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Dissertations / Theses on the topic 'Afrikaans history'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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1

Van, Huyssteen Konstant. "Populêre vs. literêre grensverhale : twee beelde van die Angolese oorlog (1966-1989)." Master's thesis, University of Cape Town, 1998. http://hdl.handle.net/11427/19512.

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Bibliography: pages 198-207.<br>In this dissertation, a study is made of two bodies of fiction documenting the South African soldier in Angola. The fiction was limited to Afrikaans short stories, as this genre is believed to best reflect the fragmentary, explosive experience of combat. This demarcation also served as a way of limiting the body of fiction for the study. A cut-off year of 1990 was taken. The rationale for this is that the late seventies and eighties was the golden age for the publication of border fiction, and that Southwest AfricaNamibia gained independence in 1990 with a SWAPO

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2

Uys, Hendrik-Muller. "Die problematiese afbakening tussen sommige kortverhaalbundels en die roman in Afrikaans, aan die hand van geselekteerde tekste." Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/20201.

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Thesis (MA)--Stellenbosch University, 2012.<br>ENGLISH ABSTRACT: Since the sixties many short story collections referred to as ‘eenheidsbundels’ (‘unified volumes’) have appeared in Afrikaans. Especially those collections published since the eighties and nineties prominently display an overall unity suggestive of the greater unity found in the novel. These collections are usually characterised by the recurring appearance of characters beyond the borders of the individual stories and the use of themes and recurring motifs that run through the collection. Sometimes t

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3

Shezi, B. K. "Vernuwing van maatskaplike norme as tema in afrikaanse jeuliteratuur vanaf 1985 tot 1995." Thesis, University of Zululand, 1999. http://hdl.handle.net/10530/1189.

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Dissertasie ingehandig by die Faculty of Arts ter vervulling van die vereistes vir die graad Magister Artium in Afrikaans aan die Universiteit van Zululand, South Africa, 1999.<br>Hierdie studie behels ‘n ondersoek na jeugliteratuur, wat gesien word as verhale met eiesoortige kenmerke wat moet voldoen aan die sielkundige behoeftes van die tiener. Die doelwit is 'n ondersoek na die vernuwing van maatskaplike norme in Afrikaanse jeugliteratuur vanaf 1985 tot 1995. Hoewel maatskaplike norme ‘n sisteem vorm wat as gehee! deur die lede van die samelewing beheer moet word, kan die verhouding tussen

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4

Hoogbaard, Sherrilyn. "'n Ondersoek na die armoede-diskoers en die uitings patriargie, bloedskande en apartheid in Triomf van Marlene Van Niekerk." Thesis, University of the Western Cape, 1996. http://etd.uwc.ac.za/index.php?module=etd&amp.

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5

Wasserman, Herman 1969. "Postkoloniale kulturele identiteit in Afrikaanse kortverhale na 1994." Thesis, Stellenbosch : Stellenbosch University, 2000. http://hdl.handle.net/10019.1/51879.

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Thesis (PhD)--Stellenbosch University, 2000.<br>ENGLISH ABSTRACT: This thesis contains the results of an investigation into constructions of cultural identity in recent works of short fiction written in Afrikaans. The investigation was conducted within the framework of postcolonial literary theory, with specific reference to the work ofHomi Bhabha, Stuart Hall, Gayatri Spivak, Vijay Mishra and Bob Hodge. The conceptual apparatus concerning postcolonial reconstruction of cultural identities in reaction to the discourse of colonialism were applied to certain Afrikaans short stories to est

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6

Barendse, Joan-Mari. "Distopiese toekomsromans in die Afrikaanse literatuur na 1999." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/79916.

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Thesis (PhD)--Stellenbosch University, 2013.<br>ENGLISH ABSTRACT: This dissertation investigates the increase in Afrikaans novels set in the future at the time of publication in the period after 1999. The following seven Afrikaans futuristic novels were published in this time: Oemkontoe van die nasie (2001) by P.J. Haasbroek, Hotel Atlantis (2002) and Raka die roman (2005) by Koos Kombuis, Miskruier (2005) by Jaco Botha, Die nege kerse van Magriet (2006) by Barend P.J. Erasmus, Horrelpoot (2006) by Eben Venter and Wederkoms – Die lewe en geskiedenis van Jannes Hoop (2009) by Louis Krüger. Thes

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7

Vosloo, Jan 1934. "Die manifestering van humor in geselekteerde Afrikaanse kortverhaaltekste." Thesis, Stellenbosch : Stellenbosch University, 2003. http://hdl.handle.net/10019.1/53382.

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Thesis (PhD)--Stellenbosch University, 2003.<br>ENGLISH ABSTRACT: At the start of the twentieth century Afrikaans humour was researched quite intensively. Since then, however, such research has been relatively sporadic and has concentrated on related sub-genres of humour, such as satire, irony and wit. This dissertation investigates anew the phenomenon of humour as manifested in Afrikaans short story texts, from the dual starting points of a current context and of the extensive theoretical studies done by other researchers worldwide. In the process, humour is viewed as a communicative s

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8

Oosthuizen, Mia Magriet. "'n Polisistemiese ondersoek na veranderinge in die Afrikaanse kinderliteratuur-sisteem sedert 1990." Thesis, Stellenbosch : University of Stellenbosch, 2010. http://hdl.handle.net/10019.1/4252.

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Thesis (MA (Afrikaans and Dutch))--University of Stellenbosch, 2010.<br>ENGLISH ABSTRACT: Afrikaans children's literature has long been neglected in the Afrikaans literary polysystem and has been considered inferior by numerous figures, especially litterateurs. The negative effect of this attitude has been a shortage of academic studies on Afrikaans children's literature, the marginalised position of the genre in the Afrikaans literary canon and the absence of a general literary definition of "children's literature". The 1990’s see the dawn of a new democratic era in South Africa and a subsequ

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9

Erasmus, Denene. "Funksies van taalvariasie in die Afrikaanse toneelkuns." Thesis, Link to the online version, 2006. http://hdl.handle.net/10019/1673.

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10

Burden, Matilda. "Die herkoms en ontwikkeling van die Afrikaanse volksdans." Thesis, Stellenbosch : Stellenbosch University, 1985. http://hdl.handle.net/10019.1/64932.

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11

Bezuidenhout, Zandra. "Sosio-literêre perspektiewe op die eietydse digkuns van vroue in die Afrikaanse en Nederlandse taalgebiede." Thesis, Stellenbosch : Stellenbosch University, 2005. http://hdl.handle.net/10019.1/50451.

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Thesis (PhD)-- Stellenbosch University, 2005.<br>ENGLISH ABSTRACT: A study of poetry by six contemporary women in the Afrikaans and Dutch-speaking worlds points toward a multi-focal approach. While texts by poets of a marked diversity are presented as aesthetic objects, the scope of my research has been determined by considerations of gender, language and culture. The central line of investigation concerns the interplay between the poem as an artefact and the changing socio-cultural contexts by which the respective poets have been informed. My dissertation was inspired by Pierre Bourdie

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12

Brand, Amelda. "Gemeenskapsgebaseerde teater : 'n Suid-Afrikaans georienteerde ondersoek." Thesis, Stellenbosch : Stellenbosch University, 2002. http://hdl.handle.net/10019.1/52858.

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Thesis (MDram)--University of Stellenbosch, 2002.<br>ENGLISH ABSTRACT: Creative expression is influenced by social structures and the political climate of the day. Therefore theatre as a social structure has been directly influenced by colonialism and apartheid. Restricting legislation had a limiting influence on cultural activities and freedom of creative expression. The following terms all refer to community based theatre activities: Community Theatre, Popular Theatre, Theatre for Development, People's Theatre and sometimes Workshop Theatre. Community theatre in post-colonial African

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13

Kleyn, Shane Jean. "Variante in die poesie van Ina Rousseau." Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/20230.

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Thesis (MA)--Stellenbosch University, 2012<br>ENGLISH ABSTRACT: “A verse might be complete, but then I fiddle with it again and it is not complete anymore,” Ina Rousseau says in an interview. When one compares poems from her Versamelde gedigte 1954-1984 and Die stil middelpunt with their predecessors in magazines and in her volumes of poetry, one sees that Rousseau often made revisions. Over the years her poetry has come into being like a “living organism”. It reminds one of the rewritings of Martinus Nijhoff. This study aims to discuss the variants in the poetry of Ina Rousseau, by means of a

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14

Bauermeester, Eunice Marietha. "Die Kaapse slawe in kultuurhistoriese perspektief - 1652-1838 (Afrikaans)." Diss., University of Pretoria, 2003. http://hdl.handle.net/2263/29316.

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Please read the abstract (Summary) in the section, 20summary of this document Copyright 2002, University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. Please cite as follows: Bauermeester, EM 2002, Die Kaapse slawe in kultuurhistoriese perspektief - 1652-1838 (Afrikaans), MA dissertation, University of Pretoria, Pretoria, viewed yymmdd < http://upetd.up.ac.za/thesis/available/etd-11082007-09281

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15

Scheepers, Adriana Wilhelmina. "Die verhouding tussen autobiografiese feit en fiksie in die kortverhaaloeuvre van Koos Prinsloo." Doctoral thesis, University of Cape Town, 1997. http://hdl.handle.net/11427/22463.

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Bibliography: pages 336-354.<br>Tegniese en tematiese vernuwing, aansien én verguising van sy literêre werk, 'n opsienbare openbare lewe én dood - dit alles het bygedra dat Koos Prinsloo bykans 'n kultusfiguur geword het en dat sy skrywersloopbaan en literêre arbeid 'n uiters interessante, maar komplekse studieterrein is. Verskeie artikels en nagraadse studies oor uiteenlopende aspekte van Prinsloo se verhale is reeds voltooi, maar daar is nog geen sistematiese ondersoek gedoen oor die verhouding tussen feit en fiksie soos dit na vore kom in sy vier bundels nie. Met die skrywer se afsterwe in

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Brink, Lucille. "Geskiedenis vasgevang in ’n net van fiksie : Harry Mulisch se Siegfried as postmodernistiese historiese roman." Thesis, Stellenbosch : University of Stellenbosch, 2006. http://hdl.handle.net/10019.1/1632.

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Thesis (MA (Afrikaans and Dutch))—University of Stellenbosch, 2006.<br>During an interview, the author Rudolf Herter in Harry Mulisch’s novel Siegfried states that Hitler would only be comprehended if an imaginative experiment is conducted by capturing him in a net of fiction. This is indeed what Mulisch does in this novel. The combination of historical and fictional data resulting from this strategy is typical of the conventional historical novel, while Siegfried also manifests modernist characteristics. In this study, however, special attention is paid to aspects such as metafictionality, se

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17

Weil, Talana. "Die inskakeling van die Jode by die Afrikaanssprekende gemeenskap op die platteland van 1880 tot 1950." Thesis, Stellenbosch : Stellenbosch University, 2000. http://hdl.handle.net/10019.1/51707.

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Thesis (MA)--Stellenbosch University, 2000.<br>ENGLISH ABSTRACT: After 1880 more and more Jews (mostly of East European descent) moved into the rural areas of South Africa. Initially they travelled across the country as hawkers but later settled permanently in many of the smaller towns. In most cases they opened shops or started businesses of another kind. Due to the nature of their work the Jews mostly came into contact with the Afrikaans speaking community. Although these two groups differed considerably in many ways, especially as regards language and religion, the Jews adapted and i

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18

Viljoen, Louise. "Breyten Breytenbach se (`yk') : 'n semiotiese ondersoek." Thesis, Stellenbosch : Stellenbosch University, 1988. http://hdl.handle.net/10019.1/70129.

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19

Fritz, Dawn. "Waar eeue wegtik met elke oogknip : fin de siecle-intertekste in die poesie van Johann de Lange." Thesis, Stellenbosch : University of Stellenbosch, 1998. http://hdl.handle.net/10019.1/8570.

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Thesis (MA)--University of Stellenbosch, 1998.<br>Blog by Johann de Lange: http://johanndelange.blogspot.com/<br>AFRIKAANSE OPSOMMING: Hierdie studie stel hom ten doel om die 19de-eeuse kulturele fin de siecle-intertekste in Johann de Lange se poësie, wat grotendeels postmodernisties van aard is, na te gaan ten einde die hipotese te toets dat sy werk sterk ooreenkomste met die kunsuitinge van die vorige eeuwending openbaar. Hieruit blyk duidelik 'n korrespondensie of ekwivalensie tussen die tydsgees en diskoers van die huidige fin de millennium en die van die 19de-eeuse fin de siecle. Di

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Van, Heerden Esther. "Liminality, transformation and communitas : Afrikaans identities as viewed through the lens of South African Arts Festivals: 1995 – 2006." Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/1487.

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Thesis (DPhil (History))—University of Stellenbosch, 2009.<br>The study analyzes the reconfiguration of Afrikaans identities in post-apartheid South Africa as mediated by two prominent Afrikaans-orientated arts festivals, namely the Klein Karoo National Arts Festival and Aardklop. Fieldwork was conducted in the two host towns – Oudtshoorn and Potchefstroom. A variety of research methods such as archival research, participant observation, semi-structured interviews and informal conversations were employed. The arts festivals emerged during a time of perceived crisis for particularly Afrikaans

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Scheffler, Helena Maria. "Die laat-Victoriaanse Mosselbaai 1870-1902." Thesis, Stellenbosch : Stellenbosch University, 1990. http://hdl.handle.net/10019.1/67256.

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Thesis (PhD) -- Stellenbosch University, 1990.<br>ENGLISH ABSTRACT: The development of Mossel Bay was subject to the opening of passes accross the two mountain ranges between the coast and the interior of the country. As the harbour gradually became more accessible to its hinterland, the Karoo, imports and exports increased. The granting of municipal status in 1852 precipitated a period of growth and by 1871, the town even had its own newspaper. Until the mid eighties, Mossel Bay was an arid town with little vegetation and scarcely enough water for domestic use. The serious shortage of w

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22

Fourie, Carl Krige. "Aspekte van gereformeerde spiritualiteit in die Nederduitse Gereformeerde Kerk (1850 - 1950) 'n kerkhistoriese studie (Afrikaans)." Thesis, University of Pretoria, 1997. http://hdl.handle.net/2263/22963.

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Sedert die vestiging van die kerk aan die suidpunt van Afrika, het die gereformeerde godsdiens 'n belangrike deel uitgemaak van die Suid-Afrikaanse kerkgeskiedenis. Deur die toedoen van predikante soos ds. Andrew Murray, het 'n nuwe evangeliese bewuswording posgevat wat mense laat vra het na wedergeboorte, bekering en heiligmaking. 'n Ernstige soeke na die werking van die Heilige Gees het, na baie gebed, uitgeloop op die bekende herlewings laat in die vorige eeu. Hierdie opwekkings het 'n aptyt gewek vir die ongewone en daarmee saam het 'n ontevredenheid geheers oor die swak geestelike toestan

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Bosman, Maria Elizabeth. "Op hom die groot hosannas : enkele aspekte van die modern Christelike poësie in Afrikaans." Thesis, Rhodes University, 1989. http://hdl.handle.net/10962/d1002089.

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This study is concerned with modern Christian poetry in Afrikaans. Afrikaans poetry, which initially carried the clear stamp of the Afrikaner's Calvinistic view of life, gradually assumed a new image to the extent that it could no longer be recognised as religious and specifically Calvinistic poetry. To the contrary, modern Afrikaans Christian poetry is the expression of a contemporary conceptualisation of the very same gospel. The occasional violent reaction especially of conservative institutions to so called "unchristian" modern poetry in Afrikaans during the past three decades, has prompte

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Crous, Matthys Lourens. "Die diskoers van Antjie Krog se Lady Anne (1989)." Thesis, Stellenbosch : University of Stellenbosch, 2002. http://hdl.handle.net/10019.1/16085.

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Thesis (DLitt)--University of Stellenbosch, 2002<br>AFRIKAANSE OPSOMMING: Die ondersoek in hierdie studie sentreer random die diskoers in Antjie Krog se sewende digbundel, Lady Anne (1989). Die ondersoekprableem is die vraag na die wyse waarop die diskoers van hierdie teks georden en' geproduseer word. Foucault se teorie oor diskoersanalise word as kritiese werktuig gebruik by die beantwoording van hierdie vraag. Foucault (1981) omskryf diskoers onder meer as die sosiale gebruik van taal gesitueer binne bepaalde kontekste en verbonde aan spesifieke instansies. Volgens Foucault vertoon di

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Le, Roux Christiaan Johannes. "Vervreemdingstegnieke in Gert Vlok Nel se digbundel Om te lewe is onnatuurlik." Thesis, Stellenbosch : Stellenbosch University, 1998. http://hdl.handle.net/10019.1/70318.

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Thesis (MA) -- Stellenbosch University, 1998.<br>ENGLISH ABSTRACT: In this thesis the techniques of defamiliarisation in Gert Vlok Nel's Om te lewe is onnatuurlik (1993) are investigated, especially with the aid of the Russian Formalist concept ostranenie. The introductory chapter expounds the theoretical basis. With reference to some reviews the question is investigated whether the volume can be regarded as worker poetry. After this follows an explanation of the concept ostranenie as understood by the Formalists, especially Victor Shklovsky, and of the concept Verfremdungseffekt as fo

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Compion, Marlette. "'n Ondersoek na Scheherazade as moontlike voorganger in 'n vroulike verteltradisie in enkele Afrikaanse literêre tekste." Thesis, Stellenbosch : University of Stellenbosch, 2005. http://hdl.handle.net/10019.1/2024.

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Thesis (MA (Afrikaans and Dutch))—University of Stellenbosch, 2005.<br>The aim of this study is to investigate the position that has been allocated to women authors by literary theorists. Some literary theorists are of the opinion that the action of writing can be compared to fatherhood, ownership and being a creator, all of which are male dominated images. Women writers have historically been marginalized by literary theorists, since there is a perception that women cannot write because they are not male. Harold Bloom has postulated that a male writer looks to a precursor in order to write a

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Smit, Susanna Elizabeth. "Die aanwending en integrasie van pikturale en geskrewe bronne vir 'n kultuurhistoriese evaluering van geselekteerde temas van die Wellington-omgewing, 1657-1900." Thesis, Stellenbosch : Stellenbosch University, 2001. http://hdl.handle.net/10019.1/52190.

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Thesis (MA)-- Stellenbosch University, 2001.<br>ENGLISH ABSTRACT: In this study pictorial Africana are used to sketch a socio-historical image of certain aspects of Wellington (previously known as Waggonmakers Valley) during the period 1657 to 1900. Together with written sources such as letters, diaries and travel diaries, the pictorial sources (in this case paintings, pictures and maps) are considered primary sources. Although the inhabitants of Waggonmakers Valley and later Wellington clearly developed an own identity, Wellington cannot be viewed in isolation. The town and region are p

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Retief, Petronella (Ronel). "Die konstruksie van die vroulike subjek in die oeuvres van enkele Afrikaanse vrouedigters sedert 1970." Thesis, Stellenbosch : University of Stellenbosch, 2005. http://hdl.handle.net/10019.1/1282.

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Thesis (DLitt (Afrikaans and Dutch))--University of Stellenbosch, 2005.<br>ENGLISH ABSTRACT: The construction of the female subject in the poetry of Afrikaans women poets since 1970 is examined with reference to the oeuvres of Sheila Cussons, Ina Rousseau, Wilma Stockenström and Antjie Krog. The work of three French feminists, namely Julia Kristeva, Hélène Cixous and Luce Irigaray, is selected as the theoretical framework, because of, amongst other reasons, their attention to the structuring role which language plays in the construction of subjectivity. In terms of defining the scope more prec

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Visagie, Andries Gerhardus. "Manlike subjektiwiteit in die Afrikaanse prosa vanaf 1980 tot 2000." Thesis, Stellenbosch : University of Stellenbosch, 2004. http://hdl.handle.net/10019.1/3267.

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Thesis (DLitt (Afrikaans and Dutch))--University of Stellenbosch, 2004.<br>ENGLISH ABSTRACT: Since the 1980s the narrative prose of male writers in Afrikaans has been characterised by an intensive questioning of consolidated masculine subjectivity with the (political) father as its primary manifestation. The growing influence of postmodernism and the greater freedom enjoyed by women and gay authors to write about gender issues, facilitated the process of paternal emancipation in Afrikaans narrative. This dissertation is a study of the representation of masculine subjectivity in Afrikaans p

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Klopper, Annie Elizabeth. "Die opkoms van Afrikaanse rock en die literêre status van lirieke, met spesifieke verwysing na Fokofpolisiekar." Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/2201.

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Thesis (MA (Afrikaans and Dutch))--University of Stellenbosch, 2009.<br>The aim of this study is to examine the rise of Afrikaans rock music and the literary status of Afrikaans rock lyrics, with Fokofpolisiekar as example. An investigation is done into how the specific sociopolitical context within which Afrikaans rock music developed manifests in lyrics and musical style. The implications of Afrikaans rock with regards to the identity of Afrikaner youth in the new millennium are also explored. A case study of the Afrikaans punk rock group Fokofpolisiekar is done by way of demonstration of t

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Grobbelaar, Paul Marais. "Die ontstaan van 'n Westerse militere tradisie aan die Kaap tot 1795." Thesis, Stellenbosch : Stellenbosch University, 1994. http://hdl.handle.net/10019.1/58364.

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Henn, Maryke. "'n Strukturele en verteltegniese ondersoek na die representasie van die vroulike subjek in Marlene van Niekerk se Agaat." Thesis, Stellenbosch : University of Stellenbosch, 2010. http://hdl.handle.net/10019.1/4248.

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Thesis (MA (Afrikaans and Dutch))--University of Stellenbosch, 2010.<br>ENGLISH ABSTRACT: This study investigates the representation of the female subject in Marlene van Niekerk’s novel, Agaat (2004). The female subjects, Milla and Agaat, are the focus of this study. Both women are subjected to drastic situations, which not only influence their relationship, but also their respective identities. This turn of events lead up to a power struggle between Milla and Agaat, which eventually gets reversed throughout the course of the narrative. The focus is essentially on the complex structure of

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Rabe, Jo-Marie. "Genandendal-meubels as materiele manifestasie van die Morawiese pietisme." Thesis, Stellenbosch : University of Stellenbosch, 2007. http://hdl.handle.net/10019.1/2393.

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Thesis (MA (History))--University of Stellenbosch, 2007.<br>Genadendal furniture was made in the small Moravian mission settlement of Genadendal (situated in the Overberg area of the Western Cape) during the late 18th and early 19th centuries. Genadendal furniture not only illustrates the impact that the immigration of Europeans had on the development of a unique Old Cape furniture tradition, it also emphasises the influence that a specific world view or philosophy of life had on the design and manufacture of furniture. The origins of the old Unitas Fratrum can be traced back to the late

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Rabe, Lizette. "Ontstaan en ontwikkeling van Sarie Marais as massatydskrif vir die Afrikaanse vrou." Thesis, Stellenbosch : University of Stellenbosch, 1985. http://hdl.handle.net/10019.1/2568.

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Thesis (MA (Journalism))--University of Stellenbosch, 1985.<br>Toe Sarie uiteindelik in 1949 letterlik die lig op straat gesien het was sy die vierde volwaardige Afrikaanse vrouetydskrif en die eerste wat die vrou se lewe in alle fasette gedek het, soos in hierdie verhandeling aangetoon sal word.

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Papp, Kalman Diederik. "Die lewe en werk van ds Kálmán Papp II (geb 1924), met verwysing na die Hongaarse agtergrond, die Nederlandse periode en die Suid-Afrikaanse periode (Afrikaans)." Thesis, University of Pretoria, 2010. http://hdl.handle.net/2263/25327.

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AFRIKAANS: Hierdie studie is onderneem om 'n biografie daar te stel van dominee Kálmán Papp II, predikant van die Nederduitsch Hervormde Kerk van Afrika (sedert 1951) en stamvader van die familie Papp in Suid-Afrika. Daar sal uiteraard ook gekyk word na sy teologiese posisie as predikant en verkondiger van die Evangelie van die Here, Jesus Christus. Die studie val uiteen in vier hoofstukke. Die eerste hoofstuk skets die agtergronde waaruit Papp afkomstig is. Die geskiedenis, land en taal van die Hongaarse volk kom eerste aan die orde, vervolgens die geskiedenis van die Christendom en die geski

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Meyer, Deon. "'n Praktiese ondersoek na die struktuur van die speur- en spanningsroman met spesifieke verwysing na die werk van Michael Connelly, John le Carré, Ian Rankin, Lee Child en Frederick Forsyth." Thesis, Stellenbosch : University of Stellenbosch, 2005. http://hdl.handle.net/10019.1/1814.

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Thesis (MA (Afrikaans and Dutch))--University of Stellenbosch, 2005.<br>The primary objective of this thesis is to explore and analyse the structure of the crime novel / thriller in a practical manner – and subsequently develop an equally pragmatic, broad and useful guide which would potentially be of value to both reader and author of the genres. This tight and reductive focus has one important consequence: It will more or less ignore traditional literary theory, but the one obviously excludes the other.

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Mudzanani, Nndanduleni Bethuel. "Die verhouding tussen literêre teorie en kritiek in die Afrikaanse literêre sisteem binne die sg. "nuwe paradigma" aan die hand van gekose figure Marianne de Jong, Joan Hambidge en Gerrit Olivier." Thesis, Rhodes University, 1990. http://hdl.handle.net/10962/d1002174.

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Currently, in the period of Poststructualism literature is widely approached as a cultural and social phenomenon and the aims of literary studies as the illuminating of social codes, ideology etc. embedded in literature. This study evaluates the contribution of specific critics working within the so-called "New paradigm". The concept "New paradigm" is used as an umbrella term covering a number of distinct developments, referring to literature as a system of literary "actions" rather than as a canon of books. In recent years several Afrikaans critics have embraced or adapted current theories in

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Pretorius, Christo. "Ds. Jac van Belkum (1851-1933) : Nestor van die Nederduitsch Hervormde Kerk van Afrika : 'n teologies-historiese studie (Afrikaans)." Thesis, University of Pretoria, 2002. http://hdl.handle.net/2263/29051.

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Viviers, Marni. "Die voorstelling van die Noordweste as ruimte in George Weideman se digbundel 'n Staning onder sterre." Thesis, Link to the online version, 2008. http://hdl.handle.net/10019/799.

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Loots, Maria Johanna. "Gotiese elemente in Francois Bloemhof se debuutroman, Die nag het net een oog." Thesis, Stellenbosch : University of Stellenbosch, 2007. http://hdl.handle.net/10019.1/2316.

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Thesis (MA (Afrikaans and Dutch))—University of Stellenbosch, 2007.<br>In this thesis I examine the Gothic elements in François Bloemof’s debut novel, Die nag het net een oog (1991). There are two reasons this novel can be seen as an exemplary text in Afrikaans: firstly, it contributes to a genre of which there are very few examples in Afrikaans, namely the Gothic novel. Secondly, it leads to a reevaluation of texts of C.J. Langenhoven, C. Louis Leipoldt and Marius Gie (pseudonym of Martha C Gieseke). Apart from a discussion of the Gothic novel in general and specifically Bloemhof’s novel

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Conradie-Faul, Jacqueline. "'n Museologiese ondersoek na die mens se benutting van die mollusk (skulp en skulpdier) in geselekteerde kunsvorme, vir die doel van die ontwerp van 'n uitstalling." Thesis, Stellenbosch : Stellenbosch University, 2001. http://hdl.handle.net/10019.1/52361.

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Thesis (MA)--University of Stellenbosch, 2001.<br>ENGLISH ABSTRACT: The aim of this study is to investigate man's use of the mollusk within selected art forms, and to use the research results to design a contemporary museum exhibition, relevant within a South African context. Two sections are presented. In section A the selected art forms, fine arts, architecture, furniture design, masks and music and other sound instruments are thoroughly investigated to determine in what way the mollusk/shell is used in or on these art forms. A large number of figures are included to illustrate the av

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Kriel, Petrus Johannes. "Van Calvyn na Zwingli : die vraagstuk van die kindernagmaal in die Nederduitse Gereformeerde Kerk (Afrikaans)." Diss., University of Pretoria, 2004. http://hdl.handle.net/2263/30347.

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Afrikaans: Die sogenaamde "eenvoudige" belydenis waardeur kinders moet kwalifiseer om aan die nagmaal te mag deelneem binne die verband van die Nederduits Gereformeerde Kerk, spruit vanuit die Zwingliaanse belydenis rakende die teenwoordigheid van die Here in die nagmaal. Wat die Nederduitse Gereformeerde Kerk voorhou as nuwe eksegetiese insigte in die nagmaalstekste, sowel as 'n nuwe Bybelse teologie ten opsigte van die gebruik van die nagmaal deur kinders, is die ou eksegetiese insigte van Zwingli, sowel as die ou bekende teologie van Zwingli aangaande die Here se teenwoordigheid in die nagm

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Botha, Maria Elizabeth. "Die outobiografiese kode in Antjie Krog se poëtiese oeuvre." Thesis, Nelson Mandela Metropolitan University, 2011. http://hdl.handle.net/10948/1534.

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This study primarily investigates the autobiographical code in Antjie Krog's poetical oeuvre, spanning from 1970 to the present. Krog's poetry collections may be read as offering life writing through poetry, while the prose works mostly present the reader with a mixture of autobiographical fact plus creative reworkings of fact and fiction. Even though her 10 volumes of poetry follow her biological development from young girl to grandmother, uncertainty still exists about about where truth ends and fiction begins in this poet and autobiographer's interwoven tapestry of multiple and varied persp

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Anker, Willem Petrus Pienaar. "Die nomadiese self : skisoanalitiese beskouinge oor karaktersubjektiwiteit in die prosawerk van Alexander Strachan en Breyten Breytenbach." Thesis, Stellenbosch : University of Stellenbosch, 2007. http://hdl.handle.net/10019.1/1088.

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Thesis (DLitt (Afrikaans and Dutch))--University of Stellenbosch, 2007.<br>ENGLISH ABSTRACT: This dissertation studies the depiction of character subjectivity in two text series of Alexander Strachan and Breyten Breytenbach. Strachan’s first three prose works are dealt with as a trilogy wherein one main character, Lenka, traverses three texts. Breytenbach’s five autobiographical prose works about visits to South Africa are also dealt with as a text series wherein one main character, Breytenbach, is depicted. In both instances the subjectivity, as portrayed by these authors, is read as a nomadi

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Ferreira, Jeanette. "Aspekte van die Judaïes-Christelike en die Boeddhistiese in die poësie van Breyten Breytenbach." Thesis, Rhodes University, 1988. http://hdl.handle.net/10962/d1002097.

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Concepts of life and death, time and self-denial are investigated in the poetry of Breyten Breytenbach, with specific reference to the similarities and differences between the Judeo-Christian and the Buddhist traditions. Biblical references in the poetry are examined, and their underlying concepts compared to related concepts in Tantric Buddhism and Zen-Buddhism. The conclusion is drawn that the biblical concepts are transposed in the poetry in order to create Buddhist concepts of life and death, time and a form of self-denial. De-sacralisation of the Christian. concepts is inevitable in this

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Mackenzie, Leonore. "Feministiese vertelstrategieë in 'n metafiksionele teks van Jeanne Goosen." Thesis, Rhodes University, 1991. http://hdl.handle.net/10962/d1002100.

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Die roman Ons is nie almal so nie (1990) deur Jeanne Goosen word aangebied in 'n realistiese (oftewel tradisionele) vertelvorm. Feministiese vakkundigheid verwys na die narratiewe tipe as patriargaal of fallosentries. As sodanig, is daar 'n ingrypende verskil tussen die vertelwyse van hierdie teks en die van die outeur se vroeere tekste. Hierdie verskuiwing dien as stimulus vir 'n evaluasie van bogenoemde teks binne 'n raamwerk van die feministiese literere teorie en kritiek. Genoemde verskuiwing beteken ook 'n behoefte na 'n ondersoek van die feministiese literatuur en vakkunde in verhouding

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Van, Wyk André Johan. "Die dood, die minnaar en die oedipale struktuur in die Ingrid Jonker-teks." Thesis, Rhodes University, 1987. http://hdl.handle.net/10962/d1003917.

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From Inleiding: In dié inleiding word die implikasies van die woord "teks", asook die resepsie van die Ingrid Jonker-teks in die lig van haar dood, en 'n eie benaderingswyse, in teenstelling met die tradisionele kritiese metodes, bespreek. 1.1 Die teks: Die Ingrid Jonker-teks behels (met die dood, die rninnaar en die OedipaIe struktuur as uitgangspunt) aIIes waarop die woorde "Ingrid Jonker", as teks - die parentese tussen die datums op haar grafsteen - dui. Dit beteken dat genre-onderskeidinge en die onderskeid biografie en literatuur opgehef word. Verdere implikasies van die woord "teks" gaa

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Moolman, Anna Magdelena. "Landboutydskrifte as kultuurhistoriese bron : 'n studie van 'Die Landbouweekblad' en die 'Farmer's Weekly' (1945-1961) aan die hand van 'n aantal geselekteerde kultuuraspekte." Thesis, Stellenbosch : Stellenbosch University, 1990. http://hdl.handle.net/10019.1/67304.

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Thesis (MA) -- Stellenbosch University, 1990.<br>ENGLISH ABSTRACT: The two well-known South African agricultural journals The Farmers Weekly and the Landbouweekblad are important sources for the cultural historian. In this thesis attention is paid to a few selected aspects of post-war culture in South Africa. The period covered stretches from 1945 to 1961. In Section A an introductory background is given, concerning the cultural historian's use of agricultural journals, as well as the epoch as frame within which the information should be interpreted. Chapter 1 concentrates on journalis

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Carney, Terrence Robert. "Die skryf van 'n skoolgids vir die bestudering van ouer letterkunde in die graad 12-Afrikaanshuistaalklaskamer." Diss., Pretoria : [s.n.], 2007. http://upetd.up.ac.za/thesis/available/etd-09272007-151502.

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Symington, Cornelia Isabel. "Binêre opposisies en perspektiewe op die 'ander' in Pieternella van die Kaap deur Dalene Matthee." Thesis, Stellenbosch : Stellenbosch University, 2004. http://hdl.handle.net/10019.1/53728.

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Thesis (MA)--Stellenbosch University, 2004<br>ENGLISH ABSTRACT: This study investigates the binary oppositions in Dalene Matthee's historic novel, Pieternella van die Kaap, and the extent to which it correlates with the perspectives on "the other" and the influence of the spatial context on the two main characters, Eva-Krotoa and Pietemella. The study ascertains in which way Matthee's novel falls within the post-colonial framework; whether a tendency towards hybridity can be found and in which cases the binary opposition of "the self" versus "the other", is consequently suspended. Atten

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