Academic literature on the topic 'Ainu poetry'

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Journal articles on the topic "Ainu poetry"

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Hartati, Solih. "Learning Responding to the Religious Values of Poetry "Ketika Engkau Bersembahyang" by Emha Ainun Nadjib." Alinea: Jurnal Bahasa, Sastra, dan Pengajaran 1, no. 2 (2018): 123. http://dx.doi.org/10.35194/alinea.v1i2.205.

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This article is intended to describe the learning respond religious value in poetry. The purpose of this study is to determine how test results and student feedback regarding religious values contained in Poetry When you pray Emha Ainun Nadjib work. This research uses descriptive method. The research objectives are students of class X-2 SMA PGRI Cianjur. Data collection techniques were used that technique tests and questionnaires. Based on the research that has been conducted on Learning Responding Value of Religious in Poetry "When you pray," Works emha ainun nadjib most students or nearly al
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Khoiro, Della Amaliya, Tantan Hermansyah, and Kiky Rizky. "Emha Ainun Nadjib and Sufism Communication: Congregation of Maiyah Kenduri Cinta as Case Study." Jurnal Ilmiah Syi'ar 22, no. 1 (2022): 56. http://dx.doi.org/10.29300/syr.v22i1.6383.

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This study answers questions about Sufism as a communication message for Emha Ainun Nadjib in the Ma'iyah Kenduri Cinta discussion group at Taman Ismail Marzuqi, Central Jakarta. This study uses a descriptive qualitative approach using data collection techniques: observation, interviews, and documentation. The theoretical basis uses narrative theory. Then the result is obtained. First, Emha Ainun Najib is a literary figure, more inclined to Sufism using Sufism literature when communicating with the congregation. Second, Emha Ainun Najib is a Sufi poet who is not much different from Sufi poets
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Dewi, Lusiana Puspa, and Achmad Yani. "Hermeneutic and Heuristic Review of Aina Adzhabu Poetryby Nizar Qobbani." Al-Fathin: Jurnal Bahasa dan Sastra Arab 6, no. 01 (2023): 108. http://dx.doi.org/10.32332/al-fathin.v6i01.6831.

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This research examines the poetry of Aina Azhabu by Nizzar Qabani, a Syrian poet. This poem tells about the character I who lost his girlfriend Dariya. However, there are still words and sentences that are difficult for readers to understand. Therefore, this poem is very suitable for analysis using riffaterre semiotic theory. The method used in this research is descriptive qualitative method. The data source used was a book entitled Qasayid Mutawahisha by Nizzar Qabbani, and the data source used was riffaterre semiotic theory, then the data collection technique used was library techniques. In
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Munajat, Riyan, Andrie Chaerul, and Imam Muhtarom. "ANALISIS GAYA BAHASA PADA ANTOLOGI PUISI 99 UNTUK TUHANKU DAN PEMANFAATANNYA SEBAGAI MEDIA PEMBELAJARAN." Jurnal Metamorfosa 10, no. 1 (2022): 22–38. http://dx.doi.org/10.46244/metamorfosa.v10i1.1729.

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The background of this research is the fact that language style learning is very important because in addition to helping students to be skilled in language, it can also help students understand literary works. The purpose of this study is to (1) describe the style of language in the poetry anthology “99 for my Lord” by Emha Ainun Nadjib. (2) describe the use of the results of the analysis as an audio-visual-based learning media in the form of animated videos for poetry learning. The research method used is qualitative. The data sources of this research are 10 poetry fragments contained in the
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Linati, Yusrina Ayu, and Yosi Wulandari. "PERBANDINGAN ANTARA PUISI “SAJAK JATUH CINTA” KARYA EMHA AINUN NADJIB DAN PUISI “SAJAK KECIL TENTANG CINTA” KARYA SAPARDI DJOKO DAMONO." RUANG KATA: Journal of Language and Literature Studies 2, no. 01 (2022): 49–60. http://dx.doi.org/10.53863/jrk.v2i01.384.

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Emha Ainun Nadjib's poem "The Sajak of Falling in Love" and Sapardi Djoko Damono's "Small Poem About Love" have many similarities and contrasts, which the authors of this study try to describe. Focus will be placed on comparing the poetic structure of the two works as part of a comparative literary study. This study uses a comparative research technique. Reading, listening, taking notes, and copying were used to obtain the data in this study. After all the data is collected, the data reduction process begins. It's time to examine the data we've collected and categorize it to make a final decis
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Rumidah, Pinulih Mulqi Anisawenda, Munaris Munaris, and Heru Prasetyo. "Analisis Foregrounding Pada Puisi “Antara Tiga Kota” Karya Emha Ainun Nadjib." J-CEKI : Jurnal Cendekia Ilmiah 3, no. 1 (2023): 17–23. http://dx.doi.org/10.56799/jceki.v3i1.1849.

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Dalam sebuah puisi, biasanya pengarang menggunakan foregrounding untuk menarik fokus perhatian pembaca. Selain itu, foregrounding juga digunakan pengarang sebagai sarana pengedepanan hal yang ingin disampaikan. Kajian ini bertujuan untuk mengungkap foregrounding dalam puisi “Antara Tiga Kota” karya Emha Ainun Nadjib. Untuk mencapai tujuan tersebut, kajian ini menggunakan pendekatan kualitatif. Teknik pengumpulan data menggunakan teknik catat. Hasil kajian menunjukkan bahwa dalam puisi “Antara Tiga Kota” karya Emha Ainun Nadjib terdapat banyak foregrounding yang dihasilkan dari gaya bahasa repe
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Rabbani, Ilham, and Hatindriya Hangganararas. "IDEOLOGI KEPENGARANGAN DALAM BUKU PUISI 99 UNTUK TUHANKU KARYA EMHA AINUN NADJIB." MIMESIS 2, no. 1 (2021): 38. http://dx.doi.org/10.12928/mms.v2i1.3550.

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The poetry book “99 untuk Tuhanku” which was first published in 1983 by Penerbit Pustaka – Perpustakaan Salman ITB Bandung, is the work of Emha Ainun Nadjib (EAN), a well-known writer from Indonesia. The figure of EAN is known for his writings, whether in the form of essays, prose, drama scripts, or poems that are religious, but at the same time critical in looking at the problems of life, including against power in Indonesia. This paper aims to dismantle the EAN Authorial Ideology in poetry book “99 untuk Tuhanku” by using the materialistic literary theory by Terry Eagleton. In dismantling th
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M. Chillah Syarifah Sakinah and Tri Indrayanti. "ANALISIS KUMPULAN PUISI “99 UNTUK TUHANKU” KARYA EMHA AINUN NADJIB: KAJIAN MIMETIK." Buana Bastra 6, no. 2 (2022): 29–37. http://dx.doi.org/10.36456/bastra.vol6.no2.a5037.

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The view of this mimetic approach is the assumption that poetry is an imitation of nature or depiction of the world and human life in the universe. the target studied is the extent to which poetry represents the real world or the universe and the possibility of intellectuality with other works. the relationship between reality and imagery in literature is a dialectical relationship. mimetic is not possible without creation, but creation is not possible without mimetics. doses and links between the two can differ in culture, time, literature, personality of the author, etc. but one without the
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Suyatno, Suyono. "Corak Feminisme Dua Sajak Penyair Laki-­Laki." ATAVISME 15, no. 2 (2012): 177–86. http://dx.doi.org/10.24257/atavisme.v15i2.58.177-186.

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Tujuan penelitian ini adalah untuk mendeskripsikan ketersebaran gagasan feminisme, yakni apakah gagasan tersebut juga menjangkau kaum lelaki? Penelitian ini menggunakan teori feminisme dan berpijak pada data berupa dua sajak yang ditulis penyair laki­laki, yakni sajak “Adam di Firdaus” karya Subagio Sastrowardojo dan sajak “Perempuan” karya Emha Ainun Nadjib. Hasil penelitian ini menunjukkan bahwa corak feminisme dalam puisi tidak hanya didominasi oleh penyair perempuan. Beberapa sajak yang ditulis oleh penyair laki­laki seperti Subagio Sastrowardojo dengan sajaknya "Adam di Firdaus" dan Emha
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Kuduma, Anda. "Kad vecenīte ar meitiņu sarunājas: Ainas Pāvulītes un Lauras Andersones dzeja." Aktuālās problēmas literatūras un kultūras pētniecībā rakstu krājums 27 (March 10, 2022): 27–36. http://dx.doi.org/10.37384/aplkp.2022.27.027.

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The article focuses on regional research, assessing the current cultural and literary process in Southern Kurzeme and Liepāja during the last three years and highlighting the perspective of the poetry process. In addition to the aspect of regional research, the theoretical and methodological basis of the article is the theories on the range of manifestations of feminine subjectivity and topics related to gender studies by feminist theorists and gender researchers. The article deals with the creative work of two Kurzeme poets, Aina Pāvulīte and Laura Andersone, who belong to different generatio
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Dissertations / Theses on the topic "Ainu poetry"

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Fletcher, Robin. "Yaeko Batchelor, Ainu evangelist and poet : a journey in biographical writing." Phd thesis, 2005. http://hdl.handle.net/1885/151501.

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Books on the topic "Ainu poetry"

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Quasha, George. Ainu dreams: Poems. Station Hill/Barrytown, 1999.

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Eiyū jojishi: Ainu, Nihon kara Yūrashia e. Miyai Shoten, 2018.

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Ainu no jojishi. Hokkaidō Shuppan Kikaku Sentā, 2012.

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Bunkaka, Hokkaidō Kyōikuchō. Oina, kamigami no monogatari. Hokkaidō Kyōiku Iinkai, 1990.

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Amakusa, Kikō. Yūkara kaikō: Ainu bungaku to Kajin Konaka Hideyuki no sekai. Shinhyōron, 2018.

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Atarashii Ajia no yokan: Ryūkyū kara sekai e. Fujiwara Shoten, 2019.

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Miyagawa, Torao. Aizu Yaichi. Kinokuniya Shoten, 1994.

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Aizu Yaichi Kantōshū hyōshaku. Tōkyōdō Shuppan, 2001.

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Ji, Birādāra Eṃ. Vīraśaiva sāhitya: Aidu lēkhanagaḷu. Citkaḷā Prakāśana, 1985.

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Aintu mūlaṅkaḷ: Nilam, nīr, neruppu, kār̲r̲u, vān̲am. Sunrays Promotions, 2002.

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Book chapters on the topic "Ainu poetry"

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"Chapter Twenty-Two. The Poetry Of Aizu Yaichi." In Essays on Japan. BRILL, 2011. http://dx.doi.org/10.1163/ej.9789004189775.i-505.62.

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Fujiwara, Gideon. "Seeing the “Country” of Tsugaru in Northeastern Japan." In From Country to Nation. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501753930.003.0002.

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This chapter chronicles the history of Hirosaki domain to late-Tokugawa times, charting rule by the Tsugaru clan and developments in the local politics, economy, society, and military defense of Ezo, which was inhabited by the Indigenous Ainu. Hirosaki domain represents a fascinating case of a “country” that underwent transformation within an evolving Japanese state. In the late sixteenth and early seventeenth centuries, the Tsugaru family asserted its dominance over its conquered territory on the northeastern edge of Japan's main island. They ingratiated themselves with the rulers of Japan by forming political alliances. The chapter also follows the story of how two merchant-class scholars navigated history: Hirao Rosen established himself as a painter and ethnographic researcher, and Tsuruya Ariyo made his name as a poet in local literati circles. The chapter traces how these young men learned from notable teachers, while yearning for the advanced scholarship of Edo. Through their artistic and scholarly works, Rosen and Ariyo expressed visions of their local “country” of Tsugaru embedded in a larger Japan.
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