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Academic literature on the topic 'Afrikaans Poets'
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Journal articles on the topic "Afrikaans Poets"
De Beer, A. M., and H. J. G. Du Plooy. "Ruimte as tema en metafoor in die poësie van enkele vroulike Afrikaanse digters: 1994-2005." Literator 32, no. 1 (June 22, 2011): 73–98. http://dx.doi.org/10.4102/lit.v32i1.4.
Full textLourens, Amanda. "Die uitbou van ’n eens marginale tradisie: Marlise Joubert se gebruik van vroulike taal." Tydskrif vir Letterkunde 50, no. 3 (May 18, 2018): 60–71. http://dx.doi.org/10.17159/tl.v50i3.5112.
Full textVan Rensburg, F. I. J. "Psalmberyming in Afrikaans." Verbum et Ecclesia 27, no. 3 (September 30, 2006): 1077–94. http://dx.doi.org/10.4102/ve.v27i3.205.
Full textWillemse, Hein. "Soppangheid for Kaaps: Power, creolisation and Kaaps Afrikaans." Multilingual Margins: A journal of multilingualism from the periphery 3, no. 2 (November 7, 2018): 73–85. http://dx.doi.org/10.14426/mm.v3i2.42.
Full textSpies, Lina. "Die poësie van Olga Kirsch: Tuiskoms in vreemdelingskap / The Poetry of Olga Kirsch: Homecoming in Exile." Werkwinkel 9, no. 2 (November 1, 2014): 73–98. http://dx.doi.org/10.2478/werk-2014-0013.
Full textVan Rensburg, F. I. J. "Afrikaanse oorlogspoësie na Sestig II." Literator 15, no. 2 (May 2, 1994): 55–66. http://dx.doi.org/10.4102/lit.v15i2.663.
Full textVan der Elst, J. "Simbolisme: ’n poging tot deflniering." Literator 11, no. 1 (May 6, 1990): 1–12. http://dx.doi.org/10.4102/lit.v11i1.790.
Full textGalloway, F. "Sisteemtendense in die Afrikaanse literatuur: ’n bestekopname van 1983." Literator 8, no. 2 (May 7, 1987): 1–12. http://dx.doi.org/10.4102/lit.v8i2.861.
Full textCloete, T. T. "Tendense in vyf nuwe digbundels." Tydskrif vir Letterkunde 47, no. 1 (October 23, 2017): 145–55. http://dx.doi.org/10.17159/tl.v47i1.3352.
Full textVan Heerden, Neil, and Andries Visagie. "Twee dieregestaltes by N.P. van Wyk Louw: Raka en ‘Die swart luiperd’." Tydskrif vir Letterkunde 50, no. 3 (May 18, 2018): 106–20. http://dx.doi.org/10.17159/tl.v50i3.5115.
Full textDissertations / Theses on the topic "Afrikaans Poets"
Bezuidenhout, Zandra. "Sosio-literêre perspektiewe op die eietydse digkuns van vroue in die Afrikaanse en Nederlandse taalgebiede." Thesis, Stellenbosch : Stellenbosch University, 2005. http://hdl.handle.net/10019.1/50451.
Full textENGLISH ABSTRACT: A study of poetry by six contemporary women in the Afrikaans and Dutch-speaking worlds points toward a multi-focal approach. While texts by poets of a marked diversity are presented as aesthetic objects, the scope of my research has been determined by considerations of gender, language and culture. The central line of investigation concerns the interplay between the poem as an artefact and the changing socio-cultural contexts by which the respective poets have been informed. My dissertation was inspired by Pierre Bourdieu's argument in favour of a fusion between the close reading practices of the New Critics (and in this case, their Dutch counterparts, the Merlinists) and the contextual approach advocated by literature sociologists. Concomitantly the art philosophical standpoint of Marcia Eaton and the views on the écriture féminine or "women's style of writing" held by Helene Cixous are applied to poetry. By incorporating insights from adjacent disciplines and thereby decentering the relative autonomy of the poetic text, I hope to demonstrate how the study of literature could acquire new relevance, either by expanding its own parameters, or by enriching the field of cultural and gender studies. In conclusion I regard the poetry written by contemporary women as a polyphonic discourse voicing women's newly-found position as subjects and challenging notions such as a monolithic "female identity" and the marginalization of "women's poetry". From this perspective, the aesthetic value of the poetic genre is paralleled by its function as a source of knowledge and a cultural agency.
AFRIKAANSE OPSOMMING: 'n Ondersoek na die poësie van ses eietydse vroue in die Afrikaanse en Nederlandse taalgebiede veronderstel reeds 'n multifokale invalshoek. Nie alleen word tekste van uiteenlopende digters as estetiese objekte aan die orde gestel nie, maar staan oorwegings soos geslag, taal en kultuur sentraal by die afbakening van die ondersoeksterrein. Daarby vorm die wisselwerking tussen die gedig as artefak en die veranderende sosio-kulturele konteks die riglyn van die betoog. Pierre Bourdieu se aandrang op 'n fusie tussen die stipleesmetode van die New Critics (in Nederland nagevolg deur die Merlinisten) en die kontekstuele benadering van literatuur wat deur literatuursosioloë voorgestaan word, het as aanset tot hierdie studie gedien. Terselfdertyd word die kunsfilosofiese standpunte van Marcia Eaton en die siening van Héléne Cixous omtrent die écriture féminine ("vroulike skryfwyse") op die poësie betrek. Deur insigte uit naasliggende dissiplines te betrek en die outonomie van die poësieteks te relativeer, wil die ondersoek aantoon dat literatuurstudie 'n nuwe relevansie verkry wanneer die parameters van die vakgebied versit, of kultuur- en genderstudies daardeur verryk word. Uiteindelik beskou ek die digkuns van eietydse vroue as In polifoniese diskoers waarin vroue op uiteenlopende wyses stem gee aan hul nuutverworwe subjekposisie, en wat daarmee die nosie van In monolitiese "vroulike identiteit" en dié van "damespoësie" as afsonderlike en gemarginaliseerde kategorie dekonstrueer. Naas die estetiese waarde daarvan, verkry die poësie uit hierdie perspektief ook In nuts- of instrumentele waarde as 'n alternatiewe bron van kennis en In kultuurskeppende agens.
Retief, Petronella. "Die konstruksie van die vroulike subjek in die oeuvres van enkele Afrikaanse vrouedigters sedert 1970 /." Link to the online version, 2005. http://hdl.handle.net/10019.1/1282.
Full textRetief, Petronella (Ronel). "Die konstruksie van die vroulike subjek in die oeuvres van enkele Afrikaanse vrouedigters sedert 1970." Thesis, Stellenbosch : University of Stellenbosch, 2005. http://hdl.handle.net/10019.1/1282.
Full textENGLISH ABSTRACT: The construction of the female subject in the poetry of Afrikaans women poets since 1970 is examined with reference to the oeuvres of Sheila Cussons, Ina Rousseau, Wilma Stockenström and Antjie Krog. The work of three French feminists, namely Julia Kristeva, Hélène Cixous and Luce Irigaray, is selected as the theoretical framework, because of, amongst other reasons, their attention to the structuring role which language plays in the construction of subjectivity. In terms of defining the scope more precisely, there is a specific focus on the role of the mother-daughter relationship, as reflected in the work of these three women. This focus examines not only biological mother-daughter relationships, but also the stance which women adopt regarding the “place of the mother”, as well as the way in which the relationship with the mother’s body emerges in the writing of women. The question is posed whether there is indeed a clearly identifiable feminine subject in the oevres of the four Afrikaans women discussed and, if so, whether this feminine subject is potentially capable of destabilising or even subverting the prevailing patriarchal order.
Malan, Isabella Cornelia. "Die ekologiese kode in die Afrikaanse poësie." Thesis, 2012. http://hdl.handle.net/10210/6454.
Full textIn Afrikaans poetry, Nature is depicted in terms of the relationship existing among and / or inanimate organisms, i. e. an ecological mode. Man's influence on the environment, features strongly in the poetry of the eighties. The anthology, Groen (J. L. Marais), can be seen as a focal point of this involvement. Chapter one provides an overview of the ecological code in Afrikaans poetry, spanning the time from the First Afrikaans Language Movement up till the seventies. With regard to this period, the different approaches of the poets to Nature are being studied. During this era a decidedly dynamic approach to the subject existed. Nature was initially seen as the idyllic, soothing and was also used as a metaphor for beauty and purity. With time, Nature took on another dimension and came to represent destructive forces. In chapter two, the anthology Groen by J. L. Marais, under discussion in this work, concluding the eighties, Man is called to task, i. e. to protect and nurture the balance in the ecology. Man is made aware of both the threat to and the conservation of nature. These binary forces are discussed with reference to two semantic devices, cohesion and coherence. As binding factors they provide a semantic light on the above themes. Verweerde aardbol by J. L. Marais, is approached along the same lines in chapter three. The specific themes used in this anthology, serve as a classification aid. The poet's concern about the transience of nature comes to the fore, and Marais himself states that the time has come for writers to be called up in service to the environment without being apologetic about it (Marais 1993: 32). A clear paradigm shift is visible from the infant years of Afrikaans poetry to the poetry of the eighties. The "green"-awareness which inflamed / inspired the community, plays an important role in the eighties and is reflected in Afrikaans poetry. The dynamic power of the ecological code as theme, still has many untapped areas which can be explored in further studies.
Landwehr, Selma Louise. "Die korrelasie tussen tematiek en prosodie in die poësie van Wilma Stockenstrom." Thesis, 2014. http://hdl.handle.net/10210/9480.
Full textAlthough critics have acknowledged the work of Wilma Stockenstrom and have responded favourably, and although she has received four awards and prizes for her poetry up to the publication of Monsterverse, no all-embracing study of her poetry has been undertaken. Many of the reviews and critical analyses have failed to give proper recognition to her first two volumes of poetry. Consequently the process of development in her work has been largely overlooked, and Monsterverse, although acclaimed, has been assessed as "problematic" and totally "foreign". This study therefore attempts to determine the tendencies which figure in Wilma Stockenstrom's poetry, and examines in particular the iconicity of thematics and prosody as it has developed throughout successive volumes. Most of the themes developed in the later volumes are introduced in her debut work, Vir die Bysiende Leser. Some of the themes explored in this volume, however, lose their significance in later volumes. Although the prosody is still somewhat uncertain in some of the poems, a few poems already suggest her unique and individualistic application of this aspect of style. In this early work it is already apparent that her real power lies in the writing of free verse. She exploits this verse form with rich variety throughout her four volumes. Vir die Bysiende Leser clearly functions as a unit. The intratextuality of the poems is a striking structural aspect of. this work. Unity is also emphasized in the following three volumes, but progressively more attention is given to intertextuality. Stockenstrom's work clearly links up with the intertextual tradition which N. P. van Wyk Louw's Tristia and D.J. Opperman's Komas uit n Bamboesstok have established in Afrikaans literature.
Books on the topic "Afrikaans Poets"
Mahmud-Okereke, N. Enuma el. Nancy Reagan's red dress ; Previewing UK's King Charles & other poems of pan-Afrikan expression. Lagos, Nigeria: Emmcon (TWORF) Books Nigeria, 1987.
Find full text1951-, Adams Willie, Koza Leonard, and Petersen Patrick, eds. Optog. Grassy Park: Domestica Uitgewery, 1990.
Find full textShakespeare, William. William Shakespeare's Sonnets: Poets for Pleasure. Hodder/Headline Audiobooks, 1999.
Find full textMcDonald, Peter D. Beyond Translation. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198725152.003.0008.
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