Academic literature on the topic 'Afrikanische Literatur'

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Journal articles on the topic "Afrikanische Literatur"

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Riesz, János. "Afrikanische Literatur im Zeitalter der Postmoderne." Neohelicon 16, no. 1 (March 1989): 87–112. http://dx.doi.org/10.1007/bf02092739.

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Aselmeyer, Norman. "Ngũgĩ wa Thiong’o: Dekolonisierung des Denkens. Essays über afrikanische Sprachen in der Literatur." Das Historisch-Politische Buch 66, no. 3 (September 1, 2018): 332. http://dx.doi.org/10.3790/hpb.66.3.332.

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Garnier, Xavier. "RIESZ (János), Südlich der Sahara. Afrikanische Literatur in französischer Sprache. Tübingen : Stauffenburg Verlag, Stauffenburg Einführungen, Bd. 25, 2013, 465 p. – ISBN 978-3-86057-299-3." Études littéraires africaines, no. 37 (2014): 225. http://dx.doi.org/10.7202/1026286ar.

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Eisenhofer, Stefan. "Afrikanische Sitze." African Arts 29, no. 2 (1996): 78. http://dx.doi.org/10.2307/3337376.

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Kruger, A. "Deutsch-afrikanische Diskurse in Geschichte und Gegenwart. Literatur- und kulturwissenschaftliche Perspektiven. Herausgegeben von Michael Hofmann und Rita Morrien. Amsterdam: Rodopi, 2012. 317 Seiten + zahlreiche s/w Abbildungen. 63,00., and Remembering Africa: The Rediscovery of Colonialism in Contemporary German Literature. By Dirk Gottsche. Rochester, NY: Camden House, 2013. viii + 485 pages. $95.00." Monatshefte 107, no. 2 (June 1, 2015): 340–45. http://dx.doi.org/10.3368/m.107.2.340.

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Ba, Von Amadou oury. "Léopold Sédar Senghors Deutsches Mittelalter: eine kulturelle Selbstbehauptung mittels Romantikrezeption." Jahrbuch für Internationale Germanistik 52, no. 1 (January 1, 2020): 189–202. http://dx.doi.org/10.3726/ja521_189.

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Die deutsche Literatur hat in vielen Texten afrikanischer Intellektueller und Dichter Spuren hinterlassen. Die ,,Beziehung der Kopräsenz“1, um Genette zu paraphrasieren, lässt sich in zahlreichen Texten rekonstruieren. Betrachtet man einige Werke näher, so lassen sich die Spuren vorausgegangener Texte in der Regel leicht ausfindig machen. Sowohl in formalästhetischer als auch in inhaltlicher Hinsicht (Themen, Motive) ergeben sich verschiedene Muster dieser intertextuellen Beziehung.
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Stössel, Arnulf, and Arnulf Stossel. "Afrikanische Keramik: Traditionelle Handwerkskunst südlich der Sahara." African Arts 18, no. 4 (August 1985): 85. http://dx.doi.org/10.2307/3336264.

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Smith, Fred T., Arnulf Stössel, and Arnulf Stossel. "Afrikanische Keramik: Traditionelle Handwerkskunst südlich der Sahara." African Arts 18, no. 4 (August 1985): 91. http://dx.doi.org/10.2307/3336270.

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Gottschalk, Burkhard. "Afrikanische Kunst aus der Sammlung Barbier-Mueller." African Arts 22, no. 2 (February 1989): 96. http://dx.doi.org/10.2307/3336726.

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Altmayer, Claus. "Entwicklung, Interkulturalität und Literatur. Überlegungen zu einer afrikanischen Germanistik als interkultureller Literaturwissenschaft." Informationen Deutsch als Fremdsprache 23, no. 2-3 (April 1, 1996): 349–53. http://dx.doi.org/10.1515/infodaf-1996-232-367.

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Dissertations / Theses on the topic "Afrikanische Literatur"

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Khamis, Said A. M. "The Swahili novelist at the crossroad: the dilemma of identity and fecundity." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-91101.

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\"Are there any national literatures in black Africa yet? The simple answer is no. [...] If one examines the development of the African language literature that do exists, one is struck by certain recurring tendencies. Many of the books produced, particularly the early works, are of a predominantly moralistic nature. Sometimes they are retelling of folk stories or Bible stories, sometimes imitations of European religious literature, sometimes both.\\\" (Lindfors 1997: 121; 123) Certain anomalies are obvious in the above extract. Swahili written literature with its long-standing tradition, dating far back to the 17th century, has relativly gathered its own aesthetic criteria, values and sensibility, hence \\\'own\\\' integrity and world view. I dare say that Lindfors will be suprised to learn today, how fast the Swahili novel has developed since when he had left it when he read Andrzejewski et al (1985) and Gérard (1981), who (by the way), themselves did not then see the their works as presenting a complete picture of African literatures in African languages. This essay aims at showing the predicament of the Swahili novelist at the crossroads and how, in a contemporary situation, s/he works out his or her strategies towards resolving the impasses.
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Khamis, Said A. M. "The Swahili novelist at the crossroad: the dilemma of identity and fecundity." Swahili Forum 14 (2007), S. 165-180, 2007. https://ul.qucosa.de/id/qucosa%3A11501.

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\"Are there any national literatures in black Africa yet? The simple answer is no. [...] If one examines the development of the African language literature that do exists, one is struck by certain recurring tendencies. Many of the books produced, particularly the early works, are of a predominantly moralistic nature. Sometimes they are retelling of folk stories or Bible stories, sometimes imitations of European religious literature, sometimes both.\\\" (Lindfors 1997: 121; 123) Certain anomalies are obvious in the above extract. Swahili written literature with its long-standing tradition, dating far back to the 17th century, has relativly gathered its own aesthetic criteria, values and sensibility, hence \\\''own\\\'' integrity and world view. I dare say that Lindfors will be suprised to learn today, how fast the Swahili novel has developed since when he had left it when he read Andrzejewski et al (1985) and Gérard (1981), who (by the way), themselves did not then see the their works as presenting a complete picture of African literatures in African languages. This essay aims at showing the predicament of the Swahili novelist at the crossroads and how, in a contemporary situation, s/he works out his or her strategies towards resolving the impasses.
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Frankl, P. J. L. "Issa Nasser Issa AI-Ismaily. 1999. Zanzibar: Kinyang`anyiro na utumwa [Slavery and the Scramble for Zanzibar]. Ruwi (Oman). xlii + kurasa 285." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-97732.

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Bertoncini-Zúbovká, Elena. "Kenyan literary Kiswahili." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-92213.

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Until the Eighties the regional character of Kenyan prose writing was far less marked than that of Zanzibari novels. Different was the situation in poetry; in fact, Kimvita and Kiamu have been used even in modern times (see, e.g., Ahmad Nassir Juma Bhalo, Abdilatif Abdalla and Ahmed Sheikh Nabhany; the last one is well-known for his endeavour in enriching and modernizing Swahili terminology, and a few of his proposed terms, e. g. runinga for `television`, have been accepted). Kenyan prose fiction, on the other hand, used to be much alike to the up-country Tanzanian literary production, written as it was in standard Swahili, sometimes with many colloquial features.
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Geider, Thomas. "A bibliography of Swahili literature, culture and history." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-91490.

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The present alphabetical Bibliography ranging from `Abdalla` to `Zhukov` includes old and new titles on Swahili Literature, Linguistics, Culture and History. Swahili Studies or \'Swahilistics\' have grown strong since the mid-1980s when scholars started to increasingly engage in international networking, first by communicating through the newsletter Swahili Language and Society: Notes and News from Vienna (Nos. 1.1984-9.1992) and Antwerp (No. 10.1993) and then through the journal Swahili Forum published at the University of Cologne (Nos. I. 1994 - IX. 2002), not to mention the numerous conferences held in Dar es Salaam, Nairobi, London, Bayreuth and other places, and not to forget the achievements of the journal Kiswahili from Dar es Salaam as another steady medium of Swahili scholarship. Of course, this Bibliography is not the only one: other useful and specialized bibliographical information appeared in articles, surveys, reference books and larger studies, which are indicated in the following. Part of the titles have been extracted from these sources and integrated into the present Bibliography after having had a physical look at them. As this was not always possible, it seems still to be advisable and necessary to consult the indicated sources themselves when it comes to selecting one\'s base of research literature.
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Wamitila, Kyallo Wadi. "What`s in a name: towards literary onomastics in Kiswahili literature." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-91911.

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A mention of name in literature is almost always likely to recall the question Juliet posed to Romeo about his family name Montague in William Shakespeare´s Romeo and Juliet. In reading creative works we tend to identify characters basically by the names given to them. It is on this basic premise that some character analysis methods tend to define characters by taking recourse to their names and sometimes identifying them in metaphorical terms or as speaking names. Names play a very central and important role in any reading exercise and so would certainly the names given to characters be of importance to us. These are linguistic or semiotic signs that play a very crucial role in the overall linguistic structure of a literary text or its signification. Decoding of the names therefore becomes an important critical engagement in as far as it helps the reader in his deciphering of the text in which the names are. Characters´ names, as this article will show, can be used artistically to achieve a number of goals like encoding a central trait in a particular character´s signification, embracing crucial thematic motifs, ideological toning as well as even showing the particular writer´s point of view. Some of these qualities are easily lost in translation.
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Wamitila, Kyallo Wadi. "A philosophical labyrinth: tracing two critical motifs in Kezilahabi´s prose works." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-93522.

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This study aims at studying one of the most important contemporary Kiswahili writers: Euphrase Kezilahabi. In a way this paper can be seen as a continuation of my earlier articles on the same writer. It is definitely different from the other ones though a certain thread links them: the interest in Kezilahabi`s philosophy. In this paper my interest is with two main motifs namely contemptus mundi and carpe diem. Contemptus mundi is a Latin expression for contemptible world, world as a bad place and one that is perceived contemptuously. I intend to explore the said motifs in Kezilahabi\'s prose works: Rosa Mistika, Kichwamaji, Gamba la Nyoka, Dunia Uwanja wa Fujo, Nagana and Mzingile. The latter two works are slightly short, lacking the novel length of the other four works. I do not, however, want to entangle myself in the polemics of genre as to what a novel or novella is. I will, however, regard the two as novellas at least by the virtue of their length.
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Ngugi, Pamela M. Y. "Nafasi ya muziki uliopendwa katika fasihi ya kiswahili." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-98110.

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Nyimbo, kama tanzu ya fasihi yeyote ile zina majukumu mbalimbali ambayo hutekeleza katika jamii. Lengo kuu la fasihi ni lile la kuielimisha na hata kuiburudisha jamii. Ndivyo ilivyo katika nyimbo kwa sababu kupitia kwazo wanajamii huburudika na kuelimishwa. Ni kwa sababu hiyo ndipo makala hii inalenga kuangalia nafasi ya nyimbo zinazopendwa katika fasihi ya Kiswahili. Huu ni utanzu ambao huwafikia watu wengi katika jamii. Kutokana na kutumia lugha ya Kiswahili, utanzu huu unaweza kueleweka na Wakenya wengi. Nchini Kenya, vyombo vya habari vimeipa fasihi hii nafasi kubwa sana na hivyo basi kuipanua hadhira yake. Hii ni kutokana na sababu kuwa fasihi hii inathaminiwa sana na wengi na ipewe nafasi kubwa katika vyombo vya habari hasa katika redio kwa muda mrefu. Ni kutokana na sababu hii ndipo tunajaribu kuonyesha nafasi yake katika fasihi ya Kiswahili.
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Khamis, Said A. M. "Implication as a literary technique in Mohamed S. Mohamed`s novels: Kiu and Nyota ya Rehema." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-93535.

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Reading Mohamed´s novels Kiu (`Thirst´; 1972) and Nyota ya Rehema (`The Star ofRehema´or `The Destiny of Rehema´; 1976), one is struck by abundant use of `implication´ technique. Implication is regarded as a feature that is statistically more frequent in poetry than in prose, hence the presence of this technique in abundance in Mohamed´s idiom, renders it a quality of poetic prose. The purpose of this paper is therefore to show how various linguistic features are used as vehicle for the realisation of the implication technique used to create exponents for the semantic structure in his novels. Exponents as literary devices need not be implicit as in Mohamed`s idiom, however if used implicitly, they form an artistically engineered correlation with literary substance of the novel and gives it a certain quality that affects our `attitude´ and `judgement` towards it. Hence in this paper we hold it that the reader`s involvement in the interpretation of the novel eventually entails the decoding of the corpus for the externalisation of the literary substance. A reader who is fully involved in the interpretation and processing of implied meaning(s) in the novel, digs into its semantic structure by condation and deduction and comes out with more lasting impressions than he would if he were to deal with a less subtle or totally explicit idiom that may be regarded as plain and spoon-feeding.
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Ogechi, Nathan Oyori. "Publishing in Kiswahili and indigenous languages for enhanced adult literacy in Kenya." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-91659.

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This paper argues a case for the preparation of reading materials in Kiswahili and other African languages in order to enhance adult education in Kenya. Adult education clientele are defined as those aged over 15 who (a) were either never enrolled in primary schools or dropped out before completing and (b) `graduated` and currently participate in community extension services. Cognisance of mothertongues as the best languages to begin basic literacy is taken. However, since the literacy so acquired should be useful to the individual at both local and national levels, one needs Kiswahili for wider communication. Therefore, reading materials, especially for post literacy and adult literacy teacher training should be in Kiswahili. This will not only guard against relapsing to illiteracy and misinformation but will also alleviate the scarcity of reading materials in the face of hard economic times in Kenya.
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Books on the topic "Afrikanische Literatur"

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Südlich der Sahara: Afrikanische Literatur in französischer Sprache. Tübingen: Stauffenburg, 2013.

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Merlischachen), Seminar über "Afrikanische Literatur" (1987. Seminar über "Afrikanische Literatur": Schlussbericht : Merlischachen, 10.-12. Dezember 1987. Bern: Die Kommission, 1988.

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Schinke, Martin. Afrikanische Literatur in der Kritik: Eine Studie zur Theorie- und Methodendiskussion. München: Iudicium, 1989.

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Firla-Forkl, Monika. Vergangenheit und Gegenwart im Spiegel der afrikanischen Literatur: Literatur-Ausstellung ausgewählter Werke afrikanischer Autorinnen und Autoren : Katalog. Stuttgart: Pro Terra, 1991.

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Koloniale Mythen, afrikanische Antworten. Frankfurt am Main: Verlag für Interkulturelle Kommunikation, 1993.

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Riesz, János. Koloniale Mythen, afrikanische Antworten. 2nd ed. Frankfurt: IKO--Verlag für Interkulturelle Kommunikation, 2000.

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Arndt, Susan. Feminismus im Widerstreit: Afrikanischer Feminismus in Gesellschaft und Literatur. Münster: Unrast, 2000.

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Ndong, Norbert. Entwicklung, Interkulturalität und Literatur: Überlegungen zu einer afrikanischen Germanistik als interkultureller Literaturwissenschaft. München: Iudicium, 1993.

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Das Bild der afrikanischen Frau in der deutschen und der französischen Kolonialliteratur und sein Gegenentwurf in der frankophonen afrikanischen Literatur der Kolonialzeit. Frankfurt am Main: Peter Lang, 2009.

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Heinrichs, Hans-Jürgen. Sprich deine eigene Sprache, Afrika!: Von der Négritude zur afrikanischen Literatur der Gegenwart. Berlin: D. Reimer, 1992.

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Book chapters on the topic "Afrikanische Literatur"

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Deva, El-Shaddai. "Afrikanische Literatur als glokale Literatur." In Schreiben und Übersetzen zwischen Lokalem und Globalem, 13–41. Berlin, Heidelberg: Springer Berlin Heidelberg, 2021. http://dx.doi.org/10.1007/978-3-662-63872-9_2.

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Deva, El-Shaddai. "Afrikanische Literatur in deutscher Übersetzung. Eine Kritik der Kritik." In Schreiben und Übersetzen zwischen Lokalem und Globalem, 43–65. Berlin, Heidelberg: Springer Berlin Heidelberg, 2021. http://dx.doi.org/10.1007/978-3-662-63872-9_3.

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"Ideologie und Identifikation in der afrodeutschen Literatur." In Deutsch-afrikanische Diskurse in Geschichte und Gegenwart, 151–69. Brill | Rodopi, 2012. http://dx.doi.org/10.1163/9789401207232_008.

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"Bewältigungsversuche. Die wilhelminische Herrschaft über Südwestafrika in der deutschsprachigen ‘postkolonialen’ Literatur." In Deutsch-afrikanische Diskurse in Geschichte und Gegenwart, 125–50. Brill | Rodopi, 2012. http://dx.doi.org/10.1163/9789401207232_007.

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"Einführung: Deutsch-afrikanische Diskurse in Geschichte und Gegenwart. Literatur- und kulturwissenschaftliche Perspektiven." In Deutsch-afrikanische Diskurse in Geschichte und Gegenwart, 7–19. Brill | Rodopi, 2012. http://dx.doi.org/10.1163/9789401207232_002.

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"3.19 Automobilität in der afrikanischen Literatur." In Handbuch Literatur & Materielle Kultur, 313–23. De Gruyter, 2018. http://dx.doi.org/10.1515/9783110416497-036.

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"»Das Gedächtnis alter Frauen. Intergenerationelles Erzählen in afrikanisch-karibischer und amerikanischer Literatur«." In Arbeit am Gedächtnis, 303–14. Wilhelm Fink Verlag, 2007. http://dx.doi.org/10.30965/9783846745342_024.

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"3. Autobiographisches Schreiben: Funktionen des Schreibens und Wahrnehmung von Schriftlichkeit und Buchlektüre in afrikanischen Autobiographien seit der Kolonialzeit." In Schrift, Buch und Lektüre in der französischsprachigen Literatur Afrikas. Berlin, Boston: De Gruyter, 1990. http://dx.doi.org/10.1515/9783110926811-004.

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