Relevant bibliographies by topics / Africana Womanism

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Africana Womanism'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Africana Womanism"

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Makgato, Mary, Chaka Chaka, and Itani Mandende. "Theorizing an Africana Womanist’s Resistance to Patriarchy in Monyaise’s Bogosi Kupe." Journal of Black Studies 49, no. 4 (February 21, 2018): 330–48. http://dx.doi.org/10.1177/0021934718760194.

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This article examines the resistance of an African woman to patriarchy in the Setswana novel, Bogosi Kupe. To illustrate this resistance, it analyzes a woman protagonist, Matlhodi, in this Setswana novel. The article contends that Matlhodi employs self-defining and authentic stratagems to counteract both patriarchal hegemony, and familial, cultural, and ideological hegemony. Employing Africana womanism and Africana critical theory, it argues that Matlhodi deploys her body, her clandestine love affair, her pregnancy, and her husband’s death as weapons to resist the patriarchal ethos foisted on her by her family.
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Huff, Stephanie, Debbie Laliberte Rudman, Lilian Magalhães, and Erica Lawson. "‘Africana womanism’: Implications for transformative scholarship in occupational science." Journal of Occupational Science 25, no. 4 (August 9, 2018): 554–65. http://dx.doi.org/10.1080/14427591.2018.1493614.

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LaRese Hubbard. "Anna Julia Cooper and Africana Womanism: Some Early Conceptual Contributions." Black Women, Gender + Families 4, no. 2 (2010): 31. http://dx.doi.org/10.5406/blacwomegendfami.4.2.0031.

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Norwood, Carolette. "Perspective in Africana Feminism; Exploring Expressions of Black Feminism/Womanism in the African Diaspora." Sociology Compass 7, no. 3 (February 19, 2013): 225–36. http://dx.doi.org/10.1111/soc4.12025.

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Ndi Etondi, Vanessa. "Africana womanism et homosexualité dans Crépuscule du tourment 1 de Léonora Miano." Études littéraires africaines, no. 47 (2019): 117. http://dx.doi.org/10.7202/1064757ar.

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Barry, Fatoumata Binta, and Sue C. Grady. "Africana womanism as an extension of feminism in political ecology (of health) research." Geoforum 103 (July 2019): 182–86. http://dx.doi.org/10.1016/j.geoforum.2018.09.024.

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Makoni. "Labeling Female Genitalia in a Southern African Context: Linguistic Gendering of Embodiment, Africana Womanism, and the Politics of Reclamation." Feminist Studies 41, no. 1 (2015): 42. http://dx.doi.org/10.15767/feministstudies.41.1.42.

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Ratna Hasanthi, Dhavaleswarapu. "Womanism and Women in Alice Walker’s The Temple of My Familiar." Shanlax International Journal of English 7, no. 2 (March 17, 2019): 1–9. http://dx.doi.org/10.34293/english.v7i2.322.

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African-American women have been inappropriately and unduly, stereotyped in various contrasting images as slaves post-slavery, wet nurses, super women, domestic helpers, mammies, matriarchs, jezebels, hoochies, welfare recipients, and hot bodies which discloses their repression in the United States of America. They have been showcased by both black men and white women in different ways quite contrary to their being in America. Toni Morrison, Alice Walker, Gloria Naylor, Gayl Jones, Paule Marshall, Sonia Sanchez, Toni Cade Bambara, to name a few writers, have put forth the condition of black women through their works. They have shown the personality of many a black women hidden behind the veils of racism, sexism, classism and systemic oppression of different sorts. Walker coined the term Womanism in her 1984 collection of essays titled In Search of Our Mothers’ Gardens: Womanist Prose. Womanism advocates consensus for black women starting with gender and proceeding over to race, ethnicity and class, with a universal outlook. Womanism offers a positive self-definition of the black woman’s self within gendered, historical, geographical, ethnic, racial and cultural contexts too. Walker’s novel The Temple of My Familiar 1989 is a womanist treatise putting forth the importance of womanist consciousness and womanist spirit. The novel is a tribute to the strength, endurance and vitality of black womanhood. The novel revolves around three pairs of characters and their lives to showcase the lives of African Americans and coloured population in America. The three couples namely Suwelo and Fanny, Arveyda and Carlotta, Lissie and Hal showcased in the novel, belong to different age groups and different, mixed ethnicities. Through them, Walker depicts the lives of marginalized population in America, and the umpteen trials they face for being who they are. Furthermore, this paper showcases how Womanism as a theory can really enliven the life of the black community, especially black women when put into practice.
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Ezeifeka, Chinwe R. "Chinweizu and Woman’s Place: A Response to Anatomy of Female Power." African and Asian Studies 20, no. 1-2 (April 27, 2021): 179–99. http://dx.doi.org/10.1163/15692108-12341488.

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Abstract This article examines the reality or illusion of the perceived ‘paradises’ of ‘female power’, the purported façade of patriarchy and the claimed pervasiveness of matriarchy in Chinweizu’s Anatomy of Female Power. By deconstructing the extreme essentialist perspectives of AFP, and in line with womanism, the article interrogates the perceived covert matriarchal power sites of the masculinist creation and argues that they essentialize woman’s place in fixed biologically defined gender spaces, hence negating the concept of societal power as exercised rather than possessed. These placements, while trivializing woman’s role in the public sphere, obviously obfuscate the acknowledged dual-sex political system in some African and Nigerian settings. Responding from the generally African and specifically Igbo experience, the work offers an alternative womanist conceptualization, beyond matriarchy-patriarchy and other gender stereotypic binaries; a humanistic form of gender fluidity where the synergy of the two genders will engender complementarity, collaboration, compromise and cooperation.
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Makombe, Rodwell. "Images of woman and the search for happiness in Cynthia Jele's Happiness is a four letter word." Tydskrif vir Letterkunde 55, no. 1 (January 26, 2018): 110–21. http://dx.doi.org/10.17159/2309-9070/tvl.v.55i1.1552.

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Over the years, African ‘feminist’ scholars have expressed reservations about embracing feminism as an analytical framework for theorizing issues that affect African women. This is particularly because in many African societies, feminism has been perceived as a negative influence that seeks to tear the cultural fabric and value systems of African communities. Some scholars such as Clenora Hudson-Weems, Chikenje Ogunyemi, Tiamoyo Karenga and Chimbuko Tembo contend that feminism as developed by Western scholars is incapable of addressing context-specific concerns of African women. As a result, they developed womanism as an alternative framework for analysing the realities of women in African cultures. Womanism is premised on the view that African women need an Afrocentric theory that can adequately deal with their specific struggles. Drawing from ideas that have been developed by womanist scholars, this article critically interrogates the portrayal of women in Cynthia Jele’s Happiness is a four-letter word (2010), with particular focus on the choices that they make in love relationships, marriage and motherhood. My argument is that Jele’s text affirms the womanist view that African women exist within a specific cultural context that shapes their needs, aspirations and choices in a different way.
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Dissertations / Theses on the topic "Africana Womanism"

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Blackmon, Janiece L. "I Am Because We Are: Africana Womanism as a Vehicle of Empowerment and Influence." Thesis, Virginia Tech, 2008. http://hdl.handle.net/10919/33840.

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The purpose of this research project has been to shed light on the experiences of Black women in Afrocentric groupsâ Nation of Gods and Earths, the Black Panther Party, and Rastafariansâ that operated on the fringes of society during the 1960s through the early 2000s. This work articulates the gender dynamics between the men and women of the groups. In it, I trace the history of Black nationalism and identity in the United States in the late 19th century to the 20th century which set the framework for the formation of the Nation of Gods and Earths (NGE), the Black Panther Party(BPP), and Rastafarianism and its members to see themselves as a part of the Black nation or community and the women of these groups to see their identity tied in with the goals and desires of the group not as one set on individualistic ambitions.

The Africana womanist did not see herself as an individual but rather a vital part of the entire Black community. From a feminist perspective, it would appear as though the women of these Afrocentric fringe groups were marginalized and oppressed by the men but this perspective fails to give credence to the fact that Rasta women, Earthsâ the female members of the NGEâ and women Panthers saw race and racism as a more pressing issue than that of sexism. That is not to say that women in these groups did not question or challenge some of the sexist actions of their male counterparts. When there was a challenge it was done so in a way that reminded the men of the tenets of their respective group and their responsibility to uphold those principles; principles that required the men to consider the women as equally valuable in the cause of the group and deserving of just treatment.

While adhering to a gender order that afforded the male members a more visible position, the women of this study did not view their positions as mothers, wives, and sister members as a hindrance to their own personal joy or freedom. In fact, using an Africana womanist point of view, they would argue that it was in the best interest of the entire Rasta, NGE, or BPP and by extension, the Black community for them to own their statuses as a form of empowerment. For it was through their wombs and nurturing that the next generation would be born, through their providing a stable home that would allow their husbands to focus their attentions on the issues concerning their communities outward and through their role as supportive â sistersâ encouraging the men that the community could advance socially.
Master of Arts

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Keiler-Bradshaw, Ahmon J. "Voices of the Earth: A Phenomenological Study of Women in the Nation of Gods and Earths." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/aas_theses/2.

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Historically, Black women have often been excluded from the discussion on leadership. This thesis argues that the leadership roles of the women in the Nation of Gods and Earths are consis-tent with the concepts of both Africana womanism and Black women’s leadership. However, through an analysis of Earth’s oral testimonies, this research concludes that though racism is the most pervading obstacle faced by Black people, The Nation of Gods and Earths must address and reevaluate the sexism that exists within its doctrine and practice. By doing so, the group can be-gin to recognize Black women’s leadership and utilize it more effectively. The Nation should collectively transform its gender inequality, in a way that does not compromise its culture, as a means of successfully sustaining and strengthening itself and the communities of which it serves.
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Blasingame, Dionne. "The Trauma of Chattel Slavery: A Womanist Perspective Women on Georgia in Early American Times." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/english_theses/138.

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This thesis explores the psycho-socio-cultural dynamics that surrounded black womanhood in antebellumGeorgia. The goal is twofold: first, to examine how slave narratives, testimonies, and interviews depicted the plight of enslaved black women through a womanist lens and second, to discover what political and socio-cultural constructions enabled the severe slave institution that was endemic toGeorgia. Womanist theory, psychoanalytic theory, and trauma theory are addressed in this study to focus on antebellum or pre-Civil WarGeorgia.
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Diamanka, Fanta. "Broadcasting Change: Radio Talk Shows, Education and Women’s Empowerment in Senegal." Ohio University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1365168542.

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Aboderin, Olutoyosi Abigail. "More Than a Hashtag: An Examination of the #BlackGirlMagic Phenomenon." Master's thesis, Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/592065.

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African American Studies
M.L.A.
Cashawn Thompson, who is credited for coining the phrase “Black girls are magic” which was later shortened to Black Girl Magic, says in an interview with the Los Angeles Times that “at its core, the purpose of this movement is to create a platform where women of color can stand together against “the stereotyping, colorism, misogynoir and racism that is often their lived experience.” Julee Wilson, Fashion Senior Editor at Essence Magazine, reflects Thompson in her article written for HuffPost saying, “Black Girl Magic is a term used to illustrate the universal awesomeness of black women. It’s about celebrating anything we deem particularly dope, inspiring, or mind-blowing about ourselves.” (Wilson, 2016) Nielsen Media Research similarly defines #BlackGirlMagic as “a cross-platform gathering of empowered Black women who uplift each other and shine a light on the impressive accomplishments of Black women throughout the world, a hashtag which uncovers and addresses the daily racism that so
Temple University--Theses
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Meggs, Michelle. ""Oh She Ratchet": An Examination of Tyler Perry's Madea and Christianee Porter's Miss Shirleen Characters as Agents of Black Women's Liberation." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 2019. http://digitalcommons.auctr.edu/cauetds/199.

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This purpose of this dissertation is to utilize womanism and ratchetness to determine how the actions of Tyler Perry’s Madea and Christianee Porter’s Miss Shirleen characters represent Black women’s agency through their ratchet actions. This dissertation analyzed two Tyler Perry films and five Miss Shirleen videos to determine whether their actions conveyed cultural and liberative significance beyond entertainment. This research discovered that both characters engaged in resistance to disempowering narratives through actions that embraced a radical subjectivity and subsequent dismissal of respectability politics that embraced the strengths of Black womanhood in affirming, creative, and audacious ways. This dissertation also found that ratchetness and womanism as liberative agency leave room for Black women to redefine themselves and evolve based on their own indigenous knowledge and create a language that is familiar and uplifting for themselves. Moreover, Black women can be ratchet, womanist, and respectable simultaneously regardless of class status thereby rejecting a pathologized Black womanhood.
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Ogwude, Haadiza N. "Popular Nigerian Women's Magazines and Discourses of Femininity: A Textual Analysis of Today's Woman, Genevieve, and Exquisite." Ohio University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou161643816575918.

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Nzute, Anastesia. "Utilisation of insecticide treated nets among women in rural Nigeria : themes, stories, and performance." Thesis, University of Wolverhampton, 2017. http://hdl.handle.net/2436/620391.

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Background: The effect of Malaria attack on maternal and child health in Nigeria is high compared with other countries in sub Saharan Africa. This problem has been a persistent issue in Nigeria and many researchers have tried to proffer solutions. Insecticide treated nets (ITN) have been identified as providing approximately 80% protection against malaria attack. However, all the measures put in place to control malaria failed to meet up with the set target of the Roll Back Malaria Initiative, which aimed at reducing malaria deaths in Nigeria by half by 2010 in line with the Millennium Development Goals (Anyaehie et al., 2009). As part of the global initiative to reduce malaria deaths before 2015 (Amoran, Senbanjo and Asagwara, 2011) the Nigerian government introduced intervention programmes to protect pregnant women, and children under-five years of age (Anyaehie et al., 2011). However, although there has been considerable and effective intervention in controlling this preventable disease in the African continent, marked inconsistency in the distribution of the ITN, scarcity and low usage in Nigeria (Amoran, Senbanjo and Asagwara, 2011) are apparent, despite emphasis on community-based strategies for malaria control (Obinna, 2011). For midwives in rural Nigeria the disproportionate vulnerability of pregnant women and young children is of great concern. This particular issue is the focus of a hermeneutic phenomenological inquiry into the experiences of pregnant women and mothers in their efforts to protect their families and themselves from malaria attack. The study contends that the ‘big (pan-African/national) story’ of malaria has found many voices, speaking from a predominantly positivist perspective. While some more interpretivist approaches to exploring experience have been employed elsewhere in Sub-Saharan Africa (Rachel and Frank 2005), there remains a need for more participatory research related to health care issues in Nigeria (Abdullahi et al 2013). Women and children make up the majority of the Nigeria population of over 160 million. An attack of malaria on them affects entire households and the economy of the nation. Therefore, the purpose of this study was to give voice to the ‘small (household) stories’ of Nigerian women (mothers and health workers), living and working in impoverished rural communities, and consider how their viewpoints, perspectives and imaginings might contribute to the fight for a malaria-free Nigeria. Methodological approach: The research draws on the philosophy of Martin Heidegger, Hans-Georg Gadamer, and Maurice Merleau-Ponty. The participants’ accounts are interpreted in terms of Africana ‘Womanism’ as defined by Hudson-Weems (1993), the socio-narratology approach elaborated by Frank (2010), and Igbo world-view. Research procedure: Individual semi-structured interviews and focus groups were conducted with Igbo women in three rural communities in Enugu State in eastern Nigeria (Nsukka, Ngwo, and Amechi). This was a three-phase process involving an initial orientation visit to engage with local gatekeepers and community health workers. A first round of interviews and discussion took place in three communities in 2014, followed by the first phase of interpretation. A second field trip took place in 2015, during which participants discussed the ongoing interpretation and elaborated further on some of the issues raised. Interpretive phases 2 and 3 followed this visit. Interpretive process: Interpretive shifts in understanding were accomplished in three ways: 1. Seeking thematic connections between participants’ accounts of living with the threat of malaria. 2. Engaging in dialogical narrative analysis to explore the work done by the stories embedded in individual accounts of living under the threat of malaria. 3. Crafting found poetry from within the collective accounts to produce an evocative text that could mediate an emotional response and understanding of the malaria experience. Key outcomes: The research was a response to calls for more participatory research into the detailed experiences of people in Africa facing up to the threat of malaria. It has provided a vehicle for the voices of a group of Nigerian women and health workers to bring attention to the continuing plight of pregnant women and their families with limited access to insecticide-treated bed nets in poor living conditions. They have told how they seek to empower themselves in their own small and particular ways. It has provided insights into their worldview(s) and what others might see from where they stand. As such it has added to their own call expressed during the research to “Keep malaria on the agenda.” The research has used the women’s own testimony to create an oral resource designed https://youtu.be/XelMXLUzTV0 to facilitate education and action among small local groups of women and their families, and for health workers in local rural communities.
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Taylor, Toniesha Latrice. "A Tradition Her Own: Womanist Rhetoric and the Womanist Sermon." Bowling Green, Ohio : Bowling Green State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1231801444.

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Houston, D. Akil. "A DJ Speaks with Hands: Gender Education and Hiphop Culture." Ohio : Ohio University, 2008. http://www.ohiolink.edu/etd/view.cgi?ohiou1227206771.

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Books on the topic "Africana Womanism"

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Hudson-Weems, Clenora. Africana Womanism. Second edition. | London ; New York : Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9780429287374.

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Hudson-Weems, Clenora. Africana womanism: Reclaiming ourselves. 2nd ed. Troy, Mich: Bedford Publishers, 1994.

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Hudson-Weems, Clenora. Africana womanism: Reclaiming ourselves. Troy, Mich: Bedford Publishers, 1993.

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Hudson-Weems, Clenora. Africana womanist literary theory: A sequel to Africana womanism: reclaiming ourselves. Trenton, NJ: Africa World Press, 2004.

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Mguni, Zifikile. Rediscoursing African womanhood in the search for sustainable renaissance: Africana womanism in multi-disciplinary approaches. Harare: College Press Publishers, 2012.

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Hudson-Weems, Clenora. Africana womanism & race & gender in the presidential candidacy of Barack Obama. Bloomington, IN: AuthorHouse, 2008.

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Womanism and African consciousness. Trenton, N.J: Africa World Press, 1997.

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Hudson-Weems, Clenora. Africana womanist literary theory. Trenton NJ: Africa World Press, 2004.

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Black womanist leadership: Tracing the motherline. Albany: State University of New York Press, 2011.

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Townes, Emilie Maureen. Womanist justice, womanist hope. Atlanta, Ga: Scholars Press, 1993.

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Book chapters on the topic "Africana Womanism"

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Hudson-Weems, Clenora. "Africana Womanism." In Africana Womanism, 10–20. Second edition. | London ; New York : Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9780429287374-3.

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Hudson-Weems, Clenora. "Africana Womanism." In Africana Womanism, 28–34. Second edition. | London ; New York : Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9780429287374-5.

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Hudson-Weems, Clenora. "Africana-Melanated Womanism." In Africana Womanism, 113–20. Second edition. | London ; New York : Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9780429287374-16.

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Ntiri, Daphne Williams. "Introduction." In Africana Womanism, 1–8. Second edition. | London ; New York : Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9780429287374-1.

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Hudson-Weems, Clenora. "Marshall’s Praisesong for the Widow." In Africana Womanism, 69–76. Second edition. | London ; New York : Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9780429287374-10.

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Hudson-Weems, Clenora. "Morrison’s Beloved." In Africana Womanism, 77–85. Second edition. | London ; New York : Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9780429287374-11.

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Hudson-Weems, Clenora. "McMillan’s Disappearing Acts." In Africana Womanism, 86–91. Second edition. | London ; New York : Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9780429287374-12.

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Hudson-Weems, Clenora. "Authenticating and validating Africana-Melanated Womanism." In Africana Womanism, 94–105. Second edition. | London ; New York : Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9780429287374-14.

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Hudson-Weems, Clenora. "Africana Womanism’s race, class and gender." In Africana Womanism, 106–12. Second edition. | London ; New York : Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9780429287374-15.

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Hudson-Weems, Clenora. "Africana-Melanated Womanism and the King-Parks-Till connection." In Africana Womanism, 121–28. Second edition. | London ; New York : Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9780429287374-17.

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