Relevant bibliographies by topics / Ailing Zhang

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Ailing Zhang'

Author: Grafiati
Published: 4 June 2021
Last updated: 13 February 2022

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Journal articles on the topic "Ailing Zhang"

1

Moshchenko, Irina A. "The concept of “love” in the early works of Zhang Ailing (张爱玲 1920–1995)." Philological Sciences. Scientific Essays of Higher Education, no. 3 (May 2021): 59–67. http://dx.doi.org/10.20339/phs.3-21.059.

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This article presents a study designed to analyse the concept of love in the early work of chinese writer Zhang Ailing. The research reveals conceptual binary oppositions which are formed arround the core of the concept of love that is: ai (爱), qing (情) and lian (恋). The oppositions are the following: absurdity — conciseness; frivolous / pretense — serious / sincerity; material — spiritual / sacred; isolation — openness; selfishness — generosity; cowardice — courage; overseas — traditional. This ambiguity of the concept is the key to understanding how early works of Zhang Ailing differs from the previous literature tradition, which understands love as а supreme good. The research shows the transformation of the concept of love in the early work of Zhang Ailing. The writer confronts the tradition, she tries to destroy the romantic-sentimental attitude to love that was formed in Chinese literature in the first decades of the twentieth century. Breaking with the conventional image of “love above all” (恋爱之上), Zhang Ailing begins to build up her own world of love. She starts from the denying of romantic love and attachment, and only then tries to fit love into the social structure, to turn ordinary love into a social value equal to success in work, financial well-being, etc.
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Luo, Fang. "On the image of Shanghai in Zhang Ailing's novels." Lifelong Education 9, no. 1 (February 4, 2020): 23. http://dx.doi.org/10.18282/le.v9i1.794.

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<p>The urban image created by Zhang Ailing is impressive. Look at all her novels, almost all of them are based in Shanghai. Through her novels, readers can experience the traditional and modern interwoven urban culture, and understand the unique urban things, as well as ordinary and tragic figures in Shanghai. The image created by Zhang Ailing is not only the living place of the characters, but also the human nature of the city.</p>
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Yetty, Yetty, and Rosemary Rosemary. "Analysis Zhang Ailing’s Novel (Red Rose And White Rose) Image Of The Characters And Story Plot." Lingua Cultura 5, no. 1 (May 31, 2011): 47. http://dx.doi.org/10.21512/lc.v5i1.374.

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Zhang Ailing is a heterogeneous novel writer in China literature’s history. Almost of her life, she already wrote so many literature’s works. One of her famous novel is (Red Rose and White Rose). The story is describe the image of main figure’s character and his emotional. Writer wants use the characterization, complexity of personality and story plot these three aspect to analysis the novel’s figure looks, figure character and the story. This novel story is a complication relationship between the man and two women, red roses as her lover and white rose as her wife. About a man that in his standard life and emotional condition occur some contradiction. Writer use reference material and theory of novel writing to analysis Zhang Ailing (Red Rose and White Rose)‘s novel. The result of this analisys are the most important part in novel’s story is not only about the story plot but also the describtion of figure looks and characterization. Zhang Ailing in (Red rose and white rose) descbribtion is very spesific, the story become so interesting because of the Complementary of the figure looks, figure characterization and story plot, embraced each other, fully reflects the fictional reality of compromise and frustration.
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SMITH, NORMAN. "‘Only Women can Change this World into Heaven’ Mei Niang, Male Chauvinist Society, and the Japanese Cultural Agenda in North China, 1939–1941." Modern Asian Studies 40, no. 1 (February 2006): 81–107. http://dx.doi.org/10.1017/s0026749x06001831.

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From 1939 to 1941, Mei Niang (b. 1920) penned three of her most famous novellas, Bang (Clam)(1939), Yu (Fish)(1941), and Xie (Crabs)(1941). Each of these works sheds light on the struggle of Chinese feminists in Japanese-occupied north China to realize ideals that stood in stark contrast to the conservative constructs of ‘good wives, wise mothers’ (xianqi liangmu) favoured by colonial officials. The contemporary appeal of Mei Niang's work is attested to by a catch-phrase, coined in 1942, that linked her with one of the most celebrated Chinese women writers of the twentieth century, Zhang Ailing (1920–1995): ‘the south has Zhang Ailing, the north has Mei Niang’ (Nan Ling, Bei Mei). Both women attained great fame in Japanese-occupied territories, only to have their achievements tempered by condemnation of the environments in which they forged their early careers. The Chinese civil war that followed the collapse of the Japanese empire propelled the two writers along divergent trajectories: Zhang Ailing moved to Hong Kong and the United States, where she achieved iconic status, while Mei Niang remained in the People's Republic of China, to be vilified. As one of the pre-eminent ‘writers of the enemy occupation’ (lunxian zuojia), Mei Niang was persecuted by a Maoist regime (1949–1976) dedicated to the refutation of the Japanese colonial order in its entirety.
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Zhang, Ailing. "China English and Chinese English." English Today 13, no. 4 (October 1997): 39–41. http://dx.doi.org/10.1017/s0266078400010002.

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AILING ZHANG makes a distinction between two kinds of English in China ‘to emphasize the absolute necessity of Standard English to be taught, instead of other varieties claimed by some linguists to be equally good’.
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He, Wen. "La Traduction et la réception de Zhang Ailing en France." Comparative Korean Studies 26, no. 1 (April 30, 2018): 81–102. http://dx.doi.org/10.19115/cks.26.1.3.

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Lin, Wei-Hsin. "Chasing After Nothingness—Reading Zhang Ailing Through Žižek’s Interpretation of Lacan." Janus Head 16, no. 1 (2018): 7–37. http://dx.doi.org/10.5840/jh20181611.

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This article provides a Lacanian reading of one of the short stories of Zhang Ailing, a Chinese writer. It is intended to explore the possibility of employing Lacan’s theory of the symbolic order to the interpretation of a Chinese text, as well as to broaden our understanding of Zhang’s work and to unlock the potential of the applicability of Lacan’s ideas. The final part of the article will draw on Žižek’s interpretation of Lacan to illustrate how Zhang, unlike most of her contemporaries, is exempted from the obsession with China and how this obsession can lead us to the conclusion that whatever we chase obsessively in life is nothing but nothingness.
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Tejeda Martín, Teresa Inés. "El rol de la mujer china a principios del siglo XX en la novela Bansheng yuan de Zhang Ailing." Revista Internacional de Culturas y Literaturas, no. 23 (2020): 125–45. http://dx.doi.org/10.12795/ricl.2020.i23.09.

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En este artículo reflexionaremos, a través de la lectura Bansheng yuan, la primera novela larga de Zhang Ailing (Eileen Chang), sobre la situación de la mujer china en las primeras décadas del siglo XX. Con el análisis de los tres principales personajes femeninos nos centraremos en destacar dos aspectos que, a pesar de haber avanzado en la teoría, seguían lastrando la posición de la mujer en la práctica: la falta de independencia laboral y el matrimonio.
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Lee, Kang-bum, and Sun-ae Hwang. "The Pro-Japanese Problem of Zhang-Ailing in Novel “Lust, Caution( 色|戒)”." Journal of Chinese Language and Literature 104 (June 30, 2017): 161–89. http://dx.doi.org/10.25021/jcll.2017.06.104.161.

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葛濤. "the studies of virtual community of the Zhang Ailing fans on Internet ——Regard " Zhang Mi sitting room "as the centre." Journal of Study on Language and Culture of Korea and China ll, no. 19 (February 2009): 256–72. http://dx.doi.org/10.16874/jslckc.2009..19.018.

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Dissertations / Theses on the topic "Ailing Zhang"

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Mak, Yan Yan. "Cong xiao shuo dao dian ying : lun "Qing cheng zhi lian" yu "Ban sheng yuan" /." View Abstract or Full-Text, 2002. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202002%20MAK.

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Thesis (M.Phil.)--Hong Kong University of Science and Technology, 2002.
Includes bibliographical references (leaves 276-289). Also available in electronic version. Access restricted to campus users.
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Chow, Wing-kam. "An analysis of Zhang Ailing's movie scripts Zhang Ailing dian ying ju ben chuang zuo yan jiu /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B40676742.

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Su, Weizhen. "Miao hong Taiwan Zhang pai zuo jia shi dai lun /." Taibei Shi : San min shu ju gu fen you xian gong si, 2006. http://catalog.hathitrust.org/api/volumes/oclc/74349821.html.

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Sun, Xiaoming. "Tian cai meng : Zhang Ailing Meiguo shi qi de sheng huo yu xie zuo chu tan /." View abstract or full-text, 2009. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202009%20SUN.

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Chu, Hau-ying. "Depiction of scenes in Eileen Chang's novelettes Zhang Ailing zhong, duan pian xiao shuo zhi chang jing miao xie /." Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B42926464.

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Wong, Ah-yin. "On Eileen Chang's view of men and their images in her novels Lun Zhang Ailing de nan xing guan ji qi xiao shuo zhong de nan xing xing xiang /." Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B43208691.

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Su, Weizhen. "The novels of Zhang Ailing in Hong Kong 1952-1955 /." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21106368.

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Wang, Yuan 1977. "Transgressing boundaries : hybridity in Zhang Ailing's writing and its multidimensional interpretations in contemporary China." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99613.

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Zhang Ailing is an extraordinary yet important literary figure in 1940s China. In her writing, the specificity of hybridity breaks through restriction of domestic, social, political and cultural issues and makes her writing surpass the boundaries of races, cultures and space and time. It integrates Zhang's profound concern for human life and humanity with her exquisite literary sensibility. In my thesis, I deploy my study on this hybrid specificity, and also on the cultural phenomena relevant to Zhang Ailing in 1990s China, namely the "Zhang Ailing fever" and the nostalgia theme in Hong Kong film. By exploring the underlying relationship between the two issues on the basis of respective analyses of them, I try to enrich our understanding of this legendary writer and stimulate further thought on the broad and complex process of the "rehabilitation" of Zhang's literary reputation in both Western sinology and Chinese academia.
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Teichert, Evelyne. "Zhang Ailing's experimental stories and the reader's participation in her short stories and novellas." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/28303.

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This thesis is an in-depth analysis of three later short stories "Lust and Restrictions" (Characters Omitted),"Flowers and Pistils Floating on the Waves" (Characters Omitted), and "Happy Reunion" (Characters Omitted), written by the 1921 Shanghai born Chinese author Zhang Ailing. The analysis takes a look at the structure of these short stories and discovers that they differ from her earlier short stories, that is those she wrote ten years earlier in the 1940s, in their structural and narrative approach and thereby place a greater demand upon the reader's participation. These three stories are the only short stories by Zhang Ailing that do not develop in a linear fashion. The author introduces them in the preface of the anthology Sense of Loss by calling the second story "Flowers and Pistils Floating on the Waves" an "experiment." Because of their similar structural and narrative approach, I called all three of them "experimental" which really means the same as "modernists", to distinguish them from her earlier linear stories. The three major characteristics of the experimental stories, that is—the narrative happening in the character's minds, the chronological distortion of the narrative and the almost invisibility of a narrator large subordinated to the character's presence—all have the effect of bringing the reader close to the characters' subjective thoughts and reflect the characters' state of mind in the stories' present time, depending on the frequency of the switches between the times, that is between the past happening in the characters' minds and the stories present time. The reader's participation in these three stories is largely due to the narrative structure while in some of Zhang Ailing's lienar stories, as examined in this paper, it is based on the stories' content. The political changes in China, and the author's move away from the mainland could account for her increasingly pessimistic outlook on life reflected in the disjointed structures of the "experimental" stories.
Arts, Faculty of
Asian Studies, Department of
Graduate
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Hong, Jeesoon. "Gendered modernism of Republican China : Lu Yin, Ling Shuhua and Zhang Ailing." Thesis, University of Cambridge, 2004. https://www.repository.cam.ac.uk/handle/1810/284028.

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Books on the topic "Ailing Zhang"

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Yifan, Xia, ed. Zhang Ailing. Shanghai Shi: Wen hui chu ban she, 2001.

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Zhang Ailing jia zu: Zhang Ailing jiazu. Hefei Shi: Anhui wen yi chu ban she, 2011.

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Xi wang Zhang Ailing: Zhang Ailing zhuan. Beijing: Dong fang chu ban zhong xin, 2009.

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Ti Zhang Ailing bu zhuang. Jinan Shi: Shandong hua bao chu ban she, 2004.

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Zhang Ailing zhuan. Guilin Shi: Guangxi shi fan da xue chu ban she, 2001.

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Zhang Ailing lun. Beijing: Hua ling chu ban she, 2010.

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Zhang Ailing zhuan. Taizhong Shi: Chen xing chu ban she, 1997.

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Qing, Yu. Zhang Ailing zhuan. Xianggang: Tian di tu shu you xian gong si, 1999.

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Zhang Ailing zhuan. Beijing Shi: Wen hua yi shu chu ban she, 2006.

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Wen, Jun. Zhang Ailing zhuan. Beijing: Zhongguo Chang'an, 2011.

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Book chapters on the topic "Ailing Zhang"

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Hermann, Marc. "Zhang Ailing." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_22034-1.

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Hermann, Marc. "Zhang Ailing: Chuanqi." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_22035-1.

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Hermann, Marc. "Zhang Ailing: Yangge." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_22036-1.

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Dooling, Amy D. "Outwitting Patriarchy: Comic Narrative Strategies in the Works of Yang Jiang, Su Qing, and Zhang Ailing." In Women’s Literary Feminism in Twentieth-Century China, 137–69. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1057/9781403978271_5.

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"Eileen Chang and Zhang Ailing: A bilingual orphan." In Diaspora Literature and Visual Culture, 134–55. Routledge, 2010. http://dx.doi.org/10.4324/9780203840771-16.

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Rosenmeier, Christopher. "Wartime Literature between Tradition and Modernity." In On the Margins of Modernism. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9780748696369.003.0003.

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This chapter provides a broad overview of popular Chinese literature during the wartime years, including relevant historical context, such as the attempt at reconciliation between different factions and groups of writers in October 1936. Several authors are discussed, including Zhang Henshui, Ping Jinya, Jin Yi, Wang Dulu, Qin Shou’ou, Zhang Ailing, Cheng Xiaoqing, and Yu Qie. It demonstrates that the popular literature of the time was highly diverse and frequently explored aspects of tradition, modernity, nationalism, character psychology and various narrative styles. Tradition and history were freed from being seen as the enemies of progress and were now used for playful entertainment as well as fostering national pride. Overall, the wartime period saw a collapse of the formerly sharp distinction between “new” and “old” literature and this allowed numerous authors to straddle such divides in novel ways.
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"30. A Flower Recalls Its Previous Incarnation: Remembering Zhang Ailing and Hu Lancheng." In The Columbia Sourcebook of Literary Taiwan, 442–45. Columbia University Press, 2014. http://dx.doi.org/10.7312/chan16576-161.

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"42. She Is a True Student of China: On Reading Zhang Ailing on Reading." In The Columbia Sourcebook of Literary Taiwan, 254–55. Columbia University Press, 2014. http://dx.doi.org/10.7312/chan16576-098.

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Pesaro, Nicoletta. "Another Type of ‘Old Tales Retold’." In Translating Wor(l)ds. Venice: Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-311-3/005.

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This papers deals with Zhang Ailing’s (1920-1995) posthumous novel, Xiao tuanyuan 小团圆 (Little Reunions), written in the ’70s of the last century but completed just before her death, finally published only in 2009, which is an example of the continuous manipulation of the same narrative materials used in previous works, and re-presented here through a politics of self-translation and self-intertextuality. In translating this novel one is confronted with a complex “mosaic of quotations” as Kristeva says, and self-quotations, and is dragged into a forest of meanings derived from the juxtaposition of a variety of external ‘voices’ that mix up with the internal voice of the author. This Bachtinian or babelian quality of the novel, in other words its pluri- and interdiscursivity, challenges the translator, who is called not only to reconstruct the original sources of the allusions, but is also caught between the need of disambiguation and the respect of the intertextual connections implied by the text; he/she has also to cope with the deliberate narrative fragmentation adopted by Zhang.
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Conference papers on the topic "Ailing Zhang"

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"The Influence of Traditional and Modern Cultures on Zhang Ailing’s Creation." In 2018 International Conference on Arts, Linguistics, Literature and Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icallh.2018.48.

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Wang, Yuyan, and Zhihai Ye. "Ann Hui’s Adaptation of Zhang Ailing’s Works: A Case Study of Love in a Fallen City." In International Conference on Arts, Humanity and Economics, Management (ICAHEM 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200328.048.

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