Log in

Relevant bibliographies by topics / Age and artists / Journal articles

To see the other types of publications on this topic, follow the link: Age and artists.

Journal articles on the topic 'Age and artists'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Age and artists.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Petersen, Stephen. "Explosive Propositions: Artists React to the Atomic Age." Science in Context 17, no. 4 (2004): 579–609. http://dx.doi.org/10.1017/s0269889704000274.

Full text

Abstract:

Argument“How should a modern artist react to the atomic age?” Time magazine posed this question in 1952 to open a review of an exhibition of paintings inspired by the “explosion of the atomic bomb” and by the “discovery of nuclear energy.” The energetic paintings of the Italian Spatial Movement were, according to Time, “almost as explosive as the bomb itself.” “Explosiveness” was a defining feature of much 1950s art, whose main impulse, gestural abstraction, has previously been understood as the urgent expression of the artist's subjectivity. This paper argues that explosiveness in art can als

APA, Harvard, Vancouver, ISO, and other styles

2

Lovejoy, Margot. "Artists' Books in the Digital Age." SubStance 26, no. 1 (1997): 113. http://dx.doi.org/10.2307/3684835.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Bury, Stephen. "The Artist’s Book in the Age of Digital Reproduction: Walter Benjamin and the Artist’s Book." Arts 8, no. 4 (2019): 138. http://dx.doi.org/10.3390/arts8040138.

Full text

Abstract:

Walter Benjamin, who was familiar with the pre-Second World War avant-garde, argued that mechanization threatens the aura of art objects. The digital revolution has been seen as reconfirming Benjamin’s thesis, but the digital can be seen to reaffirm the value of the actual, physical artist’s book, and moreover, artists have exploited the digital—as technologies and subject matter—to make artists’ books.

APA, Harvard, Vancouver, ISO, and other styles

4

Lindauer, Martin S. "The Old-Age Style and its Artists." Empirical Studies of the Arts 11, no. 2 (1993): 135–46. http://dx.doi.org/10.2190/kmh5-ufvj-8qrc-kltq.

Full text

Abstract:

The old-age style is well-known among art historians, but has rarely been recognized by psychologists despite its bearing on late-life creativity. Untrained subjects' ability to perceive an old-age style, and indirectly, the identification of its artists, were investigated in five separate studies. One hundred subjects judged twenty-four pairs of young-old art on five aspects of the old-age style. Fifteen pairs (63%) differed from one another across the tasks, and suggested that the following historical artists have an old-age style: Bellows, Cole, Eakins, Goya, Guardi, Innes, Kirchner, Klee,

APA, Harvard, Vancouver, ISO, and other styles

5

Och, Marjorie. "The Advancing Women Artists Foundation, and: Women Artists in the Age of Medici." Early Modern Women 11, no. 2 (2017): 125–30. http://dx.doi.org/10.1353/emw.2017.0008.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Barras, Colin. "Horses reigned supreme among Stone Age artists." New Scientist 244, no. 3257 (2019): 14. http://dx.doi.org/10.1016/s0262-4079(19)32192-x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Kang, Xin, Wenyin Chen, and Jian Kang. "Art in the Age of Social Media: Interaction Behavior Analysis of Instagram Art Accounts." Informatics 6, no. 4 (2019): 52. http://dx.doi.org/10.3390/informatics6040052.

Full text

Abstract:

Instagram is the top preferred social media platform in the art world, however, we know little about the features of the most-liked artworks, and what role does the interaction between artists and followers play in the most-liked artworks? This study used quantitative and qualitative methods to examine the interaction between artists and followers on Instagram and the features of the most-liked artworks. Data from 706 artists’ accounts 497,649 posts on Instagram and 35 questionnaires. The results reveal that likes and comments were greatly influenced by interactions, with confusion and curiosi

APA, Harvard, Vancouver, ISO, and other styles

8

Hilton, Alison, Miuda Yablonskaya, Anthony Parton, et al. "Women Artists of Russia's New Age, 1900-1935." Woman's Art Journal 13, no. 1 (1992): 36. http://dx.doi.org/10.2307/1358259.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Klein, Barrett Anthony, and Tierney Brosius. "Insects in Art during an Age of Environmental Turmoil." Insects 13, no. 5 (2022): 448. http://dx.doi.org/10.3390/insects13050448.

Full text

Abstract:

Humans are reshaping the planet in impressive, and impressively self-destructive, ways. Evidence and awareness of our environmental impact has failed to elicit meaningful change in reversing our behavior. A multifaceted approach to communicating human-induced environmental destruction is critical, and art can affect our behavior by its power to evoke emotions. Artists often use insects in their works because of our intimate and varied relationship with this diverse, abundant lineage of animals. We surveyed work by 73 artists featuring insects or insect bodily products to gauge how extensively

APA, Harvard, Vancouver, ISO, and other styles

10

Kozbelt, Aaron, and Yana Durmysheva. "Lifespan Creativity in a Non-Western Artistic Tradition: A Study of Japanese Ukiyo-E Printmakers." International Journal of Aging and Human Development 65, no. 1 (2007): 23–51. http://dx.doi.org/10.2190/166n-6470-1325-t341.

Full text

Abstract:

Western cultures' conceptions about creativity emphasize originality and final products; Eastern cultures, skill and process. Does this cultural difference impact how creativity unfolds over the lifespan? To examine this, we investigated Japanese “ukiyo-e” printmaking (c. 1670–1865). Almost 2,000 illustrations of datable prints by 44 artists were found in 36 art books. Career landmarks (earliest, most frequent, and latest illustrated print) and eminence ratings were estimated for each artist. Results are largely consistent with prior research on Western samples: artists' career peaks vary grea

APA, Harvard, Vancouver, ISO, and other styles

11

Chung, Peichi. "The Creative Industry of Singapore: Cultural Policy in the Age of Globalisation." Media International Australia 128, no. 1 (2008): 31–45. http://dx.doi.org/10.1177/1329878x0812800105.

Full text

Abstract:

This article examines the development of the creative industry in Singapore in the context of globalisation. In studying the application of a government-based development model that prioritises economic goals in fostering a culture-based creative industry, the article explores the effects on the complex social network when the state is involved in introducing Western globalisation into the local society of Singapore. It discusses the major government initiatives to develop the creative industry and the views of local new media artists towards this policy. The article concludes with the resilie

APA, Harvard, Vancouver, ISO, and other styles

12

Ardelt, Monika, and Lucinda Orwoll. "DOES AGE AFFECT CREATIVE PROCESS AND STYLE? A COMPARISON OF OLDER AND YOUNGER VISUAL ARTISTS." Innovation in Aging 3, Supplement_1 (2019): S417—S418. http://dx.doi.org/10.1093/geroni/igz038.1558.

Full text

Abstract:

Abstract This study investigated differences in the creative process and style between 85 older (age 60-89 years, M=72.39) and 63 younger (age 27-58 years, M=41.95) visual artists who were nominated as artistically creative exemplars. Answers to open-ended survey questions were coded and compared by age group. Results of t-tests showed that the described creative process and style were similar for older and younger artists, with many being inspired by their environment or ideas and engaging in an intuitive and visual style. However, younger artists were more likely than older artists to be ins

APA, Harvard, Vancouver, ISO, and other styles

13

Bardi, Augustine Okola. "4. Kazeem Olojo: A Professional Painter and an Art Instructor Universal Studios of Art, Lagos, Nigeria." Review of Artistic Education 14, no. 1 (2017): 262–70. http://dx.doi.org/10.1515/rae-2017-0032.

Full text

Abstract:

Abstract The works of art are priceless going by the quality of works exhibited by an artist. The artist tends to describe a particular scene near to the natural object in question. In the 15th and 16th centuries , France relayed on the impressionists who graduated from workshops and schools of apprentice in the likes of Gauguin, Monet, Manet, Degas, Renoir Cezanne, Delacroix and others to capture scenes of the Parisian country side that existed long age. The artist and his works remain indispensible to the existing societies. This form of art venture is not new to Nigeria where schools and wo

APA, Harvard, Vancouver, ISO, and other styles

14

Lindauer, Martin, Lucinda Orwoll, and M. Catherine Kelley. "Aging Artists on the Creativity of Their Old Age." Creativity Research Journal 10, no. 2 (1997): 133–52. http://dx.doi.org/10.1207/s15326934crj1002&3_4.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Lindauer, Martin S., Lucinda Orwoll, and M. Catherine Kelley. "Aging Artists on the Creativity of Their Old Age." Creativity Research Journal 10, no. 2-3 (1997): 133–52. http://dx.doi.org/10.1080/10400419.1997.9651214.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Bishop, Malcolm. "Book Review: Old Masters: Great Artists in Old Age." Journal of the Royal Society of Medicine 94, no. 8 (2001): 423–24. http://dx.doi.org/10.1177/014107680109400820.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Balter, M. "CAVE ART: Stone Age Artists--or Art Lovers--Unmasked?" Science 294, no. 5540 (2001): 31a—31. http://dx.doi.org/10.1126/science.294.5540.31a.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Soussloff, Catherine M. "Old Age and Old-Age Style in the "Lives" of Artists: Gianlorenzo Bernini." Art Journal 46, no. 2 (1987): 115. http://dx.doi.org/10.2307/776888.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Soussloff, Catherine M. "Old Age and Old-Age Style in the “Lives” of Artists: Gianlorenzo Bernini." Art Journal 46, no. 2 (1987): 115–21. http://dx.doi.org/10.1080/00043249.1987.10792349.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Earnest, Jarrett. "The Artist as Debtor: A Conference about the Work of Artists in the Age of Speculative Capitalism." Afterimage 42, no. 5 (2015): 2. http://dx.doi.org/10.1525/aft.2015.42.5.2.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Marnin-Distelfeld, Shahar, and Uri Dorchin. "“I AM NOT AN ARTIST, I MAKE ART”: AMATEURISH ARTISTS IN ISRAEL AND THE SENSE OF CREATIVITY." Creativity Studies 13, no. 1 (2020): 64–86. http://dx.doi.org/10.3846/cs.2020.9907.

Full text

Abstract:

This study deals with self-taught visual artists who are considered “amateurish” by the establishment of the Memorial Center in Kiryat Tiv’on, Israel, where they have exhibit their artwork. We will try to figure out both the explicit and implicit characteristics of “amateurish” artists, and challenge the supposed linkage between amateurism and lack of creativity. The methodology applied combines a sociological point of view, drawing on in-depth interviews with the artists, along with a visual analysis of the artwork produced. The theory of “modest” artists, by Marie Buscatto, and the theory of

APA, Harvard, Vancouver, ISO, and other styles

22

Ekelund, Robert B., John D. Jackson, and Robert D. Tollison. "Age and productivity: An empirical study of early American artists." Southern Economic Journal 81, no. 4 (2015): 1096–116. http://dx.doi.org/10.1002/soej.12050.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Nina. "Artists as truth-seekers." Approaching Religion 11, no. 1 (2021): 4–27. http://dx.doi.org/10.30664/ar.98310.

Full text

Abstract:

This article focuses on the concept of the seeker and considers how the analytical tool of seekership, defined and developed in the sociology of religion, could be applied to the study of art and esotericism. The theoretical argument is made more tangible with the example of the Finnish artist Akseli Gallen-Kallela (1865–1931), whose life story, art and writings resonate with the concept of seekership. The ways in which Gallen-Kallela writes about his interest in esotericism and the dawn of the new age appear in a new light; as part of the processes of a spiritualisation of modern art and reli

APA, Harvard, Vancouver, ISO, and other styles

24

Kanouse, Sarah. "Transmissions between Memory and Amnesia: The Radio Memorial in a New Media Age." Leonardo 44, no. 3 (2011): 200–206. http://dx.doi.org/10.1162/leon_a_00163.

Full text

Abstract:

In light of constantly exploding bandwidth and nearly limitless digital storage, FM radio may appear an anachronistic means of communication. However, many new media artists are using this most ephemeral, unindexable, “old” medium instead of or in addition to digital technologies. In this paper, artist Sarah Kanouse discusses three of her own projects that use radio transmission as a unique public material to create ephemeral monuments to difficult moments in American history. By using an analog and dissipating material, these pieces suggest that the struggle to remember is more meaningful tha

APA, Harvard, Vancouver, ISO, and other styles

25

Bowman, Mike. "Determinants of the Price Paid at Auctions of Contemporary Art for Artworks by Twelve Artists." Arts 11, no. 3 (2022): 66. http://dx.doi.org/10.3390/arts11030066.

Full text

Abstract:

The use of regression modelling to understand how characteristics of artworks, of artists, and of the circumstances of sale affect the price paid at auction is well-established among cultural economists. Drawing on auction sales data provided by Artprice (accessed on 20 March 2022) I use regression modelling to investigate the determinants of the price paid for artworks by twelve artists at auctions of contemporary art over the period from 1984 to 2019. Each of the artists is modelled separately. For nine of the twelve artists, there was a clear preference among collectors for paintings with s

APA, Harvard, Vancouver, ISO, and other styles

26

Sharma, Alisha, and Arjun Kumar Singh. "The Expansion of New Media Art in Indian Visual Art Practices: An Analysis." ECS Transactions 107, no. 1 (2022): 10529–41. http://dx.doi.org/10.1149/10701.10529ecst.

Full text

Abstract:

Artistic creativity thrives in line with cultural contours and individual artist intent. The Digital age is a postmodern reality. The postmodern era is either on the verge of its conclusion or it has almost concluded. Galleries and museums are far from exempt from the effects of these technological transformations. By the mid’90s a number of young artists had begun to make installations and site-specific art objects even as others continued to work in the conventional mediums of painting, sculpture, and print-making. Notion of pluralism and multiculturalism infect the artists of the 90’s, as t

APA, Harvard, Vancouver, ISO, and other styles

27

Preti, Antonio, and Paola Miotto. "Suicide among Eminent Artists." Psychological Reports 84, no. 1 (1999): 291–301. http://dx.doi.org/10.2466/pr0.1999.84.1.291.

Full text

Abstract:

To evaluate suicide risk by profession among eminent artists data from Garzanti's Encyclopaedia, a broad biographical repertory, were used. Six categories in the visual and literary arts were compared: architects, painters, sculptors, writers, poets, and playwrights. Only people whose deaths occurred in the 1800s or 1900s were included since it is likely that underestimation of suicide has been lower in the more recent centuries. A total of 59 suicides were observed in a sample of 3,093 people: this corresponds to a ratio of 1.90%. Suicides were 51 among men (ratio 1.75%) and 8 among women (ra

APA, Harvard, Vancouver, ISO, and other styles

28

Cayrol, Timothée, Emma Godfrey, Jerry Draper-Rodi, and Lindsay Bearne. "Exploring Professional Circus Artists’ Experience of Performance-Related Injury and Management: A Qualitative Study." Medical Problems of Performing Artists 34, no. 1 (2019): 14–24. http://dx.doi.org/10.21091/mppa.2019.1004.

Full text

Abstract:

AIMS: Circus is a physically demanding profession, but injury and help-seeking rates tend to be low. This qualitative interview study explored the perceptions and beliefs about injury and help-seeking of circus artists. METHODS: Ten professional circus artists (5 males, 5 females; mean age 33 yrs, range 27–42) were enrolled. Individual, semi-structured interviews were conducted until data saturation of themes was reached. Data were analysed thematically. FINDINGS: Four themes were identified: 1) the injured artist; 2) professionalism; 3) circus life; and 4) artists’ experience of healthcare. M

APA, Harvard, Vancouver, ISO, and other styles

29

Wosk, Julie, and Margot Lovejoy. "Postmodern Currents: Art and Artists in the Age of Electronic Media." Technology and Culture 32, no. 1 (1991): 138. http://dx.doi.org/10.2307/3106022.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

Lovejoy, Margot. "Postmodern Currents: Art and Artists in the Age of Electronic Media." Journal of Aesthetics and Art Criticism 49, no. 2 (1991): 185. http://dx.doi.org/10.2307/431718.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

Gao, Shiyu, and Lisa Chang Lee. "The algorithm of nature in the age of global health and environmental crisis." Journal of Contemporary Chinese Art 9, no. 1 (2022): 239–47. http://dx.doi.org/10.1386/jcca_00064_7.

Full text

Abstract:

The London-based multimedia artist Lisa Chang Lee, born in Beijing, China, is a representative example of exploring alternative identification in the context of the global health and environmental crisis. The conversation focuses on her artistic experiments with algorithms and digital technologies to transcend established norms of ‘Chineseness’ culturally and artistically. Gao Shiyu will investigate Lee’s projects to question the binary distinctions between humans and non-humans, nature and culture, the East and the West. The discussion intends to show a shift in the new generation of diaspori

APA, Harvard, Vancouver, ISO, and other styles

32

Stark, Luke, and Kate Crawford. "The Work of Art in the Age of Artificial Intelligence: What Artists Can Teach Us About the Ethics of Data Practice." Surveillance & Society 17, no. 3/4 (2019): 442–55. http://dx.doi.org/10.24908/ss.v17i3/4.10821.

Full text

Abstract:

Problematic use of data, patterns of bias emerging in AI systems, and the role of platforms like Facebook and Twitter during elections have thrown the issue of data ethics into sharp relief. Yet the focus of conversations about data ethics has centered on computer scientists, engineers, and designers, with far less attention paid to the digital practices of artists and others in the cultural sector. Artists have historically deployed new technologies in unexpected and often prescient ways, making them a community able to speak directly to the changing and nuanced ethical questions faced by tho

APA, Harvard, Vancouver, ISO, and other styles

33

Jeffery, J. V. "The Varley family: engineers and artists." Notes and Records of the Royal Society of London 51, no. 2 (1997): 263–79. http://dx.doi.org/10.1098/rsnr.1997.0022.

Full text

Abstract:

In June 1871, at the age of 43, Cromwell Fleetwood Varley was elected a Fellow of the Royal Society. In May of the same year Varley and three of his brothers were four of the sixty–six original members who together formed the Society of Telegraph Engineers, the organization that was the forerunner of today's Institution of Electrical Engineers. During the second half of the 19th century the four Varley brothers contributed in no small measure to the developing telegraph and electrical industries in Britain. During the first half of the 19th century Varleys of the previous generation made an eq

APA, Harvard, Vancouver, ISO, and other styles

34

Lim, Min Young. "Art in the Age of Multimedia: Focusing on the immersive experience of participants in multimedia art based on digital media." Korean Arts Association of Arts Management 63 (September 30, 2022): 35–65. http://dx.doi.org/10.52564/jamp.2022.63.35.

Full text

Abstract:

Recently, technology media based on digital media, which artists are paying attention to, not only changes in the formal and content of art works, but also changes the environment surrounding art, such as the way works are produced, exhibition, writer-work-viewer relationships, artist roles, and social functions. Digital media is multimedia with interconnectivity and interactivity. These characteristics stimulate the viewer's sense of versatility and provide an environment in which participants can experience immersion. This induces viewers to focus physically and mentally on the work, e

APA, Harvard, Vancouver, ISO, and other styles

35

Ellis, Elizabeth Garrity. "The “Intellectual and Moral Made Visible”: The 1839 Washington Allston Exhibition and Unitarian Taste in Boston." Prospects 10 (October 1985): 39–75. http://dx.doi.org/10.1017/s0361233300004063.

Full text

Abstract:

“I have Just come from the Gallery—my third visit,” announced a correspondent to the Boston Daily Advertiser on the second day of the Washington Allston retrospective at Harding's Gallery (Figures 1 and 2), “where I stood in the very midst… of the glowing colors and glorious subjects [of] the artist who stands alone in this his age, in this his art.” He was part of a chorus of dazzled spectators who crowded the exhibition, “filled with enthusiastic admiration” in “surveying forty-five pictures, many of which only the golden time of art could equal.” For the young Henry T. Tuckerman, who would

APA, Harvard, Vancouver, ISO, and other styles

36

Snyder, Allan W., and Mandy Thomas. "Autistic Artists Give Clues to Cognition." Perception 26, no. 1 (1997): 93–96. http://dx.doi.org/10.1068/p260093.

Full text

Abstract:

Certain autistic children whose linguistic ability is virtually nonexistent can draw natural scenes from memory with astonishing accuracy. In particular their drawings display convincing perspective. In contrast, normal children of the same preschool age group and even untrained adults draw primitive schematics or symbols of objects which they can verbally identify. These are usually conceptual outlines devoid of detail. It is argued that the difference between autistic child artists and normal individuals is that autistic artists make no assumptions about what is to be seen in their environme

APA, Harvard, Vancouver, ISO, and other styles

37

Malina, Roger F., and Margot Lovejoy. "Postmodern Currents: Art and the Artists in the Age of Electronic Media." Leonardo 24, no. 2 (1991): 247. http://dx.doi.org/10.2307/1575324.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Lilyquist, Christine. "Treasures from Tell Basta: Goddesses, Officials, and Artists in an International Age." Metropolitan Museum Journal 47 (January 2012): 9–72. http://dx.doi.org/10.1086/670139.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Molinaro, Mary. "WOMEN ARTISTS OF RUSSIA'S NEW AGE: 1900–1935. M.N. Yablonskaya , Anthony Parton." Art Documentation: Journal of the Art Libraries Society of North America 10, no. 1 (1991): 52–53. http://dx.doi.org/10.1086/adx.10.1.27948323.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

Díaz, Sara E. "Age, Virility and Vernacularity: Boccaccio’s Portraits of the Artists as Young Men." Italian Studies 74, no. 3 (2019): 225–41. http://dx.doi.org/10.1080/00751634.2019.1619278.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

Galbraith, John W., and Douglas J. Hodgson. "Dimension reduction and model averaging for estimation of artists' age-valuation profiles." European Economic Review 56, no. 3 (2012): 422–35. http://dx.doi.org/10.1016/j.euroecorev.2011.11.003.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Sliwinska, Maria. "Discovering intercultural relations in the digital age with school students. A few Polish-Italian cases." DigItalia 16, no. 1 (2021): 82–88. http://dx.doi.org/10.36181/digitalia-00027.

Full text

Abstract:

This article briefly presents how the implementation of ICT in cultural institutions has improved education and research. The article emphasizes discovering the activity of Italian artists in Poland, thanks to digitization, which was carried out with particular intensity in the last two decades. Digitization has become a great achievement thanks to the funding of numerous international projects by the European Commission. Special recognition in this action should be given to Rossella Caffo and her team, under whose guidance the plan for the coordination of digitization in Europe and numerous d

APA, Harvard, Vancouver, ISO, and other styles

43

Milne, Jo. "Artists’ Books as Resistant Transmitters." Arts 8, no. 4 (2019): 129. http://dx.doi.org/10.3390/arts8040129.

Full text

Abstract:

Since the early 1970s, the origins of artists’ books have been extensively discussed and documented (Drücker, Lauf, Lippard, Phillpot, Gilbert et al.), yet the genre continues to generate new questions and paradoxes regarding its place and status within the visual arts as a primary medium. Whilst the conception of contemporary artists’ books lay in the medium’s potential for dissemination via mass production and portability, opportunities for distribution remain limited to a select number of outlets worldwide or, as an alternative, through the growing in number but time-limited artists’ book f

APA, Harvard, Vancouver, ISO, and other styles

44

Górska-Olesińska, Monika. "Language Art in the Age of Panophonia." Matlit Revista do Programa de Doutoramento em Materialidades da Literatura 6, no. 2 (2018): 87–98. http://dx.doi.org/10.14195/2182-8830_6-2_7.

Full text

Abstract:

This article calls attention to the hybrid genre of voice-based performances and its blending of the supposed binaries of human and machinic speech. Using the concept of panophonia, the author refers to the animatronic sculptures of speaking figures created by Ken Feingold and to Mark Böhlen’s talking robots. Through their comparative analysis, the author explores different poetic metalanguages both artists create to deconstruct communicative structures that demarcate post-human era.

APA, Harvard, Vancouver, ISO, and other styles

45

Churchill, Suzanne W. "“The Whole Ensemble”: Gwendolyn Bennett, Josephine Baker, and Interartistic Exchange in Black American Modernism." Humanities 11, no. 4 (2022): 74. http://dx.doi.org/10.3390/h11040074.

Full text

Abstract:

Since her debut in Paris in 1925 and meteoric rise to stardom, views of Josephine Baker have been dominated by the white artists and audiences who constructed her as an exotic “Other”. This article revisits the phenomenon of “La Bakaire” from the perspective of a Black female artist who witnessed her performance first-hand and participated in the same Jazz Age projects of fashioning New Negro womanhood and formulating Black Deco aesthetics. When Gwendolyn Bennett saw Baker perform, she recognized her as a familiar model of selfhood, fellow artist, and member of a diasporic Black cultural commu

APA, Harvard, Vancouver, ISO, and other styles

46

Krogh, Sine. "Friendships and portraits in the age of romanticism: Reflections on eight portraits by C. A. Jensen." Romantik: Journal for the Study of Romanticisms 3, no. 1 (2015): 27. http://dx.doi.org/10.7146/rom.v3i1.26314.

Full text

Abstract:

Friendships play an important part in our lives, but few of us think about how the cultural convention of friendship makes us act. Studies of the nineteenth century show that during the period of German romanticism it became fashionable amongst poets, writers, and artists to celebrate and visualize friendships. In the 1810s, Rome seemed the perfect incubator for young artists forming friendships and cultivating artistic communities. The most remarkable output of the painter C. A. Jensen’s Italian sojourn, starting in 1818, was eight small portraits of his circle of friends. These portraits ref

APA, Harvard, Vancouver, ISO, and other styles

47

Adewumi, Kehinde Christopher. "From Apprenticeship to Freedom: An Analysis of Art Workshop Trends in Africa." African Journal of Inter/Multidisciplinary Studies 1, no. 1 (2019): 97–108. http://dx.doi.org/10.51415/ajims.v1i1.816.

Full text

Abstract:

This paper focuses on the dynamic trends in the establishment and operation of art workshops in Africa. Workshop here does not refer to the space in which an artist produces their work; rather, it connotes a collaborative and interactive platform on which artists come together as peers, regardless of age, gender, social status and professional qualification, to share ideas and/or produce art. Thus, several artists have, through such platforms, fostered professional relationships, pushed their creative boundaries, as well as encountered and explored new materials, techniques and contexts. Howev

APA, Harvard, Vancouver, ISO, and other styles

48

Adewumi, Kehinde Christopher. "From Apprenticeship to Freedom: An Analysis of Art Workshop Trends in Africa." African Journal of Inter/Multidisciplinary Studies 1, no. 1 (2019): 97–108. http://dx.doi.org/10.51415/ajims.v1i1.816.

Full text

Abstract:

This paper focuses on the dynamic trends in the establishment and operation of art workshops in Africa. Workshop here does not refer to the space in which an artist produces their work; rather, it connotes a collaborative and interactive platform on which artists come together as peers, regardless of age, gender, social status and professional qualification, to share ideas and/or produce art. Thus, several artists have, through such platforms, fostered professional relationships, pushed their creative boundaries, as well as encountered and explored new materials, techniques and contexts. Howev

APA, Harvard, Vancouver, ISO, and other styles

49

Laddaga, Reinaldo. "From Work to Conversation: Writing and Citizenship in a Global Age." PMLA/Publications of the Modern Language Association of America 122, no. 2 (2007): 449–63. http://dx.doi.org/10.1632/pmla.2007.122.2.449.

Full text

Abstract:

In the last few years, a growing number of writers and artists have begun to develop a new form of verbal art. They no longer devote themselves to individually writing fixed texts destined to be read in solitude and silence. Instead, they are designing mechanisms that enable large and heterogeneous groups to collaborate on projects that combine the production of discourses, the exploration of knowledge about local circumstances, and the invention of potential socialities. These projects intend to foster forms of cosmopolitan citizenship in a globalized world at a time of expanding digital tech

APA, Harvard, Vancouver, ISO, and other styles

50

Zaarour, Meriem, Eman Mukattash, and Yousef Abu AwadAmrieh. "Coming of Age in the Arab Diasporic Künstlerroman: Sinan Antoon’s The Corpse Washer (2013) and Nada Awar Jarrar’s An Unsafe Haven (2016)." World Journal of English Language 13, no. 2 (2023): 16. http://dx.doi.org/10.5430/wjel.v13n2p16.

Full text

Abstract:

This study explores the künstlerroman from an Arab diasporic viewpoint. It aims to illuminate the first years of the formative process that the Arab diasporic artist undergoes in The Corpse Washer (2013) by Sinan Antoon and An Unsafe Haven (2016) by Nada Awar Jarrar as Arab diasporic künstlerromans. The article traces the childhood of Antoon’s Jawad and Jarrar’s Anas as young aspiring Arab artists against the backdrop of the novels’ socio-political contexts, which include religion, family, and the political conditions in the protagonists’ countries. Since Arab diasporic writers relocate the ge

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!