Relevant bibliographies by topics / Agathon

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Agathon'

Author: Grafiati
Published: 4 June 2021
Last updated: 22 February 2023

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Journal articles on the topic "Agathon"

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Lichocka, Barbara. "Ergon agathon." Études et Travaux, no. 30 (August 23, 2017): 9. http://dx.doi.org/10.12775/etudtrav.30.001.

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Vegetti, Mario. "To siôpoumenon agathon." Chôra 15 (2017): 17–29. http://dx.doi.org/10.5840/chora2017/201815/162.

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Janca, Timo. "Zum Verhältnis von Geist und Gegenstand als Gradmesser einer inneren Entwicklung in Wielands "Geschichte des Agathon"." Studia Germanica Gedanensia 44 (October 12, 2021): 48–59. http://dx.doi.org/10.26881/sgg.2021.44.04.

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In Christoph Martin Wielands Geschichte des Agathon (Erste Fassung 1766/67) durchlauft der Protagonist einen inneren Reifeprozess, wobei das Verhaltnis innerlicher Erkenntnis im Wechselspiel mit der Objektwelt im Zentrum steht. Der nachfolgende Artikel bringt den Werdegang in Zusammenhang mit der philosophischen Debatte zwischen Idealismus und Realismus sowie der versuchten Versohnung beider Positionen durch Immanuel Kant. Auf dieser Grundlage sollen Agathons zwischenmenschliche Begegnungen von Pytia bis Danae uberpruft wie auch als Gradmesser seiner inneren Reifung betrachtet werden.
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Hecht, Christine. "Konzeptionelle Ursprünge des Asianismus in klassischer Zeit – das Beispiel von Agathon." Rhetorica 37, no. 1 (2019): 1–15. http://dx.doi.org/10.1525/rh.2019.37.1.1.

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This article seeks to demonstrate that, already at the end of the fifth century BCE, the style of the tragedian Agathon was described in terms that would also be used for what is later called Asianism in the first century BCE. This is accomplished by relating the characterization of the Asiatic style, as provided by Cicero, to the descriptions of Agathon's style. Both Agathon's style and the later Asiatic style are conceptualized as ‘Asiatic-barbaric.’ Consequently, the Atticists of the first century BCE were not the first to vilify their opponents by situating specific stylistics and rhetoric within Asia since Agathon's critics had already used similar strategies to mark his style as exotic and extravagant.
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Payne, Andrew. "The Refutation of Agathon." Ancient Philosophy 19, no. 2 (1999): 235–53. http://dx.doi.org/10.5840/ancientphil199919227.

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Donnay, Guy. "Signature du sculpteur Agathon d'Anargyre." Bulletin de correspondance hellénique 112, no. 1 (1988): 445–48. http://dx.doi.org/10.3406/bch.1988.1755.

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Pichanick, Alan. "The Koinon Agathon of Plato’s Charmides." Areté 36 (March 28, 2022): 45–57. http://dx.doi.org/10.18800/arete.2022ext.003.

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Given the number of references to koinōnia in Plato’s dialogues, it is striking that the phrase “common good” (koinon agathon) is used only once – at Charmides 166d. Socrates asks his interlocutor Critias a question, “Do you not think it is for the common good, almost (schedon), of all men, that how all the beings (tōn ontōn) are should be discovered?” The question emerges after Critias has claimed that sōphrosynē is self-knowledge, which he then specifies as a “knowledge of all other knowledges and of itself”. In this paper, I argue that it is no accident that Socrates mentions the “common good” at precisely this moment in his discussion with Critias. The notion of sōphrosynē that Critias defends is incoherent owing to what Critias claims to be its distinguishing feature – its reflexivity. Because of its total reflexivity, it points to no end beyond itself and thereby it is neither capable of disclosing “the beings” nor of being connected to any good outside of itself. The common good Socrates mentions here is therefore essentially related to an acknowledgment of ignorance that motivates one to wonder (thauma) at a good beyond one’s love of one’s own things. I thus suggest an explanation for the curious addition of “almost” (schedon) in Socrates’ remark here: Critias himself shows that unless he (or his young cousin Charmides) can admit ignorance and experience such wonder, then he is constitutionally not included in this common good.
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Rokem, Freddie. "THE PHILOSOPHER AND THE TWO PLAYWRIGHTS: SOCRATES, AGATHON, AND ARISTOPHANES IN PLATO'S SYMPOSIUM." Theatre Survey 49, no. 2 (October 23, 2008): 239–52. http://dx.doi.org/10.1017/s0040557408000136.

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This article reflects my current research, exploring the complex interactions between the discursive practices of theatre and performance on the one hand and philosophy on the other. Instead of beginning by trying to formulate the general principles for such an interaction, I examine actual encounters: direct face-to-face meetings and actual dialogues between philosophers and representatives of the Thespian professions. The earliest recorded encounter of this kind is in Plato's Symposium depicting the banquet in Agathon's house, celebrating his victory at the Lenaean theatre festival in 416 b.c., during which the celebrants spent the whole night eulogizing Eros. On this occasion Socrates and the two playwrights, Agathon and Aristophanes, interacted directly on several occasions.
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Stepantsov, Sergey A. "Was there a Sword? On Aristophanes’ Thesmophoriazusae (v. 134–140)." Studia Litterarum 7, no. 3 (2022): 66–83. http://dx.doi.org/10.22455/2500-4247-2022-7-3-66-83.

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In the prologue of Aristophanes’ Thesmophoriazusae (134–140) Euripides’ Inlaw after seeing the poet Agathon expresses his bewilderment at the mixture of gender signals emitted by Agathon’s clothes and the objects he is surrounded with. Inlaw enumerates several couples of objects incompatible because of their relatedness to one or another gender: barbitos and saffron gown, lyre and headband, lekythos (an attribute of athletics) and breast band, sword and mirror. In this paper I reconsider commentators’ opinions on the question whether there was indeed a sword among the props visible to the public or the sword was mentioned by Inlaw because it was present in the passage from Aeschylus’ Edonians explicitly parodied in the questions asked by Inlaw. A. Sommestein’s speculation that Agathon needs a sword to get into a male role is rejected as contradicting Agathon’s words in v. 154–155. I also call in question G. Kaibel’s surmise (supported by C. Prato, C. Austin and D. Olson) that the sword was present in the parodied scene of the Edonians because Dionysus was represented in armis there, as a conqueror of new lands. I consider that there are no firm reasons to think that there was a sword among the props of the comedy or that it was mentioned in the parodied tragedy as a thing present in the scene in which Lycurgus interrogated Dionysus. It is more probable that sword (as well as lekythos) is mentioned by Inlaw just as a most typical male thing opposed to typically female mirror. I also suppose that v. 140 “What can a sword and a mirror have in common?” is rather a recast of the anonymous comic aphorism “What can a blind man and a mirror have in common?” (apud Stob. 4.30.6a) than vice versa (whoever the author of this aphorism might be).
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Fraser, P. M. "Agathon and Kassandra (IG IX. 12 4. 1750)." Journal of Hellenic Studies 123 (November 2003): 26–40. http://dx.doi.org/10.2307/3246258.

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AbstractThe author discusses an inscription of the late fourth or early third century BC carved on a bronze plaque found in the first excavations at Dodona, on which a Zakynthian, by name Agathon, records a link of proxeny between himself and his family and the Epirote koinon of the Molossians, through Kassandra, the Trojan prophetess. The plaque is decorated by a prominent phallus with testicles, which the author interprets as referring to the continuity, past and future, of the γενεά of Agathon. Other explanations of the whole piece have been proposed, and the present essay is intended only to explore the possibility of this interpretation.
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Dissertations / Theses on the topic "Agathon"

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Jossas, Esko. "Agathon Meurman : suomalaisuusliikkeen uskonto- ja kirkkopoliitikko 1863-1899 /." Helsinki : Suomen kirkkohistoriallinen seura, 1990. http://catalogue.bnf.fr/ark:/12148/cb414264039.

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Herde, Christiane. "Jenseits der Moralsysteme : philosophische Gespräche in Wielands "Geschichte des Agathon" /." Darmstadt : Herde, 2000. http://www.loc.gov/catdir/toc/fy0613/2002411195.html.

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Lopes, Poliana Tomazi Vieira. "Agathon (Bem), Daimon (Amor), Kalos (Belo): uma interpretação fenomenológica dos conceitos do Banquete de Platão." Universidade Estadual do Oeste do Paraná, 2017. http://tede.unioeste.br/handle/tede/3906.

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This dissertation studies the Good inside Plato’s Symposium. We chose this theme because of the concerns that came out of Plato’s dialogues when, in them, it was not possible, at least not clearly, to determine the meaning of Good. On the contrary, its meaning was not fully explored (as it is seen in the “Book VI” of the Republic, in which the character of Socrates diverts from the subject itself and moves on to discussing the son of the Good, the Sun). Because of this concern this research found a new angle to explore what that meaning could be inside Plato’s Symposium. Therefore, we study the meaning of Good as we dwell on Agathon’s paradigmatic character, as it receives the name agathon, the Good. Plato gives us clues in order to start an investigation on the character himself, such as: its name, its household, the order of the dialogues, the parts of his speech etc. The ways for our search about the meaning of the Good originate from a research on the concept of love (ti metaxy, daimon) and beauty (kalos), as all of them are intertwined, clarifying what love and beauty are, and they are connected explicitly inside the dialogue in Plato’s Symposium (203c), and this suggests a way for us to enlighten the meaning of the Good. This research has a phenomenological approach, as it favors most of Heidegger’s ideas. We opted by Heidegger because this contemporary philosopher is the most crucial one for our clarification of the Good, as in many studies concerning the Greek terms, mainly when talking about agathon, he presented the interpretative way that we needed in order to achieve a proper understanding on the meaning of Good through Agathon’s character. By studying the Love inside Plato’s Symposium this investigation concludes that he is an intermediate (203a). As it is possible to notice in our research the term ti metaxy brings with it the meaning of something “that is inbetween”, intermediating a passage. Another term by which Love is called is Daimon: “the one that makes everything bright and clear”. Love as the one that brings clarity. Beauty is connected to it because, based on our studies, it is “what is brought upon” by Love (203c). We understand that this is how Love originated Beauty as what appears. And, as for the Good, we see as justified in this dissertation, based on a Heidegger’s phenomenological study (he returns to the term agathon in its Greek meaning), that this concept is unveiled as “pure possibility, offering, support for something to happen”. When taking this path directly to Agathon’s character we notice, at last, that it occupies this position inside the Symposium by undertaking exactly the role of the Good, as it was the one that offered the possibility and the support so that the Love logos and the Beauty manifestation could take place in its household. Good as possibility, as the reader himself will be able to notice after going through all of our research in this dissertation, was exposed in that character. However, without a proper investigation approach, as the phenomenology, we would not be able to achieve these conclusions, and we would be looking at the character as a simple scenic game inside Plato’s Symposium.
Essa dissertação se ocupa do tema do Bem. A decisão por esse tema resultou da inquietude surgida dos diálogos platônicos quando, neles, não era indicado, ao menos explicitamente, o sentido do Bem, mas, ao contrário, havia esquivas de explorá-lo (como se observa no “Livro VI” da República, no qual a personagem Sócrates desvia o assunto do Bem e passa a falar do filho do Bem, o Sol). Partindo da referida inquietação pela busca do sentido do Bem, o presente trabalho encontrou um novo viés para explorar o que poderia ser tal sentido, no âmbito do diálogo O Banquete, de Platão. Assim, julgamos poder entrever o sentido do Bem a partir da figura paradigmática de Agatão, pois tal personagem conceitual carrega o nome agathon, o Bem. Platão nos dá vários indícios para começarmos uma investigação da personagem, como: seu nome, sua casa, a ordem dos diálogos, as partes de seu discurso etc. Os caminhos para essa busca do sentido do Bem partem inicialmente de um estudo dos conceitos do amor (ti metaxy, daimon) e da beleza (kalos), pois os três conceitos encontram-se interligados, elucidando o amor e a beleza, que possuem ligação explícita no diálogo O Banquete (203c), favorecendo, assim, o encontro com um caminho de clarificação para o sentido do Bem. A pesquisa que aqui apresenta seus saldos valeu-se de um enfoque fenomenológico, tendo privilegiado muitas das posições heideggerianas. A opção por Heidegger se deveu ao fato de este ser o filósofo contemporâneo mais decisivo para a nossa clarificação do Bem, pois, em diversos estudos dos termos gregos, sobretudo sobre o agathon, esse nos acenou o caminho interpretativo que precisávamos para chegar ao sentido do Bem por meio da personagem Agatão. Ao estudar o amor no diálogo O Banquete, a presente investigação conclui que ele é um intermediário (203a). Como se pode ver ao longo de nossos movimentos de exposição, o termo ti metaxy carrega o sentido de ser algo que “está entre”, intermediando uma passagem. Outro termo pelo qual o amor é chamado é daimon: “aquele que faz brilhar e aparecer.” O amor como tal é aquele que traz o aparecer. A beleza se liga ao amor porque, a partir dos nossos estudos, ela se mostrou como “aquilo que aparece” do amor (203c). Compreendemos que é assim que o amor faz nascer a beleza como o aparecer. E, quanto ao Bem, julgamos poder sustentar nessa dissertação, apoiados num estudo fenomenológico de Heidegger (este que retoma o termo agathon em seu sentido grego), que tal conceito é desvelado como a “pura possibilidade, doação, suporte para que aconteça algo”. Ao levarmos esse sentido diretamente à personagem Agatão, percebemos, enfim, que ela esteve no diálogo ocupando justamente esse papel do Bem, sendo a que doava a possibilidade e o suporte para que ocorresse o logos do amor e o aparecimento da beleza em sua casa. O Bem como possibilidade, como o leitor poderá conferir após acompanhar todo nosso movimento de exposição nessa dissertação, estava implicitamente caracterizado naquela personagem. Entretanto, sem um método de investigação adequado, como a fenomenologia, não chegaríamos a estes saldos, e permaneceríamos mirando a personagem como simples jogo cênico do diálogo platônico.
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Kiehl, Robert. "Das Experiment des aufgeklärten Bildungsromans : ein Vergleich der Fassungen von Christoph Martin Wielands "Geschichte des Agathon"." Würzburg Königshausen & Neumann, 2008. http://d-nb.info/989139158/04.

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Kiehl, Robert. "Das Experiment des aufgeklärten Bildungsromans ein Vergleich der Fassungen von Christoph Martin Wielands "Geschichte des Agathon"." Würzburg Königshausen & Neumann, 2007. http://d-nb.info/989139158/04.

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Andersson, Ingemar. "Agaton Sax' snillrika värld." Thesis, Mälardalens högskola, Akademin för utbildning, kultur och kommunikation, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-42523.

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Nils-Olof Franzéns elva böcker om Agaton Sax utgivna mellan åren 1955 och 1978 har undersökts med syftet att visa vilken slags teknik som förekommer i böckerna och hur teknik har användts. Böckerna har också placerats in i modernitetens epok med utgångspunkt ide kriterier som sociologen Peter Berger menar kännetecknar moderniteten. För att få en differentierad och fördjupad bild av tekniken har Carl Mitchams modell att dela in tekniken i fyra områden använts. Dessa områden är tekniska objekt, aktivitet, kunskap och vilja.  Mitchams modell visade sig vara mycket användbar att använda även på fiktiv teknik i berättelsens form för att den identifierade olika aspekter av teknik genom att dela in teknik i de fyra nämnda områdena. Trots att utgivningsperioden var så lång som tjugotre år, i en tid med stora samhällsförändringar, så märks inte mycket av detta i böckerna. Bilden som förmedlas till läsaren är ett framtidsoptimistiskt svenskt 1950-tal med stark tilltro till förnuft och vetenskap trots att sju av böckerna gavs ut på 1960-och 1970-talen.  Detta speglar moderniteten enligt Peter Berges kriterier, särskilt vad avser teknik, vetenskaplig rationalitet och förnuft.
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Vusatiuk, Y. "Agatha Christie." Thesis, Sumy State University, 2015. http://essuir.sumdu.edu.ua/handle/123456789/40472.

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English writer, ―Queen of Crime‖. Agatha Christie was born on 15 September 1890, Torquay, Devon, England. After her father was dead, she took care of her mother. In 1914 she married a pilot Colonel Archibald Christie. During the First World War, Agatha Miller worked as a nurse in a military hospital and studied pharmacology. At the same time she began to write detective stories.
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Waters, Timothy. "Systematics of Agathis Salisb. (Araucariaceae)." Thesis, University of Oxford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.497143.

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Benfield, John Nettleton. "The systematics and biogeography of Araucariaceae." Thesis, University of Reading, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.294513.

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Bernthal, James Carl. "A queer approach to Agatha Christie, 1920-1952." Thesis, University of Exeter, 2015. http://hdl.handle.net/10871/18196.

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This thesis provides the first extensive queer reading of a 'Golden Age' British detective fiction writer. The aim of this thesis is to assess queer potential in texts published by Agatha Christie between 1920 and 1952. Human identity can be read as self-consciously constructed in Christie's novels, which were written in a context of two world wars, advances in technology and communication, and what Michel Foucault called the 'medicalization' of Western culture. The self-conscious stereotyping in Christie's prose undermines her texts' conservative appeal to the status quo. Chapter One justifies this project's critique of identity essentialism in the texts by considering the manufacturing of 'Agatha Christie' as a widely-read celebrity author. Reading Christie's authorial identity as something established and refined through a market-driven response to readers' expectations and a conscious engagement with earlier forms of detective fiction provides space for reading identity itself as a stylized, performative, and sometimes parodic theme within the texts. In subsequent chapters, employing theoretical insights from Eve Kosofsky Sedgwick, Judith Butler, and Lee Edelman, I explore Christie's participation in contemporary debates surrounding masculinity, femininity, and the importance of the family in shaping individual identity. Finally, I consider Christie's reputation in the twenty-first century by exploring nostalgic television adaptations of her work. Comparing the presentation of 'queer' characters in the literary texts to the adaptations' use of explicit homosexual themes and characters, I conclude that there is a stronger potential for 'queering' identity in the former. As the first full queer reading of a 'Golden Age' detective novelist, this thesis expands queer notions of archive and canonicity: few scholars to date have considered mainstream literary texts without overt LGBTQ+ themes or characters from a queer perspective. Given Christie's global reach and appeal, locating queerness in her texts means understanding queerness as fundamental to everyday culture. This means engaging with a subversive potential in twentieth century middlebrow conservatism.
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Books on the topic "Agathon"

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Wieland, Christoph Martin. Geschichte des Agathon. Frankfurt am Main: Deutscher Klassiker Verlag, 1986.

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Tsarouchēs, Giannēs. Agathon to exomologeisthai. 2nd ed. Athēna: Ekdoseis Kastaniōtē, 1986.

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Tsaroychis, Giannis. Agathon to exomologisthe. Athens: Kastanioti, 1986.

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s, Gianne s. Tsarouche. Agathon to exomologeisthai. 2nd ed. Athe na: Kastanio te, 1986.

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1934-, Döhl Reinhard, and Martini Fritz 1909-, eds. Geschichte des Agathon: Erste Fassung. Stuttgart: Reclam, 1993.

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Léonard, Agathon. Agathon Léonard: Le geste Art nouveau. Roubaix: La Piscine, Musée d'art et d'industrie André-Diligent, 2003.

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Erhart, Walter. Entzweiung und Selbstaufklärung: Christoph Martin Wielands "Agathon"-Projekt. Tübingen: Niemeyer, 1991.

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Herde, Christiane. Jenseits der Moralsysteme: Philosophische Gespräche in Wielands Geschichte des Agathon. Darmstadt: Herde, 2000.

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Saariluoma, Liisa. Erzählstruktur und Bildungsroman: Wielands "Geschichte des Agathon", Goethes "Wilhelm Meisters Lehrjahre". Würzburg: Königshausen & Neumann, 2004.

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Das Experiment des aufgeklärten Bildungsromans: Ein Vergleich der Fassungen von Christoph Martin Wielands "Geschichte des Agathon". Würzburg: Königshausen & Neumann, 2008.

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Book chapters on the topic "Agathon"

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Mayer, Gerhart. "Christoph M. Wieland: Geschichte des Agathon." In Der deutsche Bildungsroman, 31–42. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03438-0_2.

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Nölle, Eckehart. "Wieland, Christoph Martin: Geschichte des Agathon." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19622-1.

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Gavazza, Beatrice. "Der Tragiker Agathon bei Aristophanes und Platon." In Transgression und Devianz in der antiken Welt, 7–20. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05508-8_2.

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Robanus, Adrian. "Der Roman als Form für die Perfektibilität: Geschichte des Agathon." In Romantiere, 77–102. Stuttgart: J.B. Metzler, 2021. http://dx.doi.org/10.1007/978-3-476-05756-3_4.

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Erhart, Walter. "„In guten Zeiten giebt es selten Schwärmer“ Wielands ‘Agathon’ und Hölderlins ‘Hyperion’." In Hölderlin-Jahrbuch, 173–91. Stuttgart: J.B. Metzler, 1993. http://dx.doi.org/10.1007/978-3-476-03474-8_10.

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Quarch, Christoph. "Agathon. Die Idee des Guten und die Tugenden jenseits von Gut und Böse." In Platon und die Folgen, 61–71. Stuttgart: J.B. Metzler, 2018. http://dx.doi.org/10.1007/978-3-476-04636-9_5.

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Gavazza, Beatrice. "The Tragedian Agathon in Aristophanes and Plato: The Dramatic Construction of Deviant Behaviour." In Transgression and Deviance in the Ancient World, 5–17. Stuttgart: J.B. Metzler, 2022. http://dx.doi.org/10.1007/978-3-476-05873-7_2.

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Renard, Fredrik. "Der Roman der Umstände, die Umständlichkeit des Romans: Christoph Martin Wielands Geschichte des Agathon." In Arbeit am Zufall, 71–134. Berlin, Heidelberg: Springer Berlin Heidelberg, 2021. http://dx.doi.org/10.1007/978-3-662-63756-2_3.

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Welz, Stefan. "Christie, Agatha." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8218-1.

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Welz, Stefan. "Agatha Christie." In Kindler Kompakt Englische Literatur 20. Jahrhundert, 79–81. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05526-2_14.

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Conference papers on the topic "Agathon"

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Chorley, Alison, and Trevor Bench-Capon. "AGATHA." In the 10th international conference. New York, New York, USA: ACM Press, 2005. http://dx.doi.org/10.1145/1165485.1165493.

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Klinger, Evelyne, Pierre-Alain Joseph, Jena-Luc Le Guiet, Philippe Fuchs, Nicolas du Lac, and Fabrice Servant. "AGATHE." In ACM SIGGRAPH 2013 Emerging Technologies. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2503368.2503369.

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Sybrandt, Justin, Ilya Tyagin, Michael Shtutman, and Ilya Safro. "AGATHA." In CIKM '20: The 29th ACM International Conference on Information and Knowledge Management. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3340531.3412684.

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Castro Garrido, Pilar, Irene Luque Ruiz, and Miguel Angel Gomez-Nieto. "AGATHA: Multiagent system for user monitoring." In 2012 IEEE Second International Conference on Consumer Electronics - Berlin (ICCE-Berlin). IEEE, 2012. http://dx.doi.org/10.1109/icce-berlin.2012.6336498.

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Roy, Madhumita. "Agatha Christie and the Mystery of Shyness." In 6th International Conference on New Findings on Humanities and Social Sciences. Acavent, 2021. http://dx.doi.org/10.33422/6th.hsconf.2021.08.120.

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Klinger, E., A. Kadri, J. L. Le Guiet, P. Coignard, N. du Lac, P. A. Joseph, E. Sorita, P. Fuchs, L. Leroy, and F. Servant. "AGATHE: A tool for personalized rehabilitation of cognitive functions." In 2013 International Conference on Virtual Rehabilitation (ICVR). IEEE, 2013. http://dx.doi.org/10.1109/icvr.2013.6662123.

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Chen, Hui, Li Yu, Yubo Mao, Puyu Li, and Chunsheng Wang. "Fatigue Crack Propagation Characteristics of the Deck to Longitudinal Rib Weld in Orthotropic Steel Bridge Deck." In IABSE Congress, Nanjing 2022: Bridges and Structures: Connection, Integration and Harmonisation. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2022. http://dx.doi.org/10.2749/nanjing.2022.1991.

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Abstract:
<p>In order to investigate the fatigue crack propagation characteristic of the rib-to-deck joint consider- ing welding residual stress, the finite element model of the orthotropic steel bridge deck was estab- lished for the typical box girder of a cable-stayed bridge. Considering the effect coupled with the residual stress field, the initial crack and the fatigue load, the fatigue crack propagation at the rib- to-deck joint was simulated based upon the extended finite element method (XFEM). The simulation result of the residual stress shows that there is a large residual tensile stress in the welding area of the rib-to-deck detail, and the peak value of the Von-Mises stress at the rib-to-deck joint close to the yield stress of Q345 material. The results of fatigue crack propagation behaviour display that the fatigue crack at the weld toe is led by mode I, which could keep in the plane during the crack prop- agation. And the fatigue crack at the weld root is mix mode I-III crack led by mode I, which cannot keep in the plane during the crack propagation, but slightly deflection.</p>
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González, Germán, George R. Washko, Raúl San José Estépar, Miguel Cazorla, and Carlos Cano Espinosa. "Automated Agatston score computation in non-ECG gated CT scans using deep learning." In Image Processing, edited by Elsa D. Angelini and Bennett A. Landman. SPIE, 2018. http://dx.doi.org/10.1117/12.2293681.

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Espinasse, Bernard, Sébastien Fournier, and Fred Freitas. "Agent and ontology based information gathering on restricted web domains with AGATHE." In the 2008 ACM symposium. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1363686.1364252.

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Gonzalez, German, George R. Washko, and Raul San Jose Estepar. "Automated Agatston score computation in a large dataset of non ECG-gated chest computed tomography." In 2016 IEEE 13th International Symposium on Biomedical Imaging (ISBI 2016). IEEE, 2016. http://dx.doi.org/10.1109/isbi.2016.7493209.

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