Relevant bibliographies by topics / Age and artists

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Age and artists'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 January 2023

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Journal articles on the topic "Age and artists"

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Petersen, Stephen. "Explosive Propositions: Artists React to the Atomic Age." Science in Context 17, no. 4 (2004): 579–609. http://dx.doi.org/10.1017/s0269889704000274.

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Argument“How should a modern artist react to the atomic age?” Time magazine posed this question in 1952 to open a review of an exhibition of paintings inspired by the “explosion of the atomic bomb” and by the “discovery of nuclear energy.” The energetic paintings of the Italian Spatial Movement were, according to Time, “almost as explosive as the bomb itself.” “Explosiveness” was a defining feature of much 1950s art, whose main impulse, gestural abstraction, has previously been understood as the urgent expression of the artist's subjectivity. This paper argues that explosiveness in art can als
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Lovejoy, Margot. "Artists' Books in the Digital Age." SubStance 26, no. 1 (1997): 113. http://dx.doi.org/10.2307/3684835.

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Bury, Stephen. "The Artist’s Book in the Age of Digital Reproduction: Walter Benjamin and the Artist’s Book." Arts 8, no. 4 (2019): 138. http://dx.doi.org/10.3390/arts8040138.

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Walter Benjamin, who was familiar with the pre-Second World War avant-garde, argued that mechanization threatens the aura of art objects. The digital revolution has been seen as reconfirming Benjamin’s thesis, but the digital can be seen to reaffirm the value of the actual, physical artist’s book, and moreover, artists have exploited the digital—as technologies and subject matter—to make artists’ books.
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Lindauer, Martin S. "The Old-Age Style and its Artists." Empirical Studies of the Arts 11, no. 2 (1993): 135–46. http://dx.doi.org/10.2190/kmh5-ufvj-8qrc-kltq.

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The old-age style is well-known among art historians, but has rarely been recognized by psychologists despite its bearing on late-life creativity. Untrained subjects' ability to perceive an old-age style, and indirectly, the identification of its artists, were investigated in five separate studies. One hundred subjects judged twenty-four pairs of young-old art on five aspects of the old-age style. Fifteen pairs (63%) differed from one another across the tasks, and suggested that the following historical artists have an old-age style: Bellows, Cole, Eakins, Goya, Guardi, Innes, Kirchner, Klee,
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Och, Marjorie. "The Advancing Women Artists Foundation, and: Women Artists in the Age of Medici." Early Modern Women 11, no. 2 (2017): 125–30. http://dx.doi.org/10.1353/emw.2017.0008.

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Barras, Colin. "Horses reigned supreme among Stone Age artists." New Scientist 244, no. 3257 (2019): 14. http://dx.doi.org/10.1016/s0262-4079(19)32192-x.

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Kang, Xin, Wenyin Chen, and Jian Kang. "Art in the Age of Social Media: Interaction Behavior Analysis of Instagram Art Accounts." Informatics 6, no. 4 (2019): 52. http://dx.doi.org/10.3390/informatics6040052.

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Instagram is the top preferred social media platform in the art world, however, we know little about the features of the most-liked artworks, and what role does the interaction between artists and followers play in the most-liked artworks? This study used quantitative and qualitative methods to examine the interaction between artists and followers on Instagram and the features of the most-liked artworks. Data from 706 artists’ accounts 497,649 posts on Instagram and 35 questionnaires. The results reveal that likes and comments were greatly influenced by interactions, with confusion and curiosi
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Hilton, Alison, Miuda Yablonskaya, Anthony Parton, et al. "Women Artists of Russia's New Age, 1900-1935." Woman's Art Journal 13, no. 1 (1992): 36. http://dx.doi.org/10.2307/1358259.

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Klein, Barrett Anthony, and Tierney Brosius. "Insects in Art during an Age of Environmental Turmoil." Insects 13, no. 5 (2022): 448. http://dx.doi.org/10.3390/insects13050448.

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Humans are reshaping the planet in impressive, and impressively self-destructive, ways. Evidence and awareness of our environmental impact has failed to elicit meaningful change in reversing our behavior. A multifaceted approach to communicating human-induced environmental destruction is critical, and art can affect our behavior by its power to evoke emotions. Artists often use insects in their works because of our intimate and varied relationship with this diverse, abundant lineage of animals. We surveyed work by 73 artists featuring insects or insect bodily products to gauge how extensively
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Kozbelt, Aaron, and Yana Durmysheva. "Lifespan Creativity in a Non-Western Artistic Tradition: A Study of Japanese Ukiyo-E Printmakers." International Journal of Aging and Human Development 65, no. 1 (2007): 23–51. http://dx.doi.org/10.2190/166n-6470-1325-t341.

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Western cultures' conceptions about creativity emphasize originality and final products; Eastern cultures, skill and process. Does this cultural difference impact how creativity unfolds over the lifespan? To examine this, we investigated Japanese “ukiyo-e” printmaking (c. 1670–1865). Almost 2,000 illustrations of datable prints by 44 artists were found in 36 art books. Career landmarks (earliest, most frequent, and latest illustrated print) and eminence ratings were estimated for each artist. Results are largely consistent with prior research on Western samples: artists' career peaks vary grea
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Dissertations / Theses on the topic "Age and artists"

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Malone, Kelsey Frady. "Sisterhood as Strategy| The Collaborations of American Women Artists in the Gilded Age." Thesis, University of Missouri - Columbia, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=13877154.

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<p> This dissertation employs four case studies&mdash;illustrator Alice Barber Stephens in Philadelphia; Louisville-born sculptor Enid Yandell; photographer Frances Benjamin Johnston in Washington, D.C.; and the Newcomb College Pottery in New Orleans&mdash;to show how individual women artists from a variety of media utilized collaborative strategies to advance their professional careers. These strategies included mentoring, teaching, and sharing commissions with one another; establishing art organizations; sharing studio and living spaces; organizing and participating in all-female art exhibit
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Ryoo, Anna. "Art education and new media : understanding the roles of artists and educators in the age of immediacy." Thesis, University of British Columbia, 2014. http://hdl.handle.net/2429/50286.

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This thesis is an act of inquiry into the entangled relationship between new media and art and how art education should re-position itself towards the cultural, political, and social shifts brought on by new media. By positioning new media as an entity yet-to-be-understood, I drew upon Marshall McLuhan’s writings as well as diverse and intersecting views of new media from debates and discussions occurring in multiple fields of studies. These are offered in the hopes of providing various spaces in which we may think about what art and art education is and can be as well as to expose the complex
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Fitzpatrick, Edwina. "Artists' geographies of the landscape-archive : trace, loss and the impulse to preserve in the Anthropocene Age." Thesis, Glasgow School of Art, 2014. http://radar.gsa.ac.uk/4702/.

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Barnes, John Tristan. "Painting the wine-dark sea traveling Aegean fresco artists in the Middle and late Bronze Age Eastern Mediterranean /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2008. http://hdl.handle.net/10355/5762.

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Thesis (M.A.)--University of Missouri-Columbia, 2008.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on August 22, 2008) Includes bibliographical references.
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Washington, Tiffany Elena. "Selling Art in the Age of Retail Expansion and Corporate Patronage: Associated American Artists and the American Art Market of the 1930s and 1940s." Case Western Reserve University School of Graduate Studies / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=case1349292575.

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Dieterich, Danielle May. "Andy Warhol's Utilization of inter/VIEW Magazine as a Self Promotional Marketing Tool Updated to a Social Media Strategy For Artists in Today's Technological Age." University of Akron / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=akron1452949628.

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Kellow, Amanda Lee. "The Generation and Evolvement of Ideas in the Lifeworld of Artists and the Practice of Their Art: Implications for Education." Thesis, Queensland University of Technology, 2005. https://eprints.qut.edu.au/16043/1/Amanda_Kellow_Thesis.pdf.

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How artists develop their ideas has been envisaged as a mysterious and intriguing process, difficult to understand or emulate. The "mystery" of how art ideas evolve has carried through to education, where students and teachers may view the introduction of how to formulate ideas as an unachievable task. Art educators have recognised the investigation of how artists think through the progression of their own practice as being an important aspect of understanding the evolvement of art ideas, and have advocated that approaches to teaching and learning should be grounded in such artistic thinking
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Kellow, Amanda Lee. "The Generation and Evolvement of Ideas in the Lifeworld of Artists and the Practice of Their Art: Implications for Education." Queensland University of Technology, 2005. http://eprints.qut.edu.au/16043/.

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How artists develop their ideas has been envisaged as a mysterious and intriguing process, difficult to understand or emulate. The "mystery" of how art ideas evolve has carried through to education, where students and teachers may view the introduction of how to formulate ideas as an unachievable task. Art educators have recognised the investigation of how artists think through the progression of their own practice as being an important aspect of understanding the evolvement of art ideas, and have advocated that approaches to teaching and learning should be grounded in such artistic thinking
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Wallace, William Scott. "Portraits: Discovering Art as a Transformative Learning Process at Mid-Life." Antioch University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=antioch1208450699.

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Rydalch, Sally Jayne. "Personal Puzzles: Exploring Meaning in a Printmaking Workshop." BYU ScholarsArchive, 2018. https://scholarsarchive.byu.edu/etd/6751.

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In an effort to assist self-guided artists in constructing meaning and creativity through the technique of printmaking, the author has compiled a curriculum to engage these artist/students in thoughtful research, discussion, art-making, and critique. In this qualitative case study there are eight participants from age 14 to 79, with varying educational and art experience, who enrolled in a relief print workshop with no recompense other than participation. The particular benefits of learning relief printing are described. The author's goal is exploration of student responses to a curriculum cen
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Books on the topic "Age and artists"

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Gallery, Orleans House, ed. Art, age and gender: Women explore the issues. Foundation for Women's Art, 2002.

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Dan, Cameron, Tilroe Anna, and Gelink Annet, eds. Tender age. Artimo Foundation, 2002.

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Thackray, Amanda. Age of eruption. [Women's Studio Workshop?], 2009.

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Kallner, Donna. New age looping: A handbook for fiber artists. Wolf Moon Publishing, 2009.

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Yablonskaya, M. N. Women artists of Russia's new age, 1910-1935. Rizzoli, 1990.

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Anthony, Parton, ed. Women artists of Russia's new age, 1900-1935. Rizzoli, 1990.

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I͡Ablonskai͡a, M. Women artists of Russia's new age, 1900-1935. Thames and Hudson, 1990.

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Lindly, Haunani, ed. Artists at work: Polymer clay comes of age. Flower Valley Press, 1996.

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Lastingness: The art of old age. Grand Central Pub., 2011.

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Artists of Radio Times: A golden age of British illustration. Ashmolean, 2002.

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Book chapters on the topic "Age and artists"

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Cantor, Norman F. "Students, Artists, and Workers." In The Age of Protest. Routledge, 2021. http://dx.doi.org/10.4324/9781003189060-9.

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Lindauer, Martin S. "Old Age and Old Artists." In The Plenum Series in Adult Development and Aging. Springer US, 2003. http://dx.doi.org/10.1007/978-1-4419-9202-4_2.

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Jones, Simon. "The future perfect of the archive: re-thinking performance in the age of third nature." In Artists in the Archive. Routledge, 2018. http://dx.doi.org/10.4324/9781315680972-30.

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Lindauer, Martin S. "Identifying Artists with an Old-Age Style: Contributions from Experts, Laypersons, and Artists." In The Plenum Series in Adult Development and Aging. Springer US, 2003. http://dx.doi.org/10.1007/978-1-4419-9202-4_12.

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Lindauer, Martin S. "Beyond the Old-Age Style, Old Art, and Aging Artists." In The Plenum Series in Adult Development and Aging. Springer US, 2003. http://dx.doi.org/10.1007/978-1-4419-9202-4_14.

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Hall, David, and Tiago de Sousa Araújo. "Digital Fashion Communication: The Influence of Instagram-Queer-Makeup Artists and Their Future Developments on the Industry." In Fashion Communication in the Digital Age. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15436-3_3.

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Oelsner, Gertrud. "Inventing Jutland for the ‘Golden Age’: Danish Artists Guided by Sir Walter Scott." In Romantic Norths. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-51246-4_5.

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FALASCHI, Eva. "Competing (in) Art. Rivalry Among Greek Artists and its Reception in the Imperial Age." In Lectio. Brepols Publishers, 2021. http://dx.doi.org/10.1484/m.lectio-eb.5.126926.

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Coessens, Kathleen, and Jean Paul Van Bendegem. "On the Position of the Educationalist Intellectual in the Information Age: Shouldn't We Become Meta-modern Artists?" In Educational Research: Networks and Technologies. Springer Netherlands, 2007. http://dx.doi.org/10.1007/978-1-4020-6613-9_6.

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Masataka, Nobuo. "Were Musicians As Well as Artists in the Ice Age Caves Likely with Autism Spectrum Disorder? A Neurodiversity Hypothesis." In The Origins of Language Revisited. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-4250-3_9.

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Conference papers on the topic "Age and artists"

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Alexenberg, Mel. "Educating artists in a digital age." In ACM SIGGRAPH 2005 Posters. ACM Press, 2005. http://dx.doi.org/10.1145/1186954.1187048.

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Frowd, Charlie, William B. Erickson, and James M. Lampinen. "Locating Missing Persons Using Age-Progression Images from Forensic Artists." In 2014 Fifth International Conference on Emerging Security Technologies (EST). IEEE, 2014. http://dx.doi.org/10.1109/est.2014.31.

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Rubin, Victor, Celina Tchida, Maria Rosario Jackson, and Theresa Hwang. "The Pedagogy of Creative Placemaking: A Field Begins to Come of Age." In 2019 ACSA Fall Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.fall.19.6.

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Creative placemaking has been evolving from a narrow definiti on of applying art and design ideas to community projects into a more expansive, equity-focused field of practice. As the funder consortium Art Place America describes it, “Creati ve placemaking happens when artists and arts organizations join their neighbors in shaping their community’s future, working together on place-based community outcomes. It’s not necessarily focused on making places more creative; it’s about creatively addressing challenges and opportunities…. creative placemaking at its best is locally defined and informed
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Aitani, Koichiro, and Vrushali Kedar Sathaye. "New York High Line as Urban Catalyst: Impact to Neighbourhood." In 24th ISUF 2017 - City and Territory in the Globalization Age. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5882.

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The High Line, an abandoned elevated railway structure on Lower Manhattan's West-side, converted into the public park is among the most innovative urban renovation projects. The meatpacking district with industrial taste, transformed to one of the most fashionable areas in New York would not be realized without the impact of this unique Urban Park, the high Line. The story of how it came to be is a remarkable one: two young citizens with no prior experience in planning and development collaborated with their neighbors, elected officials, artists, local business owners, and leaders of burgeonin
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Ho, Amic. "Application of Art-Tech in Visual Experience." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001438.

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Since the invention of the media in the 20th century, technological advances in the field of information have revolutionised the art and science of design. Thanks to new screen devices, communication platforms, printing technologies, and software, artists and designers have unprecedented creative freedom to combine a variety of tools and techniques to generate images and ideas based on their own ideas. The emerging immersive virtual reality technology in recent years is both complex and interesting. Because its development time is very short, there is still great room for exploration. Artists
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Franco, Jorge. "A Decolonized Mood of Creating a Three-dimensional Digital Space Based on Integrating Transdisciplinary Knowledge." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.66.

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This experimental artwork has attempted to produce a decolonized mood of researching and creating Three-dimensional (3D) Virtual Reality (VR) digital spaces based on using and integrating transdisciplinary knowledge. These research and creative 3DVR digital spaces processes have been connected with applying the concept of Digital Transformation (DX) within Educative Computational Practice (ECP) proceedings, addressing the idea of empowering people. The mentioned ECP proceedings have occurred through designing and carrying out 3DVR digital spaces by using 3D computer graphics programming techni
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Carneiro De Carvalho, Vânia. "Decoration and Nostalgia - Historical Study on Visual Matrices and Forms of Diffusion of Fêtes Galantes in the 20th Century." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001365.

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In São Paulo/Brazil, between the years 1950 and 1980, porcelain sculptures representing courtesy scenes were fashionable in wealthy and middle-class homes. Several Brazilian factories started to produce such images and many others were imported, the most of them from Germany. These representations were inspired by the fêtes gallants, a rococo style genre from the 18th century. Factories like Meissen, Limoges and Capodimonte produced thousands of copies which circulated in Western Europe and the Russian Empire. During the 19th century, from French institutional policies, the fêtes galantes were
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Fernandes da Silva, Fernanda. "Le Corbusier y Lúcio Costa. Diálogos sobre la síntesis de las artes." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.783.

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Resumen: En la poética de Le Corbusier, el arte comparece como presencia continua y articulada propuesta en los diálogos entre pintura, escultura y arquitectura, procedimiento que confluye posteriormente en la noción de síntesis de las artes. Es en ese aspecto de su producción que nos detenemos en este trabajo con los textos del arquitecto que se refieren al tema y analizando la interlocución que establece con el teórico brasileño Lúcio Costa. Damos relieve a dos momentos importantes del análisis del tema de los dos arquitectos: primero durante la segunda visita de Le Corbusier a Brasil en 193
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Sokolova, Nina A. "Artist And Insanity. From Classical Antiquity To The Modern Age." In PCSF 2019 - 9th PCSF Professional Сulture of the Specialist of the Future. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.12.81.

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Purik, E. "Problem-Based Methods As A Means Of Compositional Thinking Development Of Artist Students." In Humanistic Practice in Education in a Postmodern Age. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.11.83.

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Reports on the topic "Age and artists"

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Galenson, David. Who Are the Greatest Living Artists? The View from the Auction Market. National Bureau of Economic Research, 2005. http://dx.doi.org/10.3386/w11644.

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Удріс, Ірина Миколаївна, and Наталя Сергіївна Удріс-Бородавко. Design of the Franco-Belgian Exhibition Poster of the 1890-s in the Context of the Art Nouveau Style Formation. КНУКіМ, 2019. http://dx.doi.org/10.31812/123456789/5087.

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The purpose of the article is to determine the artistic and graphic peculiarities of the Franco-Belgian exhibition poster of the 1890s in the context of the formation of the Art Nouveau style. The research methodology of the work is based on the use of traditional art methods: historical and cultural, reconstructive and model, historical and attributive, which contributed to the revealing of artistic and graphic transformations in the field of Franco-Belgian spectacular poster. The scientific novelty of the article lies in the author’s artistic interpretation of the stylistic manner of the cre
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Galenson, David. Masterpieces and Markets: Why the Most Famous Modern Paintings Are Not by American Artists. National Bureau of Economic Research, 2001. http://dx.doi.org/10.3386/w8549.

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Galenson, David. One Hit Wonders: Why Some of the Most Important Works of Modern Art are Not by Important Artists. National Bureau of Economic Research, 2004. http://dx.doi.org/10.3386/w10885.

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Karlstrom, Karl, Laura Crossey, Allyson Matthis, and Carl Bowman. Telling time at Grand Canyon National Park: 2020 update. National Park Service, 2021. http://dx.doi.org/10.36967/nrr-2285173.

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Grand Canyon National Park is all about time and timescales. Time is the currency of our daily life, of history, and of biological evolution. Grand Canyon’s beauty has inspired explorers, artists, and poets. Behind it all, Grand Canyon’s geology and sense of timelessness are among its most prominent and important resources. Grand Canyon has an exceptionally complete and well-exposed rock record of Earth’s history. It is an ideal place to gain a sense of geologic (or deep) time. A visit to the South or North rims, a hike into the canyon of any length, or a trip through the 277-mile (446-km) len
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Rogers, Amanda. Creative Expression and Contemporary Arts Making Among Young Cambodians. Swansea University, 2021. http://dx.doi.org/10.23889/sureport.56822.

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This project analysed the creative practices and concerns of young adult artists (18-35 years old) in contemporary Cambodia. It examined the extent to which the arts are being used to open up new ways of enacting Cambodian identity that encompass, but also move beyond, a preoccupation with the Khmer Rouge (1975-1979). Existing research has focused on how the recuperation and revival of traditional performance is linked to the post-genocidal reconstruction of the nation. In contrast, this research examines if, and how, young artists are moving beyond the revival process to create works that spe
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Crispin, Darla. Artistic Research as a Process of Unfolding. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.503395.

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As artistic research work in various disciplines and national contexts continues to develop, the diversity of approaches to the field becomes ever more apparent. This is to be welcomed, because it keeps alive ideas of plurality and complexity at a particular time in history when the gross oversimplifications and obfuscations of political discourses are compromising the nature of language itself, leading to what several commentators have already called ‘a post-truth’ world. In this brutal environment where ‘information’ is uncoupled from reality and validated only by how loudly and often it is
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Prysyazhnyi, Mykhaylo. UNIQUE, BUT UNCOMPLETED PROJECTS (FROM HISTORY OF THE UKRAINIAN EMIGRANT PRESS). Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.50.11093.

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In the article investigational three magazines which went out after Second World war in Germany and Austria in the environment of the Ukrainian emigrants, is «Theater» (edition of association of artists of the Ukrainian stage), «Student flag» (a magazine of the Ukrainian academic young people is in Austria), «Young friends» (a plastoviy magazine is for senior children and youth). The thematic structure of magazines, which is inferior the association of different on age, is considered, by vital experience and professional orientation of people in the conditions of the forced emigration, paid re
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Orning, Tanja. Professional identities in progress – developing personal artistic trajectories. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.544616.

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We have seen drastic changes in the music profession during the last 20 years, and consequently an increase of new professional opportunities, roles and identities. We can see elements of a collective identity in classically trained musicians who from childhood have been introduced to centuries old, institutionalized traditions around the performers’ role and the work-concept. Respect for the composer and his work can lead to a fear of failure and a perfectionist value system that permeates the classical music. We have to question whether music education has become a ready-made prototype of ce
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Ryan, Mark David, Greg Hearn, Marion McCutcheon, Stuart Cunningham, and Katherine Kirkwood. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Albany and Denmark. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.213126.

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Located a 45-minute drive apart from each other in WA’s Great Southern Region, Albany and Denmark attract creative practitioners who are drawn to the region’s natural beauty and country lifestyle. A regional services hub, Albany has a robust creative services presence with a legacy media sector that functions as a hub for public and commercial media organisations servicing Great Southern and the Wheatbelt. Denmark, while a much smaller town, is renowned nationally as an enclave for locally, nationally, and internationally acclaimed artists and creatives.
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