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Dissertations / Theses on the topic 'Age and artists'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 January 2023

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1

Malone, Kelsey Frady. "Sisterhood as Strategy| The Collaborations of American Women Artists in the Gilded Age." Thesis, University of Missouri - Columbia, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=13877154.

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<p> This dissertation employs four case studies—illustrator Alice Barber Stephens in Philadelphia; Louisville-born sculptor Enid Yandell; photographer Frances Benjamin Johnston in Washington, D.C.; and the Newcomb College Pottery in New Orleans—to show how individual women artists from a variety of media utilized collaborative strategies to advance their professional careers. These strategies included mentoring, teaching, and sharing commissions with one another; establishing art organizations; sharing studio and living spaces; organizing and participating in all-female art exhibit

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2

Ryoo, Anna. "Art education and new media : understanding the roles of artists and educators in the age of immediacy." Thesis, University of British Columbia, 2014. http://hdl.handle.net/2429/50286.

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This thesis is an act of inquiry into the entangled relationship between new media and art and how art education should re-position itself towards the cultural, political, and social shifts brought on by new media. By positioning new media as an entity yet-to-be-understood, I drew upon Marshall McLuhan’s writings as well as diverse and intersecting views of new media from debates and discussions occurring in multiple fields of studies. These are offered in the hopes of providing various spaces in which we may think about what art and art education is and can be as well as to expose the complex

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3

Fitzpatrick, Edwina. "Artists' geographies of the landscape-archive : trace, loss and the impulse to preserve in the Anthropocene Age." Thesis, Glasgow School of Art, 2014. http://radar.gsa.ac.uk/4702/.

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4

Barnes, John Tristan. "Painting the wine-dark sea traveling Aegean fresco artists in the Middle and late Bronze Age Eastern Mediterranean /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2008. http://hdl.handle.net/10355/5762.

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Thesis (M.A.)--University of Missouri-Columbia, 2008.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on August 22, 2008) Includes bibliographical references.

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5

Washington, Tiffany Elena. "Selling Art in the Age of Retail Expansion and Corporate Patronage: Associated American Artists and the American Art Market of the 1930s and 1940s." Case Western Reserve University School of Graduate Studies / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=case1349292575.

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6

Dieterich, Danielle May. "Andy Warhol's Utilization of inter/VIEW Magazine as a Self Promotional Marketing Tool Updated to a Social Media Strategy For Artists in Today's Technological Age." University of Akron / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=akron1452949628.

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7

Kellow, Amanda Lee. "The Generation and Evolvement of Ideas in the Lifeworld of Artists and the Practice of Their Art: Implications for Education." Thesis, Queensland University of Technology, 2005. https://eprints.qut.edu.au/16043/1/Amanda_Kellow_Thesis.pdf.

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How artists develop their ideas has been envisaged as a mysterious and intriguing process, difficult to understand or emulate. The "mystery" of how art ideas evolve has carried through to education, where students and teachers may view the introduction of how to formulate ideas as an unachievable task. Art educators have recognised the investigation of how artists think through the progression of their own practice as being an important aspect of understanding the evolvement of art ideas, and have advocated that approaches to teaching and learning should be grounded in such artistic thinking

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8

Kellow, Amanda Lee. "The Generation and Evolvement of Ideas in the Lifeworld of Artists and the Practice of Their Art: Implications for Education." Queensland University of Technology, 2005. http://eprints.qut.edu.au/16043/.

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How artists develop their ideas has been envisaged as a mysterious and intriguing process, difficult to understand or emulate. The "mystery" of how art ideas evolve has carried through to education, where students and teachers may view the introduction of how to formulate ideas as an unachievable task. Art educators have recognised the investigation of how artists think through the progression of their own practice as being an important aspect of understanding the evolvement of art ideas, and have advocated that approaches to teaching and learning should be grounded in such artistic thinking

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9

Wallace, William Scott. "Portraits: Discovering Art as a Transformative Learning Process at Mid-Life." Antioch University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=antioch1208450699.

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10

Rydalch, Sally Jayne. "Personal Puzzles: Exploring Meaning in a Printmaking Workshop." BYU ScholarsArchive, 2018. https://scholarsarchive.byu.edu/etd/6751.

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In an effort to assist self-guided artists in constructing meaning and creativity through the technique of printmaking, the author has compiled a curriculum to engage these artist/students in thoughtful research, discussion, art-making, and critique. In this qualitative case study there are eight participants from age 14 to 79, with varying educational and art experience, who enrolled in a relief print workshop with no recompense other than participation. The particular benefits of learning relief printing are described. The author's goal is exploration of student responses to a curriculum cen

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11

Mahoney, Jamie B. "The Artist's Hand in the Digital Age." VCU Scholars Compass, 2007. http://scholarscompass.vcu.edu/etd/4914.

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For the first ten years of my career I practiced my craft — advertising art direction — exclusively by hand. To help me in the design process itself, I hired specialists. For typography, for instance, I chose a firm I admired in Minneapolis where the typographers would hand cut the film negatives letter by letter. In those days — the 1980s — each area of design had master craftsmen. I can remember one day walking into a warehouse with thirty-foot ceilings. On the back wall I saw a large horizontal canvas. The artist was suspended from scaffolding and covered in speckled paint dots. I wasn’t

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12

Michael, Michael Andrew. "The artists of the Walter of Milemete Treatise." Thesis, Queen Mary, University of London, 1986. http://qmro.qmul.ac.uk/xmlui/handle/123456789/25539.

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The two books presented by Walter of Milemete to Edward III in 1326-7 are treated together. Two campaigns of decoration are suggested for the Milemete Treatise: an original campaign c1326-7 and one largely executed by a single artist before Queen Isabella's fall from power c1330. Three campaigns of decoration are suggested for the companion volume the Holkham Secretum. An original campaign, perhaps earlier than that on the Milemete Treatise, but still c1326-7, a second campaign c1327-30 and later work added when the book was repaired c1340-50. The iconography of the Milemete Treatise is relate

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13

Whedon, Pamela Webber Sheriff Mary D. "Sensing Watteau the artist's musical images as preludes to the age of sensibility /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2008. http://dc.lib.unc.edu/u?/etd,1533.

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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 2008.<br>Title from electronic title page (viewed Sep. 16, 2008). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Art History." Discipline: Art; Department/School: Art.

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14

Lachman, Andrew D. "James agee : the film critic as performance artist /." May be available electronically:, 2007. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.

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15

Persson, Åke. "Betraying the age : social and artistic protest in Brendan Kennelly's work /." Göteborg : Acta universitatis gothoburgensis, 2000. http://catalogue.bnf.fr/ark:/12148/cb39136258q.

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16

Morelyle, Karen Penny. "Local instances of social resistance, artistic expressions in the age of globalization." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ57711.pdf.

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17

Curtis, Paula Renée. "Purveyors of Power: Artisans and Political Relations in Japan’s Late Medieval Age." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1306860342.

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18

Morelyle, Karen Penny Carleton University Dissertation Canadian Studies. "Local instances of social resistance; artistic expressions in the age of globalizaiton." Ottawa, 2000.

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19

Brito, Sergio da Costa. "O retorno aos bastidores : envelhecer no retiro do artista riograndese." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2005. http://hdl.handle.net/10183/10479.

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Este trabalho busca analisar os caminhos do envelhecimento dos artistas idosos residentes no Retiro do Artista Rio-Grandense de Porto Alegre, tentando compreender as tensões entre suas memórias de trabalho na arte e suas circunstâncias atuais de vida. O referencial teórico-metodológico utilizado é a Analise de Discurso da escola francesa no enfoque proposto por Dominique Maingueneau. Os fragmentos de texto utilizados para esta análise provém de entrevistas com três artistas idosos moradores desta instituição, com idades entre os 62 e os 76 anos. Partiu-se de quatro eixos temáticos para organiz

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20

Lauga, Jacques. "Les manuscrits liturgiques dans le diocèse de Langres à la fin du Moyen Age : les commanditaires et leurs artistes." Paris 4, 2007. http://www.theses.fr/2007PA040223.

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Ce travail se compose d’un texte d’entrée et de synthèse qui constitue la thèse proprement dite. Il occupe le volume I et comprend : 1/ l’historiographie des travaux et catalogues qui ont permis de réunir ne collection de 99 manuscrits. Ils sont la source d’un corpus d’environ 2500 images. 2/ une analyse codicologique de ces 99 manuscrits. Elle passe en revue chacun des items qui organisent les notices. 3/ l’étude de leurs commanditaires classés par catégories socio-professionnelles. Les moyens de leur identification, armes, devises, notes insérées, les principaux éléments de leur vie, leurs a

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21

Lee, Sook-Kyung. "The changing conceptions of the artist in the age of authorial demise : a study of Jackson Pollock and Andy Warhol." Thesis, University of Essex, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.437827.

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22

Okuyama, Misako. "An artist-educator's role in community arts : integrating people of diverse backgrounds and ages." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/MQ64096.pdf.

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23

Castro, Pinto Silvia Patrícia Lima de. "Valores e significados associados ao envelhecimento e ao asilamento em instituição de longa permanência entre artistas idosos." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/311513.

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Orientador: Olga Rodrigues de Morais von Simson<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Fculdade de Ciências Médicas<br>Made available in DSpace on 2018-08-16T19:40:04Z (GMT). No. of bitstreams: 1 CastroPinto_SilviaPatriciaLimade_M.pdf: 19285408 bytes, checksum: 9bf635baf9c089e6c33e73d50d03d841 (MD5) Previous issue date: 2010<br>Resumo: O presente estudo, realizado em uma instituição de longa permanência pertencente à classe artística na cidade do Rio de Janeiro, tem como objetivo principal apontar os valores e significados associados ao envelhecimento, ao asilamento e

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24

Dunn, D. F. "Prometheus, artist of the ages : Prometheus' function in ekphrastic contexts in Latin literature and North Italian Renaissance stanzini." Thesis, University College London (University of London), 2013. http://discovery.ucl.ac.uk/1415830/.

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This thesis is concerned with how the myths of Prometheus came to function within ekphrastic contexts from Latin literature to Renaissance Italian art. Prometheus had many guises: the trickster that stole fire and triggered the end of the Golden Age, the keeper of a secret, the sculptor of man. Previous scholarship has tended to ignore, in particular, Prometheus’ connection to the Golden Age. After drawing fresh attention to the earliest sources in which this connection was explored, I illustrate how a development in writers’ characterisation of the god helped give rise to the idea of Promethe

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25

Ringel, Matthew Laurence. "Opera in "the Donizettian Dark Ages" management, competition and artistic policy in London, 1861-70 /." Thesis, Online version, 1996. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.338857.

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26

Pappne, Demecs Ilona. "Woven narratives: Creative participatory art in residential aged care." Thesis, Queensland University of Technology, 2019. https://eprints.qut.edu.au/133260/2/Ilona_Pappne%2520Demecs_Thesis%5B1%5D.pdf.

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This thesis presents a participatory art project which involved relocating my tapestry weaving studio into an aged care home for six months and working with residents to co-design and co-create a woven tapestry. The project's concept, materials and processes were designed as an interpretation of two theoretical models: the motivation to meaning and transcendence in ageing focusing on subjective experiences. This thesis contributed to the arts and health literature by presenting craft as a practice and method that connects materials, ideas and people through engagement and facilitates wellbeing

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Owen, Jennifer Elizabeth Lyle. "Imaging dreams in the Middle Ages : the Roman de la Rose and artistic vision, c.1275-1540." Thesis, University of Edinburgh, 2016. http://hdl.handle.net/1842/22938.

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This thesis constitutes an investigation into the depiction of dreams in imagery accompanying the late-medieval manuscripts and printed editions of the Roman de la Rose. It reflects on the changing approaches to depicting dreams during the 250 years of the Rose’s popularity in central France, as well as discussing the historical theoretical understanding of the concept of dreams, and its expression in a specific Rose context. It examines the representation of dreams in a number of Rose manuscripts – in particular their prominent dreamer incipits – alongside other relevant miniatures of both a

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28

Boisset, Thermes Sandrine. "La sculpture en Savoie : ateliers, artistes et commanditaires à Chambéry et dans sa région : vers 1480 - vers 1530." Thesis, Université Grenoble Alpes (ComUE), 2015. http://www.theses.fr/2015GREAH006.

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Malgré la rareté des sources à Chambéry et dans sa région, les critères d’existence d’un foyer artistique dans la ville et ses alentours au tournant des XVe et XVIe siècles peuvent être réunis. Un important corpus d'une quarantaine de sculptures produit au cours de quelques décennies entre 1480 et 1530 atteste l'activité locale de sculpteurs. L'analyse des œuvres permet de distinguer l'activité de plusieurs ateliers et d'envisager un mode de production. De nombreuses occasions d'échanges entre milieux artistiques chambériens, genevois et septentrionaux peuvent aussi être mises en lumière. Dans

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Degani, Marcia. "Nonagenários criadores." Pontifícia Universidade Católica de São Paulo, 2012. https://tede2.pucsp.br/handle/handle/12399.

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Made available in DSpace on 2016-04-27T18:47:09Z (GMT). No. of bitstreams: 1 Marcia Degani.pdf: 1266622 bytes, checksum: b4a474e566aacd63c201e44ca4c7e976 (MD5) Previous issue date: 2012-05-14<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This study talks about the creative artistic creation by non professional elder artists who reached 90 years old. Those elders, only due to their advanced age, are generally put aside in reason of doubts about their lucidity and capacity of production. Thus, it is possible to affirm that the interviewed persons of this job resisted to the

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Schnellbächer, Thomas [Verfasser], and Irmela [Herausgeber] Hijiya-Kirschnereit. "Abe Kobo, Literary Strategist. The Evolution of his Agenda and Rhetoric in the Context of Postwar Japanese Avant-garde and Communist Artist's Movements / Thomas Schnellbächer. Hrsg.: Irmela Hijiya-Kirschnereit." München : Iudicium Verlag GmbH, 2014. http://d-nb.info/107726707X/34.

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Gonçalves, Maria Patrocinia. "A capacidade de criação envelhece? Questões que nos fazem pensar se tudo tem tempo e hora para acabar." Pontifícia Universidade Católica de São Paulo, 2006. https://tede2.pucsp.br/handle/handle/12497.

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Made available in DSpace on 2016-04-27T18:47:21Z (GMT). No. of bitstreams: 1 GER - Maria Patrocinia Goncalves.pdf: 2101020 bytes, checksum: 9ebcae7255499b84c2bf867eb68c282e (MD5) Previous issue date: 2006-10-18<br>It is treated as an interdisciplinary work that makes possible not only the fertile dialogue among the areas of the aging and of the art, as well as it constitutes a strategy, so that they do not confine nor crystallize inside their respective domains. In others words, it is an attempt of approach of the art and of the old age for an enlargement and a consequent flexibility of the

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Bond, Richard P. "Sexual Orientation and the Advanced Placement Art History Survey." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc700015/.

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This two-part study included a content analysis of an AP art history text and a survey together with interviews with AP art history teachers that embraced both quantitative and qualitative research methodologies. The first phase of the study examined one of the more popular art history survey texts in the AP art history program, Gardner’s Art through the Ages, in terms of how inclusive it is in addressing issues of sexual orientation and, particularly, same-sex perspectives. In addition, the text was examined for evidence of sexual orientation ignored – particularly same-sex perspectives igno

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33

Karsallah, Amina. "Les mises au tombeau monumentales du Christ en France (XVe-XVIe siècles) : enjeux iconographiques, funéraires et dévotionnels." Thesis, Paris 4, 2009. http://www.theses.fr/2009PA040202.

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Les représentations monumentales de la Mise au tombeau du Christ constituent l’un des sujets de prédilection en sculpture aux XVe et XVIe siècles. Longtemps, leur historiographie s’est contentée d’observations stylistiques sans marquer d’intérêt concernant les raisons de leur popularité. Pourtant, l’émergence de ce motif iconographique bien particulier – sans référent direct dans les Écritures – ainsi que la grande diversité des lieux d’implantation (cathédrale et église paroissiale, chapelle seigneuriale ou d’hôpital), allant de pair avec celle des donateurs, incitent à un examen attentif des

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34

Dechamps, Claire. "Au plaisir de treshault et trespuissant seigneur Louis bastard de Bourbon gendre de Louis XI : échanges et commandes artistiques au sein du milieu royal." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040235.

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Connu pour ses qualités de bibliophile, Louis bâtard de Bourbon se distingue aussi par sa proximité avec Louis XI, dont il épouse la fille bâtarde. Propulsé à un rang auquel sa naissance ne le destinait pas, il acquiert avec Jeanne bâtarde de France, à partir de 1465 et durant une vingtaine d’années, une série d’œuvres destinée à affirmer le rang et la puissance de ce nouveau couple princier. L’objectif de ce travail a d’abord été de reconstituer ce corpus, composé d’une tapisserie, un panneau peint, plusieurs manuscrits enluminés et une commande castrale, pour l’étudier ensuite en détail afin

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35

Riviere, Francois. "Travail et métiers en Normandie à la fin du Moyen Âge : institutions professionnelles et régulation économique." Thesis, Paris, EHESS, 2017. http://www.theses.fr/2017EHES0022.

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Dans la Normandie médiévale, à partir de la fin du XIIIe siècle, le terme de métier peut désigner une catégorie d’institutions professionnelles reconnue par les contemporains. À partir de cette époque, les modalités d’application de la réglementation économique propre à ces métiers émergent dans la documentation. Elles se caractérisent notamment par le rôle de gardes désignés avec la participation du groupe professionnel régulé. Cette évolution accompagne la deuxième révolution de l’écrit, qui accentue la mise par écrit des normes. Les statuts de métiers, qui fixent le fonctionnement d’organis

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Dagalita, Cristina. "En .I. lieu desert, plain de montagnes : les images et la commande d’oeuvres d’art pour les chartreuses médiévales (fin du XIe siècle - début du XVIe siècle)." Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040139.

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Après la fondation de la première chartreuse en 1084 par Bruno de Cologne dans les Alpes, ces monastères, installés au départ dans des sites isolés, furent réputés pour leur austérité. Les moines, qui faisaient vœu de silence, vivaient reclus dans leur cellules la plupart du temps, ne se retrouvant que deux fois par jour pour célébrer la messe. Dans ce cadre, qui a donné lieu à une architecture spécifique, les premières mentions d’œuvres d’art, dans la législation, apparaissent dans la deuxième moitié du XIIIe siècle. Cette période correspondait à la fois à une modification de la structure de

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Chaffe, Tomas. "The Secret Writer." Thesis, Konstfack, Institutionen för Konst (K), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-3980.

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This essay reflects a particular method and way of working that I employ when undertaking artistic research. My artworks are rooted and develop from the situation I find myself in as an artist, the very context I exhibit the work within. I do this by trying to understand this position, both on the micro and macro scale. As an artist currently studying at—and subsequently exhibiting in relation to— Konstfack, I base my research with the physical manifestation of the school. An imposing building that was part of a huge headquarters and factory site for the telecommunication company, Ericsson, in

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Ysasi, Alonso Alejandro. "La obra gráfica de Pedro Quetglas “Xam” (1915-2001): la riqueza de un patrimonio." Doctoral thesis, Universitat de les Illes Balears, 2014. http://hdl.handle.net/10803/284394.

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És una investigació, anàlisis, i aproximació a l’obra gràfica de l’artista mallorquí, del segle XX, Pere Quetglas, conegut pel pseudònim de “Xam”. La seva activitat s'ha sistematitzat sobre la base la biografia, tècniques treballades i el seu entorn. Xam, es va exercitar en la caricatura, el dibuix, el cartell, el gravat xilogràfic, la pintura, els monotips, la serigrafia i en el gravat calcogràfic. Del conjunt de tota la seva producció l’autor se centra en l'obra gràfica produïda a partir de 1944, quan pot datar-se la seva primera xilografia, i la seva defunció, l’any 2001, en el qual realit

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Rompilla, Denise M. "From Hiroshima to the hydrogen bomb American artists witness the birth of the atomic age." 2008. http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17556.

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Van, Aswegen Helene. "Artists' books in the age of digital reproduction : an enquiry into the problematic nature and (in)accessability of book production as contemporary art." Thesis, 2012. http://hdl.handle.net/10019.1/19990.

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Curran, Emma L. "Golden Age Imagery and the Artistic Philosophy of Ovid's Metamorphoses." 2012. http://hdl.handle.net/10222/15362.

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In the Metamorphoses, Ovid brings together Golden Age imagery with contrasting scenes of destruction, making this paradoxical amalgam a motif within his epic. This study connects Ovid’s use of Golden Age language to his portrayal of artistry in the poem, discovering that both within the stories of the epic and in Ovid’s poetic style, artistic creation is emphasised in the context of this motif. Both natural fecundity and artistic creation emerge after the flood through the principle of discors concordia (Met. 1.433), which involves the unity of divine harmony and chaos; this principle is centr

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"Sensing Watteau: The artist's musical images as preludes to the age of sensibility." THE UNIVERSITY OF NORTH CAROLINA AT CHAPEL HILL, 2008. http://pqdtopen.proquest.com/#viewpdf?dispub=3304386.

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Whedon, Pam. "Sensing Watteau : the artist's musical images as preludes to the age of sensibility /." 2008. http://dc.lib.unc.edu/u?/etd,1533.

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44

Huang, Hsin-yee Cindy. "Tracing Ice age artistic communities: 3D modeling finger flutings in the Franco-Cantabrian." Thesis, 2018. https://dspace.library.uvic.ca//handle/1828/10498.

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Finger flutings are lines and markings drawn with the human hand in soft cave sediment in caves and rock shelters throughout southern Australia, New Guinea and southwestern Europe, dating back to the Late Pleistocene. Analysis of these markings can reveal characteristics of the creators, such as age, sex and group sizes. However, despite a comprehensive method of study, data collection is still reliant on in field measurements and is often constrained by physical challenges within the caves. Advances in technology allow us to record archaeological data in three dimensions. Creating 3D models o

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Seaver, Gregory Andrew. "Wake-up artists : maximalist voice in the nonfiction of James Agee, Lester Bangs, and David Foster Wallace." 2013. http://hdl.handle.net/2152/22424.

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This report examines maximalist voice in the nonfiction work of James Agee, Lester Bangs, and David Foster Wallace. The term maximalist voice is meant to capture a set of authorial strategies for depicting a vast, complex American reality with an equally complex literary style, one that is simultaneously didactic, chaotic, and intimate. In particular, this report examines Agee’s Let Us Now Praise Famous Men, Bangs’s Psychotic Reactions and Carburator Dung, and Wallace’s Consider the Lobster. In using “voice” as an analytic lens, this report highlight those qualities of the three author’s nonfi

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Fatimi, Safia. "An Analysis of Smartphone Camera and Digital Camera Images Captured by Adolescents Ages Fifteen to Seventeen." Thesis, 2021. https://doi.org/10.7916/d8-e750-a821.

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We have become increasingly dependent on our smartphones and use them for entertainment, navigation, to shop, and to connect among other tasks. For many, the camera on the smartphone has replaced a dedicated digital camera, especially for the adolescent. With advances in smartphone technology, it is has become increasingly difficult to determine differences between smartphone camera and digital camera photographs. To date there is little research on the differences between photographs taken by smartphone and digital cameras, particularly among adolescents, who are avid photographers.This study

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Dražská, Jiřina. "Porovnání psychologických a výtvarných aspektů v kresbě dítěte předškolního věku." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-327771.

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The aim of the diploma work is the identification of the common as well as the different aspects of children's drawings from both the artistic and developmental perspective. The goal of this thesis is to assemblele a record sheet on theoretical and empirical knowledge, which could also serve as a guide for kindergarten teachers when handling children's drawing. The theoretical part is split into two chapters: the development of personality of a preschool child, where the developmental stages from prenatal to preschool age are described; and children's drawing describing the progression, charac

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STAŠKOVÁ, Anita. "Ontogeneze výtvarného projevu dle Viktora Lowenfelda a tvorba dnešních dětí mladšího školního věku." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-380987.

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This thesis deals with artworks of early school-age children attending primary schools at present. It is focused on ontogenetic model of art expression according to Victor Lowenfeld and artwork of early school-age children. The work is divided into theoretical and practical part. The theoretical part is dedicated to ontogenesis of children's artistic expression according to C. Brunt, G. H. Luquet and especially V. Lowenfeld. There are also findings about development of related parts of personality (cognitive, emotional, social) with particular focus on early school age. The practical part deal

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Bendová, Eva. "Úroveň koordinačních schopností sportovních gymnastek mladšího školního věku." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-304061.

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This master thesis focuses on the influence that artistic gymnastics has on the coordination abilities of young school age girls. The purpose of this thesis was to use motor tests in the field to compare the level of coordination abilities of young school age artistic gymnasts with that of non-sporting girls. The tests results were subsequently statistically evaluated and commented upon. Another aim of the thesis was to compare the coordination abilities of artistic gymnasts aged 6 - 8 years with those of artistic gymnasts aged 9 - 11 years whilst they were undertaking particular tests. From t

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Штоколова, Анна Вікторівна, та Anna Viktorivna Shtokolova. "Нетрадиційні техніки малювання як засіб художньо-естетичного виховання дітей старшого дошкільного віку". Master's thesis, 2020. http://repository.sspu.edu.ua/handle/123456789/10132.

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У кваліфікаційній роботі досліджено проблему використання нетрадиційних технік малювання як засобу художньо-естетичного виховання дітей старшого дошкільного віку. Конкретизовано визначення художньо-естетичного виховання; висвітлено завдання та особливості художньо-естетичного виховання дітей старшого дошкільного віку; розкрито роль нетрадиційних технік малювання у художньо-естетичному вихованні дітей старшого дошкільного віку; здійснено констатувальне критеріально-рівневе оцінювання художньо-естетичної вихованості дітей старшого дошкільного віку; визначено та теоретично обґрунтовано методичні

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