Relevant bibliographies by topics / Agential realism

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Agential realism'

Author: Grafiati
Published: 4 June 2021
Last updated: 22 July 2024

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Journal articles on the topic "Agential realism"

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Sinquefield-Kangas, Rachel, Antti Rajala, and Kristiina Kumpulainen. "Exploring empathy performativity in students’ video artworks." International Journal of Education Through Art 18, no. 2 (June 1, 2022): 145–60. http://dx.doi.org/10.1386/eta_00091_1.

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This article examines events of empathy as they occur during artmaking using the lens of agential realism. We do this to trouble more traditional psychological constructs of empathy and, instead, rethink it as performative and relational. Drawing on new materialisms and Karen Barad’s ‘agential realism’, we do not treat artmaking, young people and empathy in any hierarchy but want to understand how these come together as ‘things-in-phenomena’. Written recountings of a video artwork are used in mapping the entanglements of cats and dogs with three Finnish high-school girls as they answer the question ‘what is empathy?’. The study shows how objects/materials/matter(s) are agentic in co-constituting conditions invocative of empathy phenomena during artmaking. We conclude by suggesting that an agential realist account of art and empathy calls for art educators to pay close attention to objects/materials/matter(s) in their heterogenous connections.
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Koponen, Ismo. "Quantum physical insights of agential realism within new materialism in science education:." Nordic Studies in Science Education 20, no. 1 (April 23, 2024): 44–56. http://dx.doi.org/10.5617/nordina.9776.

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Barad’s agential realism has recently been evoked as a theoretical viewpoint for science education and science education research in approaches that emphasize the role of materiality and matter as a key aspect of learning science. Barad’s agential realism is underpinned by their specific ways of reading quantum physics, its interpretations and, in general, contemplations of the quantum nature of existence. Agential realism is an ontological as well as an epistemological (onto-epistemological) metaphysical position that strives to dissolve the boundaries between subjects and objects, and leaves little room for traditional subject-centered epistemological views (like constructivism) of learning. A closer look is warranted at how the quantum physics underpinnings of agential realism, which are clearly very important for it, appear in its current applications in new materialism within science education research. This critical commentary claims that, in such a context, the conceptualization of learning and educational phenomena derives little if any advantage or practical utility from the quantum physics-inspired metaphysics of agential realism; only metaphorical talk remains. Consequently, we need to be aware of the limited power and plausibility of the quantum-inspired contemplations contained in agential realism if it is adopted as a theoretical viewpoint for science education and science education research.
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Wohlwend, Karen E., Kylie A. Peppler, Anna Keune, and Naomi Thompson. "Making sense and nonsense: Comparing mediated discourse and agential realist approaches to materiality in a preschool makerspace." Journal of Early Childhood Literacy 17, no. 3 (August 12, 2017): 444–62. http://dx.doi.org/10.1177/1468798417712066.

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Two approaches to materiality (i.e. mediated discourse and agential realism) are compared to explore their usefulness in tracking literacies in action and artefacts produced during a play and design activity in a preschool makerspace. Mediated discourse analysis has relied on linguistic framing and social semiotics to make sense of multimodality. Can a multimodal lens grounded in embodied histories of meaning-making unpack sensory exploration, silly repetition and free-wheeling nonsense in children’s playdough play? Barad’s agential realism seems promising for unpacking the sensory and the emergent produced in the materiality, fluidity and messiness of entangled bodies and things in a makerspace. We compare key constructs of mediated discourse and agential realism, comparing interaction and intra-action in video excerpts from two weeks of play with playdough electronics kits in three early childhood classrooms in a US university childcare centre. Mediated discourse analysis of multimodality identified collaborative interaction among players in a small group and tracked a collective flow of materialized knowledge that moved through children’s sharing and collaboration. Agential realism tracked intra-actions among bodies, materials and spaces as transitory becomings and undoings that rupture definitions of sense-making as strategic design that manipulates materials into artefacts or as play that resemiotizes materials into roles and props in dramatized narratives.
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Holford, W. David. "An agential realist perspective on the construction and flow of knowledge: the case of dynamic entanglement and “cuts” within an aircraft engine manufacturing workplace." Journal of Knowledge Management 22, no. 7 (October 8, 2018): 1442–70. http://dx.doi.org/10.1108/jkm-08-2017-0342.

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Purpose This paper aims to show agential realism as the basis for a pertinent framework with regard to the entwined, on-going and interpretative aspects of knowledge. Design/methodology/approach The knowledge flow phenomenon in the form of entanglement and agential “cuts” within the workplace is studied and described across a phenomenological ethnographic case study of two workgroups within an aircraft engine manufacturing context. Findings The boundary construction phenomenon is a key process helping us to depict knowledge entanglement (tacit and explicit) across dialogue and non-verbal actions. Dialogue brings forth the aspect of knowledge as interpretations or “cuts.” A phenomenological analysis allows us to identify and describe various levels of tacit–explicit knowledge entanglement depending on the mode of coping at hand. Also highlighted was the importance of heuristics carried out by knowledge experts, often in the form of abduction (i.e. leading to rules of thumb). Research limitations/implications It is acknowledged that the relatively narrow context of the empirical work limits the ability to generalize the findings and arguments. As such, additional work is required to investigate the validity of the findings across a wider spectrum of workgroup contexts. Practical implications Agential realism allows for the analysis of organizations as a world of practice and actions, whereby long-established categories can be requestioned and challenged with the aim of sharing the full richness and benefit of embodied knowledge between human actors. Originality/value Ethnographic descriptions of the entwined nature of tacit and explicit knowledge, the embodied and activity-based dimension of knowledge and learning, as well as the characteristic of knowledge as possession, correspond well to an agential realist concept of phenomenon, entanglement and cuts. Furthermore, agential realism offers the opportunity to view the workplace as individuals (or groups) who act out embodied tacit-explicit knowledge in conjunction with non-human entities (such as objects, as well as communication and information technologies), with the latter acting as enhancers of knowledge creation and sharing.
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Paramonov, Andrei A. "Karen Barad’s agential realism and Niels Bohr’s conceptualism." Philosophy Journal 15, no. 3 (August 29, 2022): 100–112. http://dx.doi.org/10.21146/2072-0726-2022-15-3-100-112.

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In recent years, there has been a growing interest in the human and social sciences to­wards contemporary natural science. In this regard, we can talk about a kind of “natural sciences turn” in these fields of knowledge. It is not just a matter of an active use of ter­minological and ideological baggage from the arsenal of natural sciences, but we can even talk about direct borrowing of argumentation. American researcher Karen Barad is one of the leading figures of this movement. Barad connects her theoretical conception of agential realism directly with quantum mechanics in its interpretation proposed by Niels Bohr. The article compares some of the key concepts of the Bohr vision of quantum mechanics, such as phenomenon, agency of observation with the reading acquired by these concepts in Barad’s agential realism. On a comparative analysis of the interpreta­tion of these concepts by Bohr and Barad a number of problematic points of the concept of agential realism are revealed.
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Glenn, Linda MacDonald, and George Dvorsky. "Dignity and Agential Realism: Human, Posthuman, and Nonhuman." American Journal of Bioethics 10, no. 7 (June 30, 2010): 57–58. http://dx.doi.org/10.1080/15265161003686548.

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Harman, Graham. "Agential and Speculative Realism: Remarks on Barad's Ontology." Rhizomes: Cultural Studies in Emerging Knowledge, no. 30 (2016): 1. http://dx.doi.org/10.20415/rhiz/030.e10.

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Ko, Mi-Suk. "Barad’s Agential Realism and the Education of Justice." Korean Society for the Study of Moral Education 34, no. 4 (December 30, 2022): 231–60. http://dx.doi.org/10.17715/jme.2022.9.34.4.231.

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Ko, Mi-Suk. "Barad’s Agential Realism and the Education of Justice." Korean Society for the Study of Moral Education 34, no. 4 (December 30, 2022): 231–60. http://dx.doi.org/10.17715/jme.2022.12.34.4.231.

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Rhee, Jeesun. "Matter and Reality in Karen Barad’s Agential Realism." Korean Feminist Philosophy 38 (November 30, 2022): 117–51. http://dx.doi.org/10.17316/kfp.2022.11.38.117.

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Dissertations / Theses on the topic "Agential realism"

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Svensson, Nils Patrik. "I am because we are : Ethical consequences of agential realism." Thesis, Södertörns högskola, Filosofi, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-46087.

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Within the interdisciplinary field of new materialism Karen Barad’s theory of agential realism deconstructs our current euro-western metaphysical perception of the world and our existence within it, to then re-build an understanding based on relatively new findings within quantum physics. In this thesis I try to recreate Barad’s theory to see what ethical consequences might come from it. Together with practical examples within the discourse of today’s social world and our global connectedness I hope to create a better understanding of the impact of our actions and being on our culture and what we call the natural world. Removing the unique agency given to human culture and language to instead, with the help of post-humanistic ideas, add agency as a universal enactment rather than an attribute, we should start to see ourselves as active and real parts of the world-building that is our home. One main question that I see arise in the end is: what does responsibility entail when we all are one and the same?
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Crawford, Ryan D. "ALWAYS BECOMING: HOW MODERN NEUROSCIENCE INFORMS A PLASTIC APPROACH TO DIFFRACTIVE COMPOSITION SCHOLARSHIP, PEDAGOGY, AND PRACTICE." OpenSIUC, 2021. https://opensiuc.lib.siu.edu/dissertations/1943.

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Through the diffractive examination of modern neuroscience, posthuman philosophy, and composition studies, this transdisciplinary research focuses on intrinsic motivation via homeostatic integration of self to initiate organic exploration of the powers involved in the creation of self and agency, and the ongoing making of meaning. Through this homeostatic integration, composition students connect their own goals and desires within the composition environment, and through a creative production model sustain curiosity in self-examination, achieving the following: increased motivation and positive affect, further integration of self in the classroom, improved cognition and long-term memory, and evaluation of human and nonhuman factors involved in ongoing self-formation. This further develops modern composition studies’ emphasis on equality, diversity, and social justice in the classroom, providing a framework through which students of all backgrounds and discourses can find emotional value in meaning-making that transfers to other classrooms, and to the world at large.
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Storm, Frida. "RISK, RESPECT & UNSPEAKABLE ACTS : Untangling Intimate-Sexual Consent through 'Intuitive Inquiry' & 'Agential Realism'." Thesis, Karlstads universitet, Centrum för genusforskning (from 2013), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-83220.

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In an attempt to address the issues in research and theory on consent, this thesis explores what consent can be seen as "doing" through an 'Intuitive Inquiry' (Anderson 2011a) and 'Agential Realism' (Barad 2007). Various manifestations of consent appears through: the experience of the researcher, consent research and theory, consent legislation, interviews with professionals in intimate-sexual consent, and, feminist fanzines. Consent evokes issues around agency, power, communication, respect, violence, risk, morals and ethics that go beyond sexual-intimate negotiation. Consent emerges as multiple, complex and fluid in 'intra-action' (ibid.) with the context. Entanglements and paradoxes of consent are further explored in 'diffractive analysis' (ibid.) through "bodily autonomy" and"rights/obligations". As a phenomenon, consent appears to make agency and power intelligible (to different degrees), but, can not be said to provide a viable strategy against sexual violence. The tenets of consent discourse risk (re)producing anxieties around intimacy and sex, responsibilizing survivors and obfuscating sexual violence. Further and improved research on communication in everyday sexual negotiation, sexual violence, consent legislation and what consent "does" is urgently needed.Through creative method and new epistemology the thesis (re)presents a knowledge process true to lived experience, as well as, an invitation to pull the terrible wonderful world, it's complexities, and us in it, closer.
I ett försök att ta itu med problem inom forskning och teori om 'consent' undersöker denna avhandling vad samtycke kan ses som ”göra” genom 'Intuitiv Inquiry' (Anderson 2011a) och'Agential Realism' (Barad 2007). Olika manifestationer av 'consent' framträder genom: forskarens erfarenheter, samtyckes-forskning och teori, samtyckelagstiftning, intervjuer med professionella inom samtycke, och, feministiska fanzines. Samtycke väcker frågor kring agens, makt, kommunikation, respekt, våld, risk, moral och etik som går bortom sexuella-intima förhandlingar. Samtycke framträder som multipelt, komplext och rörligt i 'intra-action' (ibid.) med kontexten. 'Entanglements' och paradoxer inom samtycke undersöks vidare i 'diffraktiv analys' (ibid.) genom "kroppslig autonomi" och"rättigheter/skyldigheter". Som ett fenomen gör samtycke agens och makt möjlig att tänka (iolika grad), men kan inte sägas bidra med en hållbar strategi mot sexuellt våld. Grundsatserna i samtyckesdiskursen riskerar att (re)producera ängsla kring intima-sexuella situationer, responsibilisera offer och dölja sexuellt våld. Ytterligare och förbättrad forskning är i akut behov kring kommunikation i vardagliga sexuella förhandlingar, sexuellt våld, samtyckeslagstiftning och vad samtycke "gör". Genom kreativ metod och ny epistemologi (re)presenterar avhandlingen en kunskapsprocesssom är trogen till levd verklighet, samt en inbjudan att närma sig, den fruktansvärda underbara världen, dess komplexitet, och oss inom den.
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Jóhannsson, Arnar Steinn. "Fenomenofonen : En undersökning om ljud på webben." Thesis, Blekinge Tekniska Högskola, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-970.

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Ljud har en förmåga att påverka våra känslor. Begreppet ljudwebb är framtaget till denna undersökning och syftar på de ljudlagda applikationer som, i och med den tekniska utvecklingen, har börjat dyka upp inom webben. Ljudwebben har fått sitt namn från ljudfilmen, de filmer som började experimentera med ljud under filmindustrins tekniska revolution runt 1930-talet. Syftet med denna undersökning är att utforska vad ljudets känslopåverkande egenskaper kan bidra med inom webben. Genom att utgå från fysiker-filosofen Karen Barads tankar om det ständigt rekonstruerande fenomenet samt filosofen Sarah Ahmeds kritik mot den fenomenologiska orienteringen lyder undersökningens frågeställning. “Hur kan fenomenet ljudwebb gestalta tillstånden orientering och desorientering? De insikter som uppkom under undersökningens teoretiska fördjupning har resulterat i den webb-baserade ljudinstallationen Fenomenofonen. Utöver ljudatmosfärer gestaltar Fenomenofonen intra-aktion, orientering och desorientering. Undersökningen bevisar att ljud kan användas som verktyg inom webbproduktion för att påverka användarens känslor. I och med marknadens efterfrågan på sinnesupplevelser inom webben kommer ljudwebben med stor sannolikhet att fortsätta expandera. Det kommer att leda till ett ännu mer påfrestat ljudlandskap, men även en rikare kultur och många arbetsmöjligheter för ljud-designers, programmerare och kompositörer.
Sound has a strong potential to influence our feelings. The concept of sound-web is developed for this study and refers to the sound-designed applications which have started to appear at the web due to new technological possibilities. Its name is inspired by the concept of sound film, the category of movies that began experimenting with sound, due to their technical film revolution back around the 1930´s. The purpose of this study is to explore what sound, with its possiblility to affect human emotions, can contribute within the web. This investigations survey question was produced by applying theories from physicist-philosophist Karen Barad's thoughts about the constantly reconstructive phenomenon and from the philosopher Sarah Ahmed's criticism of the phenomenological orientation and is as follows: How can the phenomenon of sound-web produce orientation and disorientation?. The insights that arose during the theoretical investigation resulted in a web-based sound installation named the Phenomenophone. In addition to generate sound atmospheres, the Phenomenophone, produces intra-action, orientation and disorientation in a way that make these specific subjects more understandable in a psycological way. The survey proves that the sound can be used as a tool in web production to affect the users feelings. The sound-web will most probably expand even more in the future. It will lead to a more contaminated soundscape but a richer cultural environment and many job opportunities for sound-designers, programmers and composers.
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Cupitt, Rebekah. "We Are the Robots : An anthropological perspective on human-robot interaction." Thesis, Socialantropologiska institutionen, Stockholms universitetet, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-49557.

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Abstract How do we cope with technology today? We are surrounded by machines, computers and technological devices from mobile phones to automated check- outs. These types of machines are no longer exotic in Sweden where today the average person is usually fluent in their use. But do we really have an understanding of how these objects work, is understanding necessary and how do we cope when our knowledge is lacking? This thesis is intended as an introduction to an anthropological way of look- ing at strategies people develop for understanding, using and interacting with technological objects, specifically robots. Still an exotic object, robots are more widely known-about than experienced. Based on ethnographic data, primarily gathered in two distinct workplace environments as well as interviews and video documentation, my analysis aims to illustrate the implications of defining hu- mans and robots as equally significant agents within networks whilst disputing the traditional importance given to the dichotomy of technology (non-human) and human. Whilst robots are definitely less than we expect them to be, they are still so- cial artefacts, firmly situated within social networks and meaning which manifest through human–robot interactions. Perhaps little more than tools, an ambigu- ity exists in human–robot interactions which suggests that we form quasi-social relations that could, and have been exploited by designers and engineers to broaden the range of use for technological objects. Keywords: human-robot interaction, network theory, situated knowledges, agential realism, performativity, social contextualisation of technological objects
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Krohn, Anton, and Daniel Petersson. "Tillfälliga öar : – tillsammans med havet i materiell-diskursiva praktiker." Thesis, Blekinge Tekniska Högskola, Institutionen för teknik och estetik, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-907.

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Vi vill med det här kandidatarbetet inleda en konversation med havet. Tillsammans med Karen Barads posthumanistiska performativitet, agentiell realism, vill vi utmana och ifrågasätta den antropocentriska designerrollen där materialiteten ses som passiv och designern som ensam härskare över meningsskapandet i designprocessen. Med Barads onto-epistemologiska utgångspunkt undersöker vi hur design-processen uppstår i arrangemang av både mänskliga och icke-mänskliga aktörer, där mening framförhandlas genom relationer inom fenomen. Genom att tillämpa detta posthumanistiska förhållningssätt i lekfulla experiment tillsammans-med-havet kan vi se hur mening är situerad och skapas inom de materiell-diskursiva fenomen och apparater som utgör designprocessen.  Vi förstår designprocessen som ett ingripande i världens tillblivelse. Ett ingripande där ett kollektiv av aktörer står som medskapare, där mening, kroppar, subjekt och objekt uppförs och samformas genom intra-aktion. Detta förhållningssätt föder en medvetenhet om vårt ansvar i att ingripa i världens tillblivelse och vårt ansvar för de kroppar som skapas, en etik i handling.
In this Bachelor thesis we aim to establish a conversation with the sea. With Karen Barads posthumanist performativity, agential realism, as our companion we aim to challenge the anthropocentric role of the designer. In doing this we question the view of materiality as passive and the designer as the sole creator of meaning in the design process.  With Barads onto-epistemological standpoint we explore how the process of design is enacted in a performance of human and non-human actors, where meaning is negotiated through relations within phenomena. By putting this posthumanist notion into practice through playful experiments together-with-the-sea, we can understand how meaning is situated and shaped within the material-discursive phenomenas and apparatuses that is, and is part of, the design process.  We understand the design process as an intervening in the world’s becoming. An intervening where an assemblage of actors stands as co-creators and where meaning, bodies, subject and object is enacted and co-shaped through intra-action. This perspective gives us an awareness of our responsibility to intervene in the world’s becoming and our accountability for the bodies produced, an ethics in action.
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Wassrin, Siri. "Why is it difficult to design innovative IT? : An agential realist study of designing IT for healthcare innovation." Licentiate thesis, Linköpings universitet, Informatik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-146274.

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It may seem strange to claim that it is difficult to design innovative information technology (IT) in a time when the technological progress leaps forward like never before. However, despite the numerous opportunities that this rapid progress provides, we often design IT that is similar to existing artifacts, making IT design incremental rather than radical. At the same time, IT innovations are pointed out as crucial to meet the societal challenges we are facing, not least in the public sector, including a growing and older population, increasing demands from citizens and reduced tax revenues. This calls for us to better understand why it is difficult to design innovative IT. Previous research on this topic have mainly focused on human and social aspects, not paying close attention to IT. In this thesis, it is suggested that the sociomaterial theory agential realism can help shed light on the role of IT in innovative IT design, acknowledging the sociomateriality of IT. Thus, the overarching aim of this thesis is to apply agential realism on an empirical case in order to explore and explain why it is difficult to design innovative IT. To fulfill the aim, a qualitative case study was conducted in publicly funded healthcare. The empirical case is an example of an attempt to design innovative IT in a healthcare context. The empirical material was generated through participant observations, including video recordings, and semi-structured interviews. The material was analyzed in several rounds, with and without a theoretical lens. In the agential realist analysis, IT has been viewed as entangled with the world. The analysis focused on what boundaries IT produced and how these boundaries were consequential for what was possible and impossible to design. The thesis illustrates how IT is produced and productive in terms of both matter and meaning, and thus, is agential – IT makes differences in the world. What is possible to design is not only constrained by social structures but by the materiality of IT, what boundaries IT helps produce and the material-discursive practices that enact IT. Innovative IT design means to design material configurations that produce boundaries that are different from what have been enacted before and, thus, deviate from existing material-discursive practices. However, it is difficult to deviate from these since material-discursive practices are agential and define what boundaries are meaningful and legitimate. Hence, it is difficult to design innovative IT since innovative IT design has to both enact boundaries that deviate from agential material-discursive practices and also gain legitimacy. Through this explanation, the thesis makes an explanatory knowledge contribution which differs from and adds to earlier explanations. It also makes a contribution to conceptualizing the IT artifact by emphasizing IT as sociomaterial and providing examples of how IT can be understood as produced, productive, agential and entangled. Finally, the thesis also makes an empirical and methodological contribution in the sense that it demonstrates how an agential realist case study can be conducted in the field of Information Systems.
Det kan verka märkligt att påstå att det är svårt att designa innovativ informationsteknik (IT) i en tid då den tekniska utvecklingen går snabbare än någonsin förr. Men trots de många möjligheter som den snabba utvecklingen erbjuder så designar vi ofta IT som liknar existerande artefakter, vilket resulterar i inkrementell snarare än radikal IT-design. Samtidigt pekas IT-innovation ut som kritisk för att möta de samhälleliga utmaningar som vi står inför, inte minst i den offentliga sektorn där en växande och åldrande befolkning, ökade krav från medborgare och minskade skatteintäkter ställer stora krav på offentliga organisationer. Av denna anledning behöver vi förbättra vår förståelse för varför det är svårt att designa innovativ IT. Tidigare forskning inom detta ämne har främst fokuserat på mänskliga och sociala aspekter men inte uppmärksammat IT. I denna avhandling föreslås att den sociomateriella teorin agentiell realism kan bidra till att belysa ITs roll i innovativ IT-design genom att se IT som sociomateriell. Därmed är avhandlingens övergripande syfte att applicera agentiell realism på ett empiriskt fall för att utforska och förklara varför det är svårt att designa innovativ IT. För att uppfylla syftet har en kvalitativ fallstudie genomförts i offentlig sjukvård. Det empiriska fallet är ett exempel på ett försök att designa innovativ IT i en sjukvårdskontext. Det empiriska materialet genererades genom deltagande observationer, inklusive videofilmning, och semistrukturerade intervjuer. Materialet analyserades i flera omgångar, både med och utan teoretisk lins. I analysen där agentiell realism applicerades sågs IT som entangled (’intrasslad’) med världen. Denna analys fokuserade på vilka gränser som IT producerade och hur dessa gränser hade konsekvenser för vad som var möjligt respektive omöjligt att designa. Denna avhandling illustrerar hur IT är producerad och producerande både vad gäller materia och betydelser, och därmed är agentiell – IT gör skillnad i världen. Vad som är möjligt att designa är inte enbart begränsat av sociala strukturer utan också av ITs materialitet, vilka gränser som IT bidrar till att producera och de materiell-diskursiva praktiker som framställer IT. Innovativ ITdesign innebär att designa materiella konfigurationer som skapar gränser vilka skiljer sig från vad som blivit till innan och därmed avviker från rådande materiell-diskursiva praktiker. Det är dock svårt att avvika från dessa eftersom materiell-diskursiva praktiker är agentiella och definierar vilka gränser som är meningsfulla och legitima. Det är därmed svårt att designa innovativ IT då innovativ IT-design behöver både producera gränser som avviker från agentiella materiell-diskursiva praktiker och också uppnå legitimitet. Med denna förklaring ger avhandlingen ett kunskapsbidrag och bidrar till ny förståelse för varför det är svårt att designa innovativ IT. Avhandlingen bidrar också till att konceptualisera IT-artefakten genom att betona ITs sociomaterialitet och att ge exempel på hur IT kan förstås som producerad, producerande, agentiell och entangled. Slutligen ger avhandlingen också ett empiriskt och metodologiskt bidrag genom att demonstrera hur en agentiell realistisk fallstudie kan utföras inom informatikfältet.

The series name in the thesis Faculty of Arts and Sciences thesis is incorrect. The correct series name is FiF-avhandling.

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Fjell, Mario Maria. "Point of Constant Departures." Thesis, Konstfack, Institutionen för Konst (K), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-6252.

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We have to be specific. To take a stand. We have to tell a specific story. Therefore we need to come together. To be together. To spend timespacematter together. To build strength. To find the movements, words and materials that can hold and unfold this story. Make it live, to keep us alive.
Action: Point of Constant Departures (https://mariofjell.wordpress.com/point-of-constant-departures/)
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Mafredas, Oskarsson Livia, and Maria-Pia Colton. "Dokumentationens nötta hörn : Ett agentiskt realistiskt perspektiv på de yngsta barnens delaktighet i förskolans dokumentationspraktiker." Thesis, Södertörns högskola, Lärarutbildningen, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-35383.

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This study is about 1-3-year-old children and their meeting with the documentation made available to them by preschool teachers. Eight preschool teachers in seven different preschools were interviewed. These interviews were combined with observations of the preschool environments to be able to view the documentation that was made available to the children. In this study we examine what happens in the meeting between children and material objects in documentation practises. We also sought to understand how material objects play a role in children’s participation in documentation practises. In this study we therefore use Karen Barads (2007) theory of agential realism to analyse the relationship between humans and the material environment. Basing the analysis on agential realism by viewing material objects as active agents instead of passive, we were able to gain insight into how photographs of children taking part in earlier activities or pictures of insects played a part in the activities and negotiations around the documentation. The youngest children’s handling of the documentation made available to them did not always coincide with the expectations of the preschool teachers. The documentations hanging on the wall would be worn out or taken down by the youngest children. Understanding the potential meaning behind the worn-out corners was made possible by using an agential realist approach where the child is seen as entangled in a constant intra-action with the human and non-human environment. We found that an agential realist approach has the potential to contribute to a versatile understanding of documentation practices with preschools youngest children.
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Larsson, Cornelia. "Teaterrekvisitan som aktiv deltagare : Att trigga ljudeffekter från scen." Thesis, Blekinge Tekniska Högskola, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-19894.

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Detta arbete syftar till att undersöka de relationer som uppstår mellan teaterrekvisita, skådespelare och ljudtekniker genom det posthumanistiska perspektivet agentiell realism. Jag utforskar även vilka fenomen som uppstår ur dessa relationer. Vad händer när sensorer implementeras i rekvisitan så att skådespelarna själva kan trigga vissa ljudeffekter från scenen?  För att undersöka detta har jag tagit fram prototyper av teaterrekvisita med sensorer och på så sätt i viss mening gett föremålen en egen röst. Detta bidrar till att de kan delta i dialogen med människorna i en föreställning, samtidigt som samspelet mellan skådespelare och ljudtekniker förändras.  Genom processens olika iterationer har gränsen mellan subjekt och objekt blivit allt mer otydlig, liksom den mellan de olika rollerna. Skådespelaren blir i viss mening ljudtekniker, liksom både rekvisitan och ljudteknikern i sin tur blir skådespelare.
This thesis aims to investigate the relationships between theatrical props, actors and sound engineers through the posthumanistic perspective of agential realism. I also explore the phenomena that emerge from these relationships. What happens when sensors are implemented in the prop in order for the actors themselves to trigger certain sound effects from the stage? To investigate this, I have developed prototypes of theater props with sensors and thus in some sense given the objects a voice of their own. This contributes to them participating in the dialogue with the people in a performance, while at the same time changing the interplay between actors and the sound engineer. Through the different iterations of the process, the division between subject and object has become increasingly unclear, just like the one between the different roles. In some sense, the actor becomes an audio engineer, as both the prop and the audio engineer in turn become actors.
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Books on the topic "Agential realism"

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Juelskjær, Malou, Helle Plauborg, and Stine W. Adrian. Dialogues on Agential Realism. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429056338.

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Scholz, Julia. Agential Realism als Basis queer(end)er Experimentalpsychologie. Wiesbaden: Springer Fachmedien Wiesbaden, 2018. http://dx.doi.org/10.1007/978-3-658-22644-2.

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Scholz, Julia. Agential Realism als Basis queerer Experimentalpsychologie: Eine wissenschaftstheoretische Auseinandersetzung. Wiesbaden: Springer Nature, 2018.

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Plauborg, Helle, Malou Juelskjær, and Stine W. Adrian. Dialogues on Agential Realism. Taylor & Francis Group, 2020.

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Toksöz Fairbairn, Kevin. dis/cord: Thinking Sound through Agential Realism. punctum books, 2022. http://dx.doi.org/10.53288/0360.1.00.

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dis/cord is an experiment in reading sound. Embarking from Karen Barad’s early work on agential realism, it diffracts quantum physics through sound art, finding the sympathetic resonances that allow them to speak together. dis/cord believes in the materialism of sound, and strives not to understand it, but to become entangled with it. It asserts that impartial observation is impossible and understands immersion as a participatory and collaborative act. Sound art pieces provide the backdrop for a series of reflections on space, time, and matter. They trace the “marks on bodies” that sound leaves behind in its ephemeral vibration, finding new forms of sensation and interpretation through the pain and hearing loss that a life devoted to sound can cause. Drifting between sound studies, artistic research, musicology, and craftsmanship, dis/cord uses agential realism as a platform to approach thinking with, through, and about sound. Following Barad’s commitment to diffraction as a form of critique, it superposes a variety of sounds and ideas in the hope that their consonances and dissonances can provoke new ways of engaging with sound as a cultural and material agent. It is neither an appeal to scientist positivism nor a mystical immersion in listening. Rather, it builds from the intertwined physical and metaphysical curiosities that characterize Barad’s work, proposing a corporeal engagement with the disjointed temporal and spacial (dis)continuities that sonic materialism helps to build, understand, and create.
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Murris, Karin. Karen Barad As Educator: Agential Realism and Education. Springer Singapore Pte. Limited, 2022.

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Murris, Karin, and Vivienne Bozalek. In Conversation with Karen Barad: Doings of Agential Realism. Taylor & Francis Group, 2022.

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Murris, Karin, and Vivienne Bozalek. In Conversation with Karen Barad: Doings of Agential Realism. Taylor & Francis Group, 2022.

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In Conversation with Karen Barad: Doings of Agential Realism. Routledge, Chapman & Hall, Incorporated, 2022.

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Murris, Karin, and Vivienne Bozalek. In Conversation with Karen Barad: Doings of Agential Realism. Taylor & Francis Group, 2022.

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Book chapters on the topic "Agential realism"

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Juelskjær, Malou, Helle Plauborg, and Stine W. Adrian. "Introduction." In Dialogues on Agential Realism, 1–9. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429056338-1.

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Juelskjær, Malou, Helle Plauborg, and Stine W. Adrian. "An Introduction to Agential Realism." In Dialogues on Agential Realism, 10–21. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429056338-2.

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Juelskjær, Malou, Helle Plauborg, and Stine W. Adrian. "Dialogue with Magdalena Górska." In Dialogues on Agential Realism, 22–45. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429056338-3.

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Juelskjær, Malou, Helle Plauborg, and Stine W. Adrian. "Dialogue with Astrid Schrader." In Dialogues on Agential Realism, 46–70. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429056338-4.

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Juelskjær, Malou, Helle Plauborg, and Stine W. Adrian. "Dialogue with Elizabeth de Freitas." In Dialogues on Agential Realism, 71–94. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429056338-5.

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Juelskjær, Malou, Helle Plauborg, and Stine W. Adrian. "Dialogue with Ericka Johnson." In Dialogues on Agential Realism, 95–117. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429056338-6.

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Juelskjær, Malou, Helle Plauborg, and Stine W. Adrian. "Dialogue with Karen Barad." In Dialogues on Agential Realism, 118–41. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429056338-7.

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Juelskjær, Malou, Helle Plauborg, and Stine W. Adrian. "Engaging in Agential Realist Research Practices." In Dialogues on Agential Realism, 142–57. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429056338-8.

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Bozalek, Vivienne. "Agential Realism for Social Work." In The Routledge Handbook of International Critical Social Work, 601–16. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003211969-50.

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Scholz, Julia. "Agential Realism (AR) als forschungslogische Grundlage." In Agential Realism als Basis queer(end)er Experimentalpsychologie, 123–93. Wiesbaden: Springer Fachmedien Wiesbaden, 2018. http://dx.doi.org/10.1007/978-3-658-22644-2_4.

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Conference papers on the topic "Agential realism"

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Rashtian, Hamed, and Gabriela Aceves-Sepulveda. "Same Old Story: Agential Realism in the Study of Colonial Histories." In 28th International Symposium on Electronic Art. Paris: Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-78-full-rashtian-et-al-same-old-story.

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What are the possibilities of accessing the reality of history? How can we read history, and what can we learn from it? In this paper, we contemplate these questions by putting our ongoing research-creation project, Same Old Story (2020-present), in conversation with feminist critiques of objectivity and current discussions on the construction of historical narratives by historians, philosophers and artists, including Antoinette Burton, Andreas Huyssen, Walter Benjamin Walid Raad and Forensic Architecture. Specifically, we elaborate on how Karen Barad's "agential realism" ¹ informs our engagement with colonial histories in Same Old Story and speculate on its broader relevance in research-projects that engage with historical narratives. To do so, we describe the process of creating the current iteration of our project and offer a theoretical framework based on a discussion of three main themes, Archive/ Memory, Architecture and Monument/Counter-Monument. Building from this discussion, we elaborate on how to expand our work further, focusing on the possibilities and limits of revitalizing embodied realities in historical events and learning from them.
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Holford, W. David, and Pierre Hadaya. "Addressing the tacit knowledge gap in knowledge systems across agential realism." In Hawaii International Conference on System Sciences. Hawaii International Conference on System Sciences, 2017. http://dx.doi.org/10.24251/hicss.2017.542.

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Sanches, Pedro, Noura Howell, Vasiliki Tsaknaki, Tom Jenkins, and Karey Helms. "Diffraction-in-action: Designerly Explorations of Agential Realism Through Lived Data." In CHI '22: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3491102.3502029.

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Vu, Chau. "WITHDRAWN: New Materialist Auto-Ethico-Ethnography: Agential-Realist Authenticity and Objectivity in Intimate Scholarship." In 2019 AERA Annual Meeting. Washington DC: AERA, 2019. http://dx.doi.org/10.3102/1429904.

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Holford, W. David. "Knowledge flows in the form of entanglement and -˜cuts’: an agential realist perspective on knowledge construction phenomena within an aircraft engine manufacturing workplace." In Hawaii International Conference on System Sciences. Hawaii International Conference on System Sciences, 2018. http://dx.doi.org/10.24251/hicss.2018.532.

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