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1

Aeronautical Systems Center (U.S.). History Office., ed. Organizing for technology leadership: The historical evolution of the Wright Laboratory and the coming of AFRL, 1917-1997. Wright-Patterson AFB, Ohio: History Office, Aeronautical Systems Center, Air Force Materiel Command, 2005.

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2

Afro. Afro. Roma: De Luca Editori d'Arte, 2015.

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3

Afro. Afro. Firenze: Edizioni Il Ponte, 1987.

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4

Research, Institute of Engineering. AFRC engineering. Silsoe: The Institute, 1988.

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5

Greg, Moore, and Fialkov Joshua Hale 1979-, eds. Afro Samurai. [S.l.]: Tor/Seven Seas Book, 2008.

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6

Afro. Afro mosaici. Udine: Associazione degli industriali della provincia di Udine, 1987.

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7

Butt, Muhammad Younas. Afra tafri. Lahore: Sang-e-Meel, 2000.

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8

Afro-Orientalism. Minneapolis: University of Minnesota Press, 2004.

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9

Mullen, Bill. Afro-Orientalism. Minneapolis, MN: University of Minnesota Press, 2005.

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10

Hart, William David. Afro-Eccentricity. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118713.

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11

Alex, Brychta, and Paschalis Juli, eds. Yr afal. [Caerdydd]: Drake, 1998.

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12

The Afro-American griot speaks: Afro-American names. Nashville, Tenn: J.C. Winston Pub. Co., 1995.

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13

Muñoz, Sharon R. The Afro-American griot speaks: Afro-American names. Nashville, Tenn: JamesC. Winston, 1995.

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14

Afro. Afro: Catalogo generale ragionato dai documenti dell'Archivio Afro. Roma: Dataars, 2006.

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15

1947-, Pimentel Lucia Gouvêa, and Ducarmo Alexandrino, eds. Arte afro-brasileira. Belo Horizonte: Editora C/Arte, 2007.

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16

Nettleford, Rex M. Afro-Caribbean dance. [U.K: Dancing Times, 1990.

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17

Ensaios Afro literaŕios. Lisboa: Estudos e documentos, 2001.

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18

Afro-Cuban jazz. San Francisco, CA: Miller Freeman Books, 2000.

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19

Afro-American music. London: Dryad Press, 1987.

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20

Robinson, Carline S. Afro-American myths. [Beaufort, S.C.]: C.S. Robinson, 1992.

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21

Martin, Tony. The Afro-Trinidadian. Dover, Mass: Majority Press, 1994.

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22

Smead, Howard. The Afro-Americans. New York: Chelsea House Publishers, 1989.

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23

Lipski, John M. Afro-Bolivian Spanish. Madrid: Iberoamericana, 2008.

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24

Ntole, Kazadi. L'Afrique afro-francophone. [Aix-en-Provence]: Institut d'études créoles et francophones, UA 1041 du CNRS, Université de Provence, 1991.

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25

Braga, Júlio. Contos afro-brasileiros. 2nd ed. Salvador, Brasil: Fundação Cultural do Estado da Bahia, 1989.

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26

Ribeiro, Ana. Gastronomia afro-brasileira. Brasília: Fundação Cultural Palmares, 2012.

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27

Blas yr afal. Talybont, Ceredigion: Y Lolfa, 1989.

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28

Blas yr afal. Talybont: Y Lolfa, 1990.

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29

Iannettone, Giovanni. Interrelazioni afro-asiatiche. Torino: G. Giappichelli, 1988.

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30

Murgueítio, Antonio José Murillo. Soy afro-colombiano. [Colombia: s. n.], 1997.

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31

Speiser, Sabine. Tradiciones Afro-esmeraldeñas. 3rd ed. Quito, Ecuador: Ediciones Abya-Yala, 1989.

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32

African and Asian Resources Centre and Centre for Multicultural Education. Afro-Caribbean history. [Birmingham]: The Centre, 1985.

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33

Bennabi, Malek. L' afro-asiatisme. Alger: Société d'édition et de communication, 1992.

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34

Lipski, John M. Afro-Bolivian Spanish. Madrid: Iberoamericana, 2008.

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35

Amaral, Biblioteca Amadeu. Bibliografia afro-brasileira. Rio de Janeiro: FUNARTE, Instituto Nacional do Folclore, 1988.

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36

Davis, Darién J. Afro-brasileiros hoje. São Paulo, SP: Summus, 2000.

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37

Aḥdāth Afrīl 1938. Ṣafāqis: Dār Muḥmmad ʻAlī lil-Nashr, 2011.

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38

Roberto, Mota, ed. Os afro-brasileiros: Anais do III Congresso Afro-Brasileiro. Recife: Fundação Joaquim Nabuco, Editora Massangana, 1985.

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39

Araújo, Emanoel. Afro-brasilianische Kultur und zeitgenössische Kunst =: Art in Afro-Brazilian religion = Arte religiosidade Afro-Brasileira. São Paulo, SP, Brasil: Câmara Brasileira do Livro, 1994.

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40

Department of Defense. 21st Century Essential Guide to Military Research and DARPA, Air Force Research Lab (AFRL), Army Research Office and Lab Technical Reports, Defense Advanced ... Bio-molecular Motors, Robotics. Progressive Management, 2004.

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41

Tirasoglu, Cansu. Afra. Agapi Yayinlari, 2016.

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42

Kosova, Nusret. Afel. Flora Kitap, 2020.

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43

Tirasoglu, Cansu. Afra. Agapi Yayinlari, 2016.

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44

Afro. Pre-Textos, 2016.

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45

Hudson, W. Afro-Bets ABC Song (Afro-Bets). Just Us Books Inc, 1990.

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46

Mahoney, Kevin. Afro Blues. Virtual Bookworm.Com Pub Inc, 2000.

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47

Afro-Surrealism. Taylor & Francis Group, 2019.

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48

Kurada, Zeynep. Afel / Günöte. Artshop Yayincilik, 2019.

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49

Sharron, Elise. Afro Puffs. Always Writing 4 U, 2020.

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50

Nyong'o, Tavia. Afro-Fabulations. NYU Press, 2018. http://dx.doi.org/10.18574/nyu/9781479856275.001.0001.

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In Afro-Fabulations: The Queer Drama of Black Life, the cultural critic and historian Tavia Nyong’o surveys the conditions of contemporary black artistic production in the wake of post-blackness. Moving fluidly between the insurgent art of the 1960s and the intersectional activism of the present day, Afro-Fabulations challenges genealogies of blackness that ignore its creative capacity to exceed conditions of traumatic loss, social death, and archival erasure. Tracking how the bodies that were speculated in as commodities became speculative bodies, he develops an account of black fabulation that is always already feminist and queer. In so doing, he revises accounts of post-humanism and new materialism that ignore the subversive potential of life lived outside the sovereign coordinates of the human. If black survival in an anti-black world often feels like a race against time, Afro-Fabulations looks to the modes of memory and imagination through which a black polytemporality is invented and sustained. “Angular sociality” names the gate and rhythm of black social life as it moves in and out of step with itself, providing its internal dynamism and drama. To outline his theory of afro-fabulation, Nyong’o takes up a broad range of sites of analysis, from speculative fiction to performance art, from artificial intelligence to blaxploitation cinema. Reading the archive of violence and trauma against the grain, Afro-Fabulations summons the poetic powers of world-making that have always been immanent to the fight and play of black life.
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