledge, 2017. http://uknowledge.uky.edu/english_etds/56.

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“Women of the Apocalypse: Feminist Afrospeculative Writers,” seeks to address the problematic ‘Exodus narrative,’ a convention that has helped shape Black American liberation politics dating back to the writings of Phyllis Wheatley. Novels by Zora Neale Hurston, Octavia Butler, and Alice Walker undermine and complicate this narrative by challenging the trope of a single charismatic male leader who leads an entire race to a utopic promised land. For these writers, the Exodus narrative is unsustainable for a number of reasons, not the least of which is because there is no room for women to operate outside of the role of supportive wives. The mode of speculative fiction is well suited to crafting counter-narratives to Exodus mythology because of its ability to place marginalized voices in the center from the stance of ‘What next?’ My project is a hybrid in that I combine critical theory with original poems. The prose section of each chapter contextualizes a novel and its author with regard to Exodus mythology. However, because novels can only reveal so much about character development, I identify spaces to engage and elaborate upon the conversation incited by these authors’ feminist protagonists. In the tradition of Black American poets such as, Ai, Patricia Smith, Rita Dove, and Tyehimba Jess, in my own personal creative work, I regularly engage historical figures through recovering the narratives of underrepresented voices. To write in persona or limited omniscient, spotlighting an event where the reader possesses incomplete information surrounding a character’s experience, the result becomes a kind of call-and-response interaction with these novels.
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Koziatek, Zuzanna Ewelina. " Formal Affective Strategies in Contemporary African Diasporic Feminist Texts ." Cleveland State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=csu1621007445234777.

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Jones, Claire. "An Intersectional Feminist Perspective of Emmett Till in Young Adult Literature." Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/etd/3413.

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Emmett Till’s murder inspired many novelists, poets, and artists. Recently, Till has inspired several feminist young adult novelists who are introducing his case in an intersectional way to a new generation of readers. The works that I have studied are A Wreath for Emmett Till (2003) by Marilyn Nelson, The Hunger Games Trilogy (2008-2010) by Suzanne Collins, and Midnight without a Moon (2017) by Linda Jackson. By examining how the authors employ a feminist perspective, readers can understand how they are striving for a more inclusive, intersectional feminist movement. This is significant because the publishing industry, specifically for Young Adult Literature, is not diverse. These works, while often overlooked by critics, may be the first exposure most young readers have to Emmett Till. Each of these novels could be used to teach readers not only about Till’s case, but also about current events to help foster a multicultural consciousness.
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Gress, Priti Chitnis. "Tar Baby and the Black Feminist Literary Tradition." W&M ScholarWorks, 1997. https://scholarworks.wm.edu/etd/1539626111.

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Capelli, Amanda M. "The (Un)Balanced Canon| Re-Visioning Feminist Conceptions of Madness and Transgression." Thesis, University of Louisiana at Lafayette, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10686919.

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<p> By re-positioning the works of Elaine Showalter, Phyllis Chesler, Sandra Gilbert, and Susan Gubar alongside Alice Dunbar-Nelson, Nella Larsen, and Zora Neale Hurston, reading the literary texts through the feminist theories in order to expand them, this dissertation aims to contribute to an intersectional feminist practice that challenges claims of universality and continues to decolonize the female body and mind. Through an intersectional analysis of narratives written by women of color, applying and re-visioning theories of madness and transgression, this dissertation will present a counter-narrative to the &ldquo;essential womanness&rdquo; developed within and sustained by white feminist practices throughout the 1970s. Each chapter pairs white feminist theorists with an author whose work complicates notions of universal female experience: Dunbar-Nelson/ Showalter, Larsen/ Chesler, Hurston/Gilbert and Gubar. These pairings create tension between theories of universality and the realities of difference. The addition of three different narratives, each representing a broader range of intersectional female experience, enriches the heteroglossia surrounding feminist conceptions of mental illness. The result is a poly-vocal conversation that employs a scaffold of intersectional identity politics in order to (re)consider the relationship between the diagnosis and treatment of mental illness and the performativity of gender.</p><p>
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Abreu, Aline Guimarães Teixeira de. "Celebrando o gênero feminino através da maternidade em narrativas de escravos e posteriores à escravidão." Universidade do Estado do Rio de Janeiro, 2006. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=130.

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Um estudo sobre a maternidade como um tema recorrente na Literatura Afro-Americana nos últimos três séculos e isso pode ser observado nas palavras de Harriet Jacobs e Maya Angelou. Em suas obras, respectivamente, Incidents in the Life of a Slave Girl and I Know Why the Caged Bird Sings, as autoras posicionam o eu negro feminino no centro de suas experiências e revêem suas memórias passadas. Fazendo isso, elas narram histórias que transcendem as suas próprias e dão voz as mulheres duplamente marginalizadas cujos testemunhos foram excluídos da História oficial e do cânone literário por serem negras e mulheres.<br>A study of motherhood as a recurrent theme in African American Literature in the last three centuries and this may be seen in the words of Harriet Jacobs and Maya Angelou. In their autobiographical works, respectively, Incidents in the Life of a Slave Girl and I Know Why the Caged Bird Sings, the authors place their marginalized black female self in the center of their own experience and revisit their past memories. By doing so, they narrate stories that transcend their own and voice the double jeopardized black women whose testimonies were excluded from official History and suffocated by the literary canon.
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Marshall, Courtney Denine. "Sisters in crime black femininity, law, and literature in American culture /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1971758521&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Starke, Nathalie. "The Faces of Oppression : In Their Eyes Were Watching God and The Bluest Eye." Thesis, Högskolan i Halmstad, Sektionen för humaniora (HUM), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-25957.

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This essay examines the novels Their Eyes Were Watching God by Zora Neale Hurston and The Bluest Eye by Toni Morrison with feminist and African Amerian theory. The focus is on opppression and I study the men's roles and functions, whether the male characters follow social structures, if patriarchy is something noticeable and how this affect the female characters.
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Kempen, Laura Charlotte. "Words of deliverance : the (re)constitution of the disenfranchised feminine subject in selected works of West African and Latin American women writers /." Thesis, Connect to this title online; UW restricted, 1998. http://hdl.handle.net/1773/6694.

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Books on the topic "African literature American literature Feminist literature"

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Kulkarni, Harihar. Black feminist fiction: A march towards liberation. Creative Books, 1999.

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Ranveer, Kashinath. Black feminist consciousness. Printwell, 1995.

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Barbara, Christian. New Black feminist criticism, 1985-2000. University of Illinois Press, 2007.

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Not just race, not just gender: Black feminist readings. Routledge, 1998.

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A, Lester Neal, Fulton DoVeanna S. 1967-, and Myles Lynette D, eds. Sapphire's literary breakthrough: Erotic literacies, feminist pedagogies, environmental justice perspectives. Palgrave Macmillan, 2012.

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New dimensions in contemporary literature: Subaltern, dalit, feminism, diaspora. Prestige Books International, 2013.

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Margaret, Walker. How I wrote Jubilee and other essays on life and literature. The Feminist Press, 1990.

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Anderson, Lisa M. Black feminism in contemporary drama. University of Illinois Press, 2007.

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The artistry of anger: Black and white women's literature in America, 1820-1860. University of North Carolina Press, 2002.

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Hernton, Calvin C. The sexual mountain andBlack women writers: Adventures in sex, literature, and real life. Anchor Press, 1987.

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Book chapters on the topic "African literature American literature Feminist literature"

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King, Nicole. "‘Getting in Conversation’: Teaching African American Literature and Training Critical Thinkers." In Teaching Literature. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-31110-8_6.

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Leonard, Keith D. "Jazz and African American Literature." In A Companion to African American Literature. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444323474.ch19.

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Carpio, Glenda R. "Humor in African American Literature." In A Companion to African American Literature. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444323474.ch21.

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Keizer, Arlene R. "African American Literature and Psychoanalysis." In A Companion to African American Literature. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444323474.ch27.

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Tucker, Jeffrey Allen. "African American Science Fiction." In A Companion to African American Literature. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444323474.ch24.

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Levine, Robert S. "African American Literary Nationalism." In A Companion to African American Literature. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444323474.ch8.

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Sidbury, James. "Africa in Early African American Literature." In A Companion to African American Literature. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444323474.ch2.

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Brooks, Joanna, and Tyler Mabry. "Religion in Early African American Literature." In A Companion to African American Literature. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444323474.ch5.

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Jarrett, Gene Andrew. "The Dialect of New Negro Literature." In A Companion to African American Literature. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444323474.ch11.

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Dulfano, Isabel. "Canonical Representations of Indigenous Women in Latin American Literature." In Indigenous Feminist Narratives. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137531315_2.

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Conference papers on the topic "African literature American literature Feminist literature"

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Zhou, Shaobin. "Feminist Utopia: A New Viewpoint of Interpreting British and American Literature." In 2014 International Conference on Education, Management and Computing Technology (ICEMCT-14). Atlantis Press, 2014. http://dx.doi.org/10.2991/icemct-14.2014.72.

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Beiyi, Sun. "Research on African American Vernacular English --in the film “Crash”." In 6th Annual International Conference on Language, Literature and Linguistics (L3 2017). Global Science & Technology Forum (GSTF), 2017. http://dx.doi.org/10.5176/2251-3566_l317.72.

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Wang, Yan, and Xiaolan Lei. "A Study of African American Vernacular English of Anti-language from the Perspective of Externality of Language." In 6th Annual International Conference on Language, Literature and Linguistics (L3 2017). Global Science & Technology Forum (GSTF), 2017. http://dx.doi.org/10.5176/2251-3566_l317.110.

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Apenko, Elena. "qAnotherq Literature of American Revolution: poetry of M. O. Warren and Ph. Wheatley and its Interpretation by American Feminist Critics." In 45th International Philological Conference (IPC 2016). Atlantis Press, 2017. http://dx.doi.org/10.2991/ipc-16.2017.40.

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"Autoethnography of the Cultural Competence Exhibited at an African American Weekly Newspaper Organization." In InSITE 2019: Informing Science + IT Education Conferences: Jerusalem. Informing Science Institute, 2019. http://dx.doi.org/10.28945/4187.

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[This Proceedings paper was revised and published in the 2019 issue of the journal Issues in Informing Science and Information Technology, Volume 16] Aim/Purpose: Little is known of the cultural competence or leadership styles of a minority owned newspaper. This autoethnography serves to benchmark one early 1990s example. Background: I focused on a series of flashbacks to observe an African American weekly newspaper editor-in-chief for whom I reported to 25 years ago. In my reflections I sought to answer these questions: How do minorities in entrepreneurial organizations view their own identity, their cultural competence? What degree of this perception is conveyed fairly and equitably in the community they serve? Methodology: Autoethnography using both flashbacks and article artifacts applied to the leadership of an early 1990s African American weekly newspaper. Contribution: Since a literature gap of minority newspaper cultural competence examples is apparent, this observation can serve as a benchmark to springboard off older studies like that of Barbarin (1978) and that by examining the leadership styles and editorial authenticity as noted by The Chicago School of Media Theory (2018), these results can be used for comparison to other such minority owned publications. Findings: By bringing people together, mixing them up, and conducting business any other way than routine helped the Afro-American Gazette, Grand Rapids, proudly display a confidence sense of cultural competence. The result was a potentiating leadership style, and this style positively changed the perception of culture, a social theory change example. Recommendations for Practitioners: For the minority leaders of such publications, this example demonstrates effective use of potentiating leadership to positively change the perception of the quality of such minority owned newspapers. Recommendations for Researchers: Such an autoethnography could be used by others to help document other examples of cultural competence in other minority owned newspapers. Impact on Society: The overall impact shows that leadership at such minority owned publications can influence the community into a positive social change example. Future Research: Research in the areas of culture competence, leadership, within minority owned newspapers as well as other minority alternative publications and websites can be observed with a focus on what works right as well as examples that might show little social change model influence. The suggestion is to conduct the research while employed if possible, instead of relying on flashbacks.
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Reports on the topic "African literature American literature Feminist literature"

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Magee, Caroline E. The Characterization of the African-American Male in Literature by African-American Women. Defense Technical Information Center, 1995. http://dx.doi.org/10.21236/ada299399.

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