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Books on the topic 'African literature (English) African literature (French) Colonies in literature. Africa'

Author: Grafiati
Published: 4 June 2021
Last updated: 16 February 2022

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1

Onyemelukwe, I. M. Colonial, feminist and postcolonial discourses: Decolonisation and globalisation of African literature. Zaria, Nigeria: Labelle Educational Publishers, 2004.

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2

Brambilla, Cristina. Lettature africane in lingue europee: Africa Sub-Sahariana. Milano: Jaca Book, 1993.

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3

Losambe, Lokangaka. Borderline movements in African fiction. Trenton, N.J: Africa World Press, 2005.

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4

African independence from francophone and anglophone voices: A comparative study of the post-independence novels by Ngugi and Sembène. New York: P. Lang, 1994.

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5

British Colonial realism in Africa: Inalienable objects, contested domains. New York: Palgrave Macmillan, 2012.

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6

Ogunyemi, Chikwenye Okonjo. Juju fission: Women's alternative fictions from the Sahara, the Kalahari, and the oases in-between. New York: Peter Lang, 2008.

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7

Julien, Eileen. African novels and the question of orality. Bloomington: Indiana University Press, 1992.

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8

Jean-François, Durand, Sévry Jean, and Université Paul Valéry. Axe francophone et méditerranéen., eds. Regards sur les littératures coloniales. Montpellier: Axe francophone et méditerranéen, Centre d'étude du XXe siècle, Université Paul-Valéry-Montpellier III, 1999.

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9

S, Gérard Albert, ed. European-language writing in sub-Saharan Africa. Budapest: Akadémiai Kiadó, 1986.

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10

Forms of Protest: Anti-Colonialism and Avant-Gardes in Africa, the Caribbean, and France. Heinemann, 2002.

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11

Taoua, Phyllis. Forms of Protest: Anti-Colonialism and Avant-Gardes in Africa, the Caribbean, and France. Heinemann, 2002.

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12

H, Bruner Charlotte, ed. Unwinding threads: Writing by women in Africa. London: Heinemann, 1987.

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13

Out in Africa: Same-Sex Desire in Sub-Saharan Literatures and Cultures. Boydell & Brewer, Limited, 2013.

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14

Juju Fission: Women's Alternative Fictions from the Sahara, the Kalahari, and the Oases In-between (Society and Politics in Africa). Peter Lang Pub Inc, 2008.

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15

Spillman, Deborah Shapple. British Colonial Realism in Africa: Inalienable Objects, Contested Domains. Palgrave Macmillan, 2012.

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16

Cultural Representations of Massacre. Palgrave Macmillan, 2014.

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17

People's Right to the Novel: War Fiction in the Postcolony. Fordham University Press, 2014.

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18

Bush, Ruth. Publishing Africa in French. Liverpool University Press, 2016. http://dx.doi.org/10.5949/liverpool/9781781381953.001.0001.

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Publishing Africa in French provides a critical analysis of the global dynamics and cultural and publishing history of French and African literature. It focuses on French readership and the French literary-political sphere, and engages with issues of authorial authenticity, literary value, and author autonomy. The study is built on careful documentations of the pre- and post-publication process, and explores the relentless interweaving of ideas expressed in literary form, their institutional contexts and underlying human relationships, and asks: Who writes about Africa and who is Africa written for? The book is split into two sections, ‘Institutions’ and ‘Mediations’. The first part of the book, ‘Institutions’, situates three institutions of particular significance, the publishing houses of Le Seuil and Présence Africaine, and the Association nationale des écrivains de la mer et de l’outre-mer. ‘Mediations’, the second section of the book, concludes with a consideration on how institutional structures work into or against the literary texture of selected publications, and examines readers’ reports and editorial revision; the use of pseudonyms; the development of named collections and the process of literary translation from English. Publishing Africa in French aims to bring book-historical principles to bear on a decisive period in French literary history and foregrounds the influencing factors on literary expression and its material impressions in the period of decolonization.
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19

Luffin, Xavier. Sub-Saharan Africa. Edited by Waïl S. Hassan. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199349791.013.27.

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This chapter examines the development of the novel genre in Somalia, Chad, Mali, Nigeria, and Senegal. It begins with a discussion of the use of Arabic in sub-Saharan Africa and the emergence of a new literary tradition in English, French, and Italian during and after independence. It then considers the works of Arabophone novelists from those five countries. The chapter shows that Arabic literature in sub-Saharan Africa is not homogenous and that African authors enrich the contemporary Arabic novel by introducing new perspectives on familiar themes ranging from migration to war, exile, and new cultural features, while insisting on local history and customs.
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