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1

Gates, Henry Louis. The signifying monkey: A theory of Afro-American literary criticism. Oxford University Press, 1988.

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2

Joseph, Beam, ed. In the life: A Black gay anthology. Alyson Publications, 1986.

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3

Smead, Howard. The Afro-Americans. Chelsea House Publishers, 1989.

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4

Rediger, Pat. Great African Americans in literature. Crabtree Pub. Co, 1996.

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5

Jackson, Blyden. A history of Afro-American literature. Louisiana State University Press, 1989.

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6

Silva, Souza Florentina da, Lima, Maria Nazaré Mota de., Universidade Federal da Bahia. Centro de Estudos Afro-Orientais., and Fundação Cultural Palmares (Brazil), eds. Literatura afro-brasileira. Centro de Estudos Afro-Orientais, 2006.

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7

Silva, Souza Florentina da, Lima, Maria Nazaré Mota de., Universidade Federal da Bahia. Centro de Estudos Afro-Orientais., and Fundação Cultural Palmares (Brazil), eds. Literatura afro-brasileira. Centro de Estudos Afro-Orientais, 2006.

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8

Sundquist, Eric J. To wake the nations: Race in the making of American literature. Belknap, 1993.

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9

Michèle, Williams Rhonda, ed. Introductory readings in Afro-American studies. Kendall/Hunt Pub. Co., 1995.

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10

Rio de Janeiro (Brazil : State). Secretaria Extraordinária de Defesa e Promoção das Populações Afro-Brasileiras and Colóquio Dunia Ossaim (1992 : Rio de Janeiro, Brazil), eds. Dunia Ossaim: Os Afro-Americanos e o meio ambiente. SEAFRO, 1994.

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11

Hudson, Cheryl Willis. Afro-Bets ABC book. Just Us Books, 1999.

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12

W, Davis Marianna, Graham Maryemma, and Pineault-Burke Sharon, eds. Teaching African American literature: Theory and practice. Routledge, 1998.

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13

Panama) International Conference "Afro-American Identity in Language and Literature" (2nd 2001 Panama. Afro-American cultural identity in language and literature. University of Panama, 2001.

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14

Congreso Europeo de Latinoamericanistas (6th : 2010 : Toulouse, France), ed. Corpo, literatura e cultura: Espaços latino-americanos da escravidão. EdUFAL, 2011.

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15

Gates, Henry Louis. The signifying monkey: A theory of African-American literary criticism. Oxford University Press, 1988.

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16

Hudson, Cheryl Willis. Afro-Bets 123 book. Scholastic, 2002.

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17

Haskins, James. Black eagles: African Americans in aviation. Scholastic Inc, 1995.

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18

Hudson, Cheryl Willis. Afro-Bets 123 book. Just Us Books, 1987.

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19

Smith, Karen Patricia. African-American voices in young adult literature: Tradition, transition, transformation. Scarecrow Press, 1994.

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20

A, Baker Houston, and Redmond Patricia, eds. Afro-American literary study in the 1990s. University of Chicago Press, 1989.

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21

F, Mossell N. The work of the Afro-American woman. Oxford University Press, 1988.

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22

Abraham, Chapman, ed. New Black voices: An anthology of contemporary Afro-American literature. Mentor, 1996.

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23

Collier, Eugenia W., and Long Richard A. Afro-American writing: An anthology of prose and poetry. 2nd ed. Pennsylvania State University Press, 1985.

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24

Jones, Gayl. Liberating voices: Oral tradition in African American literature. Harvard University Press, 1991.

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25

Rediger, Pat. Great African Americans in business. Crabtree Pub. Co, 1996.

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26

Trigo, Salvato. Ensaios de literatura comparada: Afro-luso-brasileira. Vega, 1986.

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27

Trigo, Salvato. Ensaios de literatura comparada: Afro-luso-brasileira. Vega, 1986.

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28

Dixon, Melvin. Ride out the wilderness: Geography and identity in Afro-American literature. University of Illinois Press, 1987.

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29

1927-, Long Richard A., and Collier Eugenia W, eds. Afro-American writing: An anthology of prose and poetry. 2nd ed. Pennsylvania State University Press, 1985.

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30

Baker, Houston A. Afro-American poetics: Revisions of Harlem and the Black aesthetic. University of Wisconsin Press, 1988.

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31

Baker, Houston A. Afro-American poetics: Revisions of Harlem and the Black aesthetic. University of Winconsin Press, 1988.

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32

Bibliothèque nationale (France). Département des imprimés. Les auteurs afro-américains, 1965-1987: Catalogue. Bibliothèque nationale, 1989.

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33

Morrison, Toni. Playing in the dark: Whiteness and the literary imagination. Picador, 1993.

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34

Morrison, Toni. Playing in the dark: Whiteness and the literary imagination. Harvard University Press, 1992.

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35

Morrison, Toni. Playing in the dark: Whiteness and the literary imagination. Vintage Books, 1993.

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36

Werner, Sollors, and Diedrich Maria, eds. The Black Columbiad: Defining moments in African American literature and culture. Harvard University Press, 1994.

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37

Wintz, Cary D. Black culture and the Harlem Renaissance. Texas A & M University Press, 1996.

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38

Vysot͡sʹka, N. O. Na perekhresti t͡syvilizat͡siĭ: Afro-amerykansʹka drama i͡ak mulʹtykulʹturnyĭ fenomen. Kyïvsʹkyĭ derz͡h. linhvistychnyĭ universytet, 1997.

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39

Faith, Berry, ed. From bondage to liberation: Writings by and about Afro-Americans from 1700 to 1918. Continuum, 2001.

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40

Poikāne-Daumke, Aija. African diasporas: Afro-German literature in the context of the African American experience. Lit, 2006.

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41

Rubas, Christine. Der afrikanistische Blick: Interkulturelle Verstehensprozesse in Afrikareiseberichten afro-amerikanischer Schriftsteller. Wissenschaftlicher Verlag, 2002.

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42

Brown, Margery W. Afro-Bets book of shapes. Ipicturebooks.com, 2000.

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43

In the life: A Black gay anthology. Alyson Publications, 1986.

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44

In the life: A Black gay anthology. 2nd ed. RedBone Press, 2008.

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45

Literaturas ibero-afro-americanas: Ensaios críticos. Editora da PUC Goiás, 2010.

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46

Portos Flutuantes: Trânsitos Ibero-Afro-Americanos. Ateliê, 2004.

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47

Literatura Afro-Brasileira. Pallas Editora e Distribuidora Ltda, 2018.

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48

Afro-American Readings. Kendall/Hunt Publishing Company, 1995.

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49

Afro-American Literature: The Reconstruction of Instruction. Modern Language Association of America, 1990.

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50

Masiki, Trent. The Afro-Latino Memoir. University of North Carolina PressChapel Hill, NC, 2023. https://doi.org/10.5149/northcarolina/9781469675275.001.0001.

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Abstract Despite their literary and cultural significance, Afro-Latino memoirs have been marginalized in both Latino and African American studies. Trent Masiki remedies this problem by bringing critical attention to the understudied African American influences in Afro-Latino memoirs published after the advent of the Black Arts movement. Masiki argues that these memoirs expand the meaning of Black identity for both Latinos and African Americans. Using interpretive strategies and historical methods from literary and cultural studies, Masiki shows how Afro-Latino memoir writers often turn to the
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